070110 Seminole Beacon
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ithacan, 1984-04-19
Ithaca College Digital Commons @ IC The thI acan, 1983-84 The thI acan: 1980/81 to 1989/90 4-19-1984 The thI acan, 1984-04-19 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1983-84 Recommended Citation The thI acan, "The thI acan, 1984-04-19" (1984). The Ithacan, 1983-84. 22. http://digitalcommons.ithaca.edu/ithacan_1983-84/22 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1983-84 by an authorized administrator of Digital Commons @ IC. THE ITHACAN,·,,- 'Y',.o The Student Newspaper for Ithaca College ·, ;,,;i_\ ~ ,~ ~ ~, ' . ,;"y April 19, 1984 ..1\ · · · c\,,, Volume 15 Issue 11 ·:...,.., \ ,./ Ithaca College will''<>- increase• your tu1t1on• • by 8.5 percent rate Ithaca. NY--lthaca College tui principal rea~ons for the in tion will incwase S5:l6 10 crease c1rc acl<litional funds w S6.5(i2 for the 1984-85 quired for ..,,uctcnt financial aid. academic y!'ar. Coll1·g1· of fc1culty and staff salarws and ficials announcccl toclay, lwndits. ancl 1lw high co~, ot Standarcl room ancl hoard .,,,11e-of-1lw-,ir1 instrunional and student insurance will Ill· <·quipmenl cre,N· SWJ resulting 111 charges In spi11· ot IIH·s<· pressuws. of S2.992. rhe total 1984-85 sn1- 1.1ppinrn11 sc1ys lh,11 "llllaca·s den1 llill of S9.S54 rcprc-s1·n1s 1u11ion r1·m,1in~ qu11c an 8.58 pt•rc·<'nl lrl(TeclS(' 0\ er wasonablc. -
Bob Sarles Resume
Bob Sarles [email protected] (415) 305-5757 Documentary I Got A Monster Editor. True crime feature documentary. Directed by Kevin Abrams. Alpine Labs. The Nine Lives of Ozzy Osbourne Producer, editor. An A&E documentary special. Osbourne Media. Born In Chicago Co-director, Editor. Feature documentary. Shout! Factory/Out The Box Records. Mata Hari The Naked Spy Editor. Post Production Producer. Feature documentary. Red Spoke Films. BANG! The Bert Berns Story Co-director (with Brett Berns), editor. Theatrically released feature documentary. Sweet Blues: A Film About Mike Bloomfield Director, Editor. Produced by Ravin’ Films for Sony Legacy. Moon Shot Editor. Documentary series produced for Turner Original Productions and aired on TBS. Peabody Award recipient. Two Primetime Emmy nominations: editing and outstanding documentary. The Story of Fathers & Sons Editor. ABC documentary produced by Luna Productions. Unsung Editor. Documentary television series produced by A.Smith & Company for TV One. Behind The Music Producer and Editor. Documentary television series produced by VH1. Digital Divide Series Editor. PBS documentary series produced by Studio Miramar. The True Adventures of The Real Beverly Hillbillies Editor. Feature documentary. Ruckus Films. Wrestling With Satan Co-Producer, editor. Feature documentary. Wandering Eye Productions. Feed Your Head Director, editor. Documentary film produced for the Rock and Roll Hall of Fame, Cleveland. Yo Cip! Director, Editor. Documentary short. A Ravin’ Film for Cipricious Productions. Produced by Joel Peskin. Coldplay Live! At The Fillmore Director, editor. Television series episode produced by BGP/SFX. Take Joy! The Magical World of Tasha Tudor Editor. Documentary. Aired on PBS. Spellbound Prods. Teen People Presents 21 Stars Under 21 Editor. -
Annual Report 2009 Annual Report Art Stations Foundation 5050
annual report 2009 annual report art stations foundation 5050 Foundation 5 The Mission 6 Organisational structure 7 Exhibitions program 8 Dance Program 20 Music Program 32 Film Program 40 Callendar 46 3 foundation art stations foundation 5050 Art Stations Foundation is a project designed and initiated by Grażyna Kulczyk, and is the culmination of the Founder’s philosophy for running a business.. By exploring the aesthetics of contemporary art and inspiring various types of creative processes by means of exhibitions, workshops, performances, interventions and theoretical publications, the Foundation aims to assist people in their conscious personal growth and help them to open their minds to culture and discover its values. Through its projects, the Art Stations Foundation provides an interdis- ciplinary platform for the presentation and exploration of various fields of the arts, including the fine arts, dance, film and music. The audience takes part in the activities of the Art Stations Foundation’s while visiting Stary Browar, where venues devoted to the display of art include a multi-storey exhibition space and Studio Słodownia +3. In conjunction with Stary Browar, the Art Stations Foundation defines a new category of lifestyle – an art lifestyle. 4 5 the mission / organisational structure art stations foundation 5050 The Art Stations Foundation is a privately owned non-profit The Foundation was established by its Founder – Grażyna Kulczyk. organisation founded in the belief that art has a positive influ- The Founder appoints themembers of the sta. ence on the community, and that experiencing it provides The Board: young people with a chance for a better, more creative and The Board’s duties and responsibilities: more conscious life. -
Leadershipleadershipleadershipl
leadershipleadershipleadershipleader shipleadershipleadershipleadershiple adershipleadershipleadershipleadersh Leadership ipleadershipleadershipleadershipleadMovies and Television Shows A collaborative effort among ershipleadershipleadershipleadershipl Leadership@ASU The Lattie and Elva Coor Presidential Chair eadershipleadershipleadershipleadersArizona State University, School of Public Affairs Dr. JoAnn Barbour Professor of Leadership and Administration hipleadershipleadershipleadershipleaTexas Women’s University Dr. Robert B. Denhardt dershipleadershipleadershipleadershiDirector School of Public Affairs Arizona State University pleadershipleadershipleadershipleade Dr. Gill Hickman Professor of Leadership Studies rshipleadershipleadershipleadershipleJepson School of Leadership Studies University of Richmond Dr. Prasad Kaipa adershipleadershipleadershipleadershExecutive Director Center for Leadership, Innovation, and Change Indian School of Business ipleadershipleadershipleadershiplead Dr. Jean Lipman‐Blumen Professor of Public Policy and Organizational Behavior ershipleadershipleadershipleadershiplThe Drucker School Claremont Graduate University eadershipleadershipleadershipleadersDr. Michael Poutiatine Assistant Professor of Leadership Gonzaga University hipleadershipleadershipleadershiplea dershipleadershipleadershipleadershi pleadershipleadershipleadershipleade rshipleadershipleadershipleadershiple adershipleadershipleadershipleadersh TABLE OF CONTENTS Movies …………………………………………………………………………………………… 3 12 Angry Men ……………………………………………………………………………………. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
Queens, NY, USA Cyndi Lauper Is a Grammy, Emmy
CYNDI LAUPER (Composer and Lyricist) Date of Birth: June 22, 1953 Place of Birth: Queens, NY, USA Cyndi Lauper is a Grammy, Emmy and Tony Award-winning artist, who, after 30 sterling years and global record sales in excess of 50 million albums, has proven that she has the heart and soul to keep her legion of fans compelled by her every creative move. With her first album, She's So Unusual, Lauper won a Grammy Award for Best New Artist and became the first female in history to have four top-five singles from a debut album on the Billboard 100 chart (“Girls Just Wanna Have Fun,” “Time After Time", “She Bop,” and “All Through the Night”). In the summer of 2013, Cyndi embarked on the She's So Unusual Tour to commemorate the 30th Anniversary of the record. Since then, Lauper has released ten additional studio albums, with her most recent, the Grammy nominated Memphis Blues, ruling the Billboard Blues Chart for 14 consecutive weeks to become the best selling blues album of 2010. Her upcoming 11th studio album, Detour, recorded late last year in Nashville, will showcase her signature takes on classic country songs from the 1950’s and 60’s. The album will also feature appearances by some of country music’s most-celebrated artists. Overall, during her storied music career, Lauper has been nominated for 15 Grammy Awards, two American Music Awards, seven American Video Awards and 18 MTV Awards. On June 18th, 2015 Lauper was inducted into the Songwriter’s Hall of Fame. In 2013, Lauper became the first female composer to win a Tony Award for her score of the year’s Best Musical, Kinky Boots, which she penned alongside Harvey Fierstein. -
Network Films: a Global Genre?
Network Films: a Global Genre? Vivien Claire Silvey December 2012 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University. ii This thesis is solely my original work, except where due reference is given. iii Acknowledgements I am extremely grateful for all the time and effort my dear supervisor Cathie Summerhayes has invested throughout this project. Her constant support, encouragement, advice and wisdom have been absolutely indispensable. To that master of words, puns and keeping his hat on during the toughest times of semester, Roger Hillman, I extend profound gratitude. Roger‟s generosity with opportunities for co-publishing, lecturing and tutoring, and enthusiasm for all things Turkish German, musical and filmic has been invaluable. For all our conversations and film-loans, I warmly say to Gino Moliterno grazie mille! I am indebted to Gaik Cheng Khoo, Russell Smith and Fiona Jenkins, who have provided valuable information, lecturing and tutoring roles. I am also grateful for the APA scholarship and for all the helpful administration staff in the School of Cultural Inquiry. At the heart of this thesis lies the influence of my mother Elizabeth, who has taken me to see scores of “foreign” and “art” films over the years, and my father Jerry, with whom I have watched countless Hollywood movies. Thank you for instilling in me a fascination for all things “world cinema”, for your help, and for providing a caring home. To my gorgeous Dave, thank you for all your love, motivation, cooking and advice. I am enormously honoured to have you by my side. -
Newsletter 12/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 12/13 DIGITAL EDITION Nr. 335 - Dezember 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 12/13 (Nr. 335) Dezember 2013 editorial Hallo Laserdisc- und DVD-Fans, erlebnis jedoch nicht schmälern!” liebe Filmfreunde! Das IMAX-Kino in Bradford ist noch Man gönnt sich ja sonst nichts. Das eines der wenigen in Europa, das tat- war vermutlich der Leitspruch unseres sächlich noch mit horizontal laufendem Film-Bloggers Wolfram, als er sich 70mm-Film arbeitet. Viele andere spontan dazu entschloss, den zweiten IMAX-Kinos wurden inzwischen be- Teil der HUNGER GAMES Saga im fer- reits digitalisiert. Dort wird mit einer 2K nen England anzuschauen. “Das war Doppelprojektion gearbeitet, die eine mein ganz persönliches Kino-Highlight Leinwand mit einem Bildseiten- 2013!” kam er freudestrahlend von sei- verhältnis von etwa 1:1.78 füllt. Das nem Kurztrip zurück. Wolfram hatte Seherlebnis in den digitalen IMAX- sich natürlich nicht irgendein beliebi- Kinos ist daher leider nicht derart ges Kino ausgesucht, um den Film an- spektakulär wie bei analoger zuschauen, sondern gleich das beste. Projektionstechnik. Seit zwei Wochen Die Rede ist vom IMAX-Kino in hat auch Karlsruhe ein solches digita- Bradford, das dort schon seit über 20 les IMAX-Kino. Es befindet sich im Jahren fester Bestandteil des National Filmpalast am ZKM und war Ziel eines Media Museums ist. “Regisseur kleinen Betriebsausflugs der Laser Francis Lawrence setzte in CATCHING Hotline. -
It Seems Barely an Exaggeration to Say That Arab and Muslim Americans Are Constantly Talked About but Almost Never Heard From. T
It seems barely an exaggeration to say that Arab and Muslim Americans are constantly talked about but almost never heard from. The problem is not that they lack representations but that they have too many. And these are all abstractions. Arabs and Muslims have become a foreign-policy issue, an argument on the domestic agenda, a law-enforcement priority, and a point of well-meaning concern. They appear as shadowy characters on terror television shows, have become objects of sociological inquiry, and get paraded around as puppets for public diplomacy…They are floating everywhere in the virtual landscape of the national imagination, as either villains of Islam or victims of Arab culture. — Moustafa Bayoumi, How Does it Feel to be a Problem1 36 Waleed F. Mahdi investigation of the historical trajectory of Hollywood's engagement with the Arab American cultural identity. INTRODUCTION Popular culture in the United States functions through sensational and rating based entertainment. It also promotes a hegemonic frame of reference for cultural citizenship and national belonging in the life of "cultural citizens.'" It serves as an ideological state apparatus, to echo French philosopher Louis Althusser, guiding citizens through an acculturation process that homogenizes their own subjectivity.' In this sense, this article defines cultural citizenship as a tool to sUbjectify minorities through the mediation of popular culture.4 In his scholarly reviews of Hollywood's history, Lary May emphasizes the cinema's role in enunciating cultural citizenship. Hollywood, he argues, has been a site of fury for debates around "good citizenship" because of its connection to "political power, cultural authority, and the very meaning of national identity."5 For decades, Hollywood has played a major role in Circulating a popular sense of American collective imagination and manufacturing sensational conceptions of cultural Otherness. -
061710 Seminole Beacon
EMINOLE EACON SVolume XXXII, No. 7 B June 17, 2010 www.TBNweekly.com The Rays win the Seminole Little League Minor League crown. See Page 24. City moves forward on upgrades County Plans set to make the Fleet Maintenance Building more weather worthy Leaders find By BOB McCLURE improvements. cuts difficult In other action: Many of the county’s constitu- SEMINOLE – The first step toward making the A 1997 engineering report red- • Councilors approved an interconnection city’s Fleet Maintenance Building more storm-re- agreement with Progress Energy that will allow tional officers and independents flagged the building at 11195 70th say they are unable to cut the re- sistant became official June 8 when city coun- the city to use net metering and receive a credit quested 15 percent from their cilors approved funding for project engineering. Ave., for structural deficiencies that for energy produced through solar panels on the budgets for fiscal year 2011. City leaders voted unanimously to authorize need attention to make the roof of the new Public Works ... Page 8. City Manager Frank Edmunds to enter into an Administration/EOC and Public Works Opera- agreement with McCarthy and Associates, a structure more weather worthy. tions buildings on 70th Avenue. The two build- Clearwater-based structural engineering firm, to ings are expected to produce 86,732 Kw of free Community provide engineering services not to exceed electricity per year. $17,000. building at 11195 70th Ave., for structural defi- • Veteran Seminole Fire Rescue firefighter Sanctuary deploys McCarthy and Associates estimates its work ciencies that need attention to make the struc- Mike Lathrop was promoted to lieutenant. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H. -
Cash Box NY FEATURES Telex; 866123 Coast to Coast 14 Fuji Speedway Serves As the HOLLYWOOD Editorial
ORDERS MOUNT FOR SONY CD ITA PROBES AUDIO, VIDEO ISSUES > MID-PRiCED VIDEOS PROLIFERATING AOE PREVIEW MSiiiSIT: Dynamite in the rack* From the moment he burst onto the record scene with his fantastic LP, “Reality—What A Concept,” Robin Williams has won the hearts and smiles of millions of adoring fans. And now, you can give them what they’ve been waiting for—“Throbbing Python of Love”—an explosive live album that captures all the excitement and quick-witted hilarity of a sell-out Robin Williams performance. Put it in your rack today. Manufaclured and Markeied by PolyGram Records Produced by Phil Galdston. Watch Robin Williams now in concert on HBO. Casablanca Records #811 150-1 M-l © 1983, PolyGram Records, Inc. .. BOX 1983 / COIN MACHINEdSH/ HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 42 — March 19, THE^ERNATiONAL MUSIC Off To A Good Start I OISHBCK EDITORML aEOROi ALRERT President and Publisher While it is certainly too early to draw any sweeping con- the revolution in the recording industry that so many have ALAN SUfToST™"”” triggered by the CD could come to Vice President and Editor In Chief clusions, the initial reaction to the Compact Disc (CD) predicted would be MARK ALRERT system has been most encouraging. Already a hit in pass. Vico President and General Manager Japan and parts of Europe, this week’s news that the in- That this is a distinct possibility is reflected in the fact label or group of labels has TirCARMlCLi itial orders for the Sony CD system in the U.S. are more that nearly every major Vice President and General Manager, East Coast than dealers can handle could brighten the outlook of already made a commitment to move into the CD even the most cynical.