New Fun Jochen Starke Explains RTL II’S New Brand Attitude
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Speakers and Moderators
Speakers and Moderators 6th EIOPA Annual Conference Tuesday, 18 October 2016 Frankfurt am Main Gabriel Bernardino Gabriel Bernardino is Chairman of the European Insurance and Occupational Pensions Authority (EIOPA). He is responsible for the strategic direction of EIOPA and represents the Authority at the Council of the European Union, the European Commission and the European Parliament. Mr. Bernardino prepares the work of EIOPA's Board of Supervisors and also chairs the meetings of the Board of Supervisors and the Management Board. Mr. Bernardino is the first Chairperson of EIOPA. He was elected by the Board of Supervisors of EIOPA on 10 January, 2011. His nomination followed a pre-selection of the European Commission and was confirmed by the European Parliament after a public hearing held on 1 February, 2011. Mr. Bernardino assumed his responsibilities on 1 March, 2011. Prior to his current role, Mr. Bernardino was the Director General of the Directorate for Development and Institutional Relations at the Instituto de Seguros de Portugal (ISP). He has served in several positions of increasing responsibility since he joined the ISP in 1989 and represented EIOPA's preceding organisation, CEIOPS, as Chairman between October 2009 and December 2010. Melinda Crane Dr. Melinda Crane has given speeches and moderated events and discussions for a wide range of international organizations and firms. She is a frequent guest and commentator on German television and radio and regularly analyzes US policy for the news broadcaster n-tv. An experienced TV anchor, she is chief political correspondent at DW TV and also hosts the DW talk show “Quadriga”. -
The Wall of Lies
The Wall of Lies Number 142 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA MFinal STATE Adelaide, May--June 2013 WEATHER: Cold, wet, some oxygen Free Austerity Budget for Rich, Evil by staff writers Australian budget mildly inconvenient for terrible people. The Tuesday 14 May 2013 federal Australian budget has upset miners, their friends and well wishers around the world. Miners have claimed $11 billion in tax breaks, largely for purchasing smaller companies who have spent on exploration. Across Europe, countries suffering severe austerity cuts have looked beyond their own suffering to reach out to the maggots unable to use this scam any more. In Cyprus a protest march of malnourished children wound its way through Nicosia, Greeks self immolated and an ensemble of Latvians showed solidarity by playing The Smallest Violins In The World. “Come on, what else are you going to do with the rocks? Leave them in the ground until someone who’s O ut willing to pay to dig them up comes along?” asked a t N An untended consequence of No bloated mining executive. ow the severe budget involves pets ! unable to afford faces. But then apparently choked on their own bile. BBC/ABC Divorce, Dr Who Love Child by staff writers BBC cancels ABC contract, Doctor Who excluded. News broke on 17 April 2013 via a joint BBC/Foxtel press release that BBC Worldwide (formerly BBC Enterprises) had decided to Chameleon Factor # 80 finish its output deal with the ABC when the current three year O contract expires mid-2014. -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
Football Fever TV, Radio, Games, SMS and Apps: the Football World Cup on RTL Group Channels
10 June 2010 week 23 Football fever TV, Radio, Games, SMS and Apps: The Football World Cup on RTL Group channels Germany United Kingdom Mediengruppe RTL Deutschland FremantleMedia extends app and broadcasts from Cologne-Deutz gaming portfolio France Greece M6 launches season 5 of Alpha reports best season ever L’amour est dans le pré week 23 the RTL Group intranet 10 June 2010 week 23 Cover: Montage with the world cup teams of RTL Nederland, RTL Radio France, RTL Television and RTL Radio Deutschland 2 Football fever TV, Radio, Games, SMS and Apps: The Football World Cup on RTL Group channels Germany United Kingdom Mediengruppe RTL Deutschland FremantleMedia extends app and broadcasts from Cologne-Deutz gaming portfolio France Greece M6 launches season 5 of Alpha reports best season ever L’amour est dans le pré week 23 the RTL Group intranet All abroad for the World Cup When the world turns its gaze on South Africa beginning 11 June, RTL Group channels will attract their audiences with various activities. Günther Jauch, Jürgen Klopp, Jürgen Klinsmann and Florian König (from left to right) Luxembourg - 10 June 2010 As in 2006, RTL Television will be airing live ports, analyses and summaries of the afternoon broadcasts from the Football World Cup for games, RTL Television will start its live broad- viewers in Germany. “After the 2006 Football cast of the match from the respective stadiums World Cup here at home, this summer we’ll be in South Africa: Florian König will report with part of the action again when the world’s biggest football expert Jürgen Klinsmann at his side. -
Bertelsmann Starts 2019 with Revenue Growth
PRESS RELEASE Bertelsmann Starts 2019 with Revenue Growth • Revenues in Q1 2019 rise to €4.21 billion, highest first-quarter revenues since 2008 • Organic growth improves to 3.5 percent • High-growth businesses show organic revenue growth of 12.8 percent • Strategic progress across all divisions • Forecast confirmed Gütersloh, May 16, 2019 – Bertelsmann has made a successful start to its current financial year: The international media, services and education company recorded improved organic growth and a significant increase in revenues in the first quarter of 2019. This positive development has been driven by the Group’s digital and high-growth businesses. Group revenues increased by 5.4 percent to €4.21 billion (prior-year quarter: €3.99 billion), the highest first-quarter revenues since 2008. Organic growth improved to 3.5 percent. Bertelsmann’s high-growth businesses performed particularly well, recording organic revenue growth of 12.8 percent. Their share of total revenue amounted to 34 percent. Bertelsmann Chairman & CEO Thomas Rabe said: “The start of this year was very promising. Bertelsmann looks back on one of its best first quarters in recent years. The strategic expansion of our high-growth businesses in recent years is increasingly bearing fruit. In the first few months of 2019, we once again made considerable progress in implementing our strategy. One focus was stepping up the establishment of collaborations, such as the Bertelsmann Content Alliance in Germany. We will continue to invest in our businesses’ creativity and entrepreneurship over the course of the year and are confident of achieving our targets for the full year.” Bertelsmann has made a number of strategic advances in recent months: RTL Group increased its digital revenues by 15.8 percent in the first quarter, to €220 million (prior-year quarter: €190 million). -
The British Academy Television Awards Sponsored by Pioneer
The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold, -
TV News Channels in Europe: Offer, Establishment and Ownership European Audiovisual Observatory (Council of Europe), Strasbourg, 2018
TV news channels in Europe: Offer, establishment and ownership TV news channels in Europe: Offer, establishment and ownership European Audiovisual Observatory (Council of Europe), Strasbourg, 2018 Director of publication Susanne Nikoltchev, Executive Director Editorial supervision Gilles Fontaine, Head of Department for Market Information Author Laura Ene, Analyst European Television and On-demand Audiovisual Market European Audiovisual Observatory Proofreading Anthony A. Mills Translations Sonja Schmidt, Marco Polo Sarl Press and Public Relations – Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax. : +33 (0)3 90 21 60 19 [email protected] http://www.obs.coe.int Cover layout – ALTRAN, Neuilly-sur-Seine, France Please quote this publication as Ene L., TV news channels in Europe: Offer, establishment and ownership, European Audiovisual Observatory, Strasbourg, 2018 © European Audiovisual Observatory (Council of Europe), Strasbourg, July 2018 If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Opinions expressed in this publication are personal and do not necessarily represent the view of the European Audiovisual Observatory, its members or the Council of Europe. TV news channels in Europe: Offer, establishment and ownership Laura Ene Table of contents 1. Key findings ...................................................................................................................... -
Interview List. On-Screen and On-Air Talent. an Assessment of the BBC's
ON SCREEN AND ON AIR TALENT AN ASSESSMENT OF THE BBC’S APPROACH AND IMPACT A REPORT FOR THE BBC TRUST APPENDIX V – BBC TRUST TALENT REVIEW INTERVIEW LIST BY OLIVER & OHLBAUM ASSOCIATES APRIL 2008 APPENDIX V - BBC TRUST TALENT REVIEW INTERVIEW LIST (those willing to be named) BBC BBC Vision Comedy, Lucy Lumsden, Controller of Comedy Commissioning BBC Vision Comedy, Mark Freedland, Head of Comedy BBC Vision Comedy, Jez Nightingale, Production Executive BBC Vision Comedy, Richard Curwen, Head of Business & Legal Affairs BBC Vision Knowledge, George Entwistle, Head of TV Current Affairs BBC Vision Knowledge, Keith Scholey, Deputy Chief Creative Officer of BBC Vision BBC Vision Knowledge, Anne Sullivan (AS), Head of Operations & Business Affairs BBC Vision Entertainment, Jon Beazley, Controller Entertainment Group BBC Vision Entertainment, Elaine Bell, Controller Entertainment Commissioning BBC Vision Entertainment, Roger Leatham, Head of Operations & Business Affairs BBC Vision, Claire Evans, Head of Operations & Business Affairs Talent Rights Group, Simon Hayward Tapp – Head of BBC Rights Talent Rights Group, Annie Thomas, Rights Manager Talent Rights Group, John Holland, Rights Manager BBC Vision Drama, Jane Tranter, Controller BBC Fiction BBC Vision Drama, Nicolas Brown, Director of Drama Production BBC News, Helen Boaden, Director of News BBC News, Peter Horrocks, Head of TV News BBC News, Stephen Mitchell, Head of Programming and Radio News BBC News, Madhav Chinnappa, Head of Rights BBC News, Tessa Beckett, Contracts Manager BBC News, -
TALKBACK THAMES Arresting Performance From
CASE STUDY TALKBACK THAMES Arresting Performance from HD Cameras CUSTOMER: Talkback Thames, UK www.talkbackthames.tv APPLICATION: Production of The Bill for ITV using Grass Valley LDK 8000 Elite cameras with sport back. CLIENTS: ITV Center to production of PRODUCTION temperature of the camera, and can make changes on-the-fly. The style of the The Bill are Grass Valley CONSIDERATIONS show requires that the action regularly LDK 8000 Elite studio One of the characteristics of the way moves from the inside of a police car to cameras used on location. The Bill worked in SD was that Talkback an external—such as inside a house—in Thames used system cameras recording a single flowing shot. to separate devices, rather than the BACKGROUND With a system camera they can camcorders that might typically be used make adjustments on-the-fly and get for drama. Having looked carefully at The Bill is a long-running and very consistently good results. It means that all the options available as they moved popular police procedural drama Talkback Thames can deliver a well- to HD, Talkback Thames decided to produced by Talkback Thames for the matched, technically excellent one hour maintain the same approach, and placed UK’s ITV network. Early in 2009 the program. decision was made to change the an order for five Grass Valley™ LDK 8000 requirement to a weekly, one hour high- Elite cameras, which record onto the The second reason is that The Bill is definition drama for a 9:00 pm/21.00 Panasonic P2 format. often shot in confined spaces. -
BAFTA TV Forum: Generation Next – Saturday 9Th May 2015 in Partnership with Creative Skillset and Supported by the Galashan Trust, Procam and Academy Circle
BAFTA TV Forum: Generation Next – Saturday 9th May 2015 In partnership with Creative Skillset and supported by The Galashan Trust, Procam and Academy Circle Over the course of the day Generation Next will cover 3 key areas: Industry and production insight – business and craft insight from creative and industry talent Skills Development – how to develop and hone your skills for life in production and broadcasting Career Development - advice from decision makers and CV experts on different areas of the industry to give you the inside track on how to build your career. Delegates will attend 6 sessions across day. 9.00 - 9.30am Arrival and registration 9.40am BAFTA Welcome: Sara Putt, Chair BAFTA Learning and Events Committee 9.45 - 10.30 Generation Next Keynote: Charlotte Moore 10.45 - 12.15pm Morning Breakout sessions 12.15 - 1.15 Lunch 1.15 - 2.45 Career Forum + Coffee Break 2.45 - 3.55 Afternoon Breakout sessions 4.00 - 4.45 How to Survive Working in Television 4.45 - 5.45 Anatomy of a TV show: Gogglebox 5.45 - 6.30 Networking drinks 9.45-10.30am Generation Next Keynote: Charlotte Moore, Controller, BBC One Princess Anne Theatre Charlotte Moore began her career in television travelling to remote corners of the world to make films about cannibals, disappearing tribes and stolen art. As a filmmaker and commissioner, she is responsible for a huge number of challenging and acclaimed docs from Living with Cancer and Stephen Fry's Secret Life of The Manic Depressive to Protecting our Children, 7/7: One Day in London, Terry Pratchett: Choosing To Die and Welcome to Lagos. -
Press Release
PRESS RELEASE Bertelsmann Significantly Expands Its Education Business • Bertelsmann acquires 25 percent of capital shares and 46 percent of voting rights in Nasdaq-listed Afya • Based on market capitalization, Afya is Brazil’s largest education company focused on the medical field • Bertelsmann invests around €500 million Gütersloh/New York June 8, 2021 – Bertelsmann is expanding its footprint in Brazil’s fast- growing education market. The international media, services and education company is acquiring a 25-percent stake and 46 percent of the voting rights in Afya, the leading provider of medical education and training in Brazil, for the equivalent of €500 million. Bertelsmann co-founded and helped build Afya. The transaction is pending regulatory approval. Since 2017, Afya has grown its revenue by an average of 80 percent per year to €203 million in 2020. Based on market capitalization, Afya is Brazil’s largest education company focused on the medical field. Bertelsmann Chairman & CEO Thomas Rabe commented: “The acquisition of the Afya shares is of great strategic importance for Bertelsmann: It strengthens our global position in the market for education and training in the healthcare sector. It also creates another mainstay in Bertelsmann’s education portfolio alongside Relias and Alliant in the U.S. And it brings us significantly closer to our goal of generating annual revenues of one billion euros with the Bertelsmann Education division in the medium term.” Shobhna Mohn, Executive Vice President Bertelsmann Investments, said: “Afya was successfully built up in cooperation with Crescera Capital, the founding Esteves family, Afya’s management, and our Bertelsmann investment team in Brazil.