BRT Past Schedule 2011
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Scotland's TANNAHILL WEAVERS “...an especially eloquent mixture of the old and the new...” NEW YORK TIMES Now in their 51st year, the Tannahill Weavers are one of Scotland's premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant and humorous performances and outstanding recording efforts that seemingly can't get better...yet continue to do just that. ROY GULLANE PHIL SMILLE MALCOLM BUSHBY MIKE KATZ lead vocals, guitar flute, whistles, bodhran, vocals fiddle, vocals, bouzouki highland bagpipes, scottish small pipes, whistles SCOTLAND’S PREMIER TRADITIONAL BAND www.tannahillweavers.com [email protected] Scotland's TANNAHILL WEAVERS Listen: Òrach (listen on Spotify) The Geese in the Bog/The Jig of Slurs (download) Watch: Gordon Duncan Set Johnnie Cope Photos: (click for downloads) SCOTLAND’S PREMIER TRADITIONAL BAND www.tannahillweavers.com [email protected] Scotland's TANNAHILL WEAVERS Press Quotes "…the group has found an especially eloquent mixture of the old and the new. - Stephen Holden, New York Times “The music may be pure old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.” - Winnipeg Free Press “Formed from a Paisley pub session in 1968, seminal trailblazers the Tannahill Weavers now also rank as national treasures.” - Glasgow Celtic Connections 2018 “…the Tannies are the best that Scotland can aspire to (and believe me, that is THE BEST).” - The Living Tradition “Scotland’s Tannahill Weavers play acoustic instruments, but the atmosphere at their shows is electric. -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
Stock up on Homespun Dvds for the Holidays!
PRESENTS Happy Traum of Homespun shares the joy of music in the holiday season. ACCORDION BEGINNING BLUEGRASS BANJO LEARN TO PLAY taught by Pete Wernick STOCK UP ON CAJUN ACCORDION Pete (Dr. Banjo) Wernick will have taught by Dirk Powell HOMESPUN you picking right from the start of DVD 1: Powell teaches how to hold this DVD. By the time you finish, the instrument, use the bellows, DVDS FOR you’ll be accompanying songs, find the notes, and play “double” playing solos, and will have THE HOLIDAYS! (octaves). Includes detailed instruc- learned basic chords, slides, tion for playing some popular Cajun hammer-ons and pull-offs, right- dance tunes. 75 MIN • INCLUDES Now that DVD players are mainstream hand “rolls” in the three-finger bluegrass style and lots more. LYRICS • NOVICE LEVEL More than a dozen easy bluegrass songs are taught. in homes across the country, DVDs DVD 2: Covers topics such as ornamentation, syncopation, 100 MIN • INCLUDES TAB • NOVICE LEVEL phrasing, anticipating the bellows changes, creating rhythmic effects 00641606 DVD .....................................................$29.95 from Homespun will make great gifts and other techniques. 60 MIN • EARLY INTERMEDIATE LEVEL 00641849 2-DVD Set ............................................$49.95 for instrumentalists everywhere this HOW TO PLAY THE 00641844 DVD One Only .....................................$29.95 5-STRING BANJO holiday season! 00641845 DVD Two Only .....................................$29.95 taught by Pete Seeger with special guest appearance by Doc Watson TEX-MEX ACCORDION Covering all styles of music from America’s most beloved banjo taught by Flaco Jiménez picker teaches his playing bluegrass, jazz and country to folk, blues and Tim Alexander, techniques and more than a dozen with Max Baca, bajo sexto and rock, Homespun’s love of music and songs. -
The Lookout Vol 3 2016
THE LOOKOUT Volume 3 | Spring 2016 THE LOOKOUT A Journal of Literature and the Arts by the students of Texas A&M University-Central Texas Volume 3 | Spring 2016 Copyright 2016 | THE LOOKOUT Texas A&M University-Central Texas The Lookout: A Journal of Literature and the Arts features student works and is published annually by the College of Arts and Sciences at Texas A&M University-Central Texas, Killeen, Texas. Editor, Layout, and Cover Design - Ryan Bayless Assistant Lecturer of English and Fine Arts Special thanks to Dr. Allen Redmon, Chair of the Department of Humanities, and Dr. Jerry Jones, Dean of the College of Arts and Sciences at TAMUCT. Contents THE LOOKOUT Volume 3 | Spring 2016 Poetry SHARON INCLE Lonely Star ............................................. 9 BETTY LATHAM Bernice ................................................. 10 TIM DEOCARIZA In Grey Manila .................................... 11 CHAD PETTIT The Mourning, After .......................... 12 REBECCA BRADEN Desolation ........................................... 21 RACHEL HART Birthday Party-Oahu, March 1945 .. 22 MIKAYLA MERCER In the Presence of the Divine ............ 25 MICHAEL HERMANN Little Girl ............................................. 26 DWIGHT A. GRAY Villanelle for Charleston .................... 27 TAMMI SUMMERS Moving Forward ................................. 28 WILLIAM HODGES In Heideggerian Time ........................ 39 AMBER CELESTE MCENTIRE Blood Moon ........................................ 41 HEATHER CHANDLER Southern Comfort ............................. -
26-29 May 2016
26-29 MAY 2016 /orkneyfolkfestival @OrkneyFolkFest Stromness Birsay Deerness Finstown Harray Kirkwall Orphir Quoyloo Sanday Shapinsay St Margaret’s Hope Supported by the National Lottery through Creative Scotland Stenness Westray PROGRAMME orkneyfolkfestival.com WELCOME ANNIVERSARIES AND BIRTHDAYS So here it is, the 34th Orkney Folk The Northern Isles Festival Tattoo Festival. Unbelievably we’re still going. Just a few days before Orkney plays host to a series of national Despite economic turmoil, climate events commemorating the one hundredth anniversary of the change and Stromness roadworks we Battle of Jutland, the festival will stage its own ‘Military Tattoo’-style are still here. We’ve got a shiny new event, celebrating Orkney and Shetland’s maritime history. office at the Northlink Terminal building A first of its kind for the Orkney Folk Festival, the Northern Isles Bob Gibbon and word has it we will even have new Festival Tattoo will host a choreographed, massed performance walkie-talkies come May. It’s all go. of fiddles, pipes, drums, song and community spirit in Kirkwall’s Pickaquoy Centre on Saturday night – and no raincoats required! Indeed the line-up has taken some Taking centre stage will be putting together this year. A bit of this Shetland’s county fiddle group, and a bit of that, some new faces Hjaltibonhoga – fresh from two and some familiar old ones all thrown consecutive Edinburgh Military together to play in Stromness and Tattoos, as well as stadium other parishes of Orkney, including performances in Australia and New Zealand – the Kirkwall City Pipe three islands this year (Westray, Band, Maggie Adamson and Brian Sanday and Shapinsay) doing our Nicholson, Ivan Drever, as well as best to bring us all together on Festival many more special guests. -
1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
C:\Users\User\Documents\04 Reimann\00A-Inhalt-Vorwort.Wpd
Vorwort Aribert Reimann ist einer der erfolgreichsten lebenden Komponisten Deutschlands, von Publikum und Kritik gleichermaßen hoch geschätzt. Bis heute, kurz vor seinem achtzigsten Geburtstag, hat er 78 Vokalwerke kom- poniert. Dazu gehören neben drei Chorwerken und zwei Requiems vor allem Lieder mit Klavier, mit Orchester oder in verschiedenen Kammermusik- besetzungen sowie acht Opern, die weltweit aufgeführt werden. Auch den solistischen Stimmen ohne jede Instrumentalbegleitung bietet Reimann höchst anspruchsvolle Kompositionen: Innerhalb dieses noch immer relativ ungewöhnlichen Genres findet sich neben sieben textinterpretierenden Werken eine sechsteilige Reihe von ganz den ‘Farben’ der menschlichen Stimme nachspürenden Vokalisen. Eine weitere Besonderheit stellen seine Kammermusikbearbeitungen romantischer Klavierlieder von Schubert, Mendelssohn-Bartholdy, Schumann, Brahms und Liszt dar. Obwohl auch die Liste von Reimanns Instrumentalwerken umfangreich und vielfältig ist, konzentriert sich diese Studie ausschließlich auf seine Vokalmusik. Hier kann Reimann aufgrund seiner intimen Vertrautheit mit der menschlichen Stimme aus einem einzigartigen Schatz an Einsichten schöpfen. Seine Affinität zum Gesang hat ihre Basis in seiner Kindheit mit einer Gesangspädagogin und einem Chorleiter als Eltern, in seinen frühen Auftritten als solistischer Knabensopran in konzertanten und szenischen Produktionen und in seiner jahrzehntelangen Erfahrung als Klavierpartner großer Sänger. Den kompositorischen Ertrag dieses Erfahrungsreichtums durch detaillierte Strukturanalysen zu erschließen und in ihrer textinterpre- tierenden Dimension zu würdigen kommt einer Autorin, deren besonderes Interesse dem Phänomen “Musik als Sprache” gilt, optimal entgegen. Die vorliegende Studie stellt in den fünf Hauptkapiteln je fünf Werke aus den vier letzten Dekaden des 20. Jahrhunderts und aus der Zeit seit 2000 vor, darunter die Opern Lear (nach Shakespeare), Die Gespenstersonate (nach Strindberg), Bernarda Albas Haus (nach Lorca) und Medea (nach Grillparzer). -
Discography Markus Stenz GO Live!
Discography Markus Stenz GO live! Symphony Concert No. 7 13/14 Schumann | Wagner Gürzenich Orchestra Cologne Anja Kampe soprano Sieglinde Lance Ryan tenor Siegmund Eric Halfvarson bass Hunding Robert Schumann: Symphony No. 1 in B-flat major op. 38 “Spring Symphony” Richard Wagner: first act from »Die Walküre« WWV 86 B GO live! | January 2014 New Year’s Eve Concert 13/14 Beethoven Gürzenich Orchestra Cologne Vokalensemble Kölner Dom Anne Schwanewilms soprano Ingeborg Danz alto Max Schmitt tenor Markus Butter bass Ludwig van Beethoven: Symphony No. 9 in D minor op. 125 GO live! | December 2013 Symphony Concert No. 4 13/14 Haydn | Mahler Gürzenich Orchestra Cologne Joseph Haydn: Symphony No. 94 in G major Hob. I:94 Gustav Mahler: Symphony No. 6 in A minor “Tragic” GO live! | November 2013 Symphony Concert No. 2 13/14 Beethoven | Henze | Ives Gürzenich Orchestra Cologne Lars Vogt piano Ludwig van Beethoven: Concerto for Piano and Orchestra No. 3 in C minor op. 37 Hans Werner Henze: Symphony No. 7 Charles Ives: “The Unanswered Question” for four flutes, trumpet and orchestra GO live! | October 2013 Symphony Concert No. 1 13/14 Dvořák | Strauss Gürzenich Orchestra Cologne Bonian Tian Violoncello Antonín Dvořák: Concerto for Violoncello and Orchestra in B minor op. 104 Richard Strauss: “Ein Heldenleben” op. 40 GO live! | September 2013 Symphony Concert No. 12 12/13 Jongen | Glanert | Bruckner Gürzenich Orchestra Cologne Vokalensemble Kölner Dom Domkantorei Köln Mädchenchor am Kölner Dom Kölner Domchor Iveta Apkalna organ Juliane Banse soprano Franziska Gottwald mezzosoprano Allan Clayton tenor Christof Fischesser bass Joseph Jongen: Symphonie Concertante op. -
Music in Reality the Relation of Music, Emotion and Pre-Socratic Myth
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2001 Music in Reality The relation of music, emotion and Pre-Socratic myth CAPLETON, BRIAN http://hdl.handle.net/10026.1/2241 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. 2 Music in Reality The relation of music, emotion and Pre-Socratic myth by BRIAN CAPLETON A thesis submitted to the Uui\'ersity of Plymouth in partial fulfihnent for the degree of DOCTOR OF PHILOSOPHY Dartington College of Arts September 200 I UNIVERSITY OF PLYMOUTH ltemNo. ~O ~a.3b'3 b Date 2 4 SEP 2002 ?-- liBRARY STORE 3 Brian Capleton Music in Reality The relation of music, emotion and pre-Socratic myth ABSTRACT This thesis is in two sections. The first critically examines the tradition of harmonia mrmdi. The earliest complete and developed account of musica mrmdana appears in Plato, but numerous fragmented references appear in the pre-Socratic sources. The notion that harmonia mundi originated as an idea of quantitative speeds and distances of the celestial bodies, is discredited. Rather, it is shown that it more probably originates as an expression of an 'esoteric spiritual' teaching in which selfknowledge, death, the concept of harmonia, and consequently music, are related.