New Electric Muse - the Story of Folk Into Rock Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

New Electric Muse - the Story of Folk Into Rock Mp3, Flac, Wma Various New Electric Muse - The Story Of Folk Into Rock mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: New Electric Muse - The Story Of Folk Into Rock Country: UK Released: 1996 MP3 version RAR size: 1577 mb FLAC version RAR size: 1413 mb WMA version RAR size: 1274 mb Rating: 4.7 Votes: 640 Other Formats: XM ASF AIFF FLAC MP4 VQF VOX Tracklist 1-1a –Steeleye Span Robbery With Violins 1-1b –The Ian Campbell Folk Group Tail Toddle 1-1c –Dave Swarbrick Ril Gan Ainm 1-2 –The Cooper Family Spencer The Rover 1-3 –Ray & Archie Fisher The Twa Corbies 1-4 –Ewan MacColl The Shoals Of Herring 1-5 –Shirley Collins & Davy Graham Pretty Saro 1-6 –The Ian Campbell Folk Group Rocky Road To Dublin / Drops Of Brandy 1-7 –The Dubliners The Mason's Apron 1-8 –The Johnstons Carolan's Concerto 1-9 –Sweeney`s Men Rattlin Roarin Willy 1-10 –Finbar & Eddie Furey Colonel Fraser 1-11 –Gryphon Kemp's Jig 1-12 –Fairport Convention Medley 1-13 –Morris On Greensleeves 1-14 –John Martyn Eibhlí Ghail Chiúin Ni Chearbhaill 1-15 –Davy Graham Angi 1-16 –Davy Graham She Moves Through The Fair 1-17 –Bert Jansch Veronica 1-18 –Davy Graham Better Git It In Your Soul 1-19 –John Renbourn Waltz 1-20 –Pentangle Waltz 1-21 –Martin Carthy Scarborough Fair 1-22 –The Johnstons Sweet Thames How Softly 1-23 –John & Beverley Martyn John The Baptist 2-1 –Bert Jansch Blackwaterside 2-2 –The Young Tradition The Fox Hunt 2-3 –John Renbourn Bransle Gay 2-4 –Martin Carthy, Dave Swarbrick Our Captain Cried All Hands 2-5 –Pentangle Let No Man Steal Your Thyme 2-6 –Shirley Collins The Wedding Song 2-7 –Fairport Convention Nottamun Town 2-8 –Fairport Convention Tam Lin 2-9 –Sandy Denny, Fotheringay Gypsy Davey 2-10 –Traffic John Barleycorn 2-11 –Fairport Convention Lord Marlborough 2-12 –Steeleye Span The Weaver And The Factory Maid 2-13 –Bob And Carole Pegg Rise Up Jock 2-14 –Mr. Fox The Gay Goshawk 2-15 –Sandy Denny Bruton Town 2-16 –Lindisfarne Turn A Deaf Ear 2-17 –Jack the Lad The Third Millenium 2-18 –Richard Thompson Nobody's Wedding 2-19 –Steve Ashley The Spirit Of Christmas 2-20 –Mike & Lal Waterson The Magical Man 2-21 –The Albion Country Band The New St. George / La Rotta 3-1 –Dave Swarbrick Once I Loved A Maiden Fair 3-2 –Robin* & Barry Dransfield The Foul's Song 3-3 –Battlefield Band Tae The Beggin 3-4 –Richard & Linda Thompson House Of Cards 3-5 –Richard Thompson For Shame Of Doing Wrong 3-6 –Bert Jansch Wild Mountain Thyme 3-7 –Dick Gaughan Both Sides The Tweed 3-8 –June Tabor The Seareerow 3-9 –Martin Simpson The Keel Row 3-10a –Capercaillie Brenda Stubbert's Set 3-10b –Capercaillie Jenny Dang The Weaver 3-10c –Capercaillie Willie Smith's Reel 3-11 –Richard Thompson Two Left Feet 3-12 –Andrew Cronshaw Wasps In The Woodpile 3-13 –June Tabor, The Oyster Band* Susie Clelland 3-14 –The Oyster Band* Bells Of Rhymney 3-15 –Four Men & A Dog Another Irish Rover 3-16 –Energy Orchard The Star Of The County Down 3-17 –Sharon Shannon Out The Gap 3-18 –Eliza Carthy Blind Fiddler 3-19 –Lal Waterson, Oliver Knight Phoebe Barcode and Other Identifiers Barcode: 5017615841626 Related Music albums to New Electric Muse - The Story Of Folk Into Rock by Various Various - The Best Of Folk-Music Liz Graham - Liz Graham Danny Wilson - Davy Soft Machine + Mark Leeman 5, Davy Graham - Rock Generation Vol. 8 - Soft Machine + Mark Leeman 52, Deep Feeling, T-Bones Various - The Best Of Irish Folk Marc Taynor Et Son Orchestre - Davy Crockett / Chouet' Home Finbar Furey - Traditional Irish Pipe Music Davy Graham - Folk, Blues & Beyond... Kentucky Headhunters, The - The Ballad Of Davy Crockett Professor And Mrs. Greer - Black Jack Davy - Part I / Black Jack Davy - Part II.
Recommended publications
  • View Or Download Full Colour Catalogue May 2021
    VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental
    [Show full text]
  • Rosemary Lane the Pentangle Magazine
    Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
    Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters.
    [Show full text]
  • Representation Through Music in a Non-Parliamentary Nation
    MEDIANZ ! VOL 15, NO 1 ! 2015 DOI: 10.11157/medianz-vol15iss1id8 - ARTICLE - Re-Establishing Britishness / Englishness: Representation Through Music in a non-Parliamentary Nation Robert Burns Abstract The absence of a contemporary English identity distinct from right wing political elements has reinforced negative and apathetic perceptions of English folk culture and tradition among populist media. Negative perceptions such as these have to some extent been countered by the emergence of a post–progressive rock–orientated English folk–protest style that has enabled new folk music fusions to establish themselves in a populist performance medium that attracts a new folk audience. In this way, English politicised folk music has facilitated an English cultural identity that is distinct from negative social and political connotations. A significant contemporary national identity for British folk music in general therefore can be found in contemporary English folk as it is presented in a homogenous mix of popular and world music styles, despite a struggle both for and against European identity as the United Kingdom debates ‘Brexit’, the current term for its possible departure from the EU. My mother was half English and I'm half English too I'm a great big bundle of culture tied up in the red, white and blue (Billy Bragg and the Blokes 2002). When the singer and songwriter, Billy Bragg wrote the above song, England, Half English, a friend asked him whether he was being ironic. He replied ‘Do you know what, I’m not’, a statement which shocked his friends. Bragg is a social commentator, political activist and staunch socialist who is proudly English and an outspoken anti–racist, which his opponents may see as arguably diametrically opposed combination.
    [Show full text]
  • Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
    JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space.
    [Show full text]
  • 14302 76969 1 1>
    11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer.
    [Show full text]
  • Of ABBA 1 ABBA 1
    Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.
    [Show full text]
  • The Fox Jumps Over the Parson's Gate
    The Fox jumps over the Parson’s Gate Peter Bellamy 1 The Spotted Cow,acc. concertina 2 Two Pretty Boys (The Two Brothers) 3 The Female Drummer 4 Here’s Adieu, Sweet Lovely Nancy, vocal duet with Chris Birch 5 The Ghost Song (The Cruel Ship’s Carpenter) 6 The Carnal and the Crane 7 The Little Black Horse (The Penny Wager), acc. fiddle 8 The Barley and the Rye,acc. fiddle 9 The Turkish Lady 10 Warlike Seamen (The Irish Captain),vocal duet with Chris Birch 11 The Blackberry Fold 12 Saint Stephen 13 The Rigs of London Town 14 The Fox Jumps Over the Parson’s Gate,acc. concertina Recorded at City of London Studios, 1969 First Published by Topic 1970 Notes by A. L. Lloyd Production A. L. Lloyd Cover Drawing: Randolph Caldecott Peter Bellamy became well-known to folk music revival Since October 1969, he has been performing as a solo singer, enthusiasts in England and the United States when he was concentrating mainly on deeply traditional song sung in a the luminary of the Young Tradition. Since the break-up of deeply traditional-sounding manner that owes much to his that group, he has been singing solo and has established admired Norfolk models, Harry Cox and Sam Larner. These himself as one of the most forthright and impressive of grand old-timers, it seems, still have as much to say to us all, younger singers of English folk song - indeed, there are good even those who are very much the young men of our time, judges who reckon he’s the best.
    [Show full text]
  • Track Artist Album Format Ref # Titirangi Folk Music Club
    Titirangi Folk Music Club - Library Tracks List Track Artist Album Format Ref # 12 Bar Blues Bron Ault-Connell Bron Ault-Connell CD B-CD00126 12 Gates Bruce Hall Sounds Of Titirangi 1982 - 1995 CD V-CD00031 The 12th Day of July Various Artists Loyalist Prisoners Aid - UDA Vinyl LP V-VB00090 1-800-799-7233 [Live] Saffire - the Uppity Blues Women Live & Uppity CD S-CD00074 1891 Bushwackers Faces in the Street Vinyl LP B-VN00057 1913 Massacre Ramblin' Jack Elliot The Essential Ramblin' Jack Elliot Vinyl LP R-VA00014 1913 Massacre Ramblin' Jack Elliot The Greatest Songs of Woodie Guthrie Vinyl LP X W-VA00018 The 23rd of June Danny Spooner & Gordon McIntyre Revived & Relieved! Vinyl LP D-VN00020 The 23rd Of June the Clancy Brothers & Tommy Makem Hearty And Hellish Vinyl LP C-VB00020 3 Morris Tunes - Wheatley Processional / Twenty-ninth of May George Deacon & Marion Ross Sweet William's Ghost Vinyl LP G-VB00033 3/4 and 6/8 Time Pete Seeger How to play the Old Time Banjo Vinyl LP P-VA00009 30 Years Ago Various Artists & Lindsey Baker Hamilton Acoustic Music Club CD H-CD00067 35 Below Lorina Harding Lucky Damn Woman CD L-CD00004 4th July James RAy James RAy - Live At TFMC - October 2003 CD - TFMC J-CN00197 500 Miles Peter Paul & Mary In Concert Vinyl LP X P-VA00145 500 Miles Peter Paul & Mary Best of Peter, Paul & Mary: Ten Years Together Vinyl LP P-VA00101 500 Miles The Kingston Trio Greatest Hits Vinyl LP K-VA00124 70 Miles Pete Seeger God Bless the Grass Vinyl LP S-VA00042 900 Miles Cisco Houston The Greatest Songs of Woodie Guthrie Vinyl LP
    [Show full text]
  • A Folkrocker's Guide
    A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18.
    [Show full text]
  • The Watersons the Definitive Collection Mp3, Flac, Wma
    The Watersons The Definitive Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Definitive Collection Country: UK Released: 2003 Style: Folk MP3 version RAR size: 1203 mb FLAC version RAR size: 1609 mb WMA version RAR size: 1410 mb Rating: 4.5 Votes: 881 Other Formats: AHX AUD MP4 AU MP1 MMF DTS Tracklist 1 God Bless The Master 3:05 2 Dido Bendigo 2:53 3 The Welcome Sailor 3:12 4 Emmanuel 2:48 5 Idumea 1:48 6 The Still And Silent Ocean 4:25 7 Fathom The Bowl 2:52 8 Fare Thee Well Cold Winter 2:32 9 The Holmfirth Anthem 1:58 10 Stormy Winds 3:10 11 Rosebuds In June 3:15 12 Bellman 3:55 13 Sleep On Beloved 3:03 14 Swansea Town 4:18 15 The Beggar Man 3:26 16 Amazing Grace 4:38 17 The Old Churchyard 3:23 18 Adieu Sweet Lovely Nancy 3:38 19 Malpas Wassail 4:11 Companies, etc. Phonographic Copyright (p) – Topic Records Ltd. Copyright (c) – Topic Records Ltd. Licensed From – Topic Records Ltd. Published By – Concorde International Management Consultants Ltd. Published By – Gwyneth Music Ltd. Published By – Topic Records Ltd. Published By – MCS Music Limited Published By – Free Reed Music Published By – April Music Ltd. Published By – Mole Music Ltd Credits Accompanied By – Gabriel's Horns (tracks: 4) Concertina [Anglo-concertina] – Tony Engle (tracks: 15) Fiddle – Peta Webb (tracks: 15) Guitar – Martin Carthy Melodeon – Rod Stradling (tracks: 15) Performer – Anthea Bellamy (tracks: 16), Barry Coope (tracks: 18), Blue Murder (tracks: 18), Eliza Carthy (tracks: 13, 17, 18), Jim Boyes (tracks: 18), Jim
    [Show full text]