The Peter Vickers Genesis Collection Wednesday 16Th May 2018 at 10.00
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Evaluation & Research Literature: the State of Knowledge on BJA
Evaluation & Research Literature: The State of Knowledge on BJA-Funded Programs March 27, 2015 Overview The Bureau of Justice Assistance (BJA) is a leader in developing and implementing evidence-based criminal justice policy and practice. BJA’s mission is to provide leadership in services and grant administration and criminal justice policy development to support local, state, and Tribal justice strategies to achieve safer communities. This is accomplished in many criminal justice topic areas, including adjudication, corrections, counter-terrorism, crime prevention, justice information sharing, law enforcement, justice and mental health, substance abuse, and Tribal justice. Under each topic area, BJA funds numerous programs and initiatives at the Tribal, local, and state level. In partnership with the National Institute of Justice (NIJ), other Federal partners, and many other research partners, many of these programs have been evaluated, while others have not. The intent of the following report is to assess the state of knowledge as determined by data collection, research, and evaluation of and related to BJA- funded programs. This report is a resource that can be a reference for both evaluation and research literature on many BJA programs. It also identifies programs and practices for which U.S. Department of Justice resources have played a critical role in generating innovative programs and sound practices. This report identifies programs and practices with a solid foundation of evidence, as well as those that may benefit from further research and evaluation. Program evaluation is a systematic, objective process for determining the success of a policy or program. Evaluations assess whether and to what extent the program is achieving its goals and objectives. -
TOUR DE FER 20 Colour: Greens of the Stone Age / Weight: 14.80Kg
TOUR DE FER 20 Colour: Greens Of The Stone Age / Weight: 14.80Kg SPECS Frame Reynolds 725 Heat-Treated Chromoly FEATURES Fork Genesis Full Chromoly - Reynolds 725 CrMo tubeset. Headset PT-1770 EC34 Upper / EC34 Lower - Shimano 3x10 speed drivetrain. Hanger Integraded - Shimano dynamo hub with B&M lights. COMPONENTS - Schwalbe Marathon touring tyres. Handlebars Genesis Alloy 18mm Rise, 8 Deg Backsweep, XS = 580mm, S/M = 600mm, L/XL = 620mm - Mudguards included. Stem Genesis Alloy, 31.8mm, -6 Deg, 100mm - Tubus rear rack, Atranvelo front rack. Grips/Tape Genesis Vexgel Saddle Genesis Adventure Seatpost Genesis Alloy 27.2mm XS/S/M = 350mm, L/XL = 400mm Pedals NW-99k With Cage DRIVE TRAIN Shifters Shimano Deore SL-M6000 3x10spd GEOMETRY XS S M L XL Rear Derailleur Shimano Deore RD-M6000-SGS Seat Tube 450 480 510 530 570 Front Derailleur Shimano Deore FD-T6000-L-3 Top Tube 533 547 578 604 636 Chainset Shimano FC-T611 44/32/24t, 170mm Frame Reach 365 375 395 415 435 BB Shimano BB-ES300 Frame Stack 566 580 599 618 637 Chain KMC X10 Head Tube 125 140 160 180 200 Cassette Shimano CS-HG500 11-34t Head Angle 71 71 71 71 71 BRAKES Seat Angle 73.5 73.5 73 73 72.5 Brakes Promax DSK-717RA Chainstay 455 455 455 455 455 Brake Levers Promax XL-91 BB Drop 75 75 75 75 75 Rotors Promax DT-160G, 160mm, 6 bolt Wheelbase 1041 1056 1083 1109 1136 WHEELS & TYRES Fork Offset 55 55 55 55 55 Rims Sun Ringle Rhyno Lite Standover 758 778 799 807 843 Hubs Shimano Front - DH-3D37 Dynamo Hub / Rear - FH-M4050 Stem 100 100 100 100 100 Spokes Steel 14g Handlebar 580 600 600 620 620 Tyres Schwalbe Marathon, 700 x 37c Crankarm 170 170 170 170 170 * The image above is for illustration purposes only. -
2021 GV80 Getting Started Guide
GETTING STARTED GUIDE GENESIS GV80 GETTING STARTED GUIDE AUDIO, CONNECTIVITY, AND NAVIGATION Thank you for joining the Genesis family. This easy-to-follow guide will show you how to use various Genesis GV80 features and how to adjust their settings to your preferences. We hope you enjoy the distinctive luxury of a customized and convenient ownership experience. TABLE OF CONTENTS PHONE PROJECTION 3 PHONE PAIRING 4 CUSTOM BUTTON 6 MAKING A CALL 7 NAVIGATION 10 DYNAMIC VOICE Recognition 13 Dual VOICE Recognition 14 MAP DISPLAYS 15 Advanced DRIVER Assistance SYstems 17 Main menu PHONE PROJECTION Android AutoTM and Apple CarPlay® allow you to access the most commonly used smartphone features, including calling, navigation, text messaging, and playing music all from your driver’s seat. 1. ‘Connect’ a USB data cable from your phone to the vehicle’s USB port.* Android Auto APPLE CARPLAY 2. ‘Allow permission’ from your phone to connect to your vehicle. Please note that your phone must be unlocked. Android Auto APPLE CARPLAY 3. Enjoy using the applications displayed on your vehicle’s multimedia screen. Android Auto APPLE CARPLAY Note Android Auto users will be prompted to view a tutorial. Select your option and proceed. *USB data port will typically be located in or near the front in-dash console. Check your vehicle’s owner’s manual for specific location. Data cable for iOS device is required for Apple CarPlay. OEM data cables are recommended. Apple CarPlay is a registered trademark of Apple Inc. Android Auto is a trademark of Google LLC. 3 ONLINE RESOURCES AND INFORMATION AT MYGENESIS.COM Main menu PHONE PAIRING 1. -
Martin Hutchinson Interviews Steve
18 wow! Friday, November 20, 2009 wow! music Friday, November 20, 2009 wow! 19 Two years ago, The Magic Numbers stepped off the From Genesis to jazz, Steve’s FAMILY AND FRIENDS exhausting treadmill they’d AGAIN: The Magic Numbers been on since their debut have regrouped stronger a heck of an eclectic guitarist album became a hit and and better than ever disappeared. Now they’re back, STEVE Hackett is a happy chap at the mo- turous journey, and using one style is limit- ment, not only has the litigation over his ing yourself unnecessarily.” rested and rejuvenated, with a latest album been settled in his favour, he is He warms to his theme: “There’s Turkish also about to undertake a UK tour. influences and Spanish music has been an new album in the pipeline. “There was an injunction stopping me from influence ever since I first picked up a Frontman Romeo told JUDITH releasing the album, but it was settled last nylon string guitar,” continued the 59 year- week and it’ll be out next week,” he says. old Londoner. DORNAN how they rediscovered After two weeks on the continent, he’s very “ Still Waters is a blues number. It’s really upbeat about touring: an excuse to play blues guitar. their magic “It’s been very good The music has a spirit, an unre- and I still feel fresh. It lenting pulse and audiences get Tales from MAGIC Numbers frontman must be the lack of excited by it.” Romeo Stodart clearly remembers smoking and drinking. Also in the mix is a bit of jazz with the day they realised they had to I sleep better these Ghost In The Glass. -
Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos
Tab.3a - Classifica canzoni Genesis/Ranking Genesis songs Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti 1 Supper's ready 95 25 Fly on a windshield 9 32 Dusk 2 2 The Musical box 92 White mountain 9 Many too many 2 3 Firth of fifth 90 26 Timetable 8 In that quiet earth 2 4 The cinema show 80 27 The chamber of 32 doors 7 Tonight tonight tonight 2 5 The lamia 44 The colony of slippermen 7 A trick of the tail 2 6 Watcher of the skies 42 28 Robbery assault and battery 6 Silver rainbow 2 7 The Carpet crawlers 38 Calling all stations 6 Dreaming while you sleep 2 8 Can Utility and the coastliners 37 Driving the last spike 6 The waiting room 2 9 Dancing with the moonlit Knight 36 Uncertain weather 6 Second home by the sea 2 10 One for the vine 35 All in a mouse's night 6 After the ordeal 2 11 The fountain of Salmacis 32 29 Undertow 5 Horizons 2 12 Mad man moon 30 Abacab 5 33 More fool me 1 13 Entangled 25 Hairless heart 5 It's gonna get better 1 14 Blood on the rooftops 24 Home by the sea 5 Alien afternoon 1 15 The knife 23 Back in NYC 5 Man of our times 1 16 Ripples 22 Visions of angels 5 Land of confusion 1 In the cage 22 Domino 5 Alone tonight 1 17 Seven stones 21 30 I know what I like 4 In the beginning 1 Los endos 21 Duchess 4 Congo 1 18 Dance on a volcano 18 Down and out 4 Shipwrecked 1 Stagnation 18 Squonk 4 The dividing line 1 Duke's travel 18 Turn it on again 4 Your own special way 1 19 Afterglow 17 Me and Sarah Jane 4 If that's what you need 1 20 Looking for someone 15 Evidence of autumn -
2010 Hyundai Genesis
2010 HYUNDAI_GENESIS If you’re reading this brochure, chances are you’re the kind of automotive enthusiast who, instead of simply opening your wallet and adding a status trophy to your garage, prefers to open something else: Your mind. It’s a refreshing attitude that often leads you to discover truly rewarding experiences, from new and unexpected sources. Like Genesis, from Hyundai. Nobody was looking for Hyundai to build a luxury car that would challenge the automotive elite. But we did. Nobody expected us to benchmark the industry’s best, then apply the art and science needed to meet those marks. But we did. Nobody thought we’d charm the pants off a jury of North America’s most esteemed automotive journalists, or be named "The Most Appealing Midsize Premium Car" in 2009 by J.D. Power and Associates.1 But we did. And by doing what few people expected of us, we now find ourselves as a car company that a lot of people are starting to think about in a whole new way. It’s 2010. Welcome to Hyundai. 1 The Hyundai Genesis received the highest numerical score among midsize premium cars in the proprietary J.D. Power and Associates 2009 Automotive Performance Execution and Layout Study.SM Study based on responses from 80,930 new-vehicle owners, measuring 245 models and measures opinions after 90 days of ownership. Proprietary study results are based on experiences and perceptions of owners surveyed in February-May 2009. Your experiences may vary. Visit jdpower.com. geNesIS 3.8 IN TItaNIUM GRay metallIC MEASURE GENESIS AGAINST OTHER LUXURY SEDANS. -
News Briefs the Elite Runners Were Those Who Are Responsible for Vive
VOL. 117 - NO. 16 BOSTON, MASSACHUSETTS, APRIL 19, 2013 $.30 A COPY 1st Annual Daffodil Day on the MARATHON MONDAY MADNESS North End Parks Celebrates Spring by Sal Giarratani Someone once said, “Ide- by Matt Conti ologies separate us but dreams and anguish unite us.” I thought of this quote after hearing and then view- ing the horrific devastation left in the aftermath of the mass violence that occurred after two bombs went off near the finish line of the Boston Marathon at 2:50 pm. Three people are reported dead and over 100 injured in the may- hem that overtook the joy of this annual event. At this writing, most are assuming it is an act of ter- rorism while officials have yet to call it such at this time 24 hours later. The Ribbon-Cutting at the 1st Annual Daffodil Day. entire City of Boston is on (Photo by Angela Cornacchio) high alert. The National On Sunday, April 14th, the first annual Daffodil Day was Guard has been mobilized celebrated on the Greenway. The event was hosted by The and stationed at area hospi- Friends of the North End Parks (FOTNEP) in conjunction tals. Mass violence like what with the Rose F. Kennedy Greenway Conservancy and North we all just experienced can End Beautification Committee. The celebration included trigger overwhelming feel- ings of anxiety, anger and music by the Boston String Academy and poetry, as well as (Photo by Andrew Martorano) daffodils. Other activities were face painting, a petting zoo fear. Why did anyone or group and a dog show held by RUFF. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
Fowler Escalates Attack on Broadcast Regulation WAAF Pulls of Stones
THE INDUSTRY'S NE WSPAPER SE P T E M B E R 25, 1981 ISSUE NUMBER 401 NE W OWNERSHIP RULES, NO MORE "FEDERAL PLY'S" MEMBRADO TAKES INSIDE R&R: Fowler Escalates Attack NE W POSITION Arbitron Limits Sports Aurichio Heads Credit Outside Metro: On Broadcast Regulation Radio & TV In Diaries outside a metro which list Blasting the "Big Brother" con- than a regulatory trend, Fowler sports teams but no call letters cept of broadcast regulation, FCC called regulation based on will no longer be assigned to Arbitron Changes Chairman Mark Fowler told marketplace forces a social, com- stations, and broadcasters are Rick Aurichio. longtime broadcast executives attending mercial, and Constitutional im- less than thrilled 3 VP/GM of Arbitron's radio divi- perative. the International Radio & TV sion who became 'VP/G M of the "From here onward," Fowler Society's luncheon, Wednesday company's TV division 18 months (9-23), that dictating how licen- stressed, "the public interest ago, will now head both areas as Rick Aurichio Elektra/Asylum Distributes sees serve their com mittees must must determine the public in- Executive VP/GM for Radio & tion as "creating an ombudsman, • Gospel Label: &A's deal with cease. terest." Noting that the FCC's TV. The move comes as part of a someone who will not be trying to Light Records signals a significant Nor will the Com mission con- seven Com missioners are "ill- significant realignment of the sell anything but who will be push in Christian music 3 tinue a policy of "protected pro- suited" to be "Federal program ratings firm's executive struc- responsive to station concerns and tectionism," Fowler said. -
Old Mac Genesis Have Changed Again. ROBIN SMITH Talks to PHIL
S Aet:md Minot, Apni8, 1978 After Peter Gabriel left Genesis a demo tape by none other than Nick 1 Lower was tent In for consideration. Can you imagine the consequences' I Love The Sound Of Breaking Glass' delivered amidst flashing laser beams and dry Ice. the mind bonlee And would those boozy eyes V have really fined In with the dean Riders image of the rest of the band? The orld will never know. "Apart from the tape there was a photograph of Lowe," says Genesis drummer and lead vocalist Phil Collins." But in the end we decided that 1 should take over on vocals. I was worried about communicating of w1th an audience i couldn't go on stage drunk because I might slur my words a bit " Hmm. maybe Lowe would have fitted in after all, The bar d do drink. But according to Collins. Gabriel - used to get pissed after "sniffing at a glass of wine." ( Now It's all change time with the the band yet again. They're now down to three with the departure of Steve Hackett. the moody looking one with a quiet stamp of guitar playing r authority. But, as before, Genesis are riding whatever storms there may have been and Phil's not saying have s if there were any. The critics or sheathed their knives after 'mistakenly believing that Gabriel's departure would mean an end to the Genesis have changed again. band Genesis just seem to be moving on to fresh triumphs and Phil seems to feel that the splits have ROBIN SMITH talks to strengthened the band "Well we couldn't afford to lose PHIL COLLINS to find out anymore, but at the same time the band is a very strong unit, Perhaps wfien you lose people it's a what the band are going rejuvenation. -
Genesis, Evolution, and the Search for a Reasoned Faith
GENESIS EVOLUTION AND THE SEARCH FOR A REASONED FAITH Mary Katherine Birge, SSJ Brian G. Henning Rodica M. M. Stoicoiu Ryan Taylor 7031-GenesisEvolution Pgs.indd 3 1/3/11 12:57 PM Created by the publishing team of Anselm Academic. Cover art royalty free from iStock Copyright © 2011 by Mary Katherine Birge, SSJ; Brian G. Henning; Rodica M. M. Stoicoiu; and Ryan Taylor. All rights reserved. No part of this book may be reproduced by any means without the written permission of the publisher, Anselm Academic, Christian Brothers Publications, 702 Terrace Heights, Winona, MN 55987-1320, www.anselmacademic.org. The scriptural quotations contained herein, with the exception of author transla- tions in chapter 1, are from the New Revised Standard Version of the Bible: Catho- lic Edition. Copyright © 1993 and 1989 by the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. All rights reserved. Printed in the United States of America 7031 (PO2844) ISBN 978-0-88489-755-2 7031-GenesisEvolution Pgs.indd 4 1/3/11 12:57 PM c ontents Introduction ix .1 Genesis 1 Mary Katherine Birge, SSJ Why Read the Bible in the First Place? 1 A Faithful and Rational Reading of the Bible 6 Oral Tradition and the Composition of the Bible 6 Two Stories, Not One 8 “Cosmogony” and the Ancient Near East 11 Genesis 2–3: The Yahwist Account 12 Disaster: The Babylonian Exile 27 Genesis 1: The Priestly Account 31 .2 Scientific Knowledge and Evolutionary Biology 41 Ryan Taylor Science and Its Methodology 41 The History of Evolutionary Theory 44 The Mechanisms of Evolution 46 Evidence for Evolution 60 Limits of Scientific Knowledge 64 Common Arguments against Evolution from Creationism and Intelligent Design 65 3. -
PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.