Four Letter Words Beginning with D
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Questions These Questions Are in a Specific Order. 1. What Is Scrabble
Questions Re: The Game of Scrabble Radio Interview - 14th March 2019 - 2AIRFM These questions are in a specific order. 1. What is Scrabble? 2:30 sec. 2. Who invented it? 1:40 sec 3. Why is it called Scrabble? 30 sec 4. Why play Scrabble? 1:30 sec 5. Why should I join a Scrabble Club? 2:30 sec 6. What dictionary should I use? 3:00 mins. 7. Why are there weird words in the Scrabble Dictionary? 3:00 mins 8. What should I know? 2:30 sec 9. What is a good score in Scrabble? 1 min 10. How can I improve my Scrabble score? 1 min 11. How did you get interested in Scrabble? 1 min That’s eleven questions the volume has been turned up to 11! These are some suggestions for songs to be played between breaks:- Words of love – the Beatles G.L.O.R.I.A. - Them featuring Van Morrison Words - the Bee Gees V.A.C.A.T.I.O.N. - Connie Francis Words - Neil Young D.I.V.O.R.C.E. - Tammy Wynette https://soundcloud.com/user147680538/community-interview-14th-march-2019 1. What is Scrabble? The game of Scrabble has been around since 1933 in one form or another in Western society, so I’ve always thought that everyone would have least heard of it. It wasn’t until recently that I realised there are people out there who don’t know what it is. Oddly enough, one of my relatives who is a very worldly character having run various clubs in his day, whom you would have thought was very knowledgeable brought this fact home to me, he was unaware of what it is. -
Apocrypha Discordiadiscordia Ðe Seconde Edityon
ApocryphaApocrypha DiscordiaDiscordia Ðe Seconde Edityon Compy’eled fromme Dyverƒ Sorƒeƒ by Hiƒ Wholineß ðe Rev DrJon Swabey Wið ILLUMINATIONS by Pope Phil Wlodarczyk III To the Prettiest One and to Blade, without whom. and in honour: Mal2 and Omar; Greg and Kerry; A couple of guys, A couple of saints. Dance with the Goddess (Jiggy-Jiggy) ILLUMINATIONS BY POPE PHIL WLODARCZYK III Content and Layout The Rev DrJon Swabey & a whole bunch of other Erisians, Discordians and Weirdos far too many to list here on this tiny page (sorry). Where identified, they’re all credited in the text. All effort has been made to verify the (K) status of individual items, however in the event of non - (K) items being accidentally included, please notify, and said items will be removed in subsequent editions. ( K ) 2001 ALL RITES REVERSED REPRINT WHAT YOU LIKE Second Edition 2002 3 5 7 9 8 6 4 2 Apocrypha Discordia with ILLUMINATIONS by Pope Phil Wlodarczyk III Assembled by His Wholiness the Rev DrJon on behalf of The Committee for Public Safety Approved for abuse in schools Give me your tired, your poor, Your huddled masses yearning to be free The wretched refuse of your teeming shore This country always needs more Soylent Green HAIL ERIS! — καλλιχτι — ALL HAIL DISCORDIA! Eristroduction You should have put that in there...”I found out I was dying, and used my last days to create a Discordian Manual...” Prince MuChao, Private correspodance, January 2002 Of course, I was wrong, Little Deluded Dupe that I am. Seven days before I was scheduled for Surgery, that quiet voice which I imagine also talks to Zen monks, Sufi mullahs and other Disreputable Persons at the End, rapped sharply on my skull and told me to get my shit in order within the week. -
Sacred Feminine Symbol Described in Dan Brown’S the Da Vinci Code
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Udinus Repo SACRED FEMININE SYMBOL DESCRIBED IN DAN BROWN’S THE DA VINCI CODE A THESIS Submitted in partial fulfillment of the requirements for the completion for the Degree of Sarjana Sastra (S.S) in English Language specialized in Literature By: Mathresti Hartono C11.2009.01017 FACULTY OF HUMANITIES DIAN NUSWANTORO UNIVERSITY SEMARANG 2013 STATEMENT OF ORIGINALITY I certify that this thesis is absolutely my own work. I am completely responsible for the content of this thesis. Opinions or findings of others are quoted and cited with respect to ethical standard. Semarang, August 2013 Mathresti Hartono MOTTO Good does never mean good and bad does never mean bad. Dare to choose and never look back. Everything can change depends on how you look and handle it, because every things in this world has many sides to be seen. DEDICATION This thesis is dedicated to: - My parents - My family - My University, Dian Nuswantoro University ACKNOWLEDGEMENT At this happiest moment, I would like to wish a prayer to my Lord, Jesus Christ who has blessed me during writing this thesis. Furthermore, I would like to express my sincere thanks to: 1. Mr. Achmad Basari, S.S., Dean of Faculty of Humanities of Dian Nuswantoro University, who gave me permission to conduct this thesis. 2. Mr. Sunardi, S.S., M.Pd., The head of English Department of Strata 1 Program, Faculty of Humanities, Dian Nuswantoro University, who gave me permission to conduct this thesis. 3. Ms. -
Benzel Hexentexte Syllabus Revised Summer 2018
Hexentexte, The Menace of Unreality, and The Anarchist Crowned, Unfinished Systems of Nonknowledge Scott Benzel, Escuela Incierta, Summer 2018 “The past is not dead. It isn’t even past.” William Faulkner Course Description Hexentexte, The Menace of Unreality, and The Anarchist Crowned is a seminar course examining information asymmetry, secrecy, mimetic transmission, thought contagion, and related forms of 'capture' or 'possession'. The course will also explore the increasingly 'artlike' and 'unreal' effects of these phenomena within the realms of the social, the political, and the everyday. Please do not be alarmed by the volume of reading material. Suggested Readings are incorporated into the lectures and may be skimmed or read in advance, at a later date, or not at all. Additional Readings/Primary Sources are included for further research. Screenings are excerpts of longer videos, most of which are available on Youtube. Please note that this course includes some ideas, personages, texts, videos, images, etc. that are problematic. Some are of questionable veracity and are included as objects of the phenomena in question. 1. Hexentexte, Cosmology and Critique Your nearest Doppelganger is located approx.10 to the power of 10 to the power of 28 meters away, that is, a one followed by 10 billion billion billion zeroes meters; Four multiverses you might be living in Hexentexte Unica Zürn, Hans Bellmer, the anagram, and the recombinant text/body; Dion Fortune and the Magical Battle of Britain, William Seabrook's Hitler Hex; The Beatles, 'Number 9/Turn me on Deadman', phoneme reversal, Backmasking in Rock Music, Alyssa talking backwards, Rituals of Reversal as a Means of Rewiring Social Structure; W.S. -
An Exploration of Salvador Dalí's “Society Portraits”
©Rev. Robert Keffer, 2021 Moguls, Matrons, and Aristocracy: An Exploration of Salvador Dalí’s “Society Portraits” from the 1940’s Through the 1960’s By Rev. Robert Keffer, OSB What is the Society Portrait? How do art critics and historians define the society portrait? The first definition that might come to mind may be pejorative: a slick, glossy and flattering depiction of an unattractive person, who happened to be blessed with money and pedigree. Many would consider the society portrait a hack job; something the artist creates to pay the bills and/or to gain entré into a higher level of society. This criticism has been applied especially to the portraiture styles of the late 19th century, and the continuation of their style to the current time: portraiture that is academic/realist, and follows mainly the techniques of John Singer Sargent and his imitators. Current revisionist criticism, however, will show that the society portrait can and often does have lasting artistic merit. Consider, for instance, the famous Portrait of Consuelo, Duchess of Marlborough and Her Son, Lord Ivor Spencer-Churchill (1906), by Giovanni Boldini. Grace Glueck in her New York Times article, “Society Portraits of Giovanni Boldini”, considers this famous work nothing more than “a frothy meringue… an almost erotic tableau in which a beautiful small boy sprawls against the slender body of his vivacious mother, who is regally ensconced on a Louis XV settee, and clad in a long splash of shimmering satin.”1 However, Ms. Glueck, in the same article, states that Boldini could also do work of real character with “his vibrant 1897 rendering of a world-weary Whistler, for instance, lounging against a chair back, his head supported by an eloquently ‘artistic’ hand and a wonderful self-portrait of 1911 in which, his portly little body half-turned to the viewer, he seems to regard with jaded eyes a rogue's gallery of subjects visible only to him.”2 Boldini aside, history refutes the theory that the society portrait has always been and always will be empty flattery and vain show. -
Some a Priori Torah Decryption Principles 1
Some A Priori Torah Decryption Principles 1 Grenville J. Croll [email protected] The author proposes, a priori , a simple set of principles that can be developed into a range of algorithms by which means the Torah might be decoded. It is assumed that the Torah is some form of transposition cipher with the unusual property that the plain text of the Torah may also be the cipher text of one or more other documents written in Biblical Hebrew. The decryption principles are based upon the use of Equidistant Letter Sequences (ELS’s) and the notions of Message Length, Dimensionality, Euclidean Dimension, Topology, Read Direction, Skip Distance and Offset. The principles can be applied recursively and define numerous large subsets of the 304,807! theoretically possible permutations of the characters of the Torah. 1. Introduction As a result of the controversy generated by the "Bible Code" book by Michael Drosnin [8] and the resultant publicity given to the work of Witztum, Rips & Rosenberg [1] (WRR), the author was motivated to develop this set of a priori Torah decryption principles in late 1997. They are described with some additional commentary and provide the background for other more recent work completed by the author. Controversy aside, the author maintains a working hypothesis that the Torah is a cryptogram and that it is intended that it be decoded. More specifically, the author's view is that the Torah is some form of transposition cipher[2] and that ELS's are the basis for any possible decryption. The author takes the view that the Torah may have an unusual property in that the plain text of the Torah may also be the cipher text for at least one other lengthy document written in Biblical Hebrew. -
Decoding Anagrammed Texts Written in an Unknown Language and Script
Decoding Anagrammed Texts Written in an Unknown Language and Script Bradley Hauer and Grzegorz Kondrak Department of Computing Science University of Alberta Edmonton, Canada bmhauer,gkondrak @ualberta.ca { } Abstract phering the manuscript is the lack of knowledge of what language it represents. Algorithmic decipherment is a prime exam- Identification of the underlying language has been ple of a truly unsupervised problem. The first crucial for the decipherment of ancient scripts, in- step in the decipherment process is the iden- cluding Egyptian hieroglyphics (Coptic), Linear B tification of the encrypted language. We pro- pose three methods for determining the source (Greek), and Mayan glyphs (Ch’olti’). On the other language of a document enciphered with a hand, the languages of many undeciphered scripts, monoalphabetic substitution cipher. The best such as Linear A, the Indus script, and the Phaistos method achieves 97% accuracy on 380 lan- Disc, remain unknown (Robinson, 2002). Even the guages. We then present an approach to de- order of characters within text may be in doubt; in coding anagrammed substitution ciphers, in Egyptian hieroglyphic inscriptions, for instance, the which the letters within words have been ar- symbols were sometimes rearranged within a word bitrarily transposed. It obtains the average de- in order to create a more elegant inscription (Singh, cryption word accuracy of 93% on a set of 50 ciphertexts in 5 languages. Finally, we report 2011). Another complicating factor is the omission the results on the Voynich manuscript, an un- of vowels in some writing systems. solved fifteenth century cipher, which suggest Applications of ciphertext language identification Hebrew as the language of the document. -
From Ciphers to Confidentiality: Secrecy, Openness and Priority In
BJHS, Page 1 of 21. © British Society for the History of Science 2012 doi:10.1017/S0007087412000088 From ciphers to confidentiality: secrecy, openness and priority in science MARIO BIAGIOLI* Abstract. I make three related claims. First, certain seemingly secretive behaviours displayed by scientists and inventors are expression neither of socio-professional values nor of strategies for the maximization of the economic value of their knowledge. They are, instead, protective responses to unavoidable risks inherent in the process of publication and priority claiming. Scientists and inventors fear being scooped by direct competitors, but have also worried about people who publish their claims or determine their priority: journal editors or referees who may appropriate the claims in the manuscript they review or patent clerks who may claim or leak the inventions contained in the applications that cross their desks. Second, these protective responses point to the existence of an unavoidable moment of instability in any procedure aimed at establishing priority. Making things public is an inherently risky business and it is impossible, I argue, to ensure that priority may not be lost in the very process that is supposed to establish it. Third, I offer a brief archaeology of regimes and techniques of priority registration, showing the distinctly different definitions of priority developed by each system. The temporality of secrecy and openness – the different ways in which time frames them as concepts – illuminates their mutual relationship as well as their fundamental link to priority.1 It also explains certain seemingly secretive behaviours displayed by scientists and inventors, showing that they are, in fact, protective responses to risks inherent in the process of publication and priority claiming. -
Word Play in Biblical Hebrew: an Eclectic Collection
WORD PLAY IN BIBLICAL HEBREW: AN ECLECTIC COLLECTION Gary A. Rendsburg Cornell University Word play in the Bible takes a variety of forms. The present article pre sents an eclectic collection of examples of the phenomenon; taken together they serve to illustrate the various types of word play that may be found in the biblical text. More standard surveys of word play in the Bible may be found conveniently in the standard reference works. 1 Most of my examples will deal with the use of a single word bearing two meanings in the same context. But I also include cases of alliteration, an important feature of biblical rhetorical style,Z and it is with such an example that I begin my presentation. One does not have to read far in the Bible to encounter word play; indeed the opening words of the Bible present an example: bere)sit bara? "in the beginning of creating" (Gen 1:1). The author has con structed the story so that it begins with the same three letters b-r-) that form the root of the verb "create" so crucial to the story. 3 In a sense, this example from the opening words of the Bible sets the tenor for the Bible as a whole, for the biblical authors consistently opted 1. For general surveys, see]. M. Sasson, "Wordplay in the OT," IDBSup (Nash ville: Abingdon, 1976), pp. 968-70; and E. L. Greenstein, "Wordplay, Hebrew," ABD 6, pp. 968-71. 2. I am in the process of writing an extended work on the use of alliteration as a compositional factor in biblical literature, both prose and poetry. -
The Cryptography of Shakesperare
\ /i^/ti/, -W. FRANCIS BACOw fniiNOATlON Digitized by the Internet Archive in 2010 http://www.archive.org/details/cryptographyofshOOaren THE CRYPTOGRAPHY OF SHAKESPEARE ERRATA Page 51, for "meanings" read "meaning' Page 84, for "Theese" read "Theefe". Page 96, for "tacituc" read "tacitus". THE CRYPTOGRAPHY OF SHAKESPEARE PART ONE BY WALTER CONRAD ARENSBERG LOS ANGELES HOWARD BOWEN 17 12 Las Palmas Avenue 1922 Copyright 1922 by Walter Conrad Arensrerg TO MY FATHER PREFACE The controversy as to the identity of the author of the Shakespeare plays and poems has involved three kinds of evi- dence, historical, stylistic, and cryptographic; and in the already extensive literature to which the controversy has given rise this evidence must be carefully sifted from a mass of conjecture which is sometimes plausible and sometimes not. For a general introduction to the literature that deals with the historical evi- dence that the poet was not the actor William Shakespere the reader may refer to G. G. Greenwood : The Shakespeare Problem Restated. For a general introduction to the literature that deals with the historical and stylistic evidence that the poet was Francis Bacon the reader may refer to Walter Begley: Is It Slmkespeare? and Bacon's Nova Resiiscitatio ; R. M. Theobald: Shakespeare Studies in Baconian Light; W. S. Booth: The Droeshoiit Por- trait of William Shakespeare; and J. P. Baxter: The Greatest of Literary Problems. The attempts that have been made to discover cryptographic evidence that Francis Bacon was the author of the Shakespeare plays and poems have been based on a variety of cryptographic methods. Among these methods are the "arithmetical cipher", as employed by Ignatius Donnelly in The Great Cryptogram and The Cipher in the Plays and on the Tombstone ; the bi-literal cipher, as employed by Elizabeth Wells Gallup in Francis Bacon's Bi-Literal Cypher ; the word cipher, as employed by Orville W. -
Anagrams, Palindromes, and Semordnilaps
Play Together, Learn Together Anagrams-Palindromes-Semordnilaps Anagrams, Palindromes, and Semordnilaps Bob & George (Bob Albrecht & George Firedrake) • [email protected] This FREE eBook is published under a Creative Commons Attribution-NonCommercial-ShareAlike license. You may give this eBook free to anyone. You may use it in other ways described at http://creativecommons.org/licenses/by-nc-sa/4.0/. Play is the work of the child. – Friedrich Froebel, Jean Piaget, and others When tools become toys, then work becomes play. – Bernie De Koven Word play is fun. We love word play with anagrams, palindromes, and semordnilaps. We think they are words of wonder for learners and teachers AT ANY GRADE LEVEL – 1, 2, 3, up, up, and away! This eBook presents • 2-letter anagrams, palindromes, and semordnilaps from aa to zz. • 3-letter anagrams, palindromes, and semordnilaps from aaa to mzz. Not in this eBook: 3-letter anagrams, palindromes, and semordnilaps from naa to zzz. We invite you and your students to add anagrams, palindroms, and semordnilaps from naa to zzz. For more ado about anagrams, palindromes, and semordnilaps, download our eBook Play Together, Learn Together: WordsWorth Plus at • http://i-a-e.org/downloads/free-ebooks-by-bob-albrecht.html In this eBook, anagrams, palindromes, and semordnilaps are special words that appear in the Official Scrabble Player’s Dictionary, 5th edition, a great resource for any classroom. The image over yonder to your right was pilfered from Amazon. On 2017-08-08, Amazon proffered the Official Scrabble Player’s Dictionary, 5th edition for less than $5. If we were classroom teachers, we would buy a bunch of Scrabble dictionaries! Writing ‘Official Scrabble Player’s Dictionary, 5th edition’ is a tad tedious, so we will sometimes call it the OSPD5. -
Illuminatus! Trilogy Seite 1 Von 470
Illuminatus! Trilogy Seite 1 von 470 Illuminatus! Trilogy Robert Shea and Robert Anton Wilson Copyright 1975 Ebook ver. 1.1 The Illuminatus! Trilogy The Eye In The Pyramid Book One: Verwirrung The First Trip, or Kether The Second Trip, or Chokmah The Third Trip, or Binah Book Two: Zweitracht The Fourth Trip, or Chessed The Fifth Trip, or Geburah The Golden Apple Book Three: Unordnung The Sixth Trip, or Tipareth The Seventh Trip, or Netzach Book Four: Beamtenherrschaft The Eighth Trip, or Hod Leviathan Book Four: Beamtenherrschaft Continued The Ninth Trip, or Yesod Book Five: Grummet The Tenth Trip, or Malkuth The Appendices Appendix Aleph: George Washington's Hemp Crop Appendix Beth: The Illuminati Cyphers, Codes, and Calendars Appendix Gimmel: The Illuminati Theory of History Appendix Daleth: Hassan i Sabbah and Alamount Black Appendix Tzaddi: 23 Skidoo Appendix Vau: Flaxscrip and Hempscrip Appendix Zain: Property and Priviledge Appendix Cheth: Hagbard's Abdication Appendix Lamed: The Tactics of Magick Appendix Yod: Operation Mindfuck Appendix Kaph: The Rosy Double-Cross Appendix Teth: Hagbard's Booklet Appendix Mem: Certain Questions That May Still Trouble Some Appendix Nun: Additional Information About Some of the Characters The Eye In The Pyramid BOOK ONE: VERWIRRUNG The history of the world is the history of the warfare between secret societies. -Ishmael Reed, Mumbo-Jumbo Illuminatus! Trilogy Seite 2 von 470 THE FIRST TRIP, OR KETHER From Dealey Plaza To Watergate ... The Purple Sage opened his mouth and moved his tongue and so spake to them and he said: The Earth quakes and the Heavens rattle; the beasts of nature flock together and the nations of men flock apart; volcanoes usher up heat while elsewhere water becomes ice and melts; and then on other days it just rains.