Kinky Boots at the 5Th Avenue Theatre Encore Arts Seattle

Total Page:16

File Type:pdf, Size:1020Kb

Kinky Boots at the 5Th Avenue Theatre Encore Arts Seattle APRIL 2016 2015/16 SEASON MATILDA AUG 18 - SEPT 6, 2015 WATERFALL OCT 1 - 25, 2015 RODGERS & HAMMERSTEIN’S THE SOUND OF MUSIC NOV 24, 2015 - JAN 3, 2016 HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING JAN 28 - FEB 21, 2016 ASSASSINS FEB 27 - MAY 8, 2016 CO-PRESENTED AT ACT - A CONTEMPORARY THEATRE A NIGHT WITH JANIS JOPLIN MAR 25 - APR 17, 2016 KINKY BOOTS APRIL 27 - MAY 8, 2016 LERNER & LOEWE’S PAINT YOUR WAGON JUNE 2 - 25, 2016 A GENTLEMAN’S GUIDE TO LOVE & MURDER JULY 12 - 31, 2016 April 2016 Volume 13, No. 8 Paul Heppner Publisher now through may 26th Susan Peterson Design & Production Director It’s time for a round of drinks! Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Join us Monday - Thursday from Production Artists and Graphic Design 2:30 - 5:30pm at SkyCity for drink Mike Hathaway Sales Director specials and delicious appetizers Brieanna Bright, Joey Chapman, Ann Manning served with breathtaking views. Seattle Area Account Executives Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Brett Hamil Online Editor Jonathan Shipley Associate Online Editor Ad Services Coordinator Carol Yip Sales Coordinator COME ON UP no reservations required 206.905.2100 | spaceneedle.com Leah Baltus Editor-in-Chief Paul Heppner Publisher Dan Paulus Art Director We don’t care Jonathan Zwickel Who You Sleep With. Senior Editor AS LONG AS Gemma Wilson Associate Editor YOU SLEEP WITH US Amanda Manitach Visual Arts Editor Learn how to shop Paul Heppner for a matt ress! President Every Saturday at 9:30am Mike Hathaway Vice President 300 NE 45th St. Seatt le, WA Genay Genereux Accounting 2 blocks west of I-5. FREE off -street parking Sara Keats 206.633.4494 Marketing Coordinator www.bedroomsandmore.com Ryan Devlin Events / Admin Coordinator Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 [email protected] 800.308.2898 x105 www.encoremediagroup.com Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2016 Encore Media Group. Reproduction without written permission is prohibited. 2 THE 5TH AVENUE THEATRE SIFF.NET EAP full-page template.indd 1 3/30/16 9:47 AM BOARD OF DIRECTORS ABOUT Stephen P. Reynolds Chairman Sterling Wilson THE TH Treasurer 5 Margaret C. Inouye AVENUE THEATRE Secretary • The non-profit 5th Avenue Theatre is one of the country’s leading musical theater Wanda J. Herndon companies. Our mission is to “nurture, advance and preserve all apsects of America’s Immediate Past Chairman great indigenous art form: The Musical. We achieve this by creating extraordinary theatrical experiences that enrich, entertain and inspire current and future audiences Kenny Alhadeff Ann Ardizzone everywhere.” Clodagh Ash Les Biller • The 5th is committed to achieving the highest standards of artistic excellence by Sharon Gantz Bloome employing world-class performers and creative artists, utilizing full live orchestras, and Robert R. Braun, Jr. Margaret Clapp staging exceptional and imaginative productions. The 5th places a special emphasis on Barbara L. Crowe employing our amazing community of Puget Sound-based artists and technicians. Larry Estrada Gary J. Fuller We are nationally renowned for our production and development of new musicals. Cyrus Habib • Randy Hodgins Since 2001, The 5th has premiered 17 new works, nine of which have subsequently Richard Kagan opened on Broadway. They include Disney’s Aladdin, First Date, A Christmas Story, Patrick F. Kennedy Scandalous, Shrek, Catch Me If You Can, The Wedding Singer and Best Musical Tony SaSa Kirkpatrick Award®-winners, Hairspray and Memphis. Elizabeth Lund Heather Sullivan McKay Richard Meadows • We are equally acclaimed for our vibrant new productions of musicals from the John Oppenheimer “Golden Age of Broadway” and contemporary classics. These signature revivals enthrall Llewelyn G. Pritchard fans of these enduring works and introduce these great shows to new generations of David Quinn Ann Ramsay-Jenkins musical theater lovers. Anthony Repanich Norman B. Rice • Our celebrated educational programs serve more than 74,000 young people each year Bonnie Towne through a host of projects including our Adventure Musical Theater Touring Company, Eric Trott The 5th Avenue Awards and the unique Rising Star Project. For adults, we offer free-to- Tom Walsh Tracy Wellens the-public events such as the popular Spotlight Night series and pre-performance Show Eileen Glasser Wesley Talks with Albert Evans. Kenneth Willman • We are the largest arts employer in the Pacific Northwest with more than 800 actors, PAST CHAIRMEN singers, dancers, musicians, creative artists, theatrical technicians and arts professionals OF THE BOARD working for us each season. Wanda J. Herndon (2013-2015) Barbara L. Crowe (2011-2013) Robert A. Sexton (2009-2011) • As a non-profit theater company supported by the community, we enjoy the patronage Norman B. Rice (2007-2009) of more than 25,000 season subscribers (one of the largest theater subscriptions in Kenny Alhadeff (2004-2007) America). More than 300,000 audience members attend our performances each year. William W. Krippaehne Jr. (2002-2004) Bruce M. Pym (2000-2002) John F. Behnke (1998-2000) Faye Sarkowsky (1996-98) OUR HISTORIC THEATER Donald J. Covey (1994-96) The 5th Avenue Theatre’s breathtaking design was inspired by ancient Imperial China’s Kenneth L. Hatch (1992-94) John D. Mangels (1990-92) most stunning architectural achievements, including the magnificent Forbidden City. Robert F. Buck (1988-90) Built in 1926 for vaudeville and silent pictures, The 5th Avenue Theatre reigned for Stanley M. Little, Jr. (1986-88) decades as Seattle’s favorite movie palace. In 1979, 43 companies and community R. Milton Trafton (1983-86) W.J. Pennington (1981-83) leaders formed the non-prot 5th Avenue eatre Association and restored the theater D.E. (Ned) Skinner (1979-81) to its original splendor. e 5th Avenue eatre re-opened in 1980 as Seattle’s premier home for musical theater. Founding Managing Director Marilynn Sheldon The 5th Avenue Theatre gratefully acknowledges our 43 original founders and sponsors. Please visit www.5thavenue.org for specific information on these important companies and individuals. WELCOME TO THE WELCOME TO 5TH FROM THE DESK OF DAVID ARMSTRONG EXECUTIVE PRODUCER AND ARTISTIC DIRECTOR A THRILLING NEW SEASON! e have recently announced our 2016/17 season of seven thrilling musicals, and invite you to play a critical role: season ticket holder.W After all, what is theater without its audience? Our rst show is one of the most beloved and enduring of all time: Man of La Mancha, one of the rst international “mega musical” sensations. Its thrilling and passionate score is a huge part of the show’s dynamic impact—especially its stirring anthem “ e Impossible Dream.” is holiday season, join us “under the sea” for the Northwest premiere of Disney’s e Little Mermaid, inspired by the Hans Christian Andersen story and the animated lm. Complete with Academy Award-winning songs by Alan Menken and Howard Ashman, this spectacular production will feature dazzling sets and costumes with special e ects that are pure magic. writing team to win Tony Awards® for Best Score and Next, we bring you one of the most hilarious and tuneful Best Musical. hits from the “Golden Age of Broadway”: e Pajama Subscribers are the lifeblood of e 5th Avenue eatre, Game. At the Sleep-Tite Pajama Factory, a steamy romance and with 25,000 of them attending productions here is brewing between the handsome new superintendent and annually, we are proud to have one of the largest theater the sassy head of the union grievance committee, until a subscriptions in the country. Our patrons love coming strike ignites a con ict between management and labor and back for many reasons—exclusive pre-sales, discounts on a battle of the sexes. additional single tickets, free exchanges if you can’t make We continue our annual partnership with ACT—A your performance and discounted parking at a number of Contemporary eatre with the hysterical new hit, Murder downtown garages. Or, for subscribers who take all seven for Two. It’s a murder mystery with a twist: there are only two shows, FREE parking! actors, one who plays the detective, and one who plays all of But more than anything, the reason we hear most often the many suspects. And they both play the piano. It’s musical that our patrons become season ticket holders isn’t the comedy to die for! incredible perks we o er or the world class customer service Spring will bloom with e Secret Garden. Based on the they experience from the moment they call the Box O ce to beloved novel, this 1991 Tony Award-winning Broadway the moment they hear a “good night” from our usher sta . beauty tells the story of ten-year-old Mary Lennox who is It’s the promise of guaranteed nights out on the town. When sent to live with her reclusive uncle in a gothic mansion you are a season ticket holder at e 5th, you have multiple on the Yorkshire moors. But when she discovers the key opportunities to look forward to the company of a dear to a neglected garden, Mary brings the weary estate—and friend or loved one, an incredible meal at one of Seattle’s herself—back to glorious life. And the music is unforgettable! amazing restaurants and a sensational performance that will One of the things we are proudest of at e 5th is our have you singing and dancing the whole way home. commitment to the creation of new works, and this year We hope you will consider joining us for all seven shows features another exciting world premiere! Inspired by the cult next season—a season that will mark the 90th anniversary of lm, Romy and Michele’s High School Reunion will take you this majestic and spectacular theater.
Recommended publications
  • Legally Blonde: Introduction
    Being true to yourself never goes out of style! WINNER BEST NEW MUSICAL 2011 OLIVIER AWARD EDUCATION KIT AUSTRALIAN PREMIERE SEASON • SYDNEY LYRIC LegallyBlonde.com.au facebook.com/ legallyblondemusical @legallyblondeoz Legally Blonde: INTRODUCTION INTRODUCTION This teacher’s guide has been developed as a teaching tool to assist teachers who are bringing their students to see the show. This guide is based on Camp Broadway’s StageNOTES, conceived for the original Broadway musical adaptation of Amanda Brown’s 2001 novel and the film released that same year, and has been adapted for use within the UK and Australia. The Australian Education Pack is intended to offer some pathways into the production, and focuses on some of the topics covered in Legally Blonde which may interest students and teachers. It is not an exhaustive analysis of the musical or the production, but instead aims to offer a variety of stimuli for debate, discussion and practical exploration. It is anticipated that the Education Pack will be best utilised after a group of students have seen the production with their teacher, and can engage in an informed discussion based on a sound awareness of the musical. We hope that the information provided here will both enhance the live theatre experience and provide readers with information they may not otherwise have been able to access. Legally Blonde is an uplifting, energising, feel-good show and with that in mind we hope this pack will be enjoyed through equally energising and enjoyable practical work in the classroom and drama studio. 1 Legally Blonde: INTRODUCTION LEgally Blonde Education Pack CONTENTS PAGE INTODUCTION 1.
    [Show full text]
  • The Ithacan, 1984-04-19
    Ithaca College Digital Commons @ IC The thI acan, 1983-84 The thI acan: 1980/81 to 1989/90 4-19-1984 The thI acan, 1984-04-19 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1983-84 Recommended Citation The thI acan, "The thI acan, 1984-04-19" (1984). The Ithacan, 1983-84. 22. http://digitalcommons.ithaca.edu/ithacan_1983-84/22 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1983-84 by an authorized administrator of Digital Commons @ IC. THE ITHACAN,·,,- 'Y',.o The Student Newspaper for Ithaca College ·, ;,,;i_\ ~ ,~ ~ ~, ' . ,;"y April 19, 1984 ..1\ · · · c\,,, Volume 15 Issue 11 ·:...,.., \ ,./ Ithaca College will''<>- increase• your tu1t1on• • by 8.5 percent rate Ithaca. NY--lthaca College tui­ principal rea~ons for the in­ tion will incwase S5:l6 10 crease c1rc acl<litional funds w­ S6.5(i2 for the 1984-85 quired for ..,,uctcnt financial aid. academic y!'ar. Coll1·g1· of­ fc1culty and staff salarws and ficials announcccl toclay, lwndits. ancl 1lw high co~, ot Standarcl room ancl hoard .,,,11e-of-1lw-,ir1 instrunional and student insurance will Ill· <·quipmenl cre,N· SWJ resulting 111 charges In spi11· ot IIH·s<· pressuws. of S2.992. rhe total 1984-85 sn1- 1.1ppinrn11 sc1ys lh,11 "llllaca·s den1 llill of S9.S54 rcprc-s1·n1s 1u11ion r1·m,1in~ qu11c an 8.58 pt•rc·<'nl lrl(TeclS(' 0\ er wasonablc.
    [Show full text]
  • Bob Sarles Resume
    Bob Sarles [email protected] (415) 305-5757 Documentary I Got A Monster Editor. True crime feature documentary. Directed by Kevin Abrams. Alpine Labs. The Nine Lives of Ozzy Osbourne Producer, editor. An A&E documentary special. Osbourne Media. Born In Chicago Co-director, Editor. Feature documentary. Shout! Factory/Out The Box Records. Mata Hari The Naked Spy Editor. Post Production Producer. Feature documentary. Red Spoke Films. BANG! The Bert Berns Story Co-director (with Brett Berns), editor. Theatrically released feature documentary. Sweet Blues: A Film About Mike Bloomfield Director, Editor. Produced by Ravin’ Films for Sony Legacy. Moon Shot Editor. Documentary series produced for Turner Original Productions and aired on TBS. Peabody Award recipient. Two Primetime Emmy nominations: editing and outstanding documentary. The Story of Fathers & Sons Editor. ABC documentary produced by Luna Productions. Unsung Editor. Documentary television series produced by A.Smith & Company for TV One. Behind The Music Producer and Editor. Documentary television series produced by VH1. Digital Divide Series Editor. PBS documentary series produced by Studio Miramar. The True Adventures of The Real Beverly Hillbillies Editor. Feature documentary. Ruckus Films. Wrestling With Satan Co-Producer, editor. Feature documentary. Wandering Eye Productions. Feed Your Head Director, editor. Documentary film produced for the Rock and Roll Hall of Fame, Cleveland. Yo Cip! Director, Editor. Documentary short. A Ravin’ Film for Cipricious Productions. Produced by Joel Peskin. Coldplay Live! At The Fillmore Director, editor. Television series episode produced by BGP/SFX. Take Joy! The Magical World of Tasha Tudor Editor. Documentary. Aired on PBS. Spellbound Prods. Teen People Presents 21 Stars Under 21 Editor.
    [Show full text]
  • Handbook for One-Act Play
    Notice of Non-Discrimination “In a well-planned One-Act Play Contest, there are no losers.” The University Interscholastic League (UIL) does not discriminate on the basis of race, color, national origin, sex, disability, or age in its programs. See Section 360, Non-Discrimination Policy, UIL Constitution and Contest Rules. https://www.uiltexas.org/policy/constitution/general/nondiscrimination Handbook The following person has been designated to handle inquiries regarding the non-dis- crimination policies: Dr. Mark Cousins for University Interscholastic League Director of Compliance and Education 1701 Manor Road, Austin, TX 78722 Telephone: (512) 471-5883 Email: [email protected] One-Act Play For further information on notice of non-discrimination, visit http://wdcrobcolp01. ed.gov/CFAPPS/OCR/contactus.cfm or call 1-800-421-3481 or contact OCR in Dallas, Texas: AMENDED Office for Civil Rights U.S. Department of Education 1999 Bryan Street, Dallas, TX 75201-6810 Telephone: 214-661-9600, Fax: 214-661-9587, TDD: 800-877-8339 25th Edition Email: [email protected] For further information write: State Theatre Director University Interscholastic League 1701 Manor Road Austin, Texas 78722 512/471-9996 or 471-4517 (Office), 512/471-7388 (Fax) 512/471-5883 (MAIN UIL SWITCHBOARD) E-MAIL: [email protected] UIL WEB: www.uiltexas.org ACKNOWLEDGEMENTS A very sincere thanks to Connie McMillan and to Elisabeth Sikes for their contributions. I also wish to thank the Texas Theatre Adjudicators and Officials (TTAO) and the UIL Theatre Advisory Committee for their work on this edition. The League also wishes to thank the Texas Educational Theatre Associa- tion, Inc.
    [Show full text]
  • Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
    Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy
    [Show full text]
  • Religious Roots Tangle with the Groovy ’60S - the New York Times
    'Kinky Boots' Sets April 4 Broadway Opening - NYTimes.com AUGUST 15, 2012, 3:13 PM ‘Kinky Boots’ Sets April 4 Broadway Opening By PATRICK HEALY "Kinky Boots," one of the most anticipated musicals of the new Broadway season, with Cyndi Laupermaking her debut as a songwriter for the stage, will begin performances on March 5, 2013, at the Al Hirschfeld Theater and open on April 4, the producers announced on Wednesday. Based on a 2005 British filmabout a shoe factory heir who enlists a drag queen to help save the family business, "Kinky Boots" will star the Tony Award nominee Stark Sands ("Journey's End," "American Idiot") as the scion Charlie and Billy Porter (Belize in the Off Broadway revival of "Angels in America") as the resourceful Lola. The show's book writer is Harvey Fierstein, who won a Tony for his book for "La Cage aux Folles" and was nominated in the category last season for the Broadway musical "Newsies." Ms. Lauper, a Grammy-winning pop icon of the 1980s, has written the music and lyrics for the production, which will have an out-of-town run in Chicago this fall. Jerry Mitchell will direct, and the lead producers are Daryl Roth and Hal Luftig. Like "Kinky Boots," most of the new Broadway musicals expected this season are inspired by movies or books; the others include "Bring It On," "Rebecca," "A Christmas Story," "Matilda," "Diner," and "Hands on a Hardbody." http://artsbeat.blogs.nytimes.com/2012/08/15/kinky-boots-sets-april-4-broadway-opening/?pagewanted=print[8/16/2012 9:52:02 AM] Religious Roots Tangle With the Groovy ’60s - The New York Times August 15, 2012 THEATER REVIEW Religious Roots Tangle With the Groovy ’60s By JASON ZINOMAN Wearing a bushy beard and the absent-minded expression of a father preoccupied with work at the dinner table, Eric Anderson, who plays the Jewish singer Shlomo Carlebach in the bio-musical “Soul Doctor,” appears smaller than life.
    [Show full text]
  • Musical! Theatre!
    Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all.
    [Show full text]
  • Broadway-Our-Way-2015.Pdf
    Our Mission Rainbow Women’s Chorus works together to develop musical excellence in an atmosphere of mutual support and respect. We perform publicly for the entertainment, education and cultural enrichment of our audiences and community. We sing to enhance the esteem of all women, to celebrate diversity, to promote peace and freedom, and to touch people’s hearts and lives. Our Story Rainbow Women’s Chorus is a nonprofit corporation governed by the Action Circle, a group of women dedicated to realizing the organization’s mission. Chorus members began singing together in 1996, presenting concerts in venues such as Christ the Good Shepherd Lutheran Church, Le Petit Trianon Theatre, the San Jose Repertory Theater and Triton Museum. The chorus also performs at church services, diversity celebrations, awards ceremonies, community meetings and private events. Rainbow Women’s Chorus is a member of the Gay and Lesbian Association of Choruses (GALA). In 2000, RWC proudly co-hosted GALA Festival in San Jose, with the Silicon Valley Gay Men’s Chorus. Since then, RWC has participated in GALA Festivals in Montreal (2004), Miami (2008), and Denver (2012). In February 2006, members of RWC sang at Carnegie Hall in NYC with a dozen other choruses for a breast cancer and HIV benefit. In July 2010, RWC traveled to Chicago for the Sister Singers Women’s Choral Festival. But we like it best when we are here at home, singing for you! Support the Arts Rainbow Women’s Chorus and other arts organizations receive much valued support from Silicon Valley Creates, not only in grants, but also in training, guidance, marketing, fundraising, and more.
    [Show full text]
  • Concert: Violinist Deni Bonet Concert
    THE NEWSLETTER OF THE CRANFORD PUBLIC LIBRARY AND THE FRIENDS OF THE CRANFORD PUBLIC LIBRARY JANUARY-FEBRUARY 2020 FRIENDS OF THE LIBRARY USED BOOK SALE The Friends of the Cranford Public Library invite you to visit their used book sale on Thursday, January 9, 1:00 pm to 8:30 pm, Friday, January 10, 10:00 am to 4:30 pm, and Saturday, January 11, 10:00 am to 3:30 pm. Items for sale include more than 10,000 adult and children’s books, as well as CDs, DVDs, and recorded books. Prices range from $.25 to $2.00, except for a few specially marked items. On Saturday, fill a bag with books for just $8.00. Enter through the side door. CONCERT: FLUTIST GALEN ABDUR-RAZZAQ In a one-night-only appearance on Monday, February 3 at 7:00 pm, master flutist Galen Abdur-Razzaq will join us for a lecture and performance: “Jazz and the Civil Rights Movement.” Our guest will discuss and perform jazz pieces by artists who contributed to the formation and progress of the civil rights movement. Born in Montclair, NJ, Galen has performed domestically and internationally for over 30 years, traveling to universities, concert halls, festivals, and libraries around the globe. CONCERT: THE ODESSA KLEZMER BAND We hope you’ll join us for this energetic evening of entertainment on Tuesday, February 11 at 7:00 pm! Under the direction of bandleader, accordionist, and vocalist Ed Goldberg, the Odessa Klezmer Band has played the joyous dance music of the Klezmorim (Jewish folk musicians) throughout the tri-state area for over 30 years.
    [Show full text]
  • 1998 Acquisitions
    1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in.
    [Show full text]
  • Nichols Resume 8-2018
    Patricia Marie Nichols p a t r i c i a n i c h o l s . c o m 16 Morgan Drive, Succasunna, NJ 07876 [email protected] Lighting Design 07/18 An Act Of God W.H.A.T., Massachusetts Dir. Daisy Walker 07/18 Hair Berkshire Theatre Group, Massachusetts Dir. Daisy Walker 02/18 The Diary of Anne Frank Drexel University, Philadelphia Dir. Bill Fennelly 09/17 Lost Lake Berkshire Theatre Group, Massachusetts Dir. Daisy Walker 06/17 Painting Churches W.H.A.T., Massachusetts Dir. Daisy Walker 05/17 Sex With Strangers W.H.A.T., Massachusetts Dir. Jeffry George 12/15 How Alfo Learned to Love 59E59 Theatres, New York Dir. Daisy Walker 06/15 Outside Mullingar Cape Rep Theatre, Massachusetts Dir. Daisy Walker 04/15 Broken Horizon Productions, New York Dir. Daisy Walker 04/15 Dreamgirls Skyline Theatre Company, New Jersey Dir. Sam Scalamoni 05/13 The 39 Steps Skyline Theatre Company, New Jersey Dir. Sam Scalamoni 10/11 A Splintered Soul The Mint Theatre, New York Dir. Daisy Walker 09/11 The Gazillion Bubble Show First National Tour Dir. Sam Scalamoni 05/11 Barefoot In The Park Skyline Theatre Company, New Jersey Dir. Sam Scalamoni 05/08 Fidelity Future Stage New World Stages, New York Dir. Sam Scalamoni 03/07 Irish American – Awards Ceremony The Hilton Theatre, New York Prod. Carl Pasbjerg 01/05 Safety Urban Stages, New York Dir. Daisy Walker 12/04 Because I Can Greenwich Street Theatre, New York Dir. Daisy Walker 02/04 I Ain’t Yo’ Uncle Mandell Weiss Theatre, San Diego Dir.
    [Show full text]
  • Welcome Back to Paper Mill Playhouse's 80Th
    WELCOME FROM THE PRODUCING ARTISTIC DIRECTOR elcome back to Paper Mill Playhouse’s 80th anniversary season and to our groovy, world- Wpremiere production of My Very Own British Invasion! Any fan of popular music is sure to enjoy this nostalgic and energetic trip down memory lane as told through the eyes of Peter Noone, who struck fame at age fifteen as the lead singer for Herman’s Hermits. Lovingly crafted by Tony-nominated book writer Rick Elice ( Jersey Boys, Peter and the Starcatcher, The Cher Show) and Tony winner Jerry Mitchell (Half Time, Kinky Boots, Pretty Woman), who directs and choreographs, this blockbuster retrospective features a rarely heard story, a Paper Mill Playhouse received the 2016 song list jam-packed with favorites, and a cast of the Regional Theatre Tony Award. absolute best actors and musicians of Broadway. Paper Mill recently announced the appointment of our new Managing Director, Michael Stotts, after a nationwide search, and he officially joins the staff as of the opening night of this production. Friends of the New Jersey theatrical community may remember Mike from his previous engagements in leadership roles with the Shakespeare Theatre of New Jersey and George Street Playhouse. He comes to Paper Mill after serving thirteen years at Hartford Stage in Connecticut, where some of his notable projects included the new musicals Anastasia and A Gentleman’s Guide to Love & Murder, which both transferred to Broadway. Mike is a dedicated, passionate, and well-respected arts administrator who brings an incredible skill set to our organization. As Paper Mill prepares for our next phase of growth, he is exactly the coleader I was hoping to find, and we all could not be more thrilled to welcome him back to the Garden State.
    [Show full text]