Lead Belly November 1-7, 2004
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
WGLT Program Guide, January-February, 2010
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 1-1-2010 WGLT Program Guide, January-February, 2010 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, January-February, 2010" (2010). WGLT Program Guides. 228. https://ir.library.illinoisstate.edu/wgltpg/228 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ALSO IN THIS ISSUE: The Year's Best Blues The Year's Best Folk The Year's Best Jazz GLT Annual Report 2009 mined that the transmitter itself was OK. The older by GLT General Manager Bruce Bergethon antenna (erected in 1992) was not so lucky. Damaged in multiple places, the antenna couldn't function, I am by nature a) an optimist, and 6) a person who tends to take the long view. forcing us to revert to our lower-powered backup The past year provided a rugged test for the first proclivity, with challenges rang transmitter, which meant that for over a month, we ing from the recession's domino effect to the vagaries of weather (lightning struck were unable to reach roughly 30% of our usual cover once, and that was more than enough). With business-threatening changes all age area. The lower-power transmission also forced around us, however, I'm confident that GLT's long-range outlook continues to be us to shut off the HD channels. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Hedenstromspr11.Pdf (1.367Mb)
Big Band Jazz and 20th C. Art Music: The Historical Relationship Documented Aaron Hedenstrom Music Composition University of Wisconsin-Eau Claire Faculty Mentor: Ethan Wickman, DMA The Premise Data Analysis: Timeline of Events The art music tradition (music stemming from the European Classical tradition) and the jazz tradition have had major impacts on one another throughout the 20th and 21st 1920s 1922: Darius Milhaud composes composes Trois rag caprices centuries. This project was designed to lay out history's events to show the 1923: Darius Milhaud premieres La création du monde 1924: Gershwin premieres "Rhapsody in Blue" 1926: Duke Ellington's 10-piece band records "East St. Louis Toodle-oo" which was their first recording progression of 20th century music as it relates to the big band and art music traditions. 1927: Ellington's 10-piece band records "Black and Tan Fantasy" 1928: Ravel tours North America and composes Sonata for Violin and Piano, which has a slow movement called Blues. American press notes Ravel's love of jazz The importance of this relationship is evident in the immense popularity of jazz-art and blues music hybrids like Rhapsody in Blue and also in the vast range of possibilities to be 1929: Gershwin premieres "An American in Paris" found in future musical creations. 1930s 1930: Duke Ellington's 12-piece band appears in film Check and Double Check and records the famous Mood Indigo. 1930: Gershwin writes "I Got Rhythm" 1932-1942: Ellington band enlarges to become 6 brass, 4 reeds, and rhythm section 1933-1938: -
Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis
JazzWeek with airplay data powered by jazzweek.com • March 30, 2005 Volume 1, Number 19 • $7.95 In This Issue: Mack Avenue to Sponsor Detroit Jazz Fest. 4 WGBH Ups Rivero to Radio/ TV GM . 5 Camilo Embarks . 6 441 Launches Test of Time . 9 Reviews and Picks. 15 Jazz Radio . 18 Smooth Jazz Radio. 23 RADIO Q&A: Radio WEMU’S Panels. 27 LINDA YOHN News. 4 page 12 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ’m thrilled that we get to feature another of our favorite people CONTRIBUTING EDITORS in jazz radio this week, WEMU music director Linda Yohn. Keith Zimmerman Kent Zimmerman ILinda is a nominee for the Jazz Journalists Association Excel- Tad Hendrickson lence in Jazz Broadcasting/Willis Conover-Marian McPartland CONTRIBUTING WRITER Award. She has been there encouraging and supporting our ef- Tom Mallison forts even before there was a JazzWeek, as one of the first par- PHOTOGRAPHY ticipants on the Jazz Programmers Mailing List. Linda has been Barry Solof a key figure at each of JazzWeek’s Summits and an active part of PUBLISHER the industry tracks at IAJE for years. As host of the 9 a.m. to noon Tony Gasparre shift on WEMU, Linda shows everyone how jazz radio should be ADVERTISING: Contact Tony Gasparre done, and thanks to the ’net, those of us outside of Ypsilanti/Ann (585) 235-4685 x3 or Arbor/Detroit get to eavesdrop. email: [email protected] While we’re talking about the Motor City, hats off to Mack SUBSCRIPTIONS: Prices in US Dollars: Avenue Records for picking up the sponsorship of the Detroit In- Charter Rate: $199.00 per year, ternational Jazz Festival. -
Download 2018 Catalog
JUNE 23 Bing Concert Hall Joshua Redman Quartet presented by JUNE 22 – AUGUST 4 28 BRILLIANT CONCERTS STANFORDJAZZ.ORG presented by JUNE JULY FRI FRI FRI FRI SAT SAT SAT SAT SAT MON SUN SUN 22 23 SUN 24 29 30 1 6 7 7 13 14 15 16 Indian Jazz Journey JUNE 22 – AUGUST 4 with Jazz on 28 BRILLIANT CONCERTS George the Green: Brooks, Early Bird Miles STANFORDJAZZ.ORG Jazz featuring Jazz for Electric Ruth Davies’ Inside Out Mahesh Dick Kids: An Band, Kev Tommy Somethin’ Blues Night with Joshua Kale and Tiffany Christian Hyman Jim Nadel American Choice, Igoe and Else: A with Special Jim Nadel Redman Bickram Austin McBride’s and Ken and the Songbook Sidewalk the Art of Tribute to Guest Eric & Friends Quartet Ghosh Septet New Jawn Or Bareket Peplowski Zookeepers Celebration Chalk Jazz Cannonball Bibb JULY AUGUST FRI FRI SAT SAT SAT TUE WED THU THU SUN SUN WED WED MON 18 19 21 22 23 25 26 27 28 29 MON 30 31 1 3 4 SJW All-Star Jam Wycliffe Gordon, Melissa Aldana, Taylor Eigsti, Yosvany Terry, Charles McPherson, Jeb Patton, Tupac SJW CD Mantilla, Release Jazz Brazil: Dena Camila SJW CD Regina Party: Anat DeRose Jeb Patton Meza, Release Carter Caroline Cohen/ Terrence Trio with Trio and Yotam party: An & Xavier Davis’ Romero Brewer Anat Yosvany Tupac Silberstein, Debbie Evening Davis: Heart Tonic Lubambo/ Acoustic Cohen and Charles Terry Taylor Mantilla’s Mike Andrea Poryes/ with Duos and Bria and Jessica Vitor Remembering Jazz Jimmy McPherson Afro-Cuban Eigsti Trio Point of Rodriguez, Motis Sam Reider Victor Lin Quartet Skonberg Jones Gonçalves Ndugu Quartet Heath Quintet Sextet and Friends View and others. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
The Descending Diminished 7Ths in the Brass in the Intro
VCFA TALK ON ELLINGTON COMPOSITION TECHNIQUES FEB.2017 A.JAFFE 1.) Clarinet Lament [1936] (New Orleans references) https://www.youtube.com/watch?v=FS92-mCewJ4 (3:14) Compositional Techniques: ABC ‘dialectical’ Sonata/Allegro type of form; where C = elements of A + B combined; Diminution (the way in which the “Basin St. Blues” chord progression is presented in shorter rhythmic values each time it appears); play chord progression Quoting with a purpose (aka ‘signifying’ – see also Henry Louis Gates) 2.) Lightnin’ [1932] (‘Chorus’ form); reliance on distinctively individual voices (like “Tricky Sam” Nanton on trombone) – importance of the compositional uses of such voices who were acquired by Duke by accretion were an important element of his ‘sonic signature’ – the opposite of classical music where sonic conformity in sound is more the rule in choosing players for ensembles. https://www.youtube.com/watch?v=3XlcWbmQYmA (3:07) Techniques: It’s all about the minor third (see also discussion of “Tone Parallel to Harlem”) Motivic Development (in this case the minor 3rd; both harmonically and melodically pervasive) The descending diminished 7ths in the Brass in the Intro: The ascending minor third motif of the theme: The extended (“b9”) background harmony in the Saxophones, reiterating the diminished 7th chord from the introduction: Harmonic AND melodic implications of the motif Early use of the octatonic scale (implied at the modulation -- @ 2:29): Delay of resolution to the tonic chord until ms. 31 of 32 bar form (prefigures Monk, “Ask Me Now”, among others, but decades earlier). 3.) KoKo [1940]; A tour de force of motivic development, in this case rhythmic; speculated to be related to Beethoven’s 5th (Rattenbury, p. -
60Th Monterey Jazz Festival
July / August 2017 Issue 373 now in our 43rd year jazz &blues report 60th Monterey Jazz Festival July • August 2017 • Issue 373 jazz 60th Monterey Jazz Festival &blues report Editor & Founder Bill Wahl September 15-17 Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Peanuts, Wanda Simpson, Mark Smith, Duane Verh, Emily Wahl and Ron Weinstock. RIP JBR Writers Tom Alabiso, John Hunt, Chris Colombi, Mark A. Cole, Hal Hill Check out our constantly updated website. All of our issues from our first PDFs in September 2003 and on are posted, as well as many special issues with festival reviews, Blues Cruise and Gift Guides. Now you can search for CD Re- views by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up from our archives and we will be adding more, especially John Clayton, Jeff Hamilton, Gerald Clayton - 2017 Artists In Residence from our early years back to 1974. Headliners Include Herbie Hancock, Chick Corea, Common, Leslie Comments...billwahl@ jazz-blues.com Odom, Jr., Dee Dee Bridgewater, Angelique Kidjo, Kenny Barron Web www.jazz-blues.com Trio, Chris Thile & Brad Mehldau, Jimmy Heath, Joe Lovano, Copyright © 2017 Jazz & Blues Report Branford Marsalis, Joshua Redman, and Many Others MJF Celebrates Centennials of Thelonious Monk, Ella Fitzgerald and No portion of this publication may be re- Dizzy Gillespie, with Additional Tributes to Salsa, and Sonny Rollins produced without written permission from the publisher. All rights Reserved. Monterey, CA - Three-day Arena and Grounds Ticket Packages for the Founded in Buffalo New York in March of 60th Annual Monterey Jazz Festival, September 15–17 are on sale now. -
Warren Haynes Otis Taylor
DECEMBER 2011 ISSUE MMUSICMAG.COM SPOTLIGHT L en I rish OTIS TAYLOR A self-described musical “reporter” takes Todd Edmunds, Anne Harris, Otis Taylor, a hard look at a broken world Larry Thompson, Jon Paul Johnson OTIS TAYLOR WATCHES THROUGH mid-1990s, following nearly two decades things.” His unique spin on traditional sounds the window as the snow falls outside. during which he simply didn’t bother with has spawned a subgenre that he calls “trance Most would find it serene—a dusting on the music industry. “That was no hiatus,” he blues.” Characterized by atonal rhythms, the mountains surrounding Boulder, Colo., says. “I quit! I was fed up with the music gritty emotional grooves and melodies the place he calls home. But not Taylor. business. There’s never been a musician devoid of chord changes, it inspired an entire “It’s dark and overcast,” he says with a who wasn’t fed up with the music business.” Trance Blues Jam Festival last November shrug. The bluesman, 63, readily describes His latest, Contraband—named for in Boulder, the first of what he hopes himself as a pessimist, one who warns that runaway Civil War slaves who were still is an annual event. he has little patience for answering “stupid considered commodities even after reaching Despite his downcast disposition, questions.” “I’m old and I’m black and I don’t Union lines—maintains that unabashedly Taylor claims the edgier songs from the new give a crap,” he says. direct narrative. While he’s garnered several album—“The Devil’s Gonna Lie,” “Romans Had Taylor’s music is just as blunt. -
Archer Nails Near Perfect Score Dedication, Practice Are Key in the Senior Games Men’S 60-64 Compound from 40, 50 and 60 Yards
Sponsored by AstraZeneca 2009 Official daily newspaper of the 2009 Senior Games | Palo Alto, California TUESDAY, AUGUST 4, 2009 Meagan Reidinger/Brooks Institute © 2009 Rafael Recto, from Vallejo, watches his arrow fly toward the target at the Senior Games competition Monday. Archer nails near perfect score Dedication, practice are key in the Senior Games men’s 60-64 Compound from 40, 50 and 60 yards. With 90 total shots in several archery magazines. “Don’t waste Release archery competition is any indica- and a maximum of 10 points per shot, a perfect your time trying to learn it yourself. You’ve to success in precision sport tion, he may be correct. round is 900 points. Campbell came within 26 got to get a good coach,” said Campbell. By Colin Becht Campbell shot a near perfect round, finish- points of perfection. Beyond the quality of his coaching, Camp- ing with a score of 874, putting him just one That level of precision comes with an incred- bell said his time commitment has been cru- lenn Campbell believes that a good point behind leader Ronald West. ible dedication to the sport. Campbell said he cial to his success. After shooting virtually coach is crucial to success in archery. In the Senior Games, archers participate shoots four hours each day and works with his G If Campbell’s performance on Monday in an American 900, shooting 30 times each coach, Bernie Pellerite, who has been featured (continued on page 13) John Hickinson, Palo Alto Bowling Club’s important aspects of the game and to do that Bowling on the green coach, started playing the sport about 10 one must carefully watch every bowl, not ball, years ago. -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
Folk Music, Internal Migration, and the Cultural Left
Internal Migration and the Left Futures That Internal Migration Place-Specifi c Introduction Never Were and the Left Material Resources THE SOUTH AND THE MAKING OF THE AMERICAN OTHER: FOLK MUSIC, INTERNAL MIGRATION, AND THE CULTURAL LEFT Risto Lenz In 1940, actor and activist Will Geer organized the “Grapes of Wraths Evening,” a benefi t concert for the John Steinbeck Committee for Agricultural Workers at Forrest Theater in New York City. The pro- gram served as a blueprint for what would later defi ne the American folk music revival: Urban Northerners sharing the stage with “authentic” rural Southerners, together celebrating America’s musical heritage in a politically charged framework (here: helping migrant farmwork- ers). Among the “real” folk were Aunt Molly Jackson, an organizer for the Kentucky coal mines and a singer of union songs, Huddie “Lead Belly” Ledbetter, an African American songster from Louisiana, and Woody Guthrie, a singer from Oklahoma. The three musicians, 1 He is sometimes also who would all spend their subsequent lives in New York as well as referred to as “Leadbelly.” in California, represent the three main migration fl ows of Southerners Both spellings are pos- sible. I will hereaft er use moving out of farms and towns of the American South in great “Lead Belly” since it was numbers and into cities and suburbs of the North and the West: The the preferred spelling of the singer himself as 1 Great Migration of black Southerners (Lead Belly ), the dust bowl well as of the Lead Belly migration (Guthrie), and the Appalachian migration (Jackson).2 The Foundation.