Ultima Thule 811: 2 May 2010

Total Page：16

File Type：pdf, Size：1020Kb

Ultima Thule 811: 2 May 2010 No Track Title Composer Artist Album Label Catalogue Dur 1 From the Undertow Tony Banks Tony Banks A Curious Feeling Esoteric Recordings ECLEC 2160 2.46 2 Mirrorball Elbow Peter Gabriel Scratch My Back Real World 850720 4.41 3 The Journey Steve Hackett Steve Hackett Hungarian Horizons Camino Records 65237 3.46 4 Cuckoo Cocoon Genesis Genesis The Lamb Lies Down on Broadway Virgin 7243839774 2.12 5 The Boy in The Bubble Paul Simon Peter Gabriel Scratch My Back Real World 850720 4.23 6 Walking Away from Rainbows Steve Hackett Steve Hackett Hungarian Horizons Camino Records 65237 3.57 7 Hairless Heart Genesis Genesis Lamb Lies Down on Broadway Virgin 7243839774 2.13 8 The Power of The Heart Lou Reed Peter Gabriel Scratch My Back Real World 850720 5.49 9 Flume Bon Iver as above as above as above as above 2.58 10 Humdrum Peter Gabriel as above Peter Gabriel 1 Virgin 2438116782 3.25 11 The Chamber of 32 Doors Genesis Genesis The Lamb Lies Down on Broadway Virgin 7243839774 5.41 12 Seven Stones as above as above Nursery Cryme Virgin CASCDX 1052 5.09 13 My Body is a Cage Arcade Fire Peter Gabriel Scratch My Back Real World 850720 6.12 14 The Waters of Lethe Tony Banks Tony Banks A Curious Feeling Esoteric Recordings ECLEC 2160 6.34 15 The Lamia Genesis Genesis The Lamb Lies Down on Broadway Virgin 7243839774 6.56 16 Here Comes The Flood Peter Gabriel Peter Gabriel Shaking The Tree Virgin PGTVD 6 4.30 17 The Book of Love Magnetic Fields as above Scratch My Back Real World 850720 3.49 18 Forever Morning Tony Banks Tony Banks A Curious Feeling Esoteric Recordings ECLEC 2160 6.04 19 For A While as above as above as above as above as above 6.04 20 In The Dark as above as above as above as above as above 2.57 Programme produced and presented by Nev Dorrington Executive Producer, George Cruickshank .

Copy Link

Recommended publications

Lead a Normal Life
1: Lead A Normal Life “My family arrived in this country from Spain at the time of the Armada, and the story goes we were adopted by Cornish peasants . .” Peter Gabriel, 1974 “My dad is an electrical engineer, inventor type, reserved, shy, analytical, and my mum’s more instinctive, she responds by the moment – music is her big thing. And I’ve got both.” Peter Gabriel, 2000 HEN Peter Gabriel spoke of rather trusting a ‘country man than a Wtown man’ in Genesis’ 1974 song ‘The Chamber Of 32 Doors’, he could well have been talking about his own roots. For in his 63 years (at the time of writing), Gabriel has spent less than a decade living in a city. Although he keeps a residence in West London, Gabriel lives in rustic splendour at his home by his Real World studios in Box near Bath in Wiltshire, which echoes the rural idyll of his childhood in the Surrey countryside. The physical roots of his life could be a metaphor for his semi-detached relationship with showbusiness; near enough, yet far away. Surrey is less than an hour from London and his residence now is less than 15 minutes from the bustling city centre of Bath. He can get into the middle of things easily when he needs to, yet he remains far enough removed. It is not dissimilar to his relationship with the mainstream of popular music. Whenever Gabriel has neared the big time (or indeed, ‘Big Time’, his 1986 hit single) he has been there just enough to receive acclaim and at times, stellar sales, before retreating back to the anonymous comfort of the margins.
[Show full text]
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
[Show full text]
Heroes Magazine
HEROES ISSUE #01 Radrennbahn Weissensee a year later. The title of triumphant, words the song is a reference to the 1975 track “Hero” by and music. Producer Tony Visconti took credit for the German band Neu!, whom Bowie and Eno inspiring the image of the lovers kissing “by the admired. It was one of the early tracks recorded wall”, when he and backing vocalist Antonia Maass BOWIE during the album sessions, but remained (Maaß) embraced in front of Bowie as he looked an instrumental until towards the out of the Hansa Studio window. Bowie’s habit in end of production. The quotation the period following the song’s release was to say marks in the title of the song, a that the protagonists were based on an anonymous “’Heroes’” is a song written deliberate affectation, were young couple but Visconti, who was married to by David Bowie and Brian Eno in 1977. designed to impart an Mary Hopkin at the time, contends that Bowie was Produced by Bowie and Tony Visconti, it ironic quality on the protecting him and his affair with Maass. Bowie was released both as a single and as the otherwise highly confirmed this in 2003. title track of the album “Heroes”. A product romantic, even The music, co-written by Bowie and Eno, has of Bowie’s “Berlin” period, and not a huge hit in been likened to a Wall of Sound production, an the UK or US at the time, the song has gone on undulating juggernaut of guitars, percussion and to become one of Bowie’s signature songs and is synthesizers.
[Show full text]
Peter Gabriel L'uomo Che Vide Il Futuro Della Musica
38 Culture GIOVEDÌ 11 FEBBRAIO 2010 BUON COMPLEANNO p Auguri Sabato l’ex Genesis compie 60 anni e domani esce il nuovo cd, «Scratch My Back» p Sorprese Pezzi di Bowie, Talking Heads, Lou Reed ma anche Regina Spektor e Arcade Fire Peter Gabriel l’uomo che vide il futuro della musica Ancora una volta ha spiazzato que anni lasciò (di stucco) i Genesis e tutti. Gabriel compie 60 anni, e un’infinità di appassionati. li festeggia con un nuovo cd: so- Solo cover, questa volta, lui che lo orchestra per l’uomo che co- non ne aveva fatte quasi mai (gli ap- me nessun altro seppe reinven- passionati si dividono i bootleg con I tarsi quattro volte, reinventan- Heard it Through the Grapevine di do - ogni volta - la musica. Marvin Gaye o con Strawberry Fields dei Beatles...). Strane rivisitazioni: ROBERTO BRUNELLI una Heroes (sì, Bowie) che «disarma» Heroes tuffandola in un mare di archi [email protected] che ci ricordano una linea che parte Questa volta sono gli archi: insi- coltissima da Penderecki fino a lambi- nuanti, s’intrecciano dolorosamen- re Philip Glass, una Boy in the Bubble te nei meandri ignoti così come nel- di Paul Simon di cui sono decostruite l’intimo del vissuto musicale di tan- le intenzioni, come a dimostrare che ti di noi. Peter Gabriel da tempo im- la struttura s’impone sulla sovrastrut- memorabile ci ha abituato a improv- tura, che la composizione vince su visi mutamenti di scena. C’erano ogni orchestrazione possibile, e lo l’utopia dei fiori ed il blues, negli an- stesso vale per Apres Mois della giova- ni settanta, e lui si tuffa con i Gene- ne russa-americana Regina Spektor, sis in una terra di esplorazione in a malapena nata quando Peter era cui sul rock avevano preso a soffia- già al suo terzo album solista.
[Show full text]
January 29, 1969 15 Cents Is Given
Judge's opinion cites public notice SAMPLE COPY Zoning ordinance validity to be tested The St. Johns city commission temporarily to provisions of an review of asuitby the city brought ness rezoned to allow construc by the city. However, according the proposed ordinance by city merely to resolve the issues sur learned Monday night that a zon earlier ordinance adopted in against Lawrence andJoyceKar- tion of additional facilities. Ac to Judge Bebau's statement, there residents. rounding actions evolving from ing ordinance currently being ad 1944. ber, doing business as Karber cording to the written decision by is reason to doubt the validity of Judge Bebau expliclty states in Karber's original request for hered to may be invalid and, Former City Attorney William Block & Tile Co. Judge Bebau, Karber applied for the present zoning ordinance be his statement that the decision in zoning redeslgnation. pending final judgment by Cir Kemper addressed the commis The action centered on Kar- a redesignatlon after the alleged cause of Improper public noti no way attempts to determine the cuit Court Judge Leo Bebau, the sion advising them of the opinion ber's desire to have sections of effective date of the current or fication of a hearing conducted to wisdom or desirability of the con According to City Attorney city may be forced to return rendered by JudgeBebau after his land near his block and tile busi dinance and was denied a change obtain objections or support of tents of the zoning ordinance, but Paul Maples a final judgment In the case has yet to be made and the city will have opportunity to appeal or to accept the judgment if it follows the initial decision.
[Show full text]
Tolo Dictionary
PACIFIC LINGUISTICS Series C - No. 91 TOLO DICTIONARY by Susan Smith Crowley Department of Linguistics Research School of Pacific Studies THE AUSTRALIAN NATIONAL UNIVERSITY Crowley, S.S. Tolo dictionary. C-91, xiv + 129 pages. Pacific Linguistics, The Australian National University, 1986. DOI:10.15144/PL-C91.cover ©1986 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PACIFIC LINGUISTICS is issued through the Linguistic Circle of Canberra and consists of four series: SERIES A - Occasional Papers SERIES B - Monographs SERIES C - Books SERIES D - Special Publications EDITOR: S.A. Wurm ASSOCIATE EDITORS: D.C. Laycock, C.L. Voorhoeve, D.T. Tryon, T.E. Dutton EDITORIAL ADVISERS: B. W. Bender K.A. McElhanon University of Hawaii Summer Institute of Linguistics David Bradley H.P. McKaughan La Trobe University University of Hawaii A. Capell P. MUhlhausler University of Sydney Linacre College, Oxford Michael G. Clyne G.N. O'Grady Monash University University of Victoria, B.C. S.H. Elbert A.K. Pawley University of Hawaii University of Auckland K.J. Franklin K.L. Pike Summer Institute of Linguistics Summer Institute of Linguistics W.W. Glover E.C. Polome Summer Institute of Linguistics U ni versity of Texas G.W. Grace Malcolm Ross University of Hawaii Australian National University M.A.K. Halliday Gillian Sankoff University of Sydney University of Pennsylvania E. Haugen W.A.L. Stokhof Harvard University University of Leiden A. Healey B.K. T'sou Summer Institute of Linguistics City Polytechnic of Hong Kong L.A.
[Show full text]
FORECAST – Skimming Off the Malware Cream
FORECAST – Skimming off the Malware Cream Matthias Neugschwandtner1, Paolo Milani Comparetti1, Gregoire Jacob2, and Christopher Kruegel2 1Vienna University of Technology, {mneug,pmilani}@seclab.tuwien.ac.at 2University of California, Santa Barbara, {gregoire,chris}@cs.ucsb.edu ABSTRACT Malware commonly employs various forms of packing and ob- To handle the large number of malware samples appearing in the fuscation to resist static analysis. Therefore, the most widespread wild each day, security analysts and vendors employ automated approach to the analysis of malware samples is currently based on tools to detect, classify and analyze malicious code. Because mal- executing the malicious code in a controlled environment to ob- ware is typically resistant to static analysis, automated dynamic serve its behavior. Dynamic analysis tools such as CWSandbox [3], analysis is widely used for this purpose. Executing malicious soft- Norman Sandbox and Anubis [13, 2] execute a malware sample in ware in a controlled environment while observing its behavior can an instrumented sandbox and record its interactions with system provide rich information on a malware’s capabilities. However, and network resources. This information can be distilled into a running each malware sample even for a few minutes is expensive. human-readable report that provides an analyst with a high level For this reason, malware analysis efforts need to select a subset of view of a sample’s behavior, but it can also be fed as input to fur- samples for analysis. To date, this selection has been performed ei- ther automatic analysis tasks. Execution logs and network traces ther randomly or using techniques focused on avoiding re-analysis provided by dynamic analysis have been used to classify malware of polymorphic malware variants [41, 23].
[Show full text]
Sample Script
The Rocky Monster Show Junior Script by Malcolm Sircom 10/050619/23 ISBN: 978 1 89875 479 4 Published by Musicline Publications P.O. Box 15632 Tamworth Staffordshire B78 2DP 01827 281 431 www.musiclinedirect.com Licences are always required when published musicals are performed. Licences for musicals are only available from the publishers of those musicals. There is no other source. All our Performing, Copying & Video Licences are valid for one year from the date of issue. If you are recycling a previously performed musical, NEW LICENCES MUST BE PURCHASED to comply with Copyright law required by mandatory contractual obligations to the composer. Prices of Licences and Order Form can be found on our website: www.musiclinedirect.com The Rocky Monster Show (Junior) – Script 17 PROLOGUE After a very ‘Beginning of Time’ type musical introduction, the music changes to Rock. The Soloists come on, one by one, to sing their lines. The lines’ distribution can be at the Director’s discretion or it could be sung by all. The chorus can, if wished, be a permanent choir, set at the sides, or there can be a separate choir in addition. TRACK 1: EVOLUTION (SONG) 1: IN THE BEGINNING THERE WAS MIASMA... 2: AND A SOUPY SORT OF PLASMA... 3: AND FROM THIS PHANTAGASMA... ALL 3: THERE CAME LIFE! 4: AND WHILE ITS BED WAS HOT AND STEAMING... 5: WITH ITS BIRTH PANGS IT WAS SCREAMING... 6: THE PRIMEVAL SLIME WAS TEEMING... ALL 6: WITH LIFE! + CHORUS: EVOLUTION! EVOLUTION! IS IT JUST A CHEMICAL SOLUTION? CHANGE, MUTATE AND BLEND, MAKE AND MATCH AND MEND, WHERE’S IT GOING TO END? EVOLUTION! 7: THERE WERE AMOEBA STARTED BREATHING..
[Show full text]
February Newsletter
Systematic Innovation e-zine Issue 217, April 2020 In this month’s issue: Article – (Really) Living In The Moment Article – Case Study: Covid-19 And Panic-Buying Not So Funny – The Devil’s Haircut Patent of the Month – Hybrid Hydrogel Best of The Month – The Soft Edge Wow In Music – Turn It On Again Investments – Ultrasound Surfing Attack Protection Generational Cycles – Crossing The Crisis Threshold Biology – Kingfisher Beak Short Thort News The Systematic Innovation e-zine is a monthly, subscription only, publication. Each month will feature articles and features aimed at advancing the state of the art in TRIZ and related problem solving methodologies. Our guarantee to the subscriber is that the material featured in the e-zine will not be published elsewhere for a period of at least 6 months after a new issue is released. Readers’ comments and inputs are always welcome. Send them to [email protected] ©2020, DLMann, all rights reserved (Really) Living In The Moment I haven’t quite managed to pull off the trick of getting clients to pay for me to go to gigs, but in many ways I think they ought to. If you ask people, ‘where were you last time you had a thinking breakthrough?’ almost invariably their answer will have nothing to do with ‘the office’. It will be when they were in the shower, or jogging, or swimming, or driving. Or first thing in the morning after waking up. For me it is in a crowded room of people listening to loud music. At the risk of breaking the spell, I figured it would be good to understand why this is the case? The answer, I believe begins with the physiology of the human brain.
[Show full text]
Peter Gabriel by W Ill Hermes
Peter Gabriel By W ill Hermes The multifaceted performer has spent nearly forty years as a solo artist and music innovator. THERE HAVE BEEN MANY PETER GABRIELS: THE PROG rocker who steered the cosmos-minded genre toward Earth; the sem i- new waver more focused on empathic storytelling and musical inno vation than fashion or attitude; the Top Forty hitmaker ambivalent about the spotlight; the global activist whose Real World label and collaborations introduced pivotal non-Western acts to new audiences; the elder statesman inspiring a new generation of singer-songwrit ers. ^ So his second induction into the Rock and Roll Hall of Fame, as a solo act this time - his first, in 2010, was as cofounder of the prog-pop juggernaut Genesis - seems wholly earned. Yet it surprised him, especially since he was a no-show that first time: The ceremony took place two days before the notorious perfectionist began a major tour. “I would’ve gone last time if I had not been about to perform,” Gabriel (b. February 13,1950) explained. “I just thought, 1 can’t go. We’d given ourselves very little rehearsal time.’” ^ “It’s a huge honor,” he said of his inclusions, noting that among numerous Grammys and other awards, this one is distinguished ‘because it’s more for your body of work than a specific project.” ^ That body of work began with Genesis, named after the young British band declined the moniker of “Gabriel’s Angels.” They produced their first single (“The Silent Sun”) in the winter of 1968, when Gabriel was 17.
[Show full text]
Tony Banks – a Chord Too
Tony Banks – A Chord Too Far (Box) (64:33/70:29/63:41/76:43, 4 CD- Boxset, Cherry Red Records, Esoteric Recordings, 2015) Neben dem Werk von Anthony Phillips nimmt sich Esoteric auch der Solo- Karriere des Genesis-Keyboarders und - Mitbegründers Tony Banks an. Nachdem 2009 sein inzwischen wieder vergriffenes Solo-Debut „A Curious Feeling“ im Nick Davis-5.1 Mix veröffentlicht wurde, legt man jetzt mit „A chord Too Far“ eine umfangreiche Retrospektive auf vier CDs vor. Tony Banks höchstselbst hat die Stücke für diese Compilation ausgesucht und teilt im Begleitbuch auch seine Gedanken dazu mit. Während er dort chronologisch vorgeht, sind die ausgewählten Titel auf den CDs bunt durcheinander gewürfelt. Die orchestral arrangierten Titel, die u.a. von seinen Soundtrack Projekten und Klassikalben stammen, sind allesamt auf der vierten CD versammelt – eine sinnvolle Trennung, um allzu große Stilbrüche zu vermeiden. Hört man sich nun durch „A Chord Too Far“ durch, begegnet man nicht nur der einen oder anderen bekannten Stimme (u.a. denen von Fish, Nik Kershaw, Toyah, Jim Diamond), sondern hört auch deutlich Banks´ Einfluss auf den Sound von Genesis heraus, insbesondere auch auf deren späte Entwicklung zur Pop/Rock- Stadionband. Wie bei Collins und Rutherford auch, tritt der progressive Rock dabei mehr und mehr in den Hintergrund, obwohl er bei Banks zumindest immer mal wieder unter dem Teppich hervor lugt. Bekanntermaßen ist Tony Banks´ Solo-Karriere im Vergleich zu seinen Kollegen weniger erfolgreich geblieben (auch wenn „A Curious Feeling“ glühende Fans hat, die Schlussred.). Möglicherweise lag es daran, dass er sich letztlich zwischen zu viele Stühle setzte und praktisch bei jedem Solo-Werk ein neues Konzept wählte, ohne dabei auch nur die Nähe eines konkreten eigenen Profils zu kommen.
[Show full text]
Symphony Orchestra and Wind Ensemble Present Peter Gabriel's
School of Music College of the Arts Scholarship Series Symphony Orchestra Wind Ensemble present Peter Gabriel’s new blood Michael Alexander, conductor David Kehler, conductor Thursday, January 10, 2013 8:00 p.m. Dr. Bobbie Bailey & Family Performance Center Fifty-eighth Concert of the 2012-2013 Season Kennesaw State University School of Music Audrey B. and Jack E. Morgan, Sr. Concert Hall January 10, 2013 Written by Peter Gabriel Arranged by John Metcalfe The Rhythm of the Heat Downside Up San Jacinto Intruder Wallflower In Your Eyes Mercy Street INTERMISSION Red Rain Darkness Don’t Give Up Digging In The Dirt The Nest That Sailed The Sky Solsbury Hill Published by: Real World Music Ltd / EMI Blackwoodwood Music Inc. Courtesy of petergabriel.com Personnel Flute/Alto Flute/Piccolo Violin 2 Catherine Flinchum, Woodstock Rachel Campbell, Sandy Springs Dirk Stanfield, Amarillo, TX Micah David, Portland, OR Amanda Esposito, Kennesaw Oboe Terry Keeling, Acworth Alexander Sifuentes, Lawrenceville Meian Butcher, Marietta Joshua Martin, Marietta Clarinet Kimberly Ranallo, Powder Springs Kadie Johnston, Buford Brittany Thayer, Burlington, VT Tyler Moore, Acworth Viola Bassoon Justin Brookins, Panama City, FL Sarah Fluker, Decatur Ryan Gibson, Marietta Hallie Imeson, Canton Horn Rachael Keplin, Wichita, KS David Anders, Kennesaw Kyle Mayes, Marietta Kristen Arvold, Cleveland Aliyah Miller, Austell Perry Morris, Powder Springs Alishia Pittman, Duluth Trumpet Samantha Tang, Marietta John Thomas Burson, Marietta Justin Rowan, Woodstock Cello Kathryn
[Show full text]