BAFTA TV Forum: Generation Next – Saturday 9Th May 2015 in Partnership with Creative Skillset and Supported by the Galashan Trust, Procam and Academy Circle

Total Page:16

File Type:pdf, Size:1020Kb

BAFTA TV Forum: Generation Next – Saturday 9Th May 2015 in Partnership with Creative Skillset and Supported by the Galashan Trust, Procam and Academy Circle BAFTA TV Forum: Generation Next – Saturday 9th May 2015 In partnership with Creative Skillset and supported by The Galashan Trust, Procam and Academy Circle Over the course of the day Generation Next will cover 3 key areas: Industry and production insight – business and craft insight from creative and industry talent Skills Development – how to develop and hone your skills for life in production and broadcasting Career Development - advice from decision makers and CV experts on different areas of the industry to give you the inside track on how to build your career. Delegates will attend 6 sessions across day. 9.00 - 9.30am Arrival and registration 9.40am BAFTA Welcome: Sara Putt, Chair BAFTA Learning and Events Committee 9.45 - 10.30 Generation Next Keynote: Charlotte Moore 10.45 - 12.15pm Morning Breakout sessions 12.15 - 1.15 Lunch 1.15 - 2.45 Career Forum + Coffee Break 2.45 - 3.55 Afternoon Breakout sessions 4.00 - 4.45 How to Survive Working in Television 4.45 - 5.45 Anatomy of a TV show: Gogglebox 5.45 - 6.30 Networking drinks 9.45-10.30am Generation Next Keynote: Charlotte Moore, Controller, BBC One Princess Anne Theatre Charlotte Moore began her career in television travelling to remote corners of the world to make films about cannibals, disappearing tribes and stolen art. As a filmmaker and commissioner, she is responsible for a huge number of challenging and acclaimed docs from Living with Cancer and Stephen Fry's Secret Life of The Manic Depressive to Protecting our Children, 7/7: One Day in London, Terry Pratchett: Choosing To Die and Welcome to Lagos. BBC One is the UK’s most watched channel with 40 million viewers tuning in each week. Charlotte will talk about creativity, taking risks and the challenge of running BBC One when you ‘want viewers to look at the world from different perspectives’. She will also offer advice on how to navigate your way through the industry and provide insight on the current TV landscape, as well as her plans for making her mark in the future. Chair: Amy Raphael, Journalist and author Speaker: Charlotte Moore, Controller BBC One 10.45-12.15: Morning breakout sessions (delegates choose to attend one) The Creative Dream Team David Lean Room Every company wants one: a brilliant development team. It’s inevitable during your career in production that you’ll spend some time in development and yet it’s a tricky area in which to shine. You might be a talented member of the production team, but really not so hot on coming up with ideas and the ‘fresh, innovative’ content broadcasters so crave. Working to an actual channel brief, this session will not only deconstruct how to come up with the next hit TV show but it will then give you some top tips for pitching after, of course, you’ve had the terrifying experience of doing it yourself first. Come armed with an idea and your bravest face. Session led by Twofour’s Development team: Jonny Coller, Alex Lind and Tom O’Brien (BAFTA-winning Educating series, The Jump) Problem Solved: Production Management Uncovered Run Run Shaw Have you ever considered the host of opportunities available in production management? It’s not just about health and safety, figures and spreadsheets - PM’s can be just as creative as their editorial counterparts. This session will give you the inside track on this essential role in a production team and demonstrate it’s about communicating well, good negotiation skills and staying calm under pressure. A panel of highly experienced and resourceful Production Managers will talk you through their daily challenges, then work with you in groups to problem solve some real life production scenarios. You might just be surprised.... Chair: Donna Taberer, BBC Academy Speakers: Melody Ambrose, Production Manager (One Born Every Minute) Emma Lyons, Production Manager, ITV Studios (I’m a Celebrity Get Me Out of Here, Red or Black) Trevor Vergara, Senior Production Manager, Keo Films (Hugh’s Fish Fight, Excluded: Kicked out of School) How to be a top researcher Princess Anne Theatre Good research skills are the backbone of TV. As part of the role, researchers develop programme ideas, are fact checkers, find contributors and locations and source archive material. A good researcher can quickly establish rapport with key members of the production team and potential contributors....and become indispensable. The panel is made up of emerging talent in this area who tell it like it is, as well as execs running a team who will offer advice on how to stand out. Chair: Laura Mansfield, Managing Director, Outline Productions (Things We Won’t Say about Race that are True, Great British Garden Revival) Speakers: Hannah Keep, Casting Producer/Assistant Producer, The Garden (24 Hours in A&E, Saved) Michelle Matherson, Talent Executive, Shiver (Come Dine with Me, For the Love of Dogs, 56 Up) Joe Smith, Assistant Producer, Blakeway (Dispatches) Neil Smith, Creative Director, Betty TV (Bear’s Wild Weekend with Stephen Fry, Country House Rescue) 12.15 – 1.15pm: Lunch Break 1.15-2.45: Career Forum David Lean Room + Foyer Bar The David Lean Room will host a number of professional development meet and greets where delegates can explore and discuss career plans and seek more information on funding and skills development opportunities, with key industry practitioners and service providers. There will also be a chance to get your hands on self-shooting kit in a workshop with camera technicians from Procam. Career Clinic This is your very own 10 minute slot to get one-on-one career advice, to discuss your CV and your career plan. You will select to meet with a TV talent manager or an exec from an indie/broadcaster across genres. Delegates to meet with one TV professional for 10 minutes, to be booked in advance: Talent Managers Katie McAfee, Talent Manager, Mentorn Media (Hotel of Mum and Dad, The Fried Chicken Shop) Caroline Carter, Talent Manager, BBC London Factual, Arts, History and Business (Imagine, The Secret Life of Books, The Plantagenets) Krishnenu Majumdar, Co-founder Me+You Productions, Executive Producer (An Idiot Abroad, The Moaning of Life, Hoff The Record) Leeanne Vinson Talent Executive, Twofour Group - Twofour, Indus, Boomerang and Oxford Scientific Films (Educating The East End, Royal Marines Commando School, The Hotel Inspector) Executive Producers Rachel Ashdown, Commissioning Editor, Entertainment, BBC (Dragon’s Den, Prized Apart) Duncan Coates, Director of Programmes, Betty TV (previously at Wall to Wall, Long Lost Family) David Flynn, Chief Creative Officer, Endemol UK (Pointless, Million Pound Drop Live, Singer Takes it All) Steph Harris, Creative Director, Popular Factual, Tuesday’s Child (Sean Conway: Running Britain) Andrew Newman, Chief Executive, Objective Productions (The Cube, Bad Robots, Reflex) Ian Russell, Head of International Programmes, ITN Productions (How Safe are our Planes, Tsunami Ten Years On) Putul Verma, Series Editor (Dragons Den, Come Dine with Me, Homes Under the Hammer) Kitty Walshe, Head of Features and Daytime, Twofour (The Hotel Inspector, The Housing Enforcers) Amelia Hann, Executive Producer (The Undateables, Ross Kemp on Gangs) Self-shooting workshop Supported by Procam Get your hands on some camera kit in our shooting workshops to either learn the basics or improve your existing filming skills. Trainers will be on hand to offer shooting tips and practical advice on how to capture the perfect shot. The format will be drop in rolling workshops delivered to different experience levels, running alongside the career clinics. To be booked in advance. Meet Hiive Hiive.co.uk is the online platform connecting individuals, businesses and educators across the creative industries. Come and see us to find out how to set up your profile and tag it with the skills you want so Hiive can recommend other like-minded folk, creative courses and jobs. We can also show you how to pull in your showreel and portfolio from YouTube, Behance and more, without the need to re-upload a thing! Meet Creative Skillet: Training and Funding Interested in training to support your career development? Want to know what training is out there and how to find out about it? Want to know what funding might be available to support your training? Want to know more about Creative Skillset? Then this is your chance to come and ask! Sarah Joyce, TV Partnership Manager will be on hand to answer all your questions. 2.45-3.55: Afternoon breakout sessions (delegates choose to attend one) Access all Areas Princess Anne Theatre Access led documentaries are all the rage, with viewers hooked to the “behind the scenes” view of airlines, hospitals, magazine houses, retailers, schools and call centers. Producers are now taking it a step further, accessing trickier territories such as a courtroom for a murder trial or dealing with bolder issues such as paedophilia. Creating these shows is about trust and building relationships, with both contributors and institutions. What’s the best approach and what are the challenges? What if a relationship breaks down during the process? How should sensitive or difficult subject matter be handled both during production and on screen? The panel will discuss their craft, what they’ve learnt and discuss the challenges facing their discipline. Chair: Lorraine Heggessey, Chair of the Grierson Trust Speakers: Nick Holt, Director, Dragonfly TV (BAFTA winner - The Murder Trial, Between Life and Death) Olivia Lichtenstein, Producer/Director (Broadmoor), BAFTA winning Director (Inside Story: Silent Twin- Without My Shadow) Dan Reed, Director, (BAFTA winner - The Paedophile Hunter, Dispatches: The Battle for Haiti, Dispatches: Terror in Mumbai) James Rogan, Director, Rogan Productions (A Very British Airline, Iceland Foods: Life in the Freezer Cabinet) How to make content for people who don’t watch TV Run Run Shaw Online video is where it’s at.
Recommended publications
  • The Wall of Lies
    The Wall of Lies Number 142 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA MFinal STATE Adelaide, May--June 2013 WEATHER: Cold, wet, some oxygen Free Austerity Budget for Rich, Evil by staff writers Australian budget mildly inconvenient for terrible people. The Tuesday 14 May 2013 federal Australian budget has upset miners, their friends and well wishers around the world. Miners have claimed $11 billion in tax breaks, largely for purchasing smaller companies who have spent on exploration. Across Europe, countries suffering severe austerity cuts have looked beyond their own suffering to reach out to the maggots unable to use this scam any more. In Cyprus a protest march of malnourished children wound its way through Nicosia, Greeks self immolated and an ensemble of Latvians showed solidarity by playing The Smallest Violins In The World. “Come on, what else are you going to do with the rocks? Leave them in the ground until someone who’s O ut willing to pay to dig them up comes along?” asked a t N An untended consequence of No bloated mining executive. ow the severe budget involves pets ! unable to afford faces. But then apparently choked on their own bile. BBC/ABC Divorce, Dr Who Love Child by staff writers BBC cancels ABC contract, Doctor Who excluded. News broke on 17 April 2013 via a joint BBC/Foxtel press release that BBC Worldwide (formerly BBC Enterprises) had decided to Chameleon Factor # 80 finish its output deal with the ABC when the current three year O contract expires mid-2014.
    [Show full text]
  • Network 10'S Baby Joy
    Media Release Network 10’s Baby Joy. One Born Every Minute. Due In 2019. We’re just bursting with baby joy as we welcome the life-changing factual series, One Born Every Minute to the 10 family. Produced by Endemol Shine Australia, this tender and emotional series will be set in a bustling maternity ward and will capture all of the fear, love and joy that comes with welcoming new life into the world. From the reception desk to the operating theatre, remotely-operated cameras will capture the unpredictable, emotional and sometimes precarious situations that happen every day in a maternity unit. On commissioning the series, Network 10 Chief Content Officer Beverley McGarvey, said: Network 10 “We have seen our audiences really embrace and enjoy an insight into the world of A CBS Company genuinely amazing Australians including paramedics and life-guards so having the opportunity to now get close to the incredible and dedicated teams who help us through childbirth is not only thrilling but is a real privilege and a series we believe will be very special.” Endemol Shine Australia CEO Carl Fennessy, said: “One Born Every Minute is one of the world’s most dramatic, emotional and breath taking factual series. We are incredibly proud to bring this BAFTA Award winning format to Australian audiences in 2019”. From no-nonsense nurses to first-time mums and anxious dads, the human drama of One Born Every Minute will have you holding your breath, reaching for the tissues….and maybe rethinking your family plan. Created by Dragonfly, part of Endemol Shine UK, this award -winning documentary series has now been adapted in 10 markets including France, Denmark, Czech Republic and Israel.
    [Show full text]
  • Our Editorial
    1 REFLECTIONS Our Editorial. By Sian Hannagan Jun 2014 Birth in New Zealand has come a long way due to the efforts of the women and midwives before us. Since the Nurses Amendment Act was instated in 1990, women got a real choice in their place of birth. Annette King in her address at the 100 th anniversary of Midwifery in NZ in 2004, said “Although the amendment to the Nurses Act was minor, the consequences for midwifery were significant. The most important outcome of that piece of legislation for midwifery was that it permitted midwives to operate as fully independent providers of pregnancy and childbirth services without reference to or supervision by medical practitioners.“ This amendment signalled a huge change in the birth culture of New Zealand. Prior to this change, birth looked very different. I remember talking to my mother in law about her births. When she was birthing my husband, she was told by the nurses to “hold on” and “keep her legs crossed” so that the Doctor had time to arrive and deliver her baby. He turned up, just in the nick of time, and smoked a cigarette while he watched her birth her baby and left shortly thereafter. He got paid a tidy sum for his attentive care. With the nurses amendment act, medical practitioners lost their monopoly on funding, causing the power balance to shift, the result being more choice for women. However, as we enter the 21 st century, while the same law is in place, we still have to overcome obstacles when it comes to our view of birth.
    [Show full text]
  • The British Academy Television Awards Sponsored by Pioneer
    The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold,
    [Show full text]
  • Interview List. On-Screen and On-Air Talent. an Assessment of the BBC's
    ON SCREEN AND ON AIR TALENT AN ASSESSMENT OF THE BBC’S APPROACH AND IMPACT A REPORT FOR THE BBC TRUST APPENDIX V – BBC TRUST TALENT REVIEW INTERVIEW LIST BY OLIVER & OHLBAUM ASSOCIATES APRIL 2008 APPENDIX V - BBC TRUST TALENT REVIEW INTERVIEW LIST (those willing to be named) BBC BBC Vision Comedy, Lucy Lumsden, Controller of Comedy Commissioning BBC Vision Comedy, Mark Freedland, Head of Comedy BBC Vision Comedy, Jez Nightingale, Production Executive BBC Vision Comedy, Richard Curwen, Head of Business & Legal Affairs BBC Vision Knowledge, George Entwistle, Head of TV Current Affairs BBC Vision Knowledge, Keith Scholey, Deputy Chief Creative Officer of BBC Vision BBC Vision Knowledge, Anne Sullivan (AS), Head of Operations & Business Affairs BBC Vision Entertainment, Jon Beazley, Controller Entertainment Group BBC Vision Entertainment, Elaine Bell, Controller Entertainment Commissioning BBC Vision Entertainment, Roger Leatham, Head of Operations & Business Affairs BBC Vision, Claire Evans, Head of Operations & Business Affairs Talent Rights Group, Simon Hayward Tapp – Head of BBC Rights Talent Rights Group, Annie Thomas, Rights Manager Talent Rights Group, John Holland, Rights Manager BBC Vision Drama, Jane Tranter, Controller BBC Fiction BBC Vision Drama, Nicolas Brown, Director of Drama Production BBC News, Helen Boaden, Director of News BBC News, Peter Horrocks, Head of TV News BBC News, Stephen Mitchell, Head of Programming and Radio News BBC News, Madhav Chinnappa, Head of Rights BBC News, Tessa Beckett, Contracts Manager BBC News,
    [Show full text]
  • Slavfile Spring 2012
    SlavFile Summer 2012 Vol. 21, No. 3 NEWSLETTER OF THE SLAVIC LANGUAGES DIVISION www.ata-divisions.org/SLD/slavfile.htm In this issue: To New SLD Members: 2012 SLD Banquet (yum) ........................................ 2 On Attending ATA Annual Conferences Irina Jesionowski, SLD Leadership Council Member SLD Logo Contest Finalists .......................................4 Lucy Gunderson, SLD Administrator On behalf of the SLD Leader- Notes from an Administrative Underground ........... 5 ship Council, I would like to ex- tend a warm welcome to the new Ralitsa Zlatanova members of our division. We Foreign Visitors in Bulgarian .....................................6 are delighted to have you among Martha Kosir us! We hope that membership Poetry of Josip Osti in translation ........................... 8 in this organization will bring Katarzyna Jankowski you multiple professional and personal benefits. We also hope Our new Polish Editor ............................................ 10 that you, in turn, bring fresh Lydia Razran Stone ideas and new energy helping to enrich and diversify SlavFile Lite ............................................................ 11 our guild of passionate Slavicists. Vladimir Kovner and Lydia Stone By now, you are probably aware of the many Tree idioms ............................................................. 15 resources available to SLD members, including a SLAVFILMS recently-established member-only LinkedIn group (www.linkedin.com/groups?gid=4279025&trk=myg_ Lumet vs. Mikhalkov .............................................
    [Show full text]
  • Annual Report 2015
    ANNUAL REPORT 2015 AGM 24 May 2016, 6:00pm at the RTS, 3 Dorset Rise, London EC4Y 8EN ROYAL TELEVISION SOCIETY REPORT 2015 PATRONS PRINCIPAL PATRONS IBM BBC IMG Studios BSkyB ITN Channel 4 Television KPMG ITV McKinsey and Co S4C Sargent-Disc INTERNATIONAL PATRONS STV Group Discovery Networks UKTV Liberty Global Virgin Media NBCUniversal International YouView The Walt Disney Company Turner Broadcasting System Inc Viacom International Media RTS PATRONS Networks Autocue YouTube Digital Television Group ITV Anglia MAJOR PATRONS ITV Granada Accenture ITV London Amazon Video ITV Meridian Audio Network ITV Tyne Tees BT ITV Wales Channel 5 ITV West Deloitte ITV Yorkshire Enders Analysis Lumina Search EY PricewaterhouseCoopers FremantleMedia Quantel FTI Consulting Raidió Teilifís Éireann Fujitsu UTV Television Huawei Vinten Broadcast 2 CONTENTS Foreword by RTS Chair and CEO 4 Board of Trustees report to members 6 I Achievements and performance 6 1 National events 6 2 Centres events 34 II Governance and finance 46 1 Structure, governance and management 46 2 Objectives and activities 47 3 Financial review 47 4 Plans for future periods 48 5 Administrative details 48 Independent auditors’ report 50 Financial statements 51 Notes to the financial statements 55 Notice of AGM 2016 66 Agenda for AGM 2016 66 Form of proxy 67 Minutes of AGM 2015 68 Who’s who at the RTS 70 Picture credits 72 Cover: Coronation Street actor Sair Khan speaking from the audience at the RTS early-evening event ‘The secret of soaps: the story behind the stories’ 3 ROYAL TELEVISION SOCIETY REPORT 2015 FOREWORD his was a busy year for the Society.
    [Show full text]
  • TV Formats in Europe
    TV Formats in Europe Given the prolonged advertising recession and the fact that several major titles have peaked, the TV formats market in Europe is showing remarkable resilience. The value created by the top 100 formats was $2,931 million in 2013 for 84 European channels across the 16 territories and 21 distributors, according to the TV Formats in Europe report. The 2013 figure was 3.3% down on the 2012 total, but up on 2011. The number of hours broadcast reached 28,386 in 2013, nearly the same as 2012. The UK is the TV formats leader in Europe – just ahead of France. The value created by formats for UK broadcasters was $600 million in 2013, down from $677 million in 2012. France recorded $599 million in 2013, up from $547 million in 2012. The UK, France, Germany and Italy accounted for 72% of Europe’s total value created in 2013. The top 10 broadcasters accounted for two-thirds of the total value created in Europe for 2013 – which means that the remaining third was shared by 74 channels. France’s TF1 ($332 million) led the pack again, followed by Italy’s Rai 1 and the UK’s BBC1. The total number of hours broadcast in Europe for the 100 formats was 28,386 in 2013; very close to 2012. The UK was the leader again, despite its 2013 total (3,935) being considerably lower than in 2012 (4,623). Romania took third place, having added 645 hours to its total in 2013. Published in March 2014, this 146-page, PDF-delivered report covers 100 major formats on 84 channels across 16 European territories; with extensive comparison tables.
    [Show full text]
  • Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
    DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit.
    [Show full text]
  • Birth Community Discourse Around Televised Childbirth Julie Roberts, Sara De Benedictis, Helen Spiby
    Love Birth, Hate One Born Every Minute? Birth community discourse around televised childbirth Julie Roberts, Sara De Benedictis, Helen Spiby Introduction Childbirth is highly visible on television at a time when few people see birth in the community and access to antenatal education is declining. One Born Every Minute (Channel 4, 2010 -) (henceforth OBEM) is the most high-profile example of this programming in the UK. Now on its ninth series, the series won a BAFTA in its first year and now exports programmes to the US and France. Until its fourth series, the show regularly attracted three- to four-million viewers (BARB cited in Hamad 2016:144) and it continues to draw a substantial audience. However, some birth activists and midwives have called for the programme to be banned; others express concern that the programme may have negative social effects on both women and the midwifery profession. As one headline proclaims: ‘Love Birth? You probably hate One Born Every Minute’ (Hill 2015). This chapter seeks to explore this controversy through a close reading of opinion pieces written by midwives, doulas and birth activists. This somewhat unwieldy group, that we might call the birth community, is made up of those who – in Hill’s terms (above) – ‘love birth’. It connotes a certain expertise in birth, and a political engagement with birth in contemporary culture. It is distinguishable from the perspectives of women who have recently given birth, although some of the authors are also mothers. It also does not include obstetricians, from whom we did not identify any similar comment or opinion pieces.
    [Show full text]
  • SBS ONE April 12
    Program Guide Week 16 Sunday April 12th, 2015 5:00 am Korean News - News via satellite from YTN Korea, in Korean, no subtitles. 5:35 am Japanese News - News via satellite from NHK Tokyo in Japanese, no subtitles. 6:10 am Hong Kong News - News via satellite from TVB Hong Kong, in Cantonese, no subtitles. 6:30 am Chinese News - News via satellite from CCTV Beijing, in Mandarin, no subtitles. 7:00 am Al Jazeera English News - News via satellite from Al Jazeera Satellite Network, Qatar, in English. CC 7:30 am Italian News - News via satellite from RAI Rome in Italian, no subtitles. 8:10 am Filipino News - News via satellite from ABS-CBN Manila, in Tagalog, no subtitles. 8:40 am French News - News via satellite from FT2 Paris, in French, no subtitles. 9:30 am Greek News From Cyprus - News via satellite from CyBC Cyprus, in Greek, no subtitles. 10:30 am German News - News via satellite from DW Berlin, in German, no subtitles. 11:00 am Spanish News - News via satellite from RTVE Madrid, in Spanish, no subtitles. 12:00 pm Arabic News - News via satellite from DRTV Dubai, in Arabic, no subtitles. 12:30 pm Turkish News - News via satellite from TRT Turkey, in Turkish, no subtitles. 1:00 pm Salvage Hunters - Meet modern-day treasure hunter Drew Pritchard. With demanding customers, high turnover, and one of the biggest decorative salvage yards in the UK, Drew is constantly on the road in search of derelict gems and forgotten remnants. In this episode, Drew tries to balance charity with his profit margins, and also discovers some jam-packed storage trailers at a fairground museum.
    [Show full text]
  • Twitter Tributes
    User Tweet Martyn Sadler (MartynSadler) @JackieAshley Jackie, my condolences, and I'm sure I speak on behalf of many people from Rugby League. Your dad loved RL, and will be missed Geoff Adams-Spink (GAdams_Spink) @JackieAshley please accept the condolences of a grateful UK thalidomide community. Paul Burgin (Paul_Burgin) @JackieAshley Sorry to hear about your father. I too was related to someone who overcame deafness and made his weaknesses an asset jim edwards (corneliuedwards) @JackieAshley it was a real privalige to work with your father, a true champion and inspiration Sharon Crossland (lhlife) @JackieAshley My condolences. I lost my father in 1995 and I understand what you are going through. Anya_MAJ (AnyaMaj) @JackieAshley Jack Ashley was the most decent man in politics, and set a standard to which others should aspire. Thank you Jack. Ernest Falquero (Cybernest) @JackieAshley My condolences. You must be so proud. A wonderful man, greatly respected by all. Will be greatly missed esp by disabled. RIP JohnDickinson-Lilley (JDLskier) @JackieAshley Honoured to work with your dad @ RNIB, NAS and Sense. Inspiring man, amazing campaigner, talented politician. #jackashley #RIP Rokewood (Rokewood) @JackieAshley revered your father, as the son of a devoted father with lifelong disability, commitment to Labour and to your Dad's values Ged Flynn (gedflynn) @JackieAshley proud to be from the same town as your Dad. You must be very proud. May he rest in peace. Griselda Heppel (GriseldaHeppel) @JackieAshley He was a wonderful man, a tireless campaigner with huge personal integrity, courage and staying power. Sad loss. #jackashley Lucy Abelson (lucyabelson) @JackieAshley That is so sad.
    [Show full text]