Going Local Annual Report 2009/10 the National Trust in Brief

Total Page:16

File Type:pdf, Size:1020Kb

Going Local Annual Report 2009/10 the National Trust in Brief Going local Annual report 2009/10 The National Trust in brief What is the National Trust? Our strategy We look after special places throughout England, Wales and The National Trust benefits the public through conserving the Northern Ireland for ever, for everyone. We do it, in the words country’s most beautiful places for ever, and by welcoming of Octavia Hill, one of our founders, 115 years ago, ‘for the everyone to experience the joy and inspiration they bring. everlasting delight of the people’ – rich and poor, city and Our strategy for this year sets out four overlapping priorities country dweller, young and old. for achieving this purpose: We try to make sure that the unique spirit of each property can come alive in the hearts and minds of visitors. So we want to • engaging supporters; be local in our approach, giving frontline staff and volunteers the • improving conservation and environmental performance; power to innovate and build strong bonds with local communities. • investing in our people; We are Europe’s biggest conservation body. We are • financing our future. independent of Government, receiving no direct state funding for our core work. Our future depends on the generosity and In each area, our intention is to Go local – to reduce active involvement of 3.7 million members, 17.2 million visitors bureaucracy, devolve power, increase local distinctiveness, and and 61,000 volunteers, as well as benefactors, tenants and liberate the restless, volunteering spirit which, since 1895, has other partners. inspired this movement to such remarkable success. For the National Trust, conservation has always gone hand‑in‑hand with public access. This is a huge responsibility which we discharge by welcoming everyone to explore: • 709 miles (1,141 kilometres) of coastline; • 255,000 hectares (630,000 acres) of land, much of which is of outstanding natural beauty; • more than 350 historic houses, gardens and parks, ancient monuments and nature reserves. Four in five of our properties cannot fund their own permanent preservation. The cost of caring for them is high: we spent over £100 million on conservation projects in 2009/10. Since 1907, our promise to care for special places ‘for ever’ Cover: has had the force of law. We own most of this glorious heritage Local primary school children working in the inalienably, so it can never be sold or developed against our Walled Garden where vegetables are grown wishes without the consent of Parliament. organically, at Gibside, Newcastle upon Tyne The National Trust for Places of Historic Interest or Natural Beauty is a registered charity. It is incorporated, and has powers conferred on it by Parliament through the National Trust Acts 1907 to 1971 and under the Charities (National Trust) Order 2005. Since 1 September 2005 the Trust has been governed by a Board of Trustees whose composition appears on page 83. A brief description of the Trust’s organisation President HRH The Prince of Wales appears on pages 47-49. Our bankers, investment managers and auditors are Chairman Simon Jenkins identified on page 80, and our principal offices are listed on page 104. Deputy Chairman Sir Laurie Magnus, Bt This Annual Report has been prepared by the Board of Trustees and covers the Director-General Dame Fiona Reynolds DBE period 1 March 2009 to 28 February 2010. Contents Chairman’s statement 2 Director-General’s statement 3 Board of Trustees’ report for 2009/10 4 Introduction 4 The Trust in action 5 Our strategy to 2010 and beyond 12 Engaging supporters 14 Improving conservation and environmental performance 20 Investing in our people 26 Financing our future 32 The year in summary 38 Our refreshed strategy to 2013 –Going local 40 Our finances in brief 42 Financial review 44 Administration and management 47 Structure and internal control 47 Thanks 50 Annual report of the Council 2009/10 51 The financial statements 2009/10 53 Consolidated Statement of Financial Activities 53 Balance Sheets 54 Consolidated Cash Flow Statement 55 Notes to the Financial Statements 56 Independent Auditors’ report 80 The Trust’s advisers 80 Glossary of financial, property and fund terms 81 Other financial information 82 Governance of the National Trust 83 Membership of the Board of Trustees, Council, Committees and Senior Management Team 83 2009 Annual General Meeting 86 The year on record 87 Properties and chattels acquired 87 Visiting figures 90 Retirements 91 Awards 92 Obituaries 93 The Royal Oak Foundation 94 Gifts and donations 94 Top: Supporter groups 96 Lyme Park, Cheshire Legacies 98 Contact details 104 Middle: Blickling Hall, Norfolk Bottom: Oxburgh Hall, Norfolk Annual Report 2009/10 Contents 1 Chairman’s statement This year the National Trust has succeeded against taking top‑down decisions for people, rather than the odds. A severe recession cut deep into family with them. We are trying to be a more humane budgets. We might have expected the worst, but we collaborator with those who love these places and end the year in modest celebration. want to share in their fulfilment. Membership is at record levels, 3.7 million, up In the last ten years we have sought to transform 106,000 from 2009’s record figure. Visitor numbers our central and regional offices. With the benefit of at pay for entry properties were unprecedented, up stronger finances and more efficient information 16.2% on the previous year to a total of 17.2 million. systems, we are determined to devolve more Millions more enjoyed the freedom of open access decisions to frontline staff and volunteers. These to our countryside and coastline. For this success we are the people in direct contact with our public and owe a first debt to our remarkable 61,000 volunteers who know best how resources can be spent to enrich and 4,5001 staff. They are critical to our work. visitors’ experiences. Our Victorian founders would be overjoyed to Going local is about more than devolved see the Trust growing tall and strong in a world very management. It is about bringing our properties to different from theirs. They would also appreciate this is life. We may be a national organisation, but we want the result of hard work, good listening and bold vision to render our properties, landscape as well as houses that is constantly aware of what our members and the and gardens, individual and distinctive. Giving our wider public wants. Caring for properties and for the properties back some of their historical character, wider landscape is, in the resonant words of the 1907 making them feel places in which people lived out the National Trust Act, ‘for the benefit of the nation’. joys and sorrows of their lives, is what I most want to In difficult economic times these benefits become achieve as Chairman. Throughout this report you will even more precious. They rely on promoting the see examples of how we are doing this. appreciation of beauty, fresh air, the natural world We are forging new relationships between our and a kinship with the past. The Trust exists to properties and local communities, through sharing welcome people to these pleasures, and our results in facilities, volunteering, cultural and educational 2009/10 reflect a hunger for them. events, through local food schemes and a host of This hunger was also demonstrated by the public other initiatives. In past centuries our properties were appeal that raised over £3 million from thousands at the heart of community life: that’s where we mean of charitable trusts, companies and individuals to put them in years to come. across the country to acquire Seaton Delaval Hall in I am delighted that the Prince of Wales has agreed Northumberland, and over 400 acres of surrounding to be our President for a further five years. His belief land for the nation following its acceptance in lieu of in and support for our cause is an inspiration to us tax. This eighteenth‑century Vanbrugh house with and our supporters. gardens is now available for public enjoyment. From For over three and a half million people, the the start of the campaign we worked with the public Trust helps provide continuity in a turbulent world. – especially the local community – to shape Seaton Its historic strength is its capacity to change without Delaval Hall’s future and decide how the property can betraying its founders’ clarity of purpose: to offer best be used for public benefit. We want everybody to ‘everlasting delight to the people of these islands’. contribute to decisions on its future. Community involvement is crucial to our campaign to Go local. In the past, we have sometimes been seen as a heavy‑handed proprietor, Simon Jenkins Chairman 1 Full time equivalent 2 Chairman’s statement National Trust Director-General’s statement I’d like to start by thanking everyone – staff, designed to ensure we delegate many more decisions volunteers, Trustees, Council, and supporters – who to our General and Property Managers, simplify our have worked so hard to deliver the results set out rules and procedures, and free up our people to in this report. I can’t think of a more exciting time deliver lively, inspiring experiences at our properties to be part of the National Trust, with our focus on and to nurture strong links with the communities engaging supporters through the inspirational quality around us. of our conservation work; of connecting people to Across the country, staff and volunteers are the simple pleasures we all need; reconnecting people turning this vision into reality. Lively, engaging to landscape, the outdoors and food; and bringing properties give our visitors and supporters our history and stories alive. At a time when recession experiences that make them want to come back caused widespread gloom, I’m thrilled and proud and back again.
Recommended publications
  • Criminal Complaints Probate / Guardian / Family Court Victims
    From the Desk of: Eliot Ivan Bernstein Inventor [email protected] www.iviewit.tv Direct Dial: (561) 245-8588 (o) (561) 886-7628 (c) Sent Via: Email and US Certified Mail Saturday, April 9, 2016 U.S. Attorney General Loretta Lynch U.S. Department of Justice 950 Pennsylvania Avenue, NW Washington, DC 20530-0001 202-514-2000 [email protected] [email protected] RE: CRIMINAL COMPLAINTS PROBATE / GUARDIAN / FAMILY COURT VICTIMS ORGANIZATIONS SUPPORTING THIS COMPLAINT 1. Americans Against Abusive Probate Guardianship Spokesperson: Dr. Sam Sugar PO Box 800511 Aventura, FL 33280 (855) 913 5337 By email: [email protected] On Facebook: https://www.facebook.com/pages/Americans-Against-Abusive-Probate- Guardianship/229316093915489 On Twitter: https://twitter.com/helpaaapg 2. Families Against Court Travesties, Inc. Spokesperson: Natalie Andre Focusing on issues concerning child custody and abuse of the family court system, our vision is that the best interest of the child prevails in family court. facebook.com/FamiliesAgainstCourtTravesties Letter Page 1of 12 Saturday, April 9, 2016 United States Attorney General Loretta Lynch Page 2 CRIMINAL COMPLAINTS PROBATE / GUARDIAN / Saturday, April 9, 2016 FAMILY COURT VICTIMS [email protected] (800) 201-5560 3. VoteFamily.Us Spokesperson: Mario A. Jimenez Jerez, M.D., B.S.E.E. (786) 253-8158 [email protected] http://www.votefamily.us/dr-mario-jimenez-in-senate-district-37 List of Victims @ http://www.jotform.com/grid/60717016674052 Dear Honorable US Attorney General Loretta Lynch: This is a formal CRIMINAL COMPLAINT to Loretta Lynch on behalf of multiple victims of crimes being committed by Judges, Attorneys and Guardians (All Officers of the Court) primarily in the Palm Beach County, FL.
    [Show full text]
  • 以『前拉菲爾派』為例 Representation of Shakespeare’S Women in Pre-Raphaelite Art
    國立臺灣師範大學國際與社會科學學院歐洲文化與觀光研究所 碩士論文 Graduate Institute of European Cultures and Tourism College of International Studies and Social Sciences National Taiwan Normal University Master Thesis 莎士比亞女角的再現 - 以『前拉菲爾派』為例 Representation of Shakespeare’s Women in Pre-Raphaelite Art 許艾薇 Ivy Tang 指導教授﹕陳學毅 博士 Dr. Hsueh-I CHEN 中華民國 107 年 06 月 June 2018 Acknowledgement This thesis could not have been written without the assistance of and support from numerous individuals. First and foremost, I would like to thank Professor Hsueh-I Chen for his generous encouragement, consistent guidance, and full support for the completion of this project. I am hugely appreciative to Professor Chen for encouraging me when I faced doubts and questioned myself throughout the process. I am grateful for the guidance and assistance that Professor Dinu Luca provided in the early stages of this thesis. I am fortunate for his close attention and assistance throughout the shaping of this thesis. My appreciation also goes to my thesis committee members Professor Louis Lo and Professor Candida Syndikus, for their careful examination of my thesis. Their comments and advice helped me to consider new interdisciplinary approaches in the study. I thank Professor Lo for the guidance since undergraduate for whom had first introduced me to the study of Ophelia’s madness and representations. Professor Syndikus’s careful reading and probing questioning added depth and coherence to my thesis. This thesis has benefited from the above individual’s vast knowledge of literature, Shakespeare, British art, philosophical theories, Victorian studies, sensitive editing, insightful interpretations of paintings, and sensitive editing. Without the help of them, this thesis would not have been able to be completed.
    [Show full text]
  • HSBC Bank UK Pensioners' Association
    HSBC Bank UK Pensioners’ Association Pensioner and Old Age Concessions and Discounts Contents Pensioner and Old Age Concessions and Discounts ............................................................... 1 Concessions and Discounts................................................................................................ 1 Dining ............................................................................................................................... 2 Sightseeing (prices may have changed) ............................................................................. 2 Museums, Arts & Entertainment ....................................................................................... 2 Travel & Leisure ............................................................................................................... 2 DIY & Gardening .............................................................................................................. 3 Local Authority Services ................................................................................................... 3 Miscellaneous ................................................................................................................... 4 Over-75s ........................................................................................................................... 4 PC Skills ........................................................................................................................... 4 Other Sites of Interest .......................................................................................................
    [Show full text]
  • Textileartscouncil William Morrisbibliography V2
    TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist.
    [Show full text]
  • Annual Report 2014 ANNUAL REPORT 2014 Table of Contents Staff Sean E
    THE ROYAL OAK FOUNDATION Annual Report 2014 ANNUAL REPORT 2014 Table of Contents Staff Sean E. Sawyer, Ph.D. Executive Director (through 5/15) Board of Directors, Advisory Council and Board Committees 2 [email protected] Letter from the Chairman and the Executive Director 3 Lorraine L. Brittle Executive Director (from 10/15) SUPPORT: Grants and Donors [email protected] Marilyn Fogarty Grants Awarded Director of Operations & Finance Interim Executive Director (from 6/15) Grants to National Trust Projects 4 [email protected] Winifred E. Cyrus Grants to Sponsored Projects 7 Director of Member Services [email protected] Scholarships 8 Jan Lizza Donations Received Member Services Associate [email protected] National Trust Properties 9-14 Jennie L. McCahey Program Director Support for Royal Oak Foundation 15-16 [email protected] Kristin Sarli Licensed Products Program 16 Assistant Program Director [email protected] Corporate Matching 17 Robert Dennis Royal Oak Sponsored Projects 17 Program & Development Assistant [email protected] Legacy Circle 2014 18 Chelcey Berryhill Timeless Design Gala Benefit 19-20 Development & Communications Manager Heritage Circle 2014 21 [email protected] Sam McCann EXPERIENCE: Membership 22-23 Communications Associate [email protected] Travel 24 Jacqueline Bascetta (from 10/14) Executive Coordinator & LEARN: Lectures and Tours 25-27 Board Liaison [email protected] Programs Support 28 Jessie Walker Financial Summary 29-30 Foundation Volunteer Our Mission The Royal Oak Foundation inspires Americans to learn about, experience and support places of great historic and natural significance in the United Kingdom in partnership with the National Trust of England, Wales and Northern Ireland.
    [Show full text]
  • 'Art of a Second Order': the First World War from the British Home Front Perspective
    ‘ART OF A SECOND ORDER’ The First World War From The British Home Front Perspective by RICHENDA M. ROBERTS A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham September 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts of sexual difference functioned to promote masculine authority. Nevertheless in Britain during wartime enlarged female employment alongside the presence of injured servicemen suggested feminine authority and masculine weakness, thereby temporarily destabilizing pre-war values. Adopting a socio-historical perspective, this thesis argues that artworks engaging with the home front have been largely excluded from art history because of partiality shown towards masculine authority within the matrices of British society. Furthermore, this situation has been supported by the writing of art history, which has, arguably, followed similar premise.
    [Show full text]
  • Archaeology in Northumberland Friends
    100 95 75 Archaeology 25 5 in 0 Northumberland 100 95 75 25 5 0 Volume 20 Contents 100 100 Foreword............................................... 1 95 Breaking News.......................................... 1 95 Archaeology in Northumberland Friends . 2 75 What is a QR code?...................................... 2 75 Twizel Bridge: Flodden 1513.com............................ 3 The RAMP Project: Rock Art goes Mobile . 4 25 Heiferlaw, Alnwick: Zero Station............................. 6 25 Northumberland Coast AONB Lime Kiln Survey. 8 5 Ecology and the Heritage Asset: Bats in the Belfry . 11 5 0 Surveying Steel Rigg.....................................12 0 Marygate, Berwick-upon-Tweed: Kilns, Sewerage and Gardening . 14 Debdon, Rothbury: Cairnfield...............................16 Northumberland’s Drove Roads.............................17 Barmoor Castle .........................................18 Excavations at High Rochester: Bremenium Roman Fort . 20 1 Ford Parish: a New Saxon Cemetery ........................22 Duddo Stones ..........................................24 Flodden 1513: Excavations at Flodden Hill . 26 Berwick-upon-Tweed: New Homes for CAAG . 28 Remapping Hadrian’s Wall ................................29 What is an Ecomuseum?..................................30 Frankham Farm, Newbrough: building survey record . 32 Spittal Point: Berwick-upon-Tweed’s Military and Industrial Past . 34 Portable Antiquities in Northumberland 2010 . 36 Berwick-upon-Tweed: Year 1 Historic Area Improvement Scheme. 38 Dues Hill Farm: flint finds..................................39
    [Show full text]
  • Wren and the English Baroque
    What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today.
    [Show full text]
  • Charlecote Gardens Charlecote
    Charlecote Gardens Charlecote Charlecote Gardens Charlecote CV35 9ER A stunning individual Grade II listed Georgian riverside family residence. Imaginatively extended via a three storey glazed atrium, the property stands in beautiful walled gardens descending to the River Dene. A pedestrian footbridge leads over to the meadow which extends to about 4.41 acres. Outstanding period living in a sought after village. ● Grade II listed Georgian residence ● River frontage of 550' to the River Dene ● About 4.41 acres ● Bridge and stables ● Three storey glazed atrium linking extension CHARLECOTE is designated as a Conservation Area and is best known for its historic Lucy family’s Elizabethan Mansion of Charlecote Park which is now held by the National Trust. The village also has a fine parish church, local hotel and garden centre. Offers in excess of £1,500,000 Everyday needs are catered for about a mile away in the village of Wellesbourne and more comprehensive facilities are available for in nearby Stratford upon Avon, Warwick and Leamington Spa. The M40 is approximately 5 miles away giving access to the wider motorway network. There are an excellent range of state, grammar and private schools to suit most requirements. 53 Henley Street & 1 Meer Street, CHARLECOTE GARDENS comprises a stunning individual Grade II listed Georgian riverside family residence. Imaginatively Stratford-Upon-Avon, Warwickshire CV37 6PT extended via a three storey glazed atrium, combining with stone mullioned windows and pillared balconies and porch. The property 01789 415444 stands in beautiful walled gardens descending to the River Dene. A pedestrian footbridge leads over to the meadow which extends [email protected] to about 4.41 acres.
    [Show full text]
  • Your Guide to Working with the Travel Trade
    YOUR GUIDE TO WORKING WITH THE TRAVEL TRADE CONTENTS INTRODUCTION The travel trade – intermediaries such as tour Introduction 2 operators, wholesalers, travel agents and online travel agents - play a significant role in attracting What is the 3 visitors to Aberdeen and Aberdeenshire, even Travel Trade? though consumers are increasingly organising and planning their own trips directly. Working Attracting 5 with the travel trade is an effective and valuable way of reaching larger numbers of potential International travellers in global markets. Attention Attracting visitors to your business requires Understanding Your 9 some specialist industry awareness and an Target Markets understanding of all the different kinds of travel trade activity. It’s important to know Working with the 10 how the sector works from a business point Travel Trade of view, for example, the commission system, so that tourism products can be priced Rates and Commission 13 accordingly. Developing your offer to the required standard needs an understanding of Creating a Travel 14 different travel styles, language, cultural and culinary considerations and so on. Trade Sales Kit VisitAberdeenshire runs a comprehensive Hosting 16 programme of travel trade activities which Familiarisation Visits include establishing strong relationships with key operators to attract group and Steps to working 17 independent travel to our region. with the travel trade This guide aims to provide a straightforward introduction to the opportunities available Building Relationships 17 to Aberdeen and Aberdeenshire’s tourism businesses, enabling you to grow your Next Steps? 18 business through working with the national and international travel trade. Useful Web Sites 20 KEY TAKEAWAY............... The travel trade is often thought about for the group market only, but in fact the travel trade is also used extensively for small group and individual travel.
    [Show full text]
  • Historic House Eg 1
    Historic House Hotels Heritage Tour | ItiNerary CLASSIC CULTURE DesigNed for those who waNt to visit aNd eNjoy BritaiN's uNique heritage of beautiful couNtry houses. HISTORIC HOUSES ExperieNce the art of quiNtesseNtial couNtry house liviNg at its best, with award- wiNNiNg restauraNts, health aNd beauty spas, all situated iN beautifully laNdscaped gardeNs. NATIONAL TRUST IN 2008 BodysgalleN Hall North Wales, Hartwell House Vale of Aylesbury aNd Middlethorpe Hall York were giveN to the NATIONAL TRUST to eNsure their loNg-term protectioN. BODYSGALLEN HALL & SPA H I S T O R I C H O U S E H O T E L S - S T A Y I N H O U S E S O F CONWY CASTLE D I S T I N C PLANNING T I They are represeNtative iN their differeNt O ways of the best of graNd domestic N YOUR TRIP architecture, from the JacobeaN aNd GeorgiaN spleNdour of Hartwell House to the crisp WWW.HISTORICHOUSEHOTELS.COM precisioN of brick aNd stoNe of Middlethorpe Hall or the Welsh verNacular charm of These sample tour itiNeraries have beeN BodysgalleN Hall set oN its wooded hill-side desigNed for the pleasure of those who eNjoy both stayiNg iN aNd visitiNg part of BritaiN's uNique heritage of beautiful TRAVEL couNtry houses. SUGGESTIONS You will stay iN the order of your choice iN three carefully restored Historic House For your jourNey betweeN our houses, we have Hotels, each aN importaNt buildiNg iN its made recommeNdatioNs for visits to properties owN right, all with a spleNdid gardeN aNd that are eN-route.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]