DOCSLIB.ORG

40Th Anniversary

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

40TH ANNIVERSARY edinburghjazzfestival.com WELCOME IT’S OUR 40TH ANNIVERSARY AND WE ARE IN FESTIVE MOOD 40TH ANNIVERSARY We hope you can join us to celebrate all that that we expect to be THE place for musicians we love in jazz and blues. Whether you are an and audiences over the ten days of the Festival. expert or a fi rst timer, The Edinburgh Jazz & Check out our web page and social media for Blues Festival sets out to have an enjoyable and updated information on activities and events fulfi lling experience for you. taking place at Teviot throughout the Festival. The details of our programme are set out in the For our 40th Anniversary, we have a Gala following pages, but fi rst we must tell you about concert for both Jazz and Blues, and an a couple of venue changes. Exhibition that covers the history of the Festival, since Mike Hart kicked the whole thing off at the Our popular red carpet Festival experience at Abbeyhill Ballroom in 1978. Festival Theatre, and our extra special fi n de siècle Spiegeltent experience remain at the core “Our programme features the best of jazz of the programme, and now they’re joined by and blues from all over the world, and all over two venues that we hope will be features for the Scotland. This year, we celebrate a new wave of Festival for many years. exciting young Scottish talent; we present many musical legends who have marked the Festival’s We’ve responded to audience interests by adding another venue with reserved history; and we continue to introduce you to the comfortable chairs, excellent sound, and great new names we’ve discovered over the last year. sightlines: The Assembly Hall on The Mound. We welcome musicians and audiences from We’ve also been asked so many times to bring everywhere to enjoy our special Festival back a social hub – a place where people can atmosphere – on our 40th Anniversary!” eat, drink, meet, talk, and hear great music too, and we’re delighted to be at Teviot Row for Cllr Jason Rust the fi rst time, where we’re developing a space CHAIR, EDINBURGH JAZZ & BLUES FESTIVAL How to Book Get Involved Play Jazz / Sing Jazz Online Join the Conversation Sign up to the Edinburgh Napier University www.edinburghjazzfestival.com Get the latest news and special off ers and Summer School or Sing Jazz Course see page 8. share your ideas with us #EJBF2018 By Phone 0131 473 2000 Twitter @edinburghjazz Free Events Facebook facebook.com/ In Person Mardi Gras EdinburghJazzandBluesFestival The Hub, Castlehill, Edinburgh, EH1 2NE (Saturday 14 July, page 8) Instagram @edinburgh_jazz Edinburgh Festival Carnival Not only do we have great ticket off ers Volunteers - we need you to bring the (Sunday 15 July, page 12) (see page 5), but we have also abolished all Festival and Carnival to life. booking fees. Please call 0131 467 5200 or email Edinburgh Jazz & Blues Festival 40th [email protected] Anniversary Exhibition (see page 5) Let us know if you want to help with the Festival or join the stewards/costume wearers and dancers at the Carnival. 2 edinburghjazzfestival.com 1 Edinburgh Firsts: K.O.G & The Zongo Brigade - p7 New Venues: Assembly Hall and Teviot Row Great Soul and r’n’b: Bettye LaVette - p16 Scottish Jazz Expo: Alison Affl eck - p23 Vintage Jazz: Bratislava Hot Serenaders - p19 and 22 Blues from America: Mud Morganfi eld - p30 Cool vocals: Kurt Elling - p14 The Festival Club: Late night at weekends #EJBF2018 3 9 6 Queen Street York Place Charlotte St. Andrew FESTIVAL MAP George Street Square Square t Rose Street Calton & VENUES t ree Hill ith S Le Princes Street 8 Princes Street Gardens Waverly Bridge Cockbu rn S North Bridge Castle Assembly Hall 2 t Castle Hill Lawn Market Royal Mile Canongate John ston Terrace Lothian Road t marke 10 Grass C owgate ad t Port Jazz d Ro Wes Cowgate lyroo Bar 5 Ho South Bridge Chamber Street George IV Bridge George Lau 1 rist on Place Festival Theatre Te vio t Bristo Square4 Ni c o George 3 lso Spiegeltent Square n S t Piccolo . The Meadows Melville D rive 7 1 Festival Theatre 4 Teviot Row 10 St Brides Centre 13-29 Nicolson St, Edinburgh EH8 9FT 13 Bristo Place, Edinburgh EH8 9AJ 10 Orwell Terrace, Edinburgh EH11 2DZ Reserved seating, fully accessible. Wheelchair Unreserved seating, fully accessible with Bus routes: 2, 3, 4, 25, 33, 44 users should book directly with the Festival wheelchair access via a lift. Theatre. This red-carpeted plush Victorian The new heart of the Festival, with an unreserved auditorium has sumptuous decor, lavish fi ttings seating auditorium on the third fl oor. Teviot has a and presents a modernistic face to the world with Free Event Venues range of catering options from outdoor terraced a glass fronted foyer and bars on three levels. bars to fi ne dining and hosts our late night Festival Mardi Gras Box-Offi ce: 0131 529 6000 Club. Grassmarket, Edinburgh EH1 2HS Doors open 30 minutes before concert start time Box-Offi ce: Doors open 30 minutes before Bus Routes: 2, 23, 27, 41, 42, 67 Bus routes: 3, 3A, 5, 7, 8, 14, 29, 30, 31, 33, 37, 47, 49 concert start time for the fi rst concert and 15 Edinburgh Festival Carnival minutes thereafter 2 Assembly Hall Princes Street & Princes Street Gardens, Mound Place, Edinburgh EH1 2LU Bus routes: 2, 41, 42, 47 67 Edinburgh EH2 2HG Reserved seating, fully accessible with wheelchair 5 The Jazz Bar Bus Routes: 1, 3, 4, 6, 10, 11, 15, 16, 19, 22, 23, 24, access via the Lawn Market. Wheelchair users 1 Chambers St, Edinburgh EH1 1HR 25, 27, 28, 30, 33, 34, 41, 42, 44 should book directly with Assembly: access@ Unreserved and limited seating, no wheelchair assemblyfestival.com A spectacular neo-gothic building dominating the Mound skyline. Arrive via access. Atmospheric basement venue with the courtyard bar into the main hall which has candle-lit tables and alcove seating. Please check theatre style seating on two levels. (Please note listings. there are steep steps to access the venue) Box-Offi ce: will be on site 30 minutes before the Box-Offi ce: 0131 623 3030 (from July 1). fi rst performance starts. Doors open 15 minutes Opens at the venue two hours before the before the performance starts performance starts. Doors open 30 minutes Bus routes: 3, 5, 7, 8, 14, 29, 30, 31, 37, 45, 49 before concert start time Bus routes: 6, 23, 27, 41, 42, 67 FAQs 3 George Square Gardens Satellite venues Advance tickets will be available for collection at Edinburgh EH8 9JZ All venues off er unreserved seating and doors will the relevant venues from doors opening. George Square Spiegeltent open 30 minutes before the concert starts. Unreserved seating, fully accessible. The ultimate Heriot’s Rugby Club Latecomers may not be admitted until a suitable 6 break in the performance. cabaret and music salon with a central seating Inverleith Row, Goldenacre, Edinburgh EH3 5QN area circled by wooden booths. Set in the Sorry no wheelchair access, over 14s only (enter Children under two go free to any concerts attractive surrounds of George Square Gardens. via Bangholm Terrace) starting before 9pm (except The Jazz Bar) George Square Piccolo Bus routes: 8, 23, 27 Please note all under 18s must be accompanied by Unreserved seating, limited accessible spaces an adult for any show starting after 9pm Lyra Theatre available please advise on booking. 7 An original styled Dutch “Kermis- circus” tented 11 Harewood Road, Edinburgh EH16 4NT venue with tiered rows of benches in a half moon Bus routes: 2, 14, 18, 21, 30 shape gives this venue an intimate, up-close-and- 8 Meadowbank Church Travel By Bus personal experience. 83 London Road, Edinburgh EH7 5TT Edinburgh enjoys one of the UK’s best Box-Offi ce: 0131 623 3030 (from July 1), from Bus routes: 4, 5, 26, 44, 45 bus networks, so there are regular 10am during the Festival. services to all our venues so, if you can, Doors open 30 minutes before the fi rst concert 9 North Edinburgh Arts Centre we’d love you to go green. To help you, we have of the day and 15 minutes thereafter. 15A Pennywell Court, Edinburgh EH4 4TZ listed all of the relevant bus links for each venue. Bus routes: 41, 42, 67 Bus Routes: 24, 27, 32, 37 4 edinburghjazzfestival.com How To Buy Tickets Supporters In advance Hub Tickets are our central box offi ce Website: Buy online from www.edinburghjazzfestival.com By Phone: 0131 473 2000 In Person: Hub Tickets, Castlehill Edinburgh, EH1 2NE Other venues: Festival Theatre: 13-29 Nicolson St, Edinburgh EH8 9FT (0131 529 6000) / www.capitaltheatres.com/festival Assembly Hall & George Square: 0131 623 3030 / www.assemblyfestival.com from 1 July. During the Festival Until 3pm tickets are available from Hub Tickets thereafter tickets can be bought INTERNATIONAL PARTNERS: from the venues listed above, otherwise they can be bought 30 minutes before the concert starts. Tickets for concerts taking place pre-3pm will be available on-line and at The Hub up to 3pm on the previous day. Assembly Hall: The on-site box-offi ce opens two hours before the DESIGN: edencg.co.uk performance starts WEBSITE: Vineland George Square: The on-site box-offi ce opens at 10am Teviot Row: The on-site box-offi ce opens one hour before the fi rst Cover Photo: Deneka Peniston (Keyon Harrold) performance of the day starts Festival Photographers: AJ Blair Photography, Louise Bichan (Tom Gibbs), Francois Bisi (Bokante), Louis De Carlo (Brian Kellock), Please note Heriots Rugby Club, The Jazz Bar, Lyra Theatre, Meadowbank Maria Chaves (Curtis Stigers), Earthly Light (Hamlet and Blind Boy Church, North Edinburgh Arts Centre and St Brides only accept cash on the door Paxton), Allan Ferguson (Tenement Jazz Band), Carol Friedman Tickets ordered online will be available for collection 30 minutes before the (Bettye Lavette), Lynne Harte (Vijay Iyer), Icon, Aigars Lapsa (Maggie concert starts from the relevant venue or you can pay to have them mailed out Bell), Alan McCredie (Seonaid Aitken, Konrad Wiszniewski), Mary to your door.
Recommended publications
  • The Art Book

    The Art Book

    The Art Book 2008 – 15:1 Articles Prodigious Enchantments NORBERT LYNTON 3 Can Art be Evil? Portrait of a Nazi Propagandist JOHN A WALKER 5 Process as Communication VICTORIA KELLER 7 Living it Up in Fifteenth-Century Florence: Magnificence, the Medici and the Renaissance Palace GABRIELE NEHER 9 Translating Apples TACITA DEAN 11 ARTISTS' SELF-PORTRAITS FROM THE UFFIZI BY ANTONIO PAOLUCCI ET AL. BRITTA C DWYER 13 PANIC ATTACK! ART IN THE PUNK YEARS BY MARK SLADEN AND ARIELLA YEDGAR (EDS) JOHN A WALKER 14 MUDMAN: THE ODYSSEY OF KIM JONES BY SANDRA Q FIRMIN AND JULIE JOYCE (EDS) DAVID McCARTHY 15 HARRY THUBRON: COLLAGES AND CONSTRUCTIONS 1972-1984 BY NORBERT LYNTON AND JON THOMPSON BETH L WILLIAMSON 16 IKE TAIGA AND TOKUYAMA GYOKURAN: JAPANESE MASTERS OF THE BRUSH BY FELICE FISCHER WITH KYOKO KINOSHITA CRAIG BUNCH 19 BETWEEN WORLDS: VOYAGERS TO BRITAIN 1700-1850 BY JOCELYN HACKFORTH-JONES ET AL. PATRICIA ANDREW 20 SEAMAN SCHEPPS: A CENTURY OF NEW YORK JEWELRY DESIGN BY AMANDA VAILL AND JANET ZAPATA ROBERTA BERNABEI 21 ONCE UPON A TIME WALT DISNEY: THE SOURCES OF INSPIRATION FOR THE DISNEY STUDIOS BY BRUNO GIRVEAU, LELLA SMITH AND PIERRE LAMBERT VICTORIA DE RIJKE 22 CANALETTO IN ENGLAND A VENETIAN ARTIST ABROAD, 1746- 1755 BY CHARLES BEDDINGTON WITH ESSAYS BY BRIAN ALLEN AND FRANCIS RUSSELL SOPHIE BOSTOCK 23 LEONARDO DA VINCI EXPERIENCE, EXPERIMENT AND DESIGN BY MARTIN KEMP GABRIELE NEHER 24 OUDRY'S PAINTED MENAGERIE: PORTRAITS OF EXOTIC ANIMALS IN EIGHTEENTH-CENTURY EUROPE BY MARY MORTON (ED.) MICHAEL DORSCH 25 Two Saints - Home At Last 27 ‘The Call’ Within and Beyond Africa MARION ARNOLD 29 STILL LIFE AND TRADE IN THE DUTCH GOLDEN AGE BY JULIE BERGER HOCHSTRASSER LARRY SILVER 31 JAPONISME: THE JAPANESE INFLUENCE ON WESTERN ART SINCE 1858 BY SIEGFRIED WICHMANN MAJELLA MUNRO 32 THE MODERN WEST: AMERICAN LANDSCAPES, 1890-1950 BY EMILY BALLEW NEFF ET AL.
  • The Connection Between Jazz and Drug Abuse: a Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’S, 50’S, and 60’S

    The Connection Between Jazz and Drug Abuse: a Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’S, 50’S, and 60’S

    University of Denver Digital Commons @ DU Musicology and Ethnomusicology: Student Scholarship Musicology and Ethnomusicology 11-2019 The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s Aaron Olson University of Denver, [email protected] Follow this and additional works at: https://digitalcommons.du.edu/musicology_student Part of the Musicology Commons Recommended Citation Olson, Aaron, "The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s" (2019). Musicology and Ethnomusicology: Student Scholarship. 52. https://digitalcommons.du.edu/musicology_student/52 This work is licensed under a Creative Commons Attribution 4.0 License. This Bibliography is brought to you for free and open access by the Musicology and Ethnomusicology at Digital Commons @ DU. It has been accepted for inclusion in Musicology and Ethnomusicology: Student Scholarship by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s This bibliography is available at Digital Commons @ DU: https://digitalcommons.du.edu/musicology_student/52 The Connection between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s. An Annotated Bibliography By: Aaron Olson November, 2019 From the 1940s to the 1960s drug abuse in the jazz community was almost at epidemic proportions.
  • Uva-DARE (Digital Academic Repository)

    Uva-DARE (Digital Academic Repository)

    UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 1.&Community,&scenes&and&narratives& In"1978,"journalists"and"musicians"associated"with"the"Stichting"Jazz"in"the"Netherlands" (Foundation"for"Jazz"in"the"Netherlands,"from"here"on:"SJN)"and"the"Jazz/Press"magazine" published"Jazz-&-Geïmproviseerde-Muziek-in-Nederland,"a"“companion"to"the"Dutch"jazz"
  • Kenny Wheeler Gnu High Mp3, Flac, Wma

    Kenny Wheeler Gnu High Mp3, Flac, Wma

    Kenny Wheeler Gnu High mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Gnu High Country: Germany Released: 1976 Style: Contemporary Jazz MP3 version RAR size: 1354 mb FLAC version RAR size: 1292 mb WMA version RAR size: 1647 mb Rating: 4.7 Votes: 634 Other Formats: MPC APE AA TTA MP3 MMF AAC Tracklist A Heyoke 21:47 B1 'Smatter 5:56 B2 Gnu Suite 12:47 Companies, etc. Phonographic Copyright (p) – ECM Records GmbH Published By – ECM Verlag Recorded At – Generation Sound Studios Credits Bass – Dave Holland Composed By – Kenny Wheeler Drums – Jack DeJohnette Engineer – Tony May Flugelhorn – Kenny Wheeler Layout – B. Wojirsch* Mixed By – Martin Wieland Photography By [Cover] – Tadayuki Naito* Piano – Keith Jarrett Producer – Manfred Eicher Notes Recorded June 1975, Generation Sound Studios, New York City. An ECM Production ℗ 1976 ECM Records GmbH Printed in W. Germany Barcode and Other Identifiers Matrix / Runout (Side A runout, stamped): ST-ECM 1069-A Matrix / Runout (Side B runout, stamped): ST-ECM 1069-B Rights Society: GEMA Other versions Category Artist Title (Format) Label Category Country Year ECM ECM 1069, 825 Kenny Gnu High (CD, ECM 1069, 825 Records, Germany Unknown 591-2 Wheeler Album, RE) 591-2 ECM Records Kenny Gnu High (LP, 25MJ 3327 ECM Records 25MJ 3327 Japan 1976 Wheeler Album) ECM ECM 1069, ECM Kenny Gnu High (LP, ECM 1069, ECM Records, Germany Unknown 1069 ST Wheeler Album, RE) 1069 ST ECM Records ECM ECM 1069, Kenny Gnu High (CD, ECM 1069, Records, US 2008 B0011628-02 Wheeler Album, RE, Dig) B0011628-02 ECM
  • JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)

    JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)

    Bio information: JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ One of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For 45 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date. Surman has worked with dozens of prominent artists worldwide, including John McLaughlin, Chick Corea, Chris McGregor’s Brotherhood of Breath, Dave Holland, Miroslav Vitous, Jack DeJohnette, Terje Rypdal, Weather Report, Karin Krog, Bill Frisell, Paul Motian and many more. Surman is probably most popularly known for his longstanding association with the German label ECM, who began releasing Surman’s recordings in 1979. Surman has won numerous jazz polls and awards and a number of important commissions. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene. Born in Tavistock, in England, Surman discovered music as a child, singing as soprano soloist in a Plymouth-area choir. He later bought a second- hand clarinet, took lessons from a Royal Marine Band clarinetist, and began playing traditional Dixieland jazz at local jazz clubs.
  • The Daily Egyptian, April 06, 1982

    The Daily Egyptian, April 06, 1982

    Southern Illinois University Carbondale OpenSIUC April 1982 Daily Egyptian 1982 4-6-1982 The aiD ly Egyptian, April 06, 1982 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_April1982 Volume 67, Issue 128 Recommended Citation , . "The aiD ly Egyptian, April 06, 1982." (Apr 1982). This Article is brought to you for free and open access by the Daily Egyptian 1982 at OpenSIUC. It has been accepted for inclusion in April 1982 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Spring book 'Daily ~gyptian co-op axed; Tuesday, April II, 1982-Vol. fn, No. 128 future in doubt By Mike Anthony $1,<100, it will lead to the demise Staff Writer of the co-op. U the Student Center charges The Undergraduate Student the USO "that amount of money " Organization will oot have a to run the co-op, it will be forced book CCHlp this spring and to close," Rogers said whether there will be future c0- Cook said, "I feel that ops rema::na in doobt, ...:.:urding students own the Student to Jerry Cook, USO chief of Center. The book co-op provides staff. a service to the entire student The flnt CCHlp last January, body and we shouldn't be ill which more than $10,000 charged for the use 01 the worth of books changed bands Student Center because we're ::.!'I" JOg 581 s~ta, was ter­ paying for it." Illed successful by both However, Corker and Dean University administrators and Isbell, SIU System treasurer student leaders.
  • Smash-Hits-1980-12-J

    Smash-Hits-1980-12-J

    TLY ...,., man League lbums lncolour be won ROXY MUSIC FLESH+BLOOD Phone 01-200 0200 To find out the nearest shop where you can obtain "Flesh & Blood" at a minimwn of £1.00 off tlte album's R.R.P. ALBUM & CASSETTE 1.,.,~.1EiJ NEW AMSTERDAM June 12-25 1980 Elvis Costello ...........................................4 It's tough atthe top. Jerry TIN SOLDIERS Dammers just popped in to Stiff Little Fingers ....................................4 borrow a picture of himself. Seems he was trying to cash a CHRISTINE cheque at the bank and the Siouxsie & The Banshees ....................... 5 people didn't recognise him . .. Our apologies next to the folks CRYING who were disappointed by the Don Mclean .............................................8 absence of the promised Dexy's colour poster in the lastjssue. CHINATOWN r----...:S~ee, thei:O• haef'already been 4 rattled off to the prlntws before THT:~EL~.1oivi. M·~A~s·~·H ........................ ·1 the actual shot arrived and we decided we needed to~ bett.er. The Mash ............................................... 14 have atlence ,and we1t bring LITTLE JEANNIE one soon. This time around eve definitely got a fantastic Elton John .............................................. 16 vid,c> game for our new IF LOVING YOU IS WRONG d prize, our Irresistible lffer OD page 26 plus a Rod Stewart ........................................... 16 S etro"c:ompetition on page • EVERYBODY'S GOTTO LEARN 28. So'-Juat think yourself lucky - we UNd_"to'"1ive7n a _rolled u SOMETIME -~e'.lnidHle ofthe"' The Korgis .............................................. 19 BACK TOGETHER AGAIN Roberta Flack & Donny Hathaway ........22 THE MAN WHO DIES EVERYDAY ntributon Ultravox .................................................29 qb' K'-atz TO BE OR NOT TO BE R~ttrr Fr,cl Deller B.
  • GRADUATION 2015 Presentation Speech for Bernie Marsden for The

    GRADUATION 2015 Presentation Speech for Bernie Marsden for The

    GRADUATION 2015 Presentation speech for Bernie Marsden for the honorary degree of Master of Arts of the University honoris causa Chancellor, over the centuries, Buckingham has been the birth place of many famous people. The list is remarkably wide ranging and includes the actress Gillian Blake, the theologian William Goode, the cricketer Wyndham Hazleton, the politician Francis Ingoldsby, the architect George Gilbert Scott and the speed skater John Tipper. Today, however, there can be little doubt that the best known of all is our honorand - the rock and blues singer and guitarist, Bernie Marsden. To most people in Buckingham, Bernie Marsden is synonymous with Whitesnake, the hard rock band he joined in 1978, playing on eight albums, from Snakebite to Saints and Sinners. He wrote or co-wrote many of the group’s hit songs, such as Here I Go Again. Following his departure from Whitesnake, he formed a new band which later became Bernie Marsden’s Alaska, which released two rock albums, Heart of the Storm and The Pack. More recently, he has been involved in some unusual projects, notably two engagements at the National Theatre for Nickolas Hytner’s productions of Shakespeare’s The Winter’s Tale and Henry V. In 2012, he performed at the premier of Rock of Ages, starring Tom Cruise and featuring the Whitesnake hit ‘Here I Go again on my Own.’ He has also produced a blues documentary, A Day in the Delta. Bernie Marsden’s new album, ‘Shine’ was released in August 2014, reaching the number 1 spot on the iTunes blues chart.
  • September 1988

    September 1988

    Cover photo by Ebet Roberts 18 AIRTO He calls himself the "outlaw of percussion" because he breaks all the rules, but that's what has kept Airto in demand with musicians such as Miles Davis, Chick Corea, and Weather Report for almost two decades. His latest rule-breaking involves the use of electronics, but as usual, he has come up with his own way of doing it. by Rick Mattingly 24 GILSON LAVIS Back when Squeeze was enjoying their initial success, drummer Gilson Lavis was becoming increasingly dependent on alcohol. After the band broke up, he conquered his problem, and now, with the re-formed Squeeze enjoying success once again, Lavis is able to put new energy into his gig. by Simon Goodwin 28 BUDDY Photo by Ebet Roberts MILES He made his mark with the Electric Flag, Jimi Hendrix's Band of Gypsies, and his own Buddy Miles Express. Now, active once again with Santana and the California Raisins, Buddy Miles reflects on the legendary music that he was so much a part of. by Robert Santelli 32 DAVE TOUGH He didn't have the flash of a Buddy Rich or a Gene Krupa, but Dave Tough made such bands as Benny Goodman's, Artie Shaw's, and Woody Herman's play their best through his driving timekeeping and sense of color. His story is a tragic one, and it is thus even more Roberts Ebet remarkable that he accomplished so much in his by relatively short life. Photo by Burt Korall VOLUME 12, NUMBER 9 ROCK BASICS PERSPECTIVES Heavy Metal Power Warming Up: Part 1 Fills: Part 1 by Kenny Aronoff by Jim Pfeifer 38 90 UP AND COMING DRUM SOLOIST ROCK'N'JAZZ David Bowler Max Roach: "Jordu" CLINIC by Bonnie C.
  • Goldtone Records & PG Management Presents

    Goldtone Records & PG Management Presents

    GoldTone Records & PG Management Presents: Peer Gynt New album out now! Photocredits: Roald Jungaard Frank Scott Dan Tore Jorgensen Kjell Bjertnaes Rune Slettaas Peer Gynt shows that Norway has more to offer than the Olympic Games! Living Blues Magazine Explosive, exiting, just a fantastic show! Geir Hovig/ NRK Peer Gynt is a national treasure! Walter Trout Peer Gynt is endorses: Photocredits: Roald Jungaard Frank Scott Dan Tore Jorgensen Kjell Bjertnaes Rune Slettaas Get the best show for your festival event this year! Peer Gynt “Peer Gynt is a national treasure and a With a unique collage of hard-hitting rock, bluesy-pop and Norwegian folk tones, Peer Gynt has managed fantastic artist” to place Norwegian music on the international charts. Walter Trout Since the release of “First Act” in 1996 on the Tylden label, his first video “Good Lord”, and significant touring in Scan- With a captivating rawness and an explo- dinavia and the rest of Europe as well as the USA, Peer Gynt is known as one of the most attractive live artists Nor- sive stage show, the Norwegian artist Peer way has to offer, presenting his faithful audience with over Gynt has enchanted his public and the press 100 explosive concerts each year, for the past fifteen years. in all of Europe and USA, with his magnifi- cent musical charm and radiant performances. Peer Gynt In 2002 the German - American label, RUF Re- evision (NRK 2 - Svisj), climbing straight to the cords, had the chance to hear Peer Gynt at one top passing Robbie Williams and Madonna, and of his many festival dates in Norway.
  • Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood

    Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood

    Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.
  • Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana