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J & J LUBRANO MUSIC ANTIQUARIANS The Mario Feninger Collection of Music for Piano in Practical Editions 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com 1 THE MARIO FENINGER COLLECTION OF MUSIC FOR PIANO IN PRACTICAL EDITIONS Approximately 2,600 Items - For Sale as a Collection Only - $8,500 v Internationally-recognized pianist Mario Feninger was born in Cairo, Egypt in 1923. He received his initial musical training from his mother, Teresa de Rogatis, a pianist and composer. His early performances at the Salle Gaveau in Paris and at Wigmore Hall in London received highly favourable reviews. He went on to an extensive career in the concert halls of Europe, North and South America, the Middle East, and North Africa. Feninger was particularly noted for his renditions of Chopin and Liszt; he was also a noted exponent of the piano works of Busoni. He died in Los Angeles, where he had lived and taught for many years, in 2016. Mr. Feninger’s collection of over 2,600 practical editions of piano music encompasses music of the 18th through 20th centuries. The works of over 200 composers are represented, with particular strengths in editions of Albeniz, Alkan, J.S. Bach (including the Bach-Busoni transcriptions), Bartok, Beethoven, Brahms, Busoni, Chopin, Debussy, Gottschalk, Liszt, MacDowell, Moszkowski, Palmgren, Rachmaninoff, Rubenstein, and Saint-Saëns. Many of the scores carry Feninger’s manuscript monogram and occasionally a place and date, presumably referring to either acquisition or, possibly, to performance. The scores are mostly 20th century publications and are in either original publisher’s wrappers or boards. Virtually all of the editions show some signs of use, including occasional staining. Overall condition ranges from good to very good for music of this nature. For more information on the life and career of Mario Feninger see www.mariofeninger.com. ---------------------------------------------------------------------------------------- - A - Abbate, Alessandro. Preludio per Pianoforte (1990). Flavio Pagano. 9 pp. Absil, Jean. Passacaille pour piano op. 101. Centre Bele de Documentation Musicale. 10 pp. Acevedo, Mario Garcia. Atardecer Estilo para Piano… Coleccion Didactica de Musica Argentina (Obras Digitadas y Pedalizadas)… (Dificil). Ricordi. 2 pp. Albeniz, Isaac. 3.a Sonata Op. 68. Union Musical Española. 20 pp. Albeniz, Isaac. 6 Spanish Dances for piano solo. Edwin F. Kalmus. 33 pp. 2 Albeniz, Isaac. The Alhambra Suite pour le Piano No. 1 La Vega. A. Diaz y Cia. 23 pp. Albeniz, Isaac. Azulejos Œuvre posthume terminée par E. Granados. Editions Max Eschig. 11 pp. Albeniz, Isaac Barcarola Op. 23 Piano seul. Union Musicale Franco-Espagnole. 5 pp. Albeniz, Isaac. Chants d’Espagne Piano seul. Éditions Salabert. 29 pp. Albeniz, Isaac. Chants d’Espagne 5 - Seguidillas Piano seul… No. 1028. Union Musicale Franco- Espagnole. 7 pp. Albeniz, Isaac. Collected Works of Isaac Albania for Piano Solo Volume I. Belwin Mills. 60 pp. Albeniz, Isaac. Collected Works of Isaac Albania for Piano Solo Volume II. Belwin Mills. 62 pp. Albeniz, Isaac. Espana 6 Feuilles d’album pour Piano opus 165. B. Schott’s Söhne. 29 pp. Albeniz, Isaac. Fiesta de Aldea Op. post. Para Piano. Union Musical Espańola. 18 pp. Albeniz, Isaac. Iberia 12 nouvelles “impressions” en quatre cahiers (3e Cahier) El Albaicin, El Polo, Lavapies. Unión Musical Española. 46 pp. Albeniz, Isaac. Iberia 12 nouvelles “impressions” en quatre cahiers (4e Cahier) Malaga, Jerez, Eritaña. Unión Musical Española. 43 pp. Albeniz, Isaac. Iberia Complete Suite Vol. 2 Rondena, Almeria and Triana. Edward B. Marks Music Corporation. 40 pp. Albeniz, Isaac. Iberia Volume One Evocation, El Puerto, Fete-Dieu a Seville. Edward B. Marks Music Corporation. 34 pp. Albeniz, Isaac. Mallorca Barcarola Piano seul. Editions Salabert. 7 pp. Albeniz, Isaac. Mazurca de Salon Op. 81. Union Musical Espańola. 7 pp. [2 copies] Albeniz, Isaac. Navarra for Piano Solo. Edward B. Marks Music Corporation. 15 pp. Albeniz, Isaac. Navarra Œuvre posthume terminée par D. de Sévérac Piano seul. Éditions Salabert. 15 pp. Albeniz, Isaac. Navarra para Piano Nuevo edición revisada y terminada por J. Pahissa. Ricordi Americana. 16 pp. Albeniz, Isaac. Œuvres Pour Piano… Champagne. Uniön Musical Española. 11 pp. Albeniz, Isaac. Œuvres pour Piano… El deseo. Unión Musical Española. 17 pp. Albeniz, Isaac. Œuvres Pour Piano… Estudio Impromptu. Uniön Musical Española. 14 pp. 3 Albeniz, Isaac. Obras de I. Albéniz Piano Solo… Chacone. Unión Musical Española. 5 pp. Albeniz, Isaac. Pavana Caprichio para Piano. Union Musical Ediciones. 4 pp. Albeniz, Isaac. Pianoforte Compositions… Minuetto… Revised Edition, as performed by the Composer. C. Ducci & Co. 5 pp. Albeniz, Isaac. Rapsodia Española Opus 70 for Piano and Orchestra Two-Piano Score. International Music Company. 36 pp.; 36 pp. Albeniz, Isaac. Rapsodia Española Piano seul. Éditions Salabert. 20 pp. Albeniz, Isaac. Recuerdos de Viaje (Travel Impressions) for the Piano. International Music Company. 35 pp. Albeniz, Isaac. Serenata Arabe. Union Musical Española. 8 pp. Albeniz, Isaac. Spanish Sketchbook For the Piano. The Boston Music Company. 47 pp. Albeniz, Isaac. Suite Espagnole III - Sevilla (Sevillanas) Piano seul. Éditions Salabert. 9 pp. Albeniz, Isaac. Suite Espagnole Piano seul. Éditions Salabert. 61 pp. Albeniz, Isaac. Tango… Opus 165 No. 2. B. Schott’s Söhne. 6 pp. Albeniz, Isaac. Torre Bermeja (Serenata) Piano seul… No. 1044. Union Musicale Franco-Espagnole. 9 pp. Albert, Eugen d’. Joh. Seb. Bach Passacaglia Concert Transcription for Piano… The Only Authoritative American Reprint of the Original Bote & Bock Editioni. Associated Music Publishers. 21 pp. Albert, Eugen d’. No. 2 Scherzo… Vier Klavierstücke (Walzer, Scherzo, Intermezzo und Ballade)… Opus 16. C. F. Peters. 19 pp. Albert, Eugen d’. Suite Op. 1 1. Allemande, 2. Courante, 3. Sarabande, 4. Gavotte und Musette, 5. Gigue für Klavier zu zwei Händen. Ed. Bote & G. Bock. 21 pp. Albert, Eugen d’. Zweites Konzert, E-dur, für Klavier und Orchester. Op. 12. Zwei Klaviere vierhändig. Bote & Bock. 54 pp. Alberti, Domenico. Sonata in SIb Maggiore per Pianoforte (C. Zecchi - H. Fazzari). Carisch S.p.A. 10 pp. Albinoni, Tomaso. Remo Giazotto Adagio in Sol Minore per Archi e Organo su due spunti tematici e su un basso numerato… Riduzione per pianoforte. Ricordi. 4 pp. Alessandro, Raffaele d’. Dix Rébus a l’usage des jeunes pour piano. Henry Lemoine & Cie. 10 pp. 4 Alfano, Frank. Quatre Pièces Lyriques pour Pano… Op. 19 No. 3 Aveu Intime. Ed. Bote & G. Bock. 3 pp. Alfano, Frank. Quatre Pièces Lyriques pour Pano… Op. 19 No. 4 Bagatelle. Ed. Bote & G. Bock. 3 pp. Alfano, Frank. Trois Pièces Lyriques pour Pano… Op. 24 No. 1 Feuille d’Album. Ed. Bote & G. Bock. 3 pp. Alfano, Frank. Trois Pièces Lyriques pour Pano… Op. 24 No. 3 Canzonetta. Ed. Bote & G. Bock. 3 pp. Alfonso, Javier. Impromptu para Piano. Javier Alfonso. 5 pp. Alfonso, Javier. Preludio y Toccata para Piano. Javier Alfonso. 9 pp. Alkan, Charles V. Alkan in Miniature Pieces chosen by Ronald Smith et Œuvres choisies par John White Edited by Ronald Smith. Gérard Billaudot. 31 pp. Alkan, Charles V. Allegro Barbaro… Piano Solo… Charles V. Alkan (1813-1888). Israeli Music Publications. 7 pp. Alkan, Charles V. Douze Études dans les tons mineurs op. 39 No 2 - Rythme molossique en ré mineur… Œuvres choisies pour Piano de Ch. V. Alkan Edition revue par Delaborde et Philipp. Éditions Costallat Éditions Billaudot-Sr. 22-37 pp. Alkan, Charles V. Douze Études dans les tons mineurs op. 39 No 3 - Scherzo diabolico en sol mineur… Œuvres choisies pour Piano de Ch. V. Alkan Edition revue par Delaborde et Philipp. Éditions Costallat Éditions Billaudot-Sr. 38-51 pp. Alkan, Charles V. Douze Études dans les tons mineurs op. 39 No 11 - Ouverture en si mineur… Œuvres choisies pour Piano de Ch. V. Alkan Edition revue par Delaborde et Philipp. Éditions M.R. Braun. 123-151 pp. Alkan, Charles V. Esquisses 48 Motifs - op 63 Quatrième Suite… Œuvres Choisies pour Piano de Ch. V. Alkan Nouvelle edition revue par F.M. Delabore et I. Philipp. Gérard Billaudot. 27 pp. Alkan, Charles V. The Piano Music of Alkan edited and annotated by Raymond Lewenthal. G. Schirmer, Inc. 147 pp. Amani, N. Op. 7, No. 2, Orientale… Modern European Classics Edited and Performed by Alnar, Ferid. Oyun Havalari Türkische Tanzsuite… I. Köçek Havasi, 11. Zeybek Havasi, III. Laz Havasi, IV. Cifte Telli, V. Sirto Piano Solo. Universal Edition. 28 pp. Amendola, Ugo. Concerto per pianoforte e orchestra Prima menzione al Concorso Internazionale “Prince Pierrè de Monaco - 1972”. Edizioni Curci. 91 pp. Amendola, Ugo. Divertimenti su Basso Ostinato per Pianoforte. Bèrben. 21 pp. 5 Amendola, Ugo. Sei Piccoli Pezzi per Pianoforte. Bèrben. 14 pp. Antalffy, Désiré d’. Polonaise caractéristique pour Piano 2/ms. Charles Rozsnyai. 7 pp. Arensky, Anton. Douze Etudes Oeuvres de A. Arensky pour Piano. P Jurgenson, Rob. Forberg. 27 pp. Arensky, Anton. Op. 15 Suite For Two Pianos Edited and Fingered by Louis Oesterle… Schirmer’s Library of Musial Classics Vol. 1300. G. Schirmer. 21 pp. Armengol, Mario Ruiz. 18 Danzas Cubanas Para Piano. Instituto Veracruzano de Cultura. 33 pp. Arndt, Felix. Nola A Silhouette for the Piano. Sam Fox. 7 pp. Arne, Thomas Augustine. Eight Sonatas Revised and Edited by E. Pauer for Piano. Kalmus. 167-203 pp. Ascher, J. Andante de Salon Sur l’opera Lucie de Donizetti. G. Del Monaco e Co. 7 pp. Ashton, Algernon. Drei Characterbilder für Clavier… Op. 95… No. 1. Capriccio. No. 2. Intermezzo. No. 3. Scherzo. Ries & Erler. 18 pp. Astrinidis, N. Danse Grecque Op. 16b pour Piano. Ricordi Americana. 4 pp. Astrinidis, N. Deux Preludes Op. 14 pour Piano. Ricordi Americana. 12 pp. Aube, Lucien-Marie. Requiem. Enoch & Cie. 60 pp. Aubert, Louis. Esquisse Sur le Nom de Fauré pour piano à 2 mains. A. Durand & Fils. 3 pp. Aubert, Louis. Lutins Pièce pour le Piano… Op.
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    An Attempt to Define Ignacy Jan Paderewski’s Performing Style by Prof. Lidia Kozubek Prof. Lidia Kozubek, concert pianist and one of Poland’s most prominent piano educators, is well known to music lovers in nearly all European countries as well as in Africa, both Americas, Asia, Australia and New Zealand. Besides concertizing and recording music, Prof. Kozubek is a faculty member of the Warsaw Academy of Music. She has also taught a number of piano students in other countries (such as Japan, Norway, Taiwan and Philippines just to mention a few) as a visiting professor or lecturer. For her artistic and educational achievement Prof. Kozubek received highly regarded national distinctions from Polish government, including the Chevalier Cross “Polonia Restituta.” An inquiry as to who was Paderewski seems to be a good starting point for a discussion of the pianist’s performing style. Paderewski was without doubt a personality of his times. Even among the greatest contemporary musicians, Paderewski remains a phenomenon. He had extraordinary combination of virtues, a multitude of talents and, above all, personal charm, unusual honesty and decency. All of these qualities allowed him to be highly successful in a variety of fields. Paderewski was simply an exceptional human figure. The legend surrounding his pianism is justified not only by his musical genius, but also by the richness of his character, which certainly had an impact on his performing style. As a composer, Paderewski was not always appreciated, but he definitely had a solid theoretical background and developed a strong individual style in which the “Polish tone” is easily found.
  • Unit 7 Romantic Era Notes.Pdf

    Unit 7 Romantic Era Notes.Pdf

    The Romantic Era 1820-1900 1 Historical Themes Science Nationalism Art 2 Science Increased role of science in defining how people saw life Charles Darwin-The Origin of the Species Freud 3 Nationalism Rise of European nationalism Napoleonic ideas created patriotic fervor Many revolutions and attempts at revolutions. Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control 4 Art Art came to be appreciated for its aesthetic worth Program-music that serves an extra-musical purpose Absolute-music for the sake and beauty of the music itself 5 Musical Context Increased interest in nature and the supernatural The natural world was considered a source of mysterious powers. Romantic composers gravitated toward supernatural texts and stories 6 Listening #1 Berlioz: Symphonie Fantastique (4th mvmt) Pg 323-325 CD 5/30 https://www.youtube.com/watch?v=QwCuFaq2L3U 7 The Rise of Program Music Music began to be used to tell stories, or to imply meaning beyond the purely musical. Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas. 8 Art Forms Close relationship Literature among all the art Shakespeare forms Poe Bronte Composers drew Drama inspiration from other Schiller fine arts Hugo Art Goya Constable Delacroix 9 Nationalism and Exoticism Composers used music as a tool for highlighting national identity. Instrumental composers (such as Bedrich Smetana) made reference to folk music and national images Operatic composers (such as Giuseppe Verdi) set stories with strong patriotic undercurrents. Composers took an interest in the music of various ethnic groups and incorporated it into their own music.
  • A/L CHOPIN's MAZURKA

    A/L CHOPIN's MAZURKA

    17, ~A/l CHOPIN'S MAZURKA: A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS OF J. S. BACH--F. BUSONI, D. SCARLATTI, W. A. MOZART, L. V. BEETHOVEN, F. SCHUBERT, F. CHOPIN, M. RAVEL AND K. SZYMANOWSKI DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial. Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Jan Bogdan Drath Denton, Texas August, 1969 (Z Jan Bogdan Drath 1970 ALL RIGHTS RESERVED TABLE OF CONTENTS Page INTRODUCTION . I PERFORMANCE PROGRAMS First Recital . , , . ., * * 4 Second Recital. 8 Solo and Chamber Music Recital. 11 Lecture-Recital: "Chopin's Mazurka" . 14 List of Illustrations Text of the Lecture Bibliography TAPED RECORDINGS OF PERFORMANCES . Enclosed iii INTRODUCTION This dissertation consists of four programs: one lec- ture-recital, two recitals for piano solo, and one (the Schubert program) in combination with other instruments. The repertoire of the complete series of concerts was chosen with the intention of demonstrating the ability of the per- former to project music of various types and composed in different periods. The first program featured two complete sets of Concert Etudes, showing how a nineteenth-century composer (Chopin) and a twentieth-century composer (Szymanowski) solved the problem of assimilating typical pianistic patterns of their respective eras in short musical forms, These selections are preceded on the program by a group of compositions, consis- ting of a. a Chaconne for violin solo by J. S. Bach, an eighteenth-century composer, as. transcribed for piano by a twentieth-century composer, who recreated this piece, using all the possibilities of modern piano technique, b.