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Sacred Feminine Symbol Described in Dan Brown’S the Da Vinci Code

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Sacred Feminine Symbol Described in Dan Brown’S the Da Vinci Code View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Udinus Repo SACRED FEMININE SYMBOL DESCRIBED IN DAN BROWN’S THE DA VINCI CODE A THESIS Submitted in partial fulfillment of the requirements for the completion for the Degree of Sarjana Sastra (S.S) in English Language specialized in Literature By: Mathresti Hartono C11.2009.01017 FACULTY OF HUMANITIES DIAN NUSWANTORO UNIVERSITY SEMARANG 2013 STATEMENT OF ORIGINALITY I certify that this thesis is absolutely my own work. I am completely responsible for the content of this thesis. Opinions or findings of others are quoted and cited with respect to ethical standard. Semarang, August 2013 Mathresti Hartono MOTTO Good does never mean good and bad does never mean bad. Dare to choose and never look back. Everything can change depends on how you look and handle it, because every things in this world has many sides to be seen. DEDICATION This thesis is dedicated to: - My parents - My family - My University, Dian Nuswantoro University ACKNOWLEDGEMENT At this happiest moment, I would like to wish a prayer to my Lord, Jesus Christ who has blessed me during writing this thesis. Furthermore, I would like to express my sincere thanks to: 1. Mr. Achmad Basari, S.S., Dean of Faculty of Humanities of Dian Nuswantoro University, who gave me permission to conduct this thesis. 2. Mr. Sunardi, S.S., M.Pd., The head of English Department of Strata 1 Program, Faculty of Humanities, Dian Nuswantoro University, who gave me permission to conduct this thesis. 3. Ms. Valentina Widya, S.S., M.Hum., my adviser, for her continuous an valuable guidance, advice, and encouragement in completing and finishing this thesis. 4. Mrs. Haryati Sulistyorini, M.Hum., who has help me by giving me references about semiotic research and how to do semiotic research. 5. Mr. Muhammad Rifqi, S.S, M.Pd., who has help me by giving me another book of theories of semiotic. 6. All lectures at the English Department of Faculty of Humanities of Dian Nuswantoro Unversity, who have taught, motivated, given guidance and a chance to get more experience and develop my skill in English language during studying in English Department of Faculty of Humanities of Dian Nuswantoro University. 7. The librarians of Self Access Centre of Faculty of Humanities of Dian Nuswantoro University for her permission to me for using some valuable references to write this thesis. 8. My parents for their support by asking me when I finish my thesis and have a graduation and their unlimited prayer for my success in writing this thesis. 9. My boyfriend, “AK”, thanks for your support that I can do this thesis well when I thought I cannot do it. 10. All my friends in English Department of Faculty of Humanities of Dian Nuswantoro University, especially Ima and Ajeng who have given me support during writing this thesis. Finally, I do realize that due to my limited ability, this thesis must have shortcoming. For this I welcome any suggestions and critics. Semarang, August 2013 The Writer Mathresti Hartono ABSTRACT The Da Vinci Code is a novel telling about a journey of a woman, named Sophie Neveu who tries to reveal a message of her grandfather through a series of riddles that he made before he died. This journey involving some symbols of sacred feminine those become her grandfather interest. Because of those sacred feminine symbols, the writer is interested in analyzing the sacred feminine symbols found in The Da Vinci Code novel. There are some objectives that the writer wants to deliver in this thesis. First is to describe the sacred feminine symbols in The Da Vinci Code and to describe the meaning behind the symbol. The second is to describe the contribution of sacred feminine symbols in conflict and setting. The library research method was used to gain some information that was needed by the writer to conduct this thesis. Structural approach was applied to analyze character and characterization, conflict, and setting. Semiotic approach was applied to analyze sacred feminine symbol in The Da Vinci Code. The result of the study showed that Sophie Neveu, as a character of The Da Vinci Code novel, belongs to round character. She is an orphan and described as beautiful, wise, responsible, smart, firm, emotional, and risk taking middle aged woman. There are several sacred feminine symbols found during her journey including herself because her name is rooted from one of goddess’ name. She experiences external conflict with Jacques Sauniere, Robert Langdon and Sir Leigh Teabing and internal conflict against herself. Sacred feminine symbols that she found and learned in every riddle help her to reveal what her grandfather wants to tell her and unpredictably lead her to find her grandfather’s murderer. Those symbols also help her to fix her relationship with her grandfather. Keywords: character, conflict, riddle, sacred feminine symbols, semiotic approach TABLE OF CONTENTS PAGE OF TITLE.................................................................................... i PAGE OF APPROVAL.......................................................................... ii STATEMENT OF ORIGINALITY........................................................ iii MOTTO................................................................................................... iv DEDICATION........................................................................................ v ACKNOWLEDGEMENT...................................................................... vi ABSTRACT............................................................................................. viii TABLE OF CONTENTS........................................................................ ix CHAPTER I INTRODUCTION 1.1. Background of the Study...................................................... 1 1.2. Statement of the Problem...................................................... 3 1.3. Scope of the Study................................................................ 4 1.4. Objective of the Study.......................................................... 4 1.5. Significance of the Study...................................................... 4 1.6. Method of the Study............................................................. 5 1.6.1. Research Design........................................................... 5 1.6.2. Unit of Analysis........................................................... 5 1.6.3. Source of Data............................................................. 5 1.6.4. Technique of Data Collection...................................... 5 1.6.5. Technique of Data Analysis......................................... 6 1.6.5.1. Structural Approach......................................... 6 1.6.5.2. Semiotic Approach.......................................... 6 1.7 Thesis Organization .............................................................. 7 CHAPTER II AUTHOR AND SYNOPSIS 2.1. Dan Brown and His Work ................................................... 9 2.2. Synopsis of The Da Vinci Code .......................................... 11 CHAPTER III REVIEW OF RELATED LITERATURE 3.1. Character.............................................................................. 13 3.2. Conflict ................................................................................ 15 3.3. Setting ................................................................................. 17 3.4. Semiotic ............................................................................... 20 3.4.1. Symbol ........................................................................ 21 3.4.2. Sacred Feminine Symbol ............................................ 23 CHAPTER IV DISCUSSION 4.1. General Description and Characterization of Sophie Neveu ...................................................................... 25 4.2. Conflict ................................................................................ 40 4.2.1. Internal Conflict .......................................................... 41 4.2.2 External Conflict........................................................... 46 4.2.2.1. Sophie Neveu against Jacques Sauniere ......... 46 4.2.2.2. Sophie Neveu against Robert Langdon .......... 47 4.2.2.3. Sophie Neveu against Sir Leigh Teabing ....... 53 4.3. Setting ................................................................................. 56 4.3.1. Setting of Place ........................................................... 57 4.3.2. Setting of Time ........................................................... 60 4.3.3. Setting of Social........................................................... 61 4.4. Symbol 4.4.1. Sophie Neveu.............................................................. 67 4.4.2. Holy Grail.................................................................... 68 4.4.3. Rosa Rugosa................................................................ 70 4.4.4. The Mona Lisa............................................................. 72 4.4.5. Hermaphrodite............................................................. 73 4.4.6. Pentacle........................................................................ 73 4.4.7. The Vitruvian Man....................................................... 76 4.4.8. The Star of David......................................................... 77 4.4.9. Left.............................................................................. 77 4.5. Contribution of Sacred Feminine Symbols to Sophie Neveu’s Conflict and Setting.............................................
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