Neupane 1 Chapter I Locating Setting and Its Role in Drama a Setting Is
Neupane 1 Chapter I Locating Setting and its Role in Drama A setting is just a beautiful thing, a collection of beautiful things. It is a presence, a mood, a warm wind fanning the drama to flame. It echoes, it enhances, it animates. It is an expectancy, a foreboding, a tension. It says nothing, but it gives everything. (Jones 26) An American scenic, lighting and costume designer, Robert Edmond Jones in his book The Dramatic Imagination (1941) exposes the basic sense of setting in drama. In another context, Jones states, "A stage setting has no independent life of its own. Its emphasis is directed toward the performance. In the absence of the actor it does not exist. Strange as it may seem, the simple and fundamental principle of stage design still seems to be widely misunderstood. " (Qtd. in Cohen, 122). The visions of setting and its significance are not defined clearly. On the one hand, Jones explains setting as an element that describes every emotion of the performance. On the other hand, he describes setting has no independent existence in absence of the performance and actor. Therefore, there is no clear perception on the importance of setting in drama. Since the setting is the crucial part of any text, it cannot be omitted or analyzed separately from the meaning. Kari K Pitkanen in The Spatio-Temporal Setting in Written Narrative Fiction brings the references of various researchers to introduce setting. He presents setting as such: For several researchers including e.g. Labov & Waletsky (1967), Rumelhart (1975: 213) and Van Dijk (1980), a setting is a text-initial, structural macro- unit that describes the starting point and surroundings for a story by providing the main character, the spatio-temporal location and other necessary information.
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