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2017 ANNUAL REPORT 2017 Annual Report Table of Contents the Michael J
Roadmaps for Progress 2017 ANNUAL REPORT 2017 Annual Report Table of Contents The Michael J. Fox Foundation is dedicated to finding a cure for 2 A Note from Michael Parkinson’s disease through an 4 Annual Letter from the CEO and the Co-Founder aggressively funded research agenda 6 Roadmaps for Progress and to ensuring the development of 8 2017 in Photos improved therapies for those living 10 2017 Donor Listing 16 Legacy Circle with Parkinson’s today. 18 Industry Partners 26 Corporate Gifts 32 Tributees 36 Recurring Gifts 39 Team Fox 40 Team Fox Lifetime MVPs 46 The MJFF Signature Series 47 Team Fox in Photos 48 Financial Highlights 54 Credits 55 Boards and Councils Milestone Markers Throughout the book, look for stories of some of the dedicated Michael J. Fox Foundation community members whose generosity and collaboration are moving us forward. 1 The Michael J. Fox Foundation 2017 Annual Report “What matters most isn’t getting diagnosed with Parkinson’s, it’s A Note from what you do next. Michael J. Fox The choices we make after we’re diagnosed Dear Friend, can open doors to One of the great gifts of my life is that I've been in a position to take my experience with Parkinson's and combine it with the perspectives and expertise of others to accelerate possibilities you’d improved treatments and a cure. never imagine.’’ In 2017, thanks to your generosity and fierce belief in our shared mission, we moved closer to this goal than ever before. For helping us put breakthroughs within reach — thank you. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Mustang Daily, May 26, 1995
CALIFORNIA POLYTECHNIC STATE UNIVERSITY SAN LUIS OBISPO M u s t a n g D a i i y MAY 26, 1995 VOLUME UX, No. 131 FRIDAY Drummer boy ASI members who ditch meetings 'V f' " ' Í’* »' ■ may lose perks ■iè 4' ■ rf' ^ * By Jason D. Plenions In the past, members were Daily Staff Wiitei still required by ASI bylaws to attend the official meetings, but ASI will make it tougher for there was no requirement to at its board members to use their tend the workshops. perks next year. 1 màt In the ASI Board of Director’s meeting on Wednesday — the last of the year — the board "This is a good bill. ASI ■■■ ■ : ■<■.< '■■■ ■■ - passed a bill requiring its mem bers to be in “good standing” to needs its members to be .J."-:- receive free admission to some present to function well, ASI-sponsored events, including •t* ' ’ i i ’ 1, ' mm and this bill should encour - - v'V the Cal Poly Rodeo. u According to the bill, its pur age th a t/ pose is to increase attendance by board members to various workshops and general meetings. Steve McShane Workshops are desigpied to provide an arena of discussion College of Agriculture rep. for board members to educate themselves on proposed legisla tion, and are considered volun “This is a good bill,” said tary. Steve McShane, a College of # The “good standing” require Agriculture representative. “ASI ment will be met by a member needs its members to be present whose attendance record shows to function well, and this bill they have attended at least 60 should encourage that.” percent of all meetings, accord Some, however, feel the bill ing to the bill. -
RADYR CHAIN Free to Every Home in Radyr and Morganstown Number 198 February 2012
Radyr ‘SPAR” Open Day following their refurbishment The new refurbished shop front New wider aisles for customers’ ease of movement Steve, Jeff, Janet and Karen with Heather, a grateful customer Janet and Karen with free wines samples and nibbles for the day STATION ROAD, RADYR OPEN: Mon to Sat 8a.m. - 10.00p.m. Sunday 9a.m. - 10.00p.m. All services come with quality and value General Groceries - Chilled Foods & Ready Meals - Fresh Bread Daily Confectionery - Fruit & Vegetables - Crisps & Snacks - Ice Cream Quality Wines - Beers, Lagers & Ciders Cigarettes & Tobacco - Photocopying - Greetings Cards - Phone top-up Cards Children investigating their ‘Goody Bags’ NOW AVAILABLE MAKE SURE YOU COME AND VISIT OUR COMPLETELY REFURBISHED PREMISES - NOW WITH AUTOMATIC ENTRANCE DOORS FOR EASY ACCESS FOR ALL CUSTOMERS. WIDER AISLES FOR EASIER MOVEMENT, UPGRADED COOL AND County Councillor Rod McKerlich samples FREEZER CABINETS some wine Printed by J & P Davison, 3 James Place, Treforest, Pontypridd CF37 1SQ Tel. 01443 400585 RADYR CHAIN Free to every home in Radyr and Morganstown Number 198 February 2012 Christmas scene in Station Road See article on page 7 Radyr resident travels to Ecuador… Jodie Davis, who resides in Penrhos, Radyr is a normal teenage girl. She is currently studying for her A levels in Welsh, Drama and Religious Education as Ysgol Gyfun Gymraeg Plasmawr in Fairwater. She enjoys going out with her friends, watching films, listening to and playing music as do all teenage girls her age. She has a particular love of drama and acting and is starring in a forthcoming feature film called ‘Hunky Dory’ and had several parts in Welsh language programmes such as Pobol y Cwm and Gwaith Catref. -
Michel Tremblay Auteur
MICHEL TREMBLAY AUTEUR NOTES BIOGRAPHIQUES Figure dominante du théâtre québécois depuis la fin des années 1960, Michel Tremblay s'est aussi imposé comme romancier, traducteur, adaptateur et scénariste. Né dans un quartier populaire de l'est de Montréal, il découvre très tôt sa vocation d'écrivain. Dès ses études secondaires, il écrit des poèmes, des pièces de théâtre, des romans. À l’adolescence, il entreprend la rédaction de contes fantastiques qu'il réunit plus tard en un recueil : Contes pour buveurs attardés. À 18 ans, il s'inscrit à l'Institut des Arts graphiques, où il apprend le métier de linotypiste, qu’il exerce de 1963 à 1966. En 1964, Michel Tremblay soumet une pièce, Le train, au concours des Jeunes auteurs de Radio-Canada : il y remporte le premier prix. La même année, il rencontre André Brassard qui deviendra le metteur en scène de presque toutes ses pièces, jusqu’en 2003. En 1965, André Brassard utilise quelques-uns des Contes pour buveurs attardés dans un spectacle consacré à la littérature fantastique : Messe noire. La même année, Michel Tremblay écrit Les belles-sœurs. Après la lecture publique des Belles-sœurs le 4 mars 1968 au Centre d’essai des auteurs dramatiques, la pièce est créée au Théâtre du Rideau Vert, le 28 août 1968. Elle connaît alors un succès retentissant, au point d’avoir fait l’objet de près de 600 productions au Québec et à l'étranger. Écrites en joual, un registre de langue propre à Montréal, Les belles-sœurs donnent une vision renouvelée du quartier ouvrier où est né Tremblay. -
Redgrove Papers: Letters
Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 . -
LABAN THEATRELABAN Trinity Laban Conservatoire of Music & Dance
LABAN TRINITY Laban CONSERVatOIRE OF MUSIC & DANCE THEATRE MUSICAL THEATRE STUDENTS PRESENT: FRI 2 & SAT 3 DEC 14.30h & 19.30h THE CLOCKMAKer’S DAUGHTER An original faerytale musical by Michael Webborn and Daniel Finn PROGRAMME £3 THE CLOCKMAKER’S DAUGHTER Presented by Trinity Laban final year Musical Theatre students. This production is presented by special arrangement with Webborn and Finn. Director Michael Howcroft Musical Director Tony Castro Choreographer Jenny Arnold Set and Costume Designer Amy Yardley Lighting Designer Chloe Kenward The Clockmaker’s Daughter was originally produced by Theatrica Limited at the Landor Theatre. Directed by Robert McWhir Choreographed by Robbie O’Reilly Designed by David Shields Lighting by Richard Lambert Executive Producer Clive Chenery SYNOPSIS Spindlewood, like most towns of age, has its traditions. But no practice, custom, or Old Wives Warning is so firmly adhered to as ‘The Turning of the Key’. Every year, on the last night of winter, as the first day of spring unfolds, the townsfolk gather to take part in a strange ritual. They meet in the centre of the town square, where a statue bearing the likeness of a young girl stands, poised and still, one hand raised as if to toast the sky. Constance has stood in the square for as long as any can remember. And she is never more lifelike than tonight. CREATIVE TEAM BAND Director Lighting Designer Piano/Musical Director Michael Howcroft Chloe Kenward Tony Castro Musical Director Costume Supervisor Violin Tony Castro Cristiano Casimiro Rosie Judge Choreographer -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION a Project Of
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A project of edited by Rochelle G. Saidel and Karen Shulman Remember the Women Institute, a 501(c)(3) not-for-profit corporation founded in 1997 and based in New York City, conducts and encourages research and cultural activities that contribute to including women in history. Dr. Rochelle G. Saidel is the founder and executive director. Special emphasis is on women in the context of the Holocaust and its aftermath. Through research and related activities, including this project, the stories of women—from the point of view of women—are made available to be integrated into history and collective memory. This handbook is intended to provide readers with resources for using theatre to memorialize the experiences of women during the Holocaust. Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A Project of Remember the Women Institute By Rochelle G. Saidel and Karen Shulman This resource handbook is dedicated to the women whose Holocaust-related stories are known and unknown, told and untold—to those who perished and those who survived. This edition is dedicated to the memory of Nava Semel. ©2019 Remember the Women Institute First digital edition: April 2015 Second digital edition: May 2016 Third digital edition: April 2017 Fourth digital edition: May 2019 Remember the Women Institute 11 Riverside Drive Suite 3RE New York,NY 10023 rememberwomen.org Cover design: Bonnie Greenfield Table of Contents Introduction to the Fourth Edition ............................................................................... 4 By Dr. Rochelle G. Saidel, Founder and Director, Remember the Women Institute 1. Annotated Bibliographies ....................................................................................... 15 1.1. -
2021 Panel Systems Catalog
Table of Contents Page Title Page Number Terms and Conditions 3 - 4 Specifications 5 2.0 and SB3 Panel System Options 16 - 17 Wood Finish Options 18 Standard Textile Options 19 2.0 Paneling System Fabric Panel with Wooden Top Cap 6 - 7 Fabric Posts and Wooden End Caps 8 - 9 SB3 Paneling System Fabric Panel with Wooden Top Cap 10 - 11 Fabric Posts with Wooden Top Cap 12 - 13 Wooden Posts 14 - 15 revision 1.0 - 12/2/2020 Terms and Conditions 1. Terms of Payment ∙Qualified Customers will have Net 30 days from date of order completion, and a 1% discount if paid within 10 days of the invoice date. ∙Customers lacking credentials may be required down payment or deposit in full prior to production. ∙Finance charges of 2% will be applied to each invoice past 30 days. ∙Terms of payment will apply unless modified in writing by Custom Office Design, Inc. 2. Pricing ∙All pricing is premised on product that is made available for will call to the buyer pre-assembled and unpackaged from our base of operations in Auburn, WA. ∙Prices subject to change without notice. Price lists noting latest date supersedes all previously published price lists. Pricing does not include A. Delivery, Installation, or Freight-handling charges. B. Product Packaging, or Crating charges. C. Custom Product Detail upcharge. D. Special-Order/Non-standard Laminate, Fabric, Staining and/or Labor upcharge. E. On-site service charges. F. Federal, state or local taxes. 3. Ordering A. All orders must be made in writing and accompanied with a corresponding purchase order.