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Magazine NMC Draft 4 Spring16.Indd 1 8/16/16 9:53 AM Vol 22, No
NEW MUSIC CONNOISSEUR THE BABBITT CENTENARY page 5 + LIVE PERFORMANCES Volume 22, No. 1 ++ ESSAYS Spring 2016 magazine NMC_Draft 4_Spring16.indd 1 8/16/16 9:53 AM Vol 22, No. 1–Spring 2016 New Music Connoisseur is a semi–annual periodical focusing on the work of the composers of our time. EDITOR–IN–CHIEF Michael Dellaira ART DIRECTION & DESIGN Russell Trakhtenberg ADVISORS Barry O’Neal Frank Oteri Kelley Rourke Eric Salzman Mark Zuckerman FOUNDING PUBLISHER & EDITOR, ASSOCIATE EDITOR Barry Cohen ADDRESS ALL CORRESPONDENCE TO: New Music Connoisseur Peck Slip Station P.O. Box 476. New York, NY 10038 Email: [email protected] Subscriptions are $24 for 2 years. $35 for 3 years. New subscription requests, change of address notifications and renewals should be submitted to [email protected] All material © New Music Connoisseur, 2015 2 | NEW MUSIC CONNOISSEUR magazine NMC_Draft 4_Spring16.indd 2 8/16/16 9:53 AM IN THIS ISSUE CONTRIBUTORS.....................................4 THE BABBITT CENTENARY “Milton Babbitt’s World” Program IV by Hubert Howe..........................................6 The Playful Babbitt by Anne Eisenberg.......................................8 Experiencing Milton by Judith Shatin..........................................9 A Quasi-Personal Reflection on Milton Babbitt’s Centenary and Its Celebrations by Benjamin Boretz......................................10 LIVE PERFORMANCES Jewish Music of Interwar Eastern Europe by Leonard Lehrman.....................................14 A Latin Latin Mass by Barry O’Neal.....................15 -
The Chamber Music Society of Lincoln Center
Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B. -
Ornament As Argument: Textile Pages and Textile Metaphors in Medieval German Manuscripts (800—1100)
Ornament as Argument: Textile Pages and Textile Metaphors in Medieval German Manuscripts (800—1100) by Anna Bücheler A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Anna Bücheler 2014 Ornament as Argument: Textile Pages and Textile Metaphors in Medieval German Manuscripts (800—1100) Anna Bücheler Doctor of Philosophy Department of Art University of Toronto 2014 Abstract This dissertation explores notions of ornamentation and issues of materiality in early and high medieval manuscript illumination. Focusing on ornament that evokes the weave patterns of Byzantine and Islamic silk in tenth and eleventh century manuscripts from Echternach, Einsiedeln, Reichenau, and elsewhere, this study argues that—in specific contexts—ornament has meaning and serves functions that go beyond mere decoration. The dissertation contextualizes so-called textile pages in the codicological and iconographic structure of the manuscripts in which they appear and examines them in light of exegetical texts that discuss the function and metaphoric meaning of matter in religious art. After the first chapter clarifies the formal relationship between medieval textiles and textile ornament, the subsequent chapters bring the ornamental images together with various textile metaphors. From such a reading of textile iconography emerge three major strands of meaning: the notion of scripture as a veil of revelation, the Incarnation as a symbolic garment, and textile-ornamented manuscripts as the corporeal book-bodies of scripture. In addition to an investigation of the allegorical meaning of textile ornament, a discussion of the function of physical matter in private meditation and the ii liturgy opens new perspectives on the utility and necessity of physical props for contemplative and liturgical purposes in medieval worship. -
2019-20 Guide to Music Schools
The 2019-20 Guide to September MUSIC SCHOOLS 2019 Editor’s Note MUSIC SCHOOLS For our 2019-20 Guide to Music Schools, we have culled about 60 institutions from our data For those schools in the listings, you’ll find detailed information on degrees offered, available areas of study, numbers of base of nearly 1200, using a variety of criteria. The key measure across an increasingly broad students and teachers, career and post-graduate assistance, and links to social media and financial information. We also asked spectrum—from schools offering only a certificate to those with multiple Ph.D. options— each institution to describe its most “distinguishing characteristics.” We relied on the schools to tell their own stories. is quality and reputation, not necessarily size. Academy of Vocal Arts ............................................................2 Robert McDuffie Center for Strings .......................................27 Arizona State University School of Music ................................3 New England Conservatory ..................................................27 For example, enrollment may be a mere 23 students, such as at the Academy of Vocal Arts Bard College Conservatory of Music .......................................4 New World Symphony, America’s Orchestral Academy .........28 in Philadelphia, or it could be 1,600 students at the Jacobs School of Music on Indiana Henry and Leigh Bienen School of Music ................................5 Oberlin Conservatory of Music ..............................................29 University’s Bloomington campus. Running a close second in numbers to the Jacobs School Blair School of Music ..............................................................6 Pacific Region International is the University of North Texas College of Music, with 1568, followed by the University of Michigan’s School of Music, Conservatorio di Musica “Arrigo Boito” ...................................6 Summer Music Academy (PRISMA) .................................29 Theater, & Dance, which boasts 1100 music students. -
ZERMATT – GORNERGRAT Private De Luxe Train
90 YEARS OF THE GLACIER EXPRESS 15 to 19 July 2020 JUBILEE TRIP TIRANO – ST. MORITZ – ZERMATT – GORNERGRAT Private de Luxe Train Railway journey through the Swiss Alps on the tracks of the legendary Orient Express This luxury train includes two original Pullman cars, built in 1931, which once belonged to the Cie. Int. des Wagons-Lits et Grands Express européens. The exquisite wooden inlay work in the carriages was carried out by renowned French cabinetmaker René Prou. For the sector from St. Moritz to Zermatt, the train also has a bar-lounge carriage built in 1928 and a luggage car from 1930. For lunch on board, two Gourmino dining cars, dating from 1929 and 1930, are added to the special train. All these carriages have been lovingly restored down to the smallest detail, in accordance with today’s safety standards. The train is hauled by a railway locomotive from the period, such as the world-famous “Crocodile” of the Rhaetian Railway. Glacier Pullman Express passenger service staff will be on hand to attend to your needs throughout the trip. 90 years of the Glacier Express Jubilee trip from Tirano via St. Moritz and Zermatt to the Gornergrat Wednesday, 15 to Sunday, 19 July 2020 The trip from Tirano to the Gornergrat is a journey to remember Wednesday, 15 July 2020 Join the tour in Chur or St. Moritz (own travel arrangements) and overnight in the selected hotel. Thursday, 16 July 2020 In the morning travel by scheduled “Bernina Express” train service in 1st class from Chur or St. Moritz to Tirano. -
PDF (Thumbnails)
David Mannes Music School at 154 East 70th Street (MA040101_000020) Sign for the David Mannes Music School (MA040101_000085) David Mannes with Violin The David Mannes Music School (MA040101_000067) (MA040101_000071) Mannes School of Music Junior Orchestra (MA040101_000110) Ernest Bloch (MA040101_000073) David Mannes (MA040101_000114) David Mannes (MA040101_000115) Concert at the Metropolitan Museum of Art (MA040101_000012) Opera Performance at Mannes College of David Mannes at the Metropolitan Museum Music (MA040101_000058) of Art (MA040101_000061) Leopold Mannes (MA040101_000010) Page 1 of 8 David Mannes at the Metropolitan Museum David Mannes Teaching Piano and Violin of Art (MA040101_000062) to Children (MA040101_000113) David Mannes Holding a Violin Mannes School of Music Student (MA040101_000116) Performance (MA040101_000013) David Mannes Conducts Mannes College Mannes College Opera Students "Cosi Fan Tutte" Performance by Mannes of Music Student Orchestra Performing Mozart (MA040101_000015) (MA040101_000014) College of Music Students (MA040101_000065) Carl Bamberger Conducts at Mannes College of Music (MA040101_000057) David Mannes Playing Violin for Children The Mannes, Gimpel, Silva Trio Elizabeth Aaron at Piano (MA040101_000112) (MA040101_000063) (MA040101_000052) Mannes College of Music Students Perform Mozart's "Cosi fan Tutte" (MA040101_000011) Page 2 of 8 Edward Aldwell (MA040101_000047) Richard Goode at Piano Murray Perahia at Piano Carl Bamberger with Mannes College of (MA040101_000048) (MA040101_000049) Music Orchestra -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
John Axelrod
JOHN AXELROD John Axelrod se graduó en 1988 en la Universidad de Harvard. Fue alumno de Leonard Bernstein, también estudió el programa para directores de la American Symphony Orchestra League y en el Conservatorio de San Petersburgo con Ilya Musin. Tras una etapa de grandes éxitos como Director Musical y Artístico del Teatro y Orquesta Sinfónica de Lucerna y como Director Musical de la Orquesta Nacional des Pays de la Loire (ONLP) es, desde 2011, Principal Director de la Orquesta Sinfónica Giuseppe Verdi de Milán y desde noviembre de 2014 Director Artístico y Musical de la Real Orquesta Sinfónica de Sevilla. Ha dirigido más de 150 orquestas, entre las que se encuentran en Europa la Berlin Rundfunk-Sinfonieorchester, NDR Hamburg Symphony, Gürzenich-Orchester Köln, Leizpig Gewandhaus Orchestra, Dresdner Philharmonic, Israel Philharmonic, Orquesta de París, Orquesta Nacional de Lyon, Royal Philharmonic de Londres, London Philharmonic, London Philharmonia, Orquesta de la Suisse Romande, Accademia Nazionale di Santa Cecilia Orchestra, Orquesta Sinfónica Nacinal de la RAI, Orquesta Filarmónica del Teatro La Fenice, Orquesta del Teatro San Carlo de Nápoles, Royal Stockholm Philharmonic, Danish National, Filarmónica de Oslo, Orquesta de la Radio de Suecia, Filarmónica Nacional de Rusia, , Salzburg Mozarteum, Camerata Salzburg, Orquestas Sinfonia y Filarmónica de Varsovia… En Norteamérica y Asia hay que destacar la Toronto Symphony, National Symphony Orchestra, Orquesta de Filadelfia, Chicago Symphony, NHK Symphony Orchestra de Tokio, Kyoto Symphony, Orquesta Sinfónica Nacional de Taiwan y la Sinfónica de Shanghai. Su actividad operística incluye el estreno de Candide de Bernstein en el Teatro du Châtelet de París en 2006 y en el Teatro de la Scala de Milán en 2007. -
ZIYU SHEN, Violist
ZIYU SHEN, violist “Teenager Ziyu Shen is already making her mark on the music scene. Her recital at London’s Royal Festival Hall won a standing ovation.” —Isle of Man Courier “Tonight’s program offered an ideal opportunity to experience this delightful young artist’s prodigious talent. We were treated to a wonderful performance, played superbly.“ —Oberon’s Grove “Besides her flawless technique, Ziyu is very communicative and has a soul of a real artist.” —Gidon Kremer First Prize, 2014 Young Concert Artists International Auditions The Sander Buchman Prize • The University of Florida Performing Arts Prize First Prize, 2013 Lionel Tertis International Viola Competition First Prize, 2012 Chamber Music Competition of Morningside Bridge Chamber Music Competition in Canada First Prize, 2011 Johansen International Competition for Young String Players in Washington, DC YOUNG CONCERT ARTISTS, INC. 1776 Broadway, Suite 1500 New York, NY 10019 Telephone: (212) 307-6655 Fax: (212) 581-8894 [email protected] www.yca.org Photo: Matt Dine Young Concert Artists, Inc. 1776 Broadway, Suite 1500, New York, NY 10019 telephone: (212) 307-6655 fax: (212) 581-8894 e-mail: [email protected] website: www.yca.org ZIYU SHEN, viola 20-year-old violist Ziyu Shen began to play the violin at age of four and switched to the viola at the age of 12 while studying with Li Sheng at the Music School affiliated with the Shanghai Conservatory of Music. Among her upcoming concerts, Ms. Shen appears at the PyeongChang Festival, as soloist with the Long Bay Symphony and in recitals at Coastal Carolina University and the Musée du Louvre. -
International Viola Congress
CONNECTING CULTURES AND GENERATIONS rd 43 International Viola Congress concerts workshops| masterclasses | lectures | viola orchestra Cremona, October 4 - 8, 2016 Calendar of Events Tuesday October 4 8:30 am Competition Registration, Sala Mercanti 4:00 pm Tymendorf-Zamarra Recital, Sala Maffei 9:30 am-12:30 pm Competition Semifinal,Teatro Filo 4:00 pm Stanisławska, Guzowska, Maliszewski 10:00 am Congress Registration, Sala Mercanti Recital, Auditorium 12:30 pm Openinig Ceremony, Auditorium 5:10 pm Bruno Giuranna Lecture-Recital, Auditorium 1:00 pm Russo Rossi Opening Recital, Auditorium 6:10 pm Ettore Causa Recital, Sala Maffei 2:00 pm-5:00 pm Competition Semifinal,Teatro Filo 8:30 pm Competition Final, S.Agostino Church 2:00 pm Dalton Lecture, Sala Maffei Post-concert Café Viola, Locanda il Bissone 3:00 pm AIV General Meeting, Sala Mercanti 5:10 pm Tabea Zimmermann Master Class, Sala Maffei Friday October 7 6:10 pm Alfonso Ghedin Discuss Viola Set-Up, Sala Maffei 9:00 am ESMAE, Sala Maffei 8:30 pm Opening Concert, Auditorium 9:00 am Shore Workshop, Auditorium Post-concert Café Viola, Locanda il Bissone 10:00 am Giallombardo, Kipelainen Recital, Auditorium Wednesday October 5 11:10 am Palmizio Recital, Sala Maffei 12:10 pm Eckert Recital, Sala Maffei 9:00 am Kosmala Workshop, Sala Maffei 9:00 am Cuneo Workshop, Auditorium 12:10 pm Rotterdam/The Hague Recital, Auditorium 10:00 am Alvarez, Richman, Gerling Recital, Sala Maffei 1:00 pm Street Concerts, Various Locations 11:10 am Tabea Zimmermann Recital, Museo del Violino 2:00 pm Viola Orchestra -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
Temporada 2019 De La Orquesta Sinfónica Nacional De Chile, El Coro Sinfónico Y La Camerata Vocal De La Universidad De Chile
Temporada 2019 Portada: La Orquesta Sinfónica María Chiossi, arpista Nacional de Chile de la Orquesta y el Coro Sinfónico Sinfónica, prueba interpretan el Réquiem la nueva arpa Salvi de Giuseppe Verdi, llegada de Italia. dirigidos por el maestro Contraportada: Leonid Grin. Teatro Cristián Errandonea, Universidad de Chile, ayudante de solista 24 de marzo de 2018. de la fila de contrabajos, septiembre de 2018. 1 sinfónicanacional.cl Desde su creación, el Centro de Extensión Artística Ennio y Cultural ejerce un rol predominante en el desarrollo social y cultural de nuestro país, siendo finalmente un reflejo de la sociedad a través de las artes y la creación, con Vivaldi Véjar el trabajo y esfuerzo permanente de sus cuerpos estables. Para continuar relevando estos aspectos es que estamos rector llevando a cabo el proyecto de Vicuña Mackenna 20, donde se levanta actualmente la que será la nueva sede del ceac y que, junto al Teatro de la Universidad de Chile, universidad terminará por consolidar a Plaza Italia como el lugar donde se reúnen y conversan permanentemente las artes, de chile la cultura y la ciudadanía. Saludamos especialmente y con mucho orgullo a la Orquesta Sinfónica Nacional de Chile, el Ballet Nacional Chileno, al Coro Sinfónico y a la Camerata Vocal, patrimonio cultural del país y de nuestra Universidad, y los invito a todas y todos a hacerse parte y participar de las actividades presentadas en este catálogo. universidad de chile Rector Prof. Ennio Vivaldi Véjar Prorrector el centro de extensión artística Prof. Rafael Epstein Numhauser y cultural de la universidad de chile es la institución encargada de gestionar Vicerrectora de Asuntos Académicos los cuerpos estables nacionales: orquesta sinfónica nacional de chile (osnch) Prof.