Anna Tifu Tangoquartet
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24Th International Piano Competition Since 1947
24th International since 1947 Piano Competition Rina Sala Gallo 25 Settembre — 01 Ottobre 2016 Teatro Manzoni / Monza Rina Sala Gallo 2016 1 / 52 La Storia La Our History Our Rina Sala Gallo (1898 — 1980) u allieva prediletta di Giovanni Anfossi, sotto la cui he was the pet pupil of Giovanni Anfossi, under Fguida si diplomò giovanissima, con lode speciale, Swhose tutelage she graduated, at a very young presso il Conservatorio «G. Verdi» di Milano. age, and with special commendation, from the Iniziò la carriera concertistica poco più che decenne, Conservatorio “G. Verdi” in Milan. She began her con vivo successo di critica e di pubblico. concert career at around the age of ten with great Tenne concerti in Italia ed in Europa, riscuotendo critical and public success, and went on to give sempre i massimi consensi. concerts in Italy and in Europe, always earning Dedicò la sua vita all’arte pianistica e fondò a maximum acclaim. Monza una rinomata scuola di pianoforte. Sala Gallo dedicated her life to the Art of Nel 1947 organizzò il primo concorso pianistico Piano, and founded a renowned piano school di Monza in collaborazione con Benedetti in Monza.In 1947, she organized the first Piano Michelangeli ed altri esponenti del mondo musicale Competition in Monza in collaboration with italiano, tra i quali Tagliapietra, Gorini, Benedetti Michelangeli and other exponents of Sanzogno, Vidusso, Mozzati e Margola. A questo ne the Italian musical world, such as Tagliapietra, seguirono altri nel 1949 e nel 1967. Gorini, Sanzogno, Vidusso, Mozzati and Margola. Dal 1970 il concorso, divenuto biennale, è a suo This was followed by two further editions in 1949 nome e dal 2009 è membro della Federazione and 1967. -
Sardinian Composers of Contemporary Music
Interdisciplinary Studies in Musicology 12,2012 © PTPN & Wydawnictwo Naukowe UAM, Poznań 2012 CONSUELO GIGLIO Music Conservatory, Trapani Sardinian composers of contemporary music ABSTRACT: The meeting point between the school headed by Franco Oppo and the rich traditional music of the island gave birth in Sardinia to an intense flowering in the field of New Music, with a strong feeling of belonging and a constant call for a positive concept of identity. Thus, since the time of Oppo (1935) and his contemporary Vittorio Montis, we come across many composers that differ between each other but are almost always recognizably “Sardinian”. Oppo has been one of the most interesting figures on the international scene during the last few decades. After his studies in Rome, Venice and Poland in the early 1960s, he remained, by his own choice, in his home territory, sharing his “Sardinian-ness” in a free and dialectic manner with the avant-garde. After formulating his own particular aleatory approach, Oppo reached a turning point halfway through the 1970s: in Musica per chitarra e quartetto d’archi, Praxodia and, finally, in Anninnia I, the meeting point between avant-garde research and the special phonic quality of tra ditional music became more and more close-knit and organic, at the same time also acting on the founding language structure whilst still remaining under the control of incisive and informed dis ciplines (during the same period, moreover, he put forward new methodologies of analysis which were also necessary for his teaching). In this sense the most important works are chamber pieces like Anninnia I and II (1978, 1982), Attitidu (1983) and Sagra (1985), the theatrical work Eleonora d’Arborea (1986), some piano “transcriptions” - the Three berceuses (1982), Gallurese and Baroniese (1989; 1993) - Trio III (1994), Sonata B for percussion and piano (2005) and the two Concerts for piano and orchestra (1995-97; 2002). -
Giorgio Federico Also Available GHEDINI Complete Piano Music • 2 Sonata • Divertimento Contrappuntistico • Ricercare Massimo Giuseppe Bianchi, Piano
8.572330 bk Ghedini 2_EU:8.572330 bk Ghedini 2_EU 10-10-2010 14:47 Pagina 12 Giorgio Federico Also Available GHEDINI Complete Piano Music • 2 Sonata • Divertimento contrappuntistico • Ricercare Massimo Giuseppe Bianchi, Piano 8.111325 8.572329 8.570875 8.570877 8.572330 12 8.572330 bk Ghedini 2_EU:8.572330 bk Ghedini 2_EU 10-10-2010 14:47 Pagina 2 Giorgio Federico essenzialità come simbolo di fragile speranza (?) o contrappuntistico è alla base della costruzione di una impossibile purezza e l’elaborazione cui è sottoposto è pagina breve ma perfettamente compiuta, dall’incedere GHEDINI condotta con estremo pudore e raccoglimento. scherzoso. (1892-1965) L’ultimo brano del CD è l’Allegretto, scritto nel 1957, per una raccolta di composizioni di autori Flavio Menardi Noguera Complete Piano Music • 2 contemporanei destinata ai candidati all’esame del corso medio di pianoforte come prova d’interpretazione. * Ghedini segue la numerazione dei Salmi dell'antica Sonatina in D major (1913) 8:54 Anche in questo caso il principio ritmico - Vulgata. 1 I. Allegretto grazioso 2:48 2 II. Larghetto espressivo 3:15 3 III. Finale. Rondò: Allegro con brio 2:51 «L’ascolto di queste musiche nell’interpretazione di Massimo Giuseppe Bianchi mi ha richiamato alla mente queste parole di mio padre: Il mio credo è questo: la musica non è moda, ma è eterna, nel tempo... In questa società sempre più tecnica, c’è un gran bisogno di sentimento vero, perciò anche la musica deve essere animata, nel profondo, da Puerilia. 4 piccoli pezzi sulle 5 note (1922) 8:00 un raptus drammatico, di conseguenza romantico.. -
A C AHAH C (Key of a Major, German Designation) a Ballynure Ballad C a Ballynure Ballad C (A) Bal-Lih-N'yôôr BAL-Ludd a Capp
A C AHAH C (key of A major, German designation) A ballynure ballad C A Ballynure Ballad C (A) bal-lih-n’YÔÔR BAL-ludd A cappella C {ah kahp-PELL-luh} ah kahp-PAYL-lah A casa a casa amici C A casa, a casa, amici C ah KAH-zah, ah KAH-zah, ah-MEE-chee C (excerpt from the opera Cavalleria rusticana [kah-vahl-lay-REE-ah roo-stee-KAH-nah] — Rustic Chivalry; music by Pietro Mascagni [peeAY-tro mah-SKAH-n’yee]; libretto by Guido Menasci [gooEE-doh may-NAH-shee] and Giovanni Targioni-Tozzetti [jo-VAHN-nee tar-JO- nee-toht-TSAYT-tee] after Giovanni Verga [jo-VAHN-nee VAYR-gah]) A casinha pequeninaC ah kah-ZEE-n’yuh peh-keh-NEE-nuh C (A Tiny House) C (song by Francisco Ernani Braga [frah6-SEESS-kôô ehr-NAH-nee BRAH-guh]) A chantar mer C A chantar m’er C ah shah6-tar mehr C (12th-century composition by Beatriz de Dia [bay-ah-treess duh dee-ah]) A chloris C A Chloris C ah klaw-reess C (To Chloris) C (poem by Théophile de Viau [tay- aw-feel duh veeo] set to music by Reynaldo Hahn [ray-NAHL-doh HAHN]) A deux danseuses C ah dö dah6-söz C (poem by Voltaire [vawl-tehr] set to music by Jacques Chailley [zhack shahee-yee]) A dur C A Dur C AHAH DOOR C (key of A major, German designation) A finisca e per sempre C ah fee-NEE-skah ay payr SAYM-pray C (excerpt from the opera Orfeo ed Euridice [ohr-FAY-o ayd ayoo-ree-DEE-chay]; music by Christoph Willibald von Gluck [KRIH-stawf VILL-lee-bahlt fawn GLÔÔK] and libretto by Ranieri de’ Calzabigi [rah- neeAY-ree day kahl-tsah-BEE-jee]) A globo veteri C AH GLO-bo vay-TAY-ree C (When from primeval mass) C (excerpt from -
Worldnewmusic Magazine
WORLDNEWMUSIC MAGAZINE ISCM During a Year of Pandemic Contents Editor’s Note………………………………………………………………………………5 An ISCM Timeline for 2020 (with a note from ISCM President Glenda Keam)……………………………..……….…6 Anna Veismane: Music life in Latvia 2020 March – December………………………………………….…10 Álvaro Gallegos: Pandemic-Pandemonium – New music in Chile during a perfect storm……………….....14 Anni Heino: Tucked away, locked away – Australia under Covid-19……………..……………….….18 Frank J. Oteri: Music During Quarantine in the United States….………………….………………….…22 Javier Hagen: The corona crisis from the perspective of a freelance musician in Switzerland………....29 In Memoriam (2019-2020)……………………………………….……………………....34 Paco Yáñez: Rethinking Composing in the Time of Coronavirus……………………………………..42 Hong Kong Contemporary Music Festival 2020: Asian Delights………………………..45 Glenda Keam: John Davis Leaves the Australian Music Centre after 32 years………………………….52 Irina Hasnaş: Introducing the ISCM Virtual Collaborative Series …………..………………………….54 World New Music Magazine, edition 2020 Vol. No. 30 “ISCM During a Year of Pandemic” Publisher: International Society for Contemporary Music Internationale Gesellschaft für Neue Musik / Société internationale pour la musique contemporaine / 国际现代音乐协会 / Sociedad Internacional de Música Contemporánea / الجمعية الدولية للموسيقى المعاصرة / Международное общество современной музыки Mailing address: Stiftgasse 29 1070 Wien Austria Email: [email protected] www.iscm.org ISCM Executive Committee: Glenda Keam, President Frank J Oteri, Vice-President Ol’ga Smetanová, -
1605431254170 Bach and Italy 2020 Conference Programme.Pdf
Bach and Italy Organizzato da | Organised by JSBach.it www.jsbach.it Istituto per i Beni Musicali in Piemonte https://ibmp.it/ Conservatorio “G. Verdi” Torino www.conservatoriotorino.gov.it Tutti gli eventi saranno trasmessi online sul sito www.jsbach.it e sul canale YouTube di JSBach.it Ringraziamo Rinaldo ALESSANDRINI, Concerto Italiano e Naive Records per la concessione della musica per la sigla degli eventi All events will be streamed on the website www.jsbach.it and on JSBach.it’s YouTube channel With thanks to Rinaldo ALESSSANDRINI, Concerto Italiano and Naïve Records for kindly allowing us to use their recording of Bach’s Italian Concerto 2 22-28.11.2020 Sponsors Royal Musical Association www.rma.ac.uk Inner Wheel Torino Europea www.innerwheel.it Music & Letters https://academic.oup.com/ml Con il contributo di | With the contribution of Consolato Generale della Repubblica Federale di Germania – Milano www.italien.diplo.de Media partner 3 Bach and Italy In collaborazione con | In cooperation with 4 22-28.11.2020 Con il patrocinio di | With the auspices of 5 Bach and Italy Comitato Scientifico | Programme committee Chiara BERTOGLIO, Conservatorio di Cuneo, JSBach.it – Co-Chair Maria BORGHESI, JSBach.it – Co-Chair Kenneth L. HAMILTON, University of Cardiff Michael HEINEMANN, Hochschule für Musik Dresden Stefano LEONI, Conservatorio di Torino Michael MAUL, Bach-Archiv, BachFest Leipzig Ruth TATLOW, Uppsala University, Bach Network Yo TOMITA, Queen’s University Belfast, Bach Network Comitato organizzativo | Organising committee Responsabile -
Genova (Italia)
Concerti e master-class del Duo Alterno 1 • Torino (Italia), Rive-Gauche Concerti, Musiche in mostra 2012, GAM - Galleria d'Arte Moderna, 25 novembre 2012, CONCERTO “Chansons enchantées” (musiche di Claude Debussy, Maurice Ravel, Daniela Terranova, Charles Lefebvre, Riccardo Piacentini). In quartetto con il flautista Giuseppe Nova e il violoncellista Marco Allocco. • Genova (Italia), Rive-Gauche Concerti, Musiche in mostra 2012, Palazzo Rosso, 24 novembre 2012, CONCERTO “Chansons enchantées” (musiche di Claude Debussy, Maurice Ravel, Daniela Terranova, Charles Lefebvre, Riccardo Piacentini). In quartetto con il flautista Giuseppe Nova e il violoncellista Marco Allocco. • Alba – Cuneo (Italia), Alba Music Festival, Musica meravigliosa, Chiesa di San Giuseppe, 23 novembre 2012, CONCERTO “Chansons enchantées” (musiche di Claude Debussy, Maurice Ravel, Daniela Terranova, Charles Lefebvre, Riccardo Piacentini). In quartetto con il flautista Giuseppe Nova e il violoncellista Marco Allocco. • Riva presso Chieri – Torino (Italia), Rive-Gauche Concerti e Museo del Paesaggio Sonoro, Palazzo Grosso, 3 novembre 2012, CONCERTO “La voce delle cose” (musiche di Cathy Berberian, John Cage, Riccardo Piacentini). In quartetto con la flautista Annamaria Morini e Stefano Zorzanello. • Riva presso Chieri – Torino (Italia), Rive-Gauche Concerti e Museo del Paesaggio Sonoro, Palazzo Grosso, 3 novembre 2012, CONVEGNO “La voce delle cose” (intervento sul tema “I suoni delle cose. Poetica del foto-suono tra Filosofia, E(ste)tica e Musica). Con le partecipazioni di Febo Guizzi, Michelangelo Lupone, Guido Raschieri, Marco Revelli, Stefano Zorzanello. • Treviso (Italia), Festival Finestre sul Novecento, Museo Santa Caterina, 27 ottobre 2012, CONCERTO “El fior robà. Canzoni e romanze tra colto e popolare” (musiche di Leone Sinigaglia, Riccardo Piacentini, Gaetano Donizetti, Giorgio Colombo Taccani, Luciano Berio, Valentino Bucchi). -
Andre-Michel Schub Pianist
_ THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Andre-Michel Schub Pianist TUESDAY EVENING, JULY 14, 1981, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Sonata in F, K. 332 . MOZART Allegro Adagio Allegro assai Variations serieuses, Op. 54 MENDELSSOHN Toccata, Adagio, and Fugue BACH-BUSONI INTERMISSION Pictures at an Exhibition MUSSORGSKY Promenade Ballet of the Unhatched Chicks Gnomus Samuel Goldenberg and Schmuyle Promenade The Market Place at Limoges The Old Castle Catacombs Promenade Con Mortuis in Lingua Mortua Tuileries The Hut on Fowls' Legs (Baba Yaga) Bydlo: The Ox-cart The Great Gate of Kiev Promenade Second concert of the 103rd Season Summer Fare Series About the Artist Andre-Michel Schub, 28-year-old pianist from New York, recently won the Sixth Van Cliburn International Piano Competition and, as the Gold Medalist, received a cash award, a recording contract, and two years of important solo and concerto appearances in the United States, Europe, and the Far East. Already an artist of national stature, Mr. Schub has performed with the Boston Symphony Orchestra under Seiji Ozawa, with the New York Philharmonic under James Levine, the Indianapolis Symphony under John Nelson, the Chicago Symphony at Ravinia under James Levine, the Cleveland Orchestra, and the Cincinnati Symphony. Recently he gave a recital in the Great Performers Series at Alice Tully Hall in New York, and has performed at the Mostly Mozart Festival at Lincoln Center, also in New York. Born in France, Mr. Schub came to New York with his family when he was eight months old. He began piano lessons at the age of four and later received training at Princeton Univer sity and the Curtis Institute of Music in Philadelphia. -
Czech Music 4-05 P
czech music quarterly magazine Martin Kasík 4 Zdeněk Košler 2005 Michal Nejtek Pavel Haas Quartet …want to learn more about Czech music? …search for information about Czech musical life? www.musica.cz czech music 4 | 2005 editorial Contents 2005 This is the last issue of Czech Music for Page 2 The Pianist Martin Kasík 2005. It is also the sixth issue I have Beyond the reach of ordinary mortals edited. That is not many issues, even for DENISA DOHNALOVÁ a quarterly, but all the same (or just for that reason!) I would like to ask you, our 4 readers, to write to us and tell us what Page 6 Masters of the Piano in the Dvořák Hall you think about the magazine. Tell us of the Rudolfinum whether it provides the kind of JAROSLAV SMOLKA information that you want and whether you find the form in which we provide information about current Czech musical life and history effective. For us it would Page 11 Laurels for the Pavel Haas Quartet be enormously valuable to learn which MARIE KULIJEVYČOVÁ articles or themes particularly interested you, what information you think is lacking, what you didn’t like, and what Page 15 Michal Nejtek there should be more of in Czech Music and what could be reduced. We don’t MIROSLAV PUDLÁK expect you to do our work for us, but your feedback is essential if we are to get the content and direction right. If you Page 18 Zdeněk Košler invest a few minutes of your time in an e- Let’s do it properly first and only then be Slavs mail with your comments (send to JINDŘICH BÁLEK [email protected]) or a letter (you will find the address in the magazine credits), we shall reward you with an even better magazine, a magazine for Page 23 The first Sound Transmission of a Czech Opera you. -
FORGOTTEN ARTISTS an Occasional Series by Christopher Howell 22. CARLO VIDUSSO (1911-1978)
FORGOTTEN ARTISTS An occasional series by Christopher Howell 22. CARLO VIDUSSO (1911-1978) 1. Introductory It is just as well this article won’t be making its first appearance on April 1st. Carlo Vidusso was a pianist, but he was also a man of numbers. He left nothing numerical to chance. Fingering first and foremost. In his scores, he fingered every single note, even the individual notes in trills. Only for a long tremolo, would he relent and put a sign indicating that the same fingers were to continue. Vidusso wrote his fingering with a thick ball- point pen, in figures as large as the space in the score would allow. Not content with numbering the fingers 1 to 5 like everybody else, he added 6 for the thumb and third finger together, 7 for the ring and little fingers together and 8 for the thumb across two keys. He expected his pupils to do likewise and would infallibly detect any deviation (1). Not content with this, he counted the number of notes in each line of music and summed them up, so he could tell you how many notes there are in Das Wohltemperierte Klavier – with and without the ornaments, which he wrote out in his own manuscript copy – and how many there are in the Chopin Etudes. His system of memorization was number-based. The music was to be memorized from the score before taking it to the piano – not a unique system and very good if you have the time to do it. The Vidusso variant, though, was to learn, say, the entire Bach 48 or the entire Clementi “Gradus ad Parnassum” by learning the first lines of every piece, then the second lines of every piece, putting it all together at the end. -
Anna Tifu T a N G O Q U a R T
A Concnert for nthe 100ithv anneiversrary sfroam birthr y of ASTOR PIAZZOLLA A N N A T I F U Anna Tifu, violin T A N G O Fabio Furia, bandoneón Romeo Scaccia, piano Q U A R T E T Giovanni Chiaramonte, double bass T H E S H O W An n i v e r s a r y Anniversary celebrates the great Argentine bandoneonist and composer Astor Piazzolla for the 100th anniversary of his birth. A show dedicated to the sounds of the Tango Nuevo, on the borders between fusion and contamination, tradition and innovation, in which the poetic force of music is combined with the talent and virtuosity of the artists. The jazz harmonies and the most refined compositional techniques merge with the fascinating Argentine popular music, creating a perfect combination of past, present and future. An artistic experience in which tango reaches its maximum evolution transformed and revolutionized. The passionate themes and the overwhelming rhythms of the best known masterpieces of the Argentine master are re-proposed and interpreted with the deep melodic sensitivity and the inimitable executive ability of Anna Tifu Tango Quartet, an all-Italian formation made up of four out of class from the international music scene: Anna Tifu, violin; Fabio Furia, bandoneon; Romeo Scaccia, piano; Giovanni Chiaramonte, double bass. A repertoire of great emotional impact that will lead the public on a fascinating and engaging musical itinerary, a tribute to the genius who revolutionized Tango and redefined its contours, indelibly tracing its path of success. On the program: Adios nonino, La milonga del Ángel, La muerte del Ángel, Libertango, Oblivion, to name a few. -
Planilha De Programação Musical – Janeiro 2016
PLANILHA DE PROGRAMAÇÃO MUSICAL – JANEIRO 2016 RAZÃO SOCIAL: EMPRESA BRASIL DE COMUNICAÇÃO CNPJ:09.168.704/0001-42 UF: DF NOME FANTASIA: RÁDIO MEC AM DIAL: 800 CIDADE: BRASÍLIA DATA HORA MÚSICA AUTOR INTÉRPRETE GRAVADORA PROGRAMAS 03/01/16 07:00 DESCENDENS AB ETHEREI ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 OMNES DE SABA ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 MULTIFARIE OLIM ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 GAUDEAMUS OMNES ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 VIDERUNT OMNES ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 POSUISTI DOMINE ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 EGO SUM ALPHA ET O ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 GAUDE MARIA VIRGO ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 IBO MICHI ANÔNIMO ENSEMBLE GILLES BINCHOIS SOM INFINITO 03/01/16 23:00:00 LITORÂNEA JAYME VIGNOLI CAMERATA BRASILIS SALA DE MUSICA 03/01/16 O ASSOVIO DO SACI FLAVIO PAIVA / HENRIQUE SILVA GUTA MENEZES SALA DE MUSICA 03/01/16 MOTIVOS NORDESTINOS LUIZ D'ANUNCIAÇÃO TRIO 3-63 SALA DE MUSICA NELOSN CAVAQUINHO / GUILHERME DE BRITO / 03/01/16 LUTO SEBASTIÃO NUNES GALO PRETO SALA DE MUSICA 03/01/16 CHÃO DE NUVENS PAULO FRANCISCO PAES PAULO FRANCISCO PAES SALA DE MUSICA 03/01/16 CARINHOSO PIXINGUINHA / BRAGUINHA TRIO BOTELHO / FREITAS / FAGERLANDE SALA DE MUSICA 04/01/16 23:00:00 SHINE DESCONHECIDO HOBOKEN FOUR MOMENTO DE JAZZ 04/01/16 ALL OR NOTHING AT ALL DESCONHECIDO HARRY JAMES ORCH. MOMENTO DE JAZZ 04/01/16 I´VE GOT MY EYES ON YOU DESCONHECIDO TOMMY DORSEY ORCH.