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AG-AF100 28Mm Wide Lens
Contents 1. What change when you use the different imager size camera? 1. What happens? 2. Focal Length 2. Iris (F Stop) 3. Flange Back Adjustment 2. Why Bokeh occurs? 1. F Stop 2. Circle of confusion diameter limit 3. Airy Disc 4. Bokeh by Diffraction 5. 1/3” lens Response (Example) 6. What does In/Out of Focus mean? 7. Depth of Field 8. How to use Bokeh to shoot impressive pictures. 9. Note for AF100 shooting 3. Crop Factor 1. How to use Crop Factor 2. Foal Length and Depth of Field by Imager Size 3. What is the benefit of large sensor? 4. Appendix 1. Size of Imagers 2. Color Separation Filter 3. Sensitivity Comparison 4. ASA Sensitivity 5. Depth of Field Comparison by Imager Size 6. F Stop to get the same Depth of Field 7. Back Focus and Flange Back (Flange Focal Distance) 8. Distance Error by Flange Back Error 9. View Angle Formula 10. Conceptual Schema – Relationship between Iris and Resolution 11. What’s the difference between Video Camera Lens and Still Camera Lens 12. Depth of Field Formula 1.What changes when you use the different imager size camera? 1. Focal Length changes 58mm + + It becomes 35mm Full Frame Standard Lens (CANON, NIKON, LEICA etc.) AG-AF100 28mm Wide Lens 2. Iris (F Stop) changes *distance to object:2m Depth of Field changes *Iris:F4 2m 0m F4 F2 X X <35mm Still Camera> 0.26m 0.2m 0.4m 0.26m 0.2m F4 <4/3 inch> X 0.9m X F2 0.6m 0.4m 0.26m 0.2m Depth of Field 3. -
Astrophotography a Beginner’S Guide
Astrophotography A Beginner’s Guide By James Seaman Copyright © James Seaman 2018 Contents Astrophotography ................................................................................................................................... 5 Equipment ........................................................................................................................................... 6 DSLR Cameras ..................................................................................................................................... 7 Sensors ............................................................................................................................................ 7 Focal Length .................................................................................................................................... 8 Exposure .......................................................................................................................................... 9 Aperture ........................................................................................................................................ 10 ISO ................................................................................................................................................. 11 White Balance ............................................................................................................................... 12 File Formats .................................................................................................................................. -
Does Size Matter.Sanitized-20151026-GGCS
Does Size Matter? What’s New in Small Cameras and Should I Switch? Doug Kaye dougkaye.com [email protected] • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media The Acronyms • DSLR: Digital Single-Lens Reflex • MILC: Mirrorless Interchangeable-Lens Camera • APS-C: ~1.5x Crop-Factor Sensor Size • MFT: Micro Four-Thirds • LCD: Liquid Crystal Display (rear) • OVF: Optical Viewfinder • EVF: Electronic Viewfinder MILCs • Mirrorless • Interchangeable Lens • Autofocus • Electronic Viewfinder Who’s Who • The Old Guard • Nikon & Canon • The Upstarts • Sony & Fujifilm (Full-Frame and APS-C) • Olympus & Panasonic/Lumix (MFT) • Leica? Samsung? iPhone? DSLR vs. Mirrorless MILC History MILC History • 2004: Epson RD-1 (1st Mirrorless) • 2006: Leica M8 (1st Digital Leica) • 2008: Panasonic G1 (1st MFT) • 2009: Leica M9 (1st Full Frame) • 2010: Sony NEX-5 (1st M-APS-C, Hybrid AF) • 2012: Fuji X-Pro1 (Hybrid VF, X-Trans) • 2013: Olympus OM-D E-M1 • 2014: Sony a7S (High ISO), a7R (36MP) • 2015: Sony a7 II, a7R II, a7S II (Full-Frame IBIS) MILC Advantages • Smaller & Lighter • Simpler & Less Expensive • EVF vs. OVF • Always in LiveView Mode (WYSIWYG) • Accurate Autofocus • Quieter & Less Vibration • Simpler Wide-Angle Lens Designs • Compatible w/Other Lens Mounts MILC Disadvantages • EVF vs. OVF? • Continuous Autofocus Speed/Accuracy • Lack of Accessories • Legacy Wide-Angle Lens Issues Sensor Size • Full 35mm Frame (FF): 1x • APS-C: 1.5x • MFT: 2x Pixel Size • Larger Pixels Capture More Light • Higher ISO, Lower Noise • Broader Dynamic Range • 16MP APS-C = 36MP Full Frame • 16MP MFT = 64MP Full Frame Field of View (FoV) • Smaller sensors just crop the image. -
A Practical Guide to Panoramic Multispectral Imaging
A PRACTICAL GUIDE TO PANORAMIC MULTISPECTRAL IMAGING By Antonino Cosentino 66 PANORAMIC MULTISPECTRAL IMAGING Panoramic Multispectral Imaging is a fast and mobile methodology to perform high resolution imaging (up to about 25 pixel/mm) with budget equipment and it is targeted to institutions or private professionals that cannot invest in costly dedicated equipment and/or need a mobile and lightweight setup. This method is based on panoramic photography that uses a panoramic head to precisely rotate a camera and shoot a sequence of images around the entrance pupil of the lens, eliminating parallax error. The proposed system is made of consumer level panoramic photography tools and can accommodate any imaging device, such as a modified digital camera, an InGaAs camera for infrared reflectography and a thermal camera for examination of historical architecture. Introduction as thermal cameras for diagnostics of historical architecture. This article focuses on paintings, This paper describes a fast and mobile methodo‐ but the method remains valid for the documenta‐ logy to perform high resolution multispectral tion of any 2D object such as prints and drawings. imaging with budget equipment. This method Panoramic photography consists of taking a can be appreciated by institutions or private series of photo of a scene with a precise rotating professionals that cannot invest in more costly head and then using special software to align dedicated equipment and/or need a mobile and seamlessly stitch those images into one (lightweight) and fast setup. There are already panorama. excellent medium and large format infrared (IR) modified digital cameras on the market, as well as scanners for high resolution Infrared Reflec‐ Multispectral Imaging with a Digital Camera tography, but both are expensive. -
Hasselblad V to Fuji GFX Speedbosster Press
Metabones® Introduces Hasselblad V to Fuji G mount (GFX) Speed Booster® Press Release n Los Angeles, CA, USA, Aug 16, 2019: Caldwell Photographic Inc. and Metabones® are pleased to announce a new Speed Booster® Ultra 0.71x, exclusively designed for the exciting new Fuji GFX medium format camera. The initial version is specifically optimized for use with the famous Hasselblad V series lenses. This new Speed Booster uses an advanced 6-element design to achieve excellent optical performance at apertures up to f/1.4 when paired with the Hasselblad 110mm f/2 lens. Although the Fuji GFX uses an extremely large sensor, it is nevertheless significantly smaller than the 6x6 cm film format. The new Speed Booster Ultra 0.71x is an ideal match for 6x6 Hasselblad V lenses since they can now be fully utilized as they were originally designed when mounted to the Fuji GFX. Unlike 35mm format lenses used on the Fuji GFX via glassless adapters, Hasselblad V lenses adapted to the GFX via the Speed Booster Ultra are completely free of disturbing vignetting and other corner issues. In addition to increasing the field of view and lens speed, the new Speed Booster Ultra achieves superb performance by being carefully matched to the unique optical characteristics of the Hasselblad V lenses. All of the Hasselblad V lenses were analyzed for exit pupil size and location, and this was fully taken into account in the new Speed Booster Ultra for the Fuji GFX. This approach dictated the use of extremely large lens elements throughout in order to avoid vignetting and maintain high quality imagery into the corners, but the results speak for themselves. -
Innovation and Recurring Shifts in Industrial Leadership: Three Phases of Change and Persistence in the Camera Industry*
Innovation and Recurring Shifts in Industrial Leadership: Three Phases of Change and Persistence in the Camera Industry* Hyo Kang† Jaeyong Song‡ Forthcoming in Research Policy 46(2), 2017 Abstract This study examines factors underlying three phases of change/persistence in industrial leadership in the segment of interchangeable-lens cameras over the past century. During this period there were two major phases of leadership change, both associated with the emergence of innovations involving major discontinuities in the industry’s core technologies. First, Japan won market leadership from Germany in the mid-1960s after commercializing the single-lens reflex (SLR) camera that replaced the previously dominant German rangefinder camera. Second, in the late-2000s, Japanese latecomer firms and a Korean firm developed Mirrorless cameras, which allowed them to capture the majority of market shares from the incumbent Japanese leaders. We also examine the long period (about 60 years) between these two phases of change, during which leading Japanese firms were able to sustain their market leadership despite the digital revolution from the 1980s to 1990s. This paper explores the factors influencing these contrasting experiences of change and persistence in industry leadership. The analysis integrates several aspects of sectoral innovation systems – i.e., windows of opportunity associated with technology, demand, and institution – as well as the strategies of incumbents and latecomer firms. The conclusions highlight the complex and diverse combinations and importance of the factors that help explain the patterns of leadership shift. Keywords: catch-up cycle; industrial leadership; innovation; interchangeable-lens camera JEL: N70, L63, O33 * This research has been supported by the Center for Global Business and Research, Seoul National University. -
Versatile As a Swiss Army Knife
TECHNOLOGY LENSES VERsatILE AS A SWIss ARMY KNIFE Hasselblad’s new superstar lens isn’t even a real lens: The HTS 1.5 took its makers through uncharted The ingenious HTS 1.5 tilt and territory. It’s the first HC/HCD lens shift adapter enables you to tilt by adapter makes it possible for five HC/HCD lenses to tilt and shift. Plus: ever to employ glass elements with ±10 degrees or shift by ±18 mm. a new universal zoom lens, the HCD 4-5.6/35-90 Aspherical now rounds aspherical surfaces. Aspherical sur- You decide whether you want to faces are known to provide the lens be well-behaved and use it for off the already sizable palette of H lenses. designer with more options, usually perspective corrections or break resulting in more compact designs the rules and place the focal plane with fewer elements. However, it was in unexpected positions BY HANNS W. FRIEDRICH and that creates a big enough mar- to the adapter – tilt, shift and rota- only until recently that aspherical gin for tilting and shifting, while also tion – is registered by sensors and lenses could be made to the required preserving the character of the lens. saved in the image meta data. Every sizes. Compared with the HC 3.5- What use is the best camera with- Mounted on the HTS 1.5, the HCD aberration that arises from the opti- 4.6/50-110, the new zoom lens offers out the best lens? Of course, the lens 4/28 remains a genuine wide-angle cal system as a whole is corrected more wide-angle while being thinner alone won’t create an image – the lens with a 71-degree diagonal and in the computer software thanks to and about one third lighter. -
Back to Basics Information Camera Types/Sensors Sensors & Crop Factor
Information ❖ https://www.cambridgeincolour.com ❖ “Understanding Photography” by S. T. McHugh, 2019 Basic ideas of photography Back to Basics February 25, 2019 Camera Types/Sensors Sensors & Crop Factor ❖ Full frame cameras: Nikon D750 and D8xx, Canon 5D and 6D, Sony Alpha ❖ A full frame sensor is the size of Full frame sensor A7r III, and new Nikon and Canon mirrorless. a 35 mm slide ❖ ❖ Crop frame cameras: all of the rest! APS-C sensors are smaller by some factor. Nikon and Fuji ❖ Mirrorless cameras — full- and crop-frame sensors are (1/1.5) or 2/3 the size of a full-frame. Canon uses 24 mm ❖ Nikon Z6 and Z7, Canon EOS R (1/1.6). ❖ Fuji X-T3, X-T30, Olympus, Sony, …….. ❖ Crop factor = sensor’s diagonal size compared with full-frame ❖ Reflex cameras (have a mirror) tends to be heavier and more expensive. 35-mm sensor. 36 mm Crop Factor & Multiplier Crop Factor & Multiplier ❖ Using an APS-C sensor crops out much of ❖ The focal length multiplier relates to the image. the focal length of a lens used on a ❖ But, advantage is that the sensor is best in small format to a 35 mm lens the middle. producing an equivalent angle of ❖ Full-frame sensors are MUCH more view. expensive .. but generally much better. ❖ EXAMPLE: 18-55 mm lens on Fuji is ❖ File sizes on crop frame cameras are smaller about equivalent to a 24-70 mm lens (e.g., 25 MB vs. 50 MB). on a Nikon D810. Or 200 mm lens on ❖ Smaller sensors can use lighter lenses b/c Fuji is the same as a 300 mm lens on a the image covers less of the sensor. -
Photogrammetry As a Surveying Technique
PHOTOGRAMMETRY AS A SURVEYING TECHNIQUE APPLIED TO HERITAGE CONSTRUCTIONS RECORDING - ADVANTAGES AND LIMITATIONS VOLUME II João Ricardo Neff Valadares Gomes Covas Dissertação de Natureza Científica para obtenção do Grau de Mestre em ARQUITECTURA Orientação Professor Auxiliar Luis Miguel Cotrim Mateus Professor Auxiliar Victor Manuel Mota Ferreira Constituição do Júri Presidente: Professor Auxiliar Jorge Manuel Tavares Ribeiro Vogal: Professora Auxiliar Cristina Delgado Henriques DOCUMENTO DEFINITIVO Lisboa, FAUL, Dezembro de 2018 PHOTOGRAMMETRY AS A SURVEYING TECHNIQUE APPLIED TO HERITAGE CONSTRUCTIONS RECORDING - ADVANTAGES AND LIMITATIONS VOLUME II João Ricardo Neff Valadares Gomes Covas Dissertação de Natureza Científica para obtenção do Grau de Mestre em ARQUITECTURA Orientação Professor Auxiliar Luis Miguel Cotrim Mateus Professor Auxiliar Victor Manuel Mota Ferreira Constituição do Júri Presidente: Professor Auxiliar Jorge Manuel Tavares Ribeiro Vogal: Professora Auxiliar Cristina Delgado Henriques DOCUMENTO DEFINITIVO Lisboa, FAUL, Dezembro de 2018 INDEX OF CONTENTS Index of Contents ........................................................................................................................... i Index of Figures ............................................................................................................................. v Index of Tables ............................................................................................................................. vii ANNEX 1 – ADDITIONAL TEXTS – STATE -
CMOS Image Sensors - Past Present and Future
CMOS Image Sensors - Past Present and Future Boyd Fowler, Xinqiao(Chiao) Liu, and Paul Vu Fairchild Imaging, 1801 McCarthy Blvd. Milpitas, CA 95035 USA Abstract sors. CMOS image sensors can integrate sensing and process- In this paper we present an historical perspective of CMOS ing on the same chip and have higher radiation tolerance than image sensors from their inception in the mid 1960s through CCDs. In addition CMOS sensors could be produced by a vari- their resurgence in the 1980s and 90s to their dominance in the ety of different foundries. This opened the creative flood gates 21st century. We focus on the evolution of key performance pa- and allowed people all over the world to experiment with CMOS rameters such as temporal read noise, fixed pattern noise, dark image sensors. current, quantum efficiency, dynamic range, and sensor format, The 1990’s saw the rapid development of CMOS image i.e the number of pixels. We discuss how these properties were sensors by universities and small companies. By the end of improved during the past 30 plus years. We also offer our per- the 1990’s image quality had been significantly improved, but spective on how performance will be improved by CMOS tech- it was still not as good as CCDs. During the first few years of nology scaling and the cell phone camera market. the 21st century it became clear that CMOS image sensor could out–perform CCDs in the high speed imaging market, but that Introduction their performance still lagged in other markets. Then, the devel- MOS image sensors are not a new development, and they opment of the cell phone camera market provided the necessary are also not a typical disruptive technology. -
Book VI Image
b bb bbb bbbbon.com bbbb Basic Photography in 180 Days Book VI - Image Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Visual arts ............................................... 1 1.1.1 Education and training .................................... 1 1.1.2 Drawing ............................................ 1 1.1.3 Painting ............................................ 3 1.1.4 Printmaking .......................................... 5 1.1.5 Photography .......................................... 5 1.1.6 Filmmaking .......................................... 6 1.1.7 Computer art ......................................... 6 1.1.8 Plastic arts .......................................... 6 1.1.9 United States of America copyright definition of visual art .................. 7 1.1.10 See also ............................................ 7 1.1.11 References .......................................... 9 1.1.12 Bibliography ......................................... 9 1.1.13 External links ......................................... 10 1.2 Image ................................................. 20 1.2.1 Characteristics ........................................ 21 1.2.2 Imagery (literary term) .................................... 21 1.2.3 Moving image ......................................... 22 1.2.4 See also ............................................ 22 1.2.5 References .......................................... 23 1.2.6 External links ......................................... 23 2 Day 2 24 2.1 Digital image ............................................ -
Optical Product News
Marshall Electronics OPTICAL SYSTEMS DIVISION PRODUCT NEWS V-ZPL06 / V-ZPL12 / V-ZPL1050 / V-ZPL-214 / V-ZPL-318 High Tech Zoom Pinhole Lenses • Available in 4-20mm Zoom or 10-50mm Zoom • High Quality Glass Elements • Removable push-on cap also acts as mounting • For 1/3” CCD with CS-Mount support • 7-12VDC operation • Manual or Motorized Control • 6” and 12” Long • Used for Industrial and Security Applications V-ZPL-214 / V-ZPL-214MZ V-ZPL-318 / V-ZPL-318MZ These lenses are ideal for those tough situations where the camera must be hidden and provide any angle of view between 4-20mm or 10-50mm. Although designed for 1/3” electronic iris cameras, these lenses are also useful on 1/2” cameras where they can provide up to a 120 degree horizontal field of view at 4mm. The V-ZPL06-MZ/ tip of the pinhole is built in to a removable push-on cap that also acts as a mounting support and protects V-ZPL06 the main optical system from damage. The motorized MZ series requires 7-12VDC to power the zoom motor. Recommended voltage is 9VDC. * f-stop = focal length / 1.6 Specifications - High Tech Zoom Pinhole Lenses Part No Range Control F-Stop O.D. x L V-ZPL-06 4-20mm Manual f2.5@4mm* 0.787” x 4” V-ZPL1050-MZ/ V-ZPL-06MZ 4-20mm Motorized f2.5@4mm* 0.787” x 4” V-ZPL1050 V-ZPL-12 4-20mm Manual f2.5@4mm* 0.787” x 13” V-ZPL-12MZ 4-20mm Motorized f2.5@4mm* 0.787” x 13” V-ZPL-1050 10-50mm Manual f2.5@10mm* 0.787” x 4.50” V-ZPL-1050MZ 10-50mm Motorized f2.5@10mm* 0.787” x 4.50” V-ZPL-214 2.8-14mm Manual f2.5@4mm* 0.79” x 3.56” V-ZPL12-MZ/ V-ZPL12 V-ZPL-214MZ 2.8-14mm Motorized f2.5@4mm* 0.79” x 3.56” V-ZPL-318 3.6-18mm Manual f2.5@4mm* 0.79” x 3.56” V-ZPL-318MZ 3.6-18mm Motorized f2.5@4mm* 0.79” x 3.56” V-ZPL-05-12 V-ZPL-05-01 Mini zoom pinhole lens Mini zoom pinhole lens with fixed pinhole cap V-ZPL-05-01 / V-ZPL-05-02 / V-ZPL-05-12 with removable pinhole cap Mini Zoom Pinhole Lenses Specifications - Mini Zoom Pinhole Lenses Image Sensor Part No.