Ella Fitzgerald Verve Jazz Masters 6 Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Ella Fitzgerald Verve Jazz Masters 6 Mp3, Flac, Wma Ella Fitzgerald Verve Jazz Masters 6 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Verve Jazz Masters 6 Country: Germany Released: 1993 Style: Big Band, Contemporary Jazz, Swing MP3 version RAR size: 1494 mb FLAC version RAR size: 1265 mb WMA version RAR size: 1776 mb Rating: 4.7 Votes: 612 Other Formats: AHX ADX APE WMA MP4 MIDI MP3 Tracklist Hide Credits I Hear Music 1 Alto Saxophone – Ronnie Lang*Arranged By, Conductor – Nelson RiddleOrchestra – Nelson 2:18 Riddle's Orchestra*Written-By – Burton Lane, Frank Loesser I Ain't Got Nothin' But The Blues Alto Saxophone – Johnny Hodges, Russell ProcopeBaritone Saxophone – Harry CarneyBass – Jimmy WoodeClarinet – Jimmy HamiltonDrums – Sam WoodyardOrchestra – Duke 2 4:39 Ellington And His OrchestraPiano – Ellington*Tenor Saxophone – Jimmy Hamilton, Paul GonsalvesTrombone – Britt Woodman, John Sanders, Quentin JacksonTrumpet – Cat Anderson, Clark Terry, Ray Nance, Willie CookWritten-By – Don George, Duke Ellington Ev'rything I've Got 3 Bass – Joe MondragonDrums – Alvin StollerGuitar – Barney KesselPiano – Paul Smith 3:20 Written-By – Richard Rodgers-Lorenz Hart* I Loves You Porgy 4 Arranged By – Garcia*Orchestra – Russell Garcia's Orchestra*Written-By – DuBose 4:33 Heyward, George and Ira Gershwin* Mack The Knife 5 Bass – Wilfred MiddlebrooksDrums – Gus JohnsonGuitar – Jim HallPiano – Paul Smith 4:43 Written-By – Bertolt Brecht, Kurt Weill, Marc Blitzstein I'm Putting All My Eggs In One Basket 6 Bass – Ray BrownDrums – Louis BellsonGuitar – Herb EllisPiano – Oscar PetersonVocals – 3:24 Louis ArmstrongWritten-By – Irving Berlin The Man That Got Away Arranged By, Conductor – May*Bass – Joe MondragonDrums – Alvin StollerGuitar – Al 7 5:16 Hendrickson, John Collins Orchestra – Billy May's Orchestra*Piano – Paul Smith Written-By – Harold Arlen, Ira Gershwin Just You, Just Me Alto Saxophone – Bud ShankArranged By, Conductor – Paich*Baritone Saxophone – Med FloryBass – Joe MondragonDrums – Mel LewisFrench Horn – Vince De Rosa*Orchestra – 8 2:19 The Marty Paich Dek-TettePiano – Lou LevyTenor Saxophone – Bill HolmanTrumpet – Al Porcino, Don FagerquistTuba – John KitzmillerValve Trombone, Tenor Saxophone – Bob EnevoldsenWritten-By – Jesse Greer, Raymond Klages I've Got The World On A String Alto Saxophone – Ted Nash Arranged By, Conductor – May*Bass – Joe MondragonDrums – 9 4:48 Alvin StollerGuitar – Al Hendrickson, John Collins Orchestra – Billy May's Orchestra*Piano – Paul Smith Written-By – Harold Arlen, Ted Koehler A-Tisket, A-Tasket 10 Arranged By, Conductor – DeVol*Orchestra – Frank DeVol's Orchestra*Written-By – Al 2:19 Feldman, Ella Fitzgerald These Foolish Things 11 Bass – Ray BrownDrums – Louis BellsonGuitar – Herb EllisPiano – Oscar PetersonWritten- 7:35 By – Harry Link, Holt Marvell, Jack Strachey Heat Wave 12 Arranged By, Conductor – Paul Weston Orchestra – Paul Weston's Orchestra*Written-By – 2:21 Irving Berlin I Never Had A Chance 13 Arranged By, Conductor – DeVol*Orchestra – Frank DeVol 's Orchestra*Written-By – Irving 2:45 Berlin How High The Moon? 14 Bass – Wilfred MiddlebrooksDrums – Gus JohnsonGuitar – Jim HallPiano – Paul Smith 6:57 Written-By – Morgan Lewis, Nancy Hamilton In The Evening (When The Sun Goes Down) 15 Bass – Ray BrownDrums – Gus JohnsonGuitar – Herb EllisOrgan – Wild Bill DavisTrumpet – 4:27 Roy EldridgeWritten-By – Leroy Carr Signing Off 16 Written By – Alistar Campbell, Brian Travers, Jim Brown, Michael Virtue, Norman Hassan, 3:47 Robin CampbellWritten-By [Uncredited] – Jessyca Russell, Leonard Feather Companies, etc. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Made By – PMDC, Germany Credits Art Direction – Sheryl Lutz-Brown Coordinator [Design] – Suzanne Bender Design [Art] – Christina Lage, Étsuko Iseki Liner Notes [Edited By] – Peter Pullman Liner Notes, Compiled By [Compilation Selected And Sequenced By] – Kevin Whitehead Mastered By – Suha Gur Producer [Additional Production Assistance] – Aric Lach Morrison, Jon Shapiro Producer [Original Recordings Produced By] – Norman Granz Supervised By [Compilation] – Michael Lang Notes Track 16: Writer credits are incorrect. It should be: "Jessyca Russell" and "Leonard Feather", see the record regarding 'Signing Off'. This compilation (P)1993 Polygram Records, Inc. (C)1993 Polygram Records, Inc. This release comes with a booklet with Ella's biography and a comment on this selected songs. Barcode and Other Identifiers Barcode: 7 31451 98222 4 Rights Society: BIEM / STEMRA Label Code: LC 0383 Other (Distribution Code): POL 899 Matrix / Runout: 519 822-2 01 + MADE IN GERMANY BY PMDC M Mould SID Code: IFPI 01G2 Other versions Category Artist Title (Format) Label Category Country Year Ella Verve Jazz Masters Verve 519 822-2 519 822-2 Netherlands Unknown Fitzgerald 6 (CD, Comp) Records 314 519 Ella Verve Jazz Masters Verve 314 519 US 1994 822-2 Fitzgerald 6 (CD, Comp) Records 822-2 314 519 Ella Verve Jazz Masters Verve 314 519 US 1994 822-2 Fitzgerald 6 (CD, Comp, Club) Records 822-2 Related Music albums to Verve Jazz Masters 6 by Ella Fitzgerald 1. Duke Ellington And His Orchestra - The Duke's D.J. Special 2. Duke Ellington - Live At The 1957 Stratford Festival 3. Duke Ellington And His Orchestra - A Drum Is A Woman 4. Duke Ellington And His Orchestra - Newport 1958 5. Duke Ellington And His Orchestra - Festival Session 6. Duke Ellington And His Orchestra - Ellington At Newport 7. Duke Ellington - One Night Stand With Duke Ellington 8. Duke Ellington And His Orchestra Featuring Dizzy Gillespie, Johnny Hodges, Jimmy Rushing and Jimmy Jones - Ellington Jazz Party 9. Duke Ellington - Duke Ellington Presents... 10. Duke Ellington - Blues In Orbit.
Recommended publications
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • 1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
    GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement.
    [Show full text]
  • Lead Belly November 1-7, 2004
    September/October 2004 Issue 270 Free 30th Anniversary Year www.jazz-blues.com Ninth Annual American Music Masters Shine A Light On Me, the Life and Legacy of Lead Belly November 1-7, 2004 Lead Belly September/October 2004 • Issue 270 Ninth Annual American Music Masters Shine A Light On Me, the Life and Legacy of Lead Belly November 1-7, 2004 Presented by the Rock and Roll Hall of Fame and Museum and Case Published by Martin Wahl Communications ead Belly was inducted into the feur (for John Lomax) and occasional per- Editor & Founder Bill Wahl Rock and Roll Hall of Fame former. During the last 15 years of his life, Land Museum in 1988. The he found an appreciative new audience in Layout & Design Bill Wahl Rock Hall will celebrate Lead Belly’s the leftist folk community, befriending the legacy in their Ninth Annual American likes of Woody Guthrie and Pete Seeger. Operations Jim Martin Music Masters, this November. Lead Much like Guthrie, he performed for politi- Pilar Martin Belly was one of the most influential art- cal rallies and labor unions in his later ists of the twentieth century. An emblem years. His keening, high-pitched vocals and Contributors of American Folk music, Lead Belly had powerful, percussive guitar playing com- Michael Braxton, Mark Cole, Chris a profound influence on artists such as manded attention, and he became known Hovan, Nancy Ann Lee, David Muddy Waters, Pete Seeger, Neil Young, as “the King of the Twelve-String Guitar.” McPherson, Peanuts, Mark Bob Dylan, George Harrison and Kurt Lead Belly recorded for a variety of labels, Smith, Duane Verh and Ron Cobain.
    [Show full text]
  • Guide to the Felix Grant Collection
    Guide to the Felix Grant Collection NMAH.AC.0410 Ben Nicastro and Scott Schwartz 1996 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical/Historical note.............................................................................................. 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Felix Grant Collection, [sound recordings] NMAH.AC.0410 Collection Overview Repository: Archives Center, National Museum of American History Title: Felix Grant Collection, [sound recordings] Identifier: NMAH.AC.0410 Date: 1935-1985 Creator: Grant, Felix, 1918-1993 Ellington, Duke, 1899-1974 Extent: 4.3 Cubic feet (6 boxes) Language: English . Summary: Collection consists of 128 albums featuring
    [Show full text]
  • Дўðº Елинð³ñ‚Ñšð½ Ð​лбуð¼ Ñ​пиÑ​Ñšðº (Ð
    Дюк Елингтън ÐÐ​ »Ð±ÑƒÐ¼ ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Ð ´Ð¸ÑÐ​ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ​ ‚а & график) https://bg.listvote.com/lists/music/albums/duke-ellington-%26-john-coltrane- Duke Ellington & John Coltrane 2473088/songs Such Sweet Thunder https://bg.listvote.com/lists/music/albums/such-sweet-thunder-833545/songs Black, Brown and Beige https://bg.listvote.com/lists/music/albums/black%2C-brown-and-beige-3640656/songs https://bg.listvote.com/lists/music/albums/duke-ellington-meets-coleman-hawkins- Duke Ellington Meets Coleman Hawkins 3716164/songs Dance to the Duke! https://bg.listvote.com/lists/music/albums/dance-to-the-duke%21-5215314/songs https://bg.listvote.com/lists/music/albums/first-time%21-the-count-meets-the-duke- First Time! The Count Meets the Duke 5453893/songs Ellington '55 https://bg.listvote.com/lists/music/albums/ellington-%2755-5365430/songs Liberian Suite https://bg.listvote.com/lists/music/albums/liberian-suite-6541181/songs Masterpieces by Ellington https://bg.listvote.com/lists/music/albums/masterpieces-by-ellington-6785409/songs Ellington '66 https://bg.listvote.com/lists/music/albums/ellington-%2766-5365407/songs It Don't Mean a Thing If It Ain't Got That https://bg.listvote.com/lists/music/albums/it-don%27t-mean-a-thing-if-it-ain%27t-got- Swing that-swing-6091720/songs Blues in Orbit https://bg.listvote.com/lists/music/albums/blues-in-orbit-886050/songs Duke Ellington Presents... https://bg.listvote.com/lists/music/albums/duke-ellington-presents...-5312769/songs The Duke Plays Ellington https://bg.listvote.com/lists/music/albums/the-duke-plays-ellington-7731175/songs Swinging Suites by Edward E.
    [Show full text]
  • Duke Ellington Duke Ellington Presents... Mp3, Flac, Wma
    Duke Ellington Duke Ellington Presents... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Duke Ellington Presents... Country: US Released: 1956 Style: Swing, Big Band MP3 version RAR size: 1942 mb FLAC version RAR size: 1497 mb WMA version RAR size: 1813 mb Rating: 4.9 Votes: 492 Other Formats: MP1 MOD AU AIFF TTA VOC XM Tracklist Hide Credits A1 Summertime A2 Laura I Can't Get Started A3 Vocals – Ray Nance A4 My Funny Valentine Everything But You A5 Vocals – Jimmy Grissom A6 Frustration B1 Cotton Tail B2 Day Dream B3 Deep Purple B4 Indian Summer B5 Blues Credits Alto Saxophone – Johnny Hodges Bass – Jimmy Woode Bass Clarinet, Baritone Saxophone – Harry Carney Clarinet, Alto Saxophone – Russell Procope Clarinet, Tenor Saxophone – Jimmy Hamilton Drums – Sam Woodyard Piano – Duke Ellington Tenor Saxophone – Paul Gonsalves Trombone – Britt Woodman, John Saunders*, Quentin Jackson Trumpet – Cat Anderson, Clark Terry, Willie Cook Trumpet, Violin – Ray Nance Notes Recorded February 1956 Other versions Category Artist Title (Format) Label Category Country Year Duke Ellington Duke Bethlehem BCP-6005 Presents... (LP, Album, BCP-6005 US 1956 Ellington Records Mono) Duke Ellington Duke DK 37470 Presents... (CD, Album, Shout! Factory DK 37470 US 2005 Ellington RE) Duke Ellington Duke Bethlehem LLC 1009 Presents... (LP, Album, LLC 1009 Japan 1956 Ellington Records Mono) Duke Ellington Duke CJS 813 Presents... (LP, Album, Ember Records CJS 813 UK 1965 Ellington RE) Duke Duke Ellington Moods 20359 Polydor 20359 Argentina Unknown Ellington (LP, Album) Related Music albums to Duke Ellington Presents... by Duke Ellington 1. Duke Ellington And His Orchestra - The Duke's D.J.
    [Show full text]
  • The Cambridge Companion to Duke Ellington Edited by Edward Green Frontmatter More Information
    Cambridge University Press 978-0-521-88119-7 - The Cambridge Companion to Duke Ellington Edited by Edward Green Frontmatter More information The Cambridge Companion to Duke Ellington Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington’s career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington’s life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and songwriting, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer’s life and major recordings, this book is essential reading for anyone with an interest in Ellington’s enduring artistic legacy. edward green is a professor at Manhattan School of Music, where since 1984 he has taught jazz, music history, composition, and ethnomusicology. He is also on the faculty of the Aesthetic Realism Foundation, and studied with the renowned philosopher Eli Siegel, the founder of Aesthetic Realism. Dr. Green serves on the editorial boards of The International Review of the Aesthetics and Sociology of Music, Haydn (the journal of the Haydn Society of North America), and Проблемы Музыкальной Науки (Music Scholarship), which is published by a consortium of major Russian conservatories, and is editor of China and the West: The Birth of a New Music (2009).
    [Show full text]
  • Collection of LP Sound Discs, 1958-1988
    http://oac.cdlib.org/findaid/ark:/13030/tf5v19p05v No online items Finding Aid for the Collection of LP sound discs , 1958-1988 Collection processed and machine-readable finding aid created by Performing Arts Special Collections staff. UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2002 The Regents of the University of California. All rights reserved. Note Arts and Humanities--Music Finding Aid for the Collection of 173 1 LP sound discs , 1958-1988 Finding Aid of the Collection of LP sound discs, 1958-1988 Collection number: 173 UCLA Library, Performing Arts Special Collections University of California, Los Angeles Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: UCLA Library, Performing Arts Special Collections staff Encoded by: Bryan Griest © 2002 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Collection of LP sound discs, Date (inclusive): 1958-1988 Collection number: 173 Creator: Extent: 755 boxes (377.5 linear ft.) Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Abstract: This collection consists of LP sound discs Physical location: Stored off-site at SRLF.
    [Show full text]
  • Development of Materials for a One Year Course in African Music for the General Undergraduate Student
    DOCUMENT RESUME ED 045 042 24 HE 001 879 AUTHOR Butcher, Vada E.; And Others TITLE Development of Materials for a One Year Course in African Music for the General Undergraduate Student. Final Report. INSTITUTION Howard Univ., Washington, D.C. SPONS AGENCY Office of Education (DHEW) , Washington, D.C. Bureau of Research. BUREAU NO PR-6-1779 PUB DATE Sep 70 CONTRACT OEC0-8-061779-2821 NOTE 242p. FDRS PRICE. 7rRs Price MF-$1.00 HC-$12.20 DESCRIPTORS. *African American Studies, *A.Erican Culture, *Curriculum Development, Curriculum Guides, *Higher Education, Instructional Materials; *Music, Music Education, Undergraduate Study IDENTIFIERS *Africa ABSTRACT The major objective of the Project in African Music at Howard University was to develop materials for a course in African music designed for General Education curricula in institutions of higher education. The project was expanded to include the development of materials on African-derived music and to make the materials adaptable for use in secondary schools. The report includes background!of the study, methods of collecting and developing materials, workshops and pilot courses, and results of the educational evaluation report sent to all workshop participants. Appendix A lists the collection of African traditional instruments gathered from Nigeria, Ghana, and Uganda. Appendix B includes materials developed by the project. The workshop program, auestionnaires, questionnaire recipients, and a press release conclude the report. (AF) 1,e e- 77(7 e,9 2_ id FINAL REPORT Project No. 6-1779 Contract No. 0-8-061779-2821 DEVELOPMENT OF MATERIALS FOR A ONE YEAR COURSE IN AFRICAN MUSIC FOR THE GENERAL UNDERGRADUATE STUDENT (PROJECT IN AFRICAN MUSIC) by Veda E.
    [Show full text]
  • Summer Camps, Institutes & Programs
    2021 Guide to SUMMER CAMPS, INSTITUTES & PROGRAMS November 2020 Editor’s Note 2021 Guide to Summer 2021 promises to be intense. By then, having spent well over a year in a holding pattern while waiting (hoping, praying) for COVID-19 to dissipate, artists and their audiences will be hungry for the opportunity to perform, rehearse, teach, and/or listen to live music in a SUMMER CAMPS, shared environment. Fortunately, there are many opportunities being planned, and our annual INSTITUTES & PROGRAMS guide to summer camps, institutes, and programs lists nearly 300 possibilities. Keeping in mind that we assemble the information from these organizations months in advance to help you plan your summer experience, it’s always a good idea to check their individual websites before plunking down $5000 to sing in the South of France or, at the other end of the range of choices, signing up for a tuition-free youth orchestra in Los Angeles. As ever, the options are wide and enticing. As an avid (amateur) chorister, I’ve been eyeing Berkshire Choral International, which traditionally offers several major choral works to sing during specific time periods in specific locales with different conductors: Verdi in Italy, Poulenc in France, Janáček in the Czech Republic. The options for pros and/or serious students of the artform are also plentiful. Some programs specialize in strings only (check out Your Body is Your Strad—no audition required), some in bel canto (in Florence, no less!), some in marimba (Portugal), some in all disciplines (big guns, like Tanglewood and Aspen). There’s a two-week young women’s (ages 14-19) composers’ camp in Pennsylvania, a bilingual Thanksgiving camp in Québec, and we’d be remiss if we didn’t include the Beethoven Bootcamp in Virginia.
    [Show full text]
  • Upper Island Musical Festival Preamble
    90 th Anniversary 1928 – 2018 UPPER ISLAND MUSICAL FESTIVAL FEBRUARY 17 - APRIL 14, 2018 Dance Gala – Saturday, April 7, 2018 90 th Anniversary Honours Concert – Saturday, April 14, 2018 PROGRAMME - $5.00 UPPER ISLAND MUSICAL FESTIVAL PREAMBLE AIMS OF THE ASSOCIATION The Upper Island Musical Festival is a volunteer-run, non-profit society whose purpose is to advance, promote and develop the Musical Competition Festival movement and to encourage the study and practice of music, dancing, and speech & dramatic arts. For 90 years, we have been organizing an annual festival to carry out these aims in Nanaimo and for the surrounding area. We quote from the Digest Report of the Federation of Canadian Musical Festivals: “Competition is essential in the conduct of a Festival. No non-competitive means can raise the same standard of performance to the same degree or create the same interest in striving to attain the highest levels of performance and appreciation. Competition is a means to an end and is not to be stressed to the exclusion of the Festival spirit. It is a means of pacing one another on the road to excellence and is to arise above rivalry.” The Festival spirit may be defined as the joy of participating with others in seeking the highest levels in the art of music and kindred arts. Inculcating this spirit in competitors, the audience, and the community is a priority for all those responsible for the operation of the Festivals. The UIMF gives a sincere welcome and thank-you to all those partici pating in this year’s festival: our sponsors and patrons whose generosity makes our festival possible; the performers who have practiced so diligently for the occasion; the teachers who have worked so hard to prepare their students; the adjudicators who have taken time out of busy schedules to offer their friendly critiques, give encouragement and share their knowledge; an appreciative audience that ensures a successful festival by providing incentive to the performers.
    [Show full text]
  • Дўðº Елинð³ñ‚Ñšð½ Ð​лбуð¼ Ñ​Ð
    Дюк Елингтън ÐÐ​ »Ð±ÑƒÐ¼ ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Ð ´Ð¸ÑÐ​ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ​ ‚а & график) https://bg.listvote.com/lists/music/albums/duke-ellington-%26-john-coltrane- Duke Ellington & John Coltrane 2473088/songs Such Sweet Thunder https://bg.listvote.com/lists/music/albums/such-sweet-thunder-833545/songs Black, Brown and Beige https://bg.listvote.com/lists/music/albums/black%2C-brown-and-beige-3640656/songs https://bg.listvote.com/lists/music/albums/duke-ellington-meets-coleman-hawkins- Duke Ellington Meets Coleman Hawkins 3716164/songs Dance to the Duke! https://bg.listvote.com/lists/music/albums/dance-to-the-duke%21-5215314/songs https://bg.listvote.com/lists/music/albums/first-time%21-the-count-meets-the-duke- First Time! The Count Meets the Duke 5453893/songs Ellington '55 https://bg.listvote.com/lists/music/albums/ellington-%2755-5365430/songs Liberian Suite https://bg.listvote.com/lists/music/albums/liberian-suite-6541181/songs Masterpieces by Ellington https://bg.listvote.com/lists/music/albums/masterpieces-by-ellington-6785409/songs Ellington '66 https://bg.listvote.com/lists/music/albums/ellington-%2766-5365407/songs It Don't Mean a Thing If It Ain't Got That https://bg.listvote.com/lists/music/albums/it-don%27t-mean-a-thing-if-it-ain%27t-got- Swing that-swing-6091720/songs Blues in Orbit https://bg.listvote.com/lists/music/albums/blues-in-orbit-886050/songs Duke Ellington Presents... https://bg.listvote.com/lists/music/albums/duke-ellington-presents...-5312769/songs The Duke Plays Ellington https://bg.listvote.com/lists/music/albums/the-duke-plays-ellington-7731175/songs Swinging Suites by Edward E.
    [Show full text]