Duke Ellington Duke Ellington Presents... Mp3, Flac, Wma

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Duke Ellington Duke Ellington Presents... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Duke Ellington Presents... Country: US Released: 1956 Style: Swing, Big Band MP3 version RAR size: 1942 mb FLAC version RAR size: 1497 mb WMA version RAR size: 1813 mb Rating: 4.9 Votes: 492 Other Formats: MP1 MOD AU AIFF TTA VOC XM Tracklist Hide Credits A1 Summertime A2 Laura I Can't Get Started A3 Vocals – Ray Nance A4 My Funny Valentine Everything But You A5 Vocals – Jimmy Grissom A6 Frustration B1 Cotton Tail B2 Day Dream B3 Deep Purple B4 Indian Summer B5 Blues Credits Alto Saxophone – Johnny Hodges Bass – Jimmy Woode Bass Clarinet, Baritone Saxophone – Harry Carney Clarinet, Alto Saxophone – Russell Procope Clarinet, Tenor Saxophone – Jimmy Hamilton Drums – Sam Woodyard Piano – Duke Ellington Tenor Saxophone – Paul Gonsalves Trombone – Britt Woodman, John Saunders*, Quentin Jackson Trumpet – Cat Anderson, Clark Terry, Willie Cook Trumpet, Violin – Ray Nance Notes Recorded February 1956 Other versions Category Artist Title (Format) Label Category Country Year Duke Ellington Duke Bethlehem BCP-6005 Presents... (LP, Album, BCP-6005 US 1956 Ellington Records Mono) Duke Ellington Duke DK 37470 Presents... (CD, Album, Shout! Factory DK 37470 US 2005 Ellington RE) Duke Ellington Duke Bethlehem LLC 1009 Presents... (LP, Album, LLC 1009 Japan 1956 Ellington Records Mono) Duke Ellington Duke CJS 813 Presents... (LP, Album, Ember Records CJS 813 UK 1965 Ellington RE) Duke Duke Ellington Moods 20359 Polydor 20359 Argentina Unknown Ellington (LP, Album) Related Music albums to Duke Ellington Presents... by Duke Ellington 1. Duke Ellington And His Orchestra - The Duke's D.J. Special 2. Duke Ellington - Live At The 1957 Stratford Festival 3. Duke Ellington And His Orchestra - A Drum Is A Woman 4. Duke Ellington And His Orchestra - Festival Session 5. Duke Ellington - Duke Ellington 6. Duke Ellington And His Orchestra - Ellington At Newport 7. Duke Ellington - One Night Stand With Duke Ellington 8. Duke Ellington - Historically Speaking - The Duke 9. Duke Ellington - Blues In Orbit 10. Duke Ellington And His Orchestra - Live At Stuttgart - Volume 1.

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Duke Ellington Kyle Etges Signature Recordings Cottontail
Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke Ellington, states that Cottontail “opened a window on the future, predicting elements to come in jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more grandiose pieces with more extended forms.
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Pioneers of the Concept Album
Fancy Meeting You Here: Pioneers of the Concept Album Todd Decker Abstract: The introduction of the long-playing record in 1948 was the most aesthetically signi½cant tech- nological change in the century of the recorded music disc. The new format challenged record producers and recording artists of the 1950s to group sets of songs into marketable wholes and led to a ½rst generation of concept albums that predate more celebrated examples by rock bands from the 1960s. Two strategies used to unify concept albums in the 1950s stand out. The ½rst brought together performers unlikely to col- laborate in the world of live music making. The second strategy featured well-known singers in song- writer- or performer-centered albums of songs from the 1920s, 1930s, and 1940s recorded in contemporary musical styles. Recording artists discussed include Fred Astaire, Ella Fitzgerald, and Rosemary Clooney, among others. After setting the speed dial to 33 1/3, many Amer- icans christened their multiple-speed phonographs with the original cast album of Rodgers and Hammer - stein’s South Paci½c (1949) in the new long-playing record (lp) format. The South Paci½c cast album begins in dramatic fashion with the jagged leaps of the show tune “Bali Hai” arranged for the show’s large pit orchestra: suitable fanfare for the revolu- tion in popular music that followed the wide public adoption of the lp. Reportedly selling more than one million copies, the South Paci½c lp helped launch Columbia Records’ innovative new recorded music format, which, along with its longer playing TODD DECKER is an Associate time, also delivered better sound quality than the Professor of Musicology at Wash- 78s that had been the industry standard for the pre- ington University in St.
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Duke Ellington-Bubber Miley) 2:54 Duke Ellington and His Kentucky Club Orchestra
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The Highest Note in the Century Since His Birth, Duke Ellington Has Been the Most Important Composer of Any Music, Anywhere Blumenthal, Bob
Document 1 of 1 The highest note In the century since his birth, Duke Ellington has been the most important composer of any music, anywhere Blumenthal, Bob. Boston Globe [Boston, Mass] 25 Apr 1999: 1. Abstract The late Duke Ellington, whose 100th birthday will be celebrated on Thursday, disliked the word "jazz." As he famously remarked, the only subsets of music he recognized were good and bad. Rather than stress categorical distinctions, Ellington preferred to celebrate artists and works that were, in another of his oft-quoted phrases, "beyond category." The magnitude of Ellington's legacy should be clear to all who can hear, and even to those who can only count. Just look at the numbers. From 1914, when he wrote "Soda Fountain Rag" as an aspiring pianist in his native Washington, D.C., until shortly before his death, on May 24, 1974, Ellington was responsible for nearly 2,000 documented compositions. From 1923, when he first gained employment in New York for his Washingtonians at Barron Wilkins's Harlem nightclub, he kept an orchestra together through boom andbust. The notion of writing for specific individuals as part of an ensemble reached its highest form of expression with Ellington. Rather than simply creating music for a three-piece trombone section, he crafted lines that fit the plungered growl of Joe "Tricky Sam" Nanton, the fluency of Lawrence Brown, and the warmth of Jual Tizol's valved instrument; and he applied this practice to every chair in the band. This led Ellington to collect musicians whose "tonal personality" (another favor-ite image) inspired him, ratherthan those who might simply blendinto an undifferentiated orchestral mass.
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The Development of Duke Ellington's Compositional Style: a Comparative Analysis of Three Selected Works
University of Kentucky UKnowledge University of Kentucky Master's Theses Graduate School 2001 THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS Eric S. Strother University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Strother, Eric S., "THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS" (2001). University of Kentucky Master's Theses. 381. https://uknowledge.uky.edu/gradschool_theses/381 This Thesis is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Master's Theses by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF THESIS THE DEVELOPMENT OF DUKE ELLINGTON’S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS Edward Kennedy “Duke” Ellington’s compositions are significant to the study of jazz and American music in general. This study examines his compositional style through a comparative analysis of three works from each of his main stylistic periods. The analyses focus on form, instrumentation, texture and harmony, melody, tonality, and rhythm. Each piece is examined on its own and their significant features are compared. Eric S. Strother May 1, 2001 THE DEVELOPMENT OF DUKE ELLINGTON’S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS By Eric Scott Strother Richard Domek Director of Thesis Kate Covington Director of Graduate Studies May 1, 2001 RULES FOR THE USE OF THESES Unpublished theses submitted for the Master’s degree and deposited in the University of Kentucky Library are as a rule open for inspection, but are to be used only with due regard to the rights of the authors.
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ellington 101 a beginner’s guide Vital Statistics • One of the greatest composers of the 20th century • Composed nearly 2,000 works, including three-minute instrumental pieces, popular songs, large-scale suites, sacred music, film scores, and a nearly finished opera • Developed an extraordinary group of musicians, many of whom stayed with him for over 50 years • Played more than 20,000 performances over the course of his career • Influenced generations of pianists with his distinctive style and beautiful sound • Embraced the range of American music like no one else • Extended the scope and sound of jazz • Spread the language of jazz around the world ellington 101 a beginner’s guide Table of Contents A Brief Biography of Duke Ellington 4 Meet the Ellingtonians 9 Additional Resources 15 Duke’s artistic development and sustained achievement were among the most spectacular in the history of music. His was a distinctly democratic vision of music in which musicians developed their unique styles by selflessly contributing to the whole band’s sound . Few other artists of the last 100 years have been more successful at capturing humanity’s triumphs and tribulations in their work than this composer, bandleader, and pianist. He codified the sound of America in the 20th century. Wynton Marsalis Artistic Director, Jazz at Lincoln Center Ellington, 1934 I wrote “Black and Tan Fantasy” in a taxi coming down through Central Park on my way to a recording studio. I wrote “Mood Indigo” in 15 minutes. I wrote “Solitude” in 20 minutes in Chicago, standing up against a glass enclosure, waiting for another band to finish recording.
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Recorded Jazz in the 20Th Century
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Ð”Ñžðº Ð•Ð»Ð¸Ð½ð³ñ‚Ñšð½ ÐÐ»Ð±Ñƒð¼ ÑÐ¿Ð¸ÑÑšðº (Ð
Ð”ÑŽÐº Ð•Ð»Ð¸Ð½Ð³Ñ‚ÑŠÐ½ ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„Ð¸ÑÑ ‚Ð° & Ð³Ñ€Ð°Ñ„Ð¸Ðº) https://bg.listvote.com/lists/music/albums/duke-ellington-%26-john-coltrane- Duke Ellington & John Coltrane 2473088/songs Such Sweet Thunder https://bg.listvote.com/lists/music/albums/such-sweet-thunder-833545/songs Black, Brown and Beige https://bg.listvote.com/lists/music/albums/black%2C-brown-and-beige-3640656/songs https://bg.listvote.com/lists/music/albums/duke-ellington-meets-coleman-hawkins- Duke Ellington Meets Coleman Hawkins 3716164/songs Dance to the Duke! https://bg.listvote.com/lists/music/albums/dance-to-the-duke%21-5215314/songs https://bg.listvote.com/lists/music/albums/first-time%21-the-count-meets-the-duke- First Time! The Count Meets the Duke 5453893/songs Ellington '55 https://bg.listvote.com/lists/music/albums/ellington-%2755-5365430/songs Liberian Suite https://bg.listvote.com/lists/music/albums/liberian-suite-6541181/songs Masterpieces by Ellington https://bg.listvote.com/lists/music/albums/masterpieces-by-ellington-6785409/songs Ellington '66 https://bg.listvote.com/lists/music/albums/ellington-%2766-5365407/songs It Don't Mean a Thing If It Ain't Got That https://bg.listvote.com/lists/music/albums/it-don%27t-mean-a-thing-if-it-ain%27t-got- Swing that-swing-6091720/songs Blues in Orbit https://bg.listvote.com/lists/music/albums/blues-in-orbit-886050/songs Duke Ellington Presents... https://bg.listvote.com/lists/music/albums/duke-ellington-presents...-5312769/songs The Duke Plays Ellington https://bg.listvote.com/lists/music/albums/the-duke-plays-ellington-7731175/songs Swinging Suites by Edward E.
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