The Wall of Lies
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The British Academy Television Awards Sponsored by Pioneer
The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold, -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Interview List. On-Screen and On-Air Talent. an Assessment of the BBC's
ON SCREEN AND ON AIR TALENT AN ASSESSMENT OF THE BBC’S APPROACH AND IMPACT A REPORT FOR THE BBC TRUST APPENDIX V – BBC TRUST TALENT REVIEW INTERVIEW LIST BY OLIVER & OHLBAUM ASSOCIATES APRIL 2008 APPENDIX V - BBC TRUST TALENT REVIEW INTERVIEW LIST (those willing to be named) BBC BBC Vision Comedy, Lucy Lumsden, Controller of Comedy Commissioning BBC Vision Comedy, Mark Freedland, Head of Comedy BBC Vision Comedy, Jez Nightingale, Production Executive BBC Vision Comedy, Richard Curwen, Head of Business & Legal Affairs BBC Vision Knowledge, George Entwistle, Head of TV Current Affairs BBC Vision Knowledge, Keith Scholey, Deputy Chief Creative Officer of BBC Vision BBC Vision Knowledge, Anne Sullivan (AS), Head of Operations & Business Affairs BBC Vision Entertainment, Jon Beazley, Controller Entertainment Group BBC Vision Entertainment, Elaine Bell, Controller Entertainment Commissioning BBC Vision Entertainment, Roger Leatham, Head of Operations & Business Affairs BBC Vision, Claire Evans, Head of Operations & Business Affairs Talent Rights Group, Simon Hayward Tapp – Head of BBC Rights Talent Rights Group, Annie Thomas, Rights Manager Talent Rights Group, John Holland, Rights Manager BBC Vision Drama, Jane Tranter, Controller BBC Fiction BBC Vision Drama, Nicolas Brown, Director of Drama Production BBC News, Helen Boaden, Director of News BBC News, Peter Horrocks, Head of TV News BBC News, Stephen Mitchell, Head of Programming and Radio News BBC News, Madhav Chinnappa, Head of Rights BBC News, Tessa Beckett, Contracts Manager BBC News, -
BAFTA TV Forum: Generation Next – Saturday 9Th May 2015 in Partnership with Creative Skillset and Supported by the Galashan Trust, Procam and Academy Circle
BAFTA TV Forum: Generation Next – Saturday 9th May 2015 In partnership with Creative Skillset and supported by The Galashan Trust, Procam and Academy Circle Over the course of the day Generation Next will cover 3 key areas: Industry and production insight – business and craft insight from creative and industry talent Skills Development – how to develop and hone your skills for life in production and broadcasting Career Development - advice from decision makers and CV experts on different areas of the industry to give you the inside track on how to build your career. Delegates will attend 6 sessions across day. 9.00 - 9.30am Arrival and registration 9.40am BAFTA Welcome: Sara Putt, Chair BAFTA Learning and Events Committee 9.45 - 10.30 Generation Next Keynote: Charlotte Moore 10.45 - 12.15pm Morning Breakout sessions 12.15 - 1.15 Lunch 1.15 - 2.45 Career Forum + Coffee Break 2.45 - 3.55 Afternoon Breakout sessions 4.00 - 4.45 How to Survive Working in Television 4.45 - 5.45 Anatomy of a TV show: Gogglebox 5.45 - 6.30 Networking drinks 9.45-10.30am Generation Next Keynote: Charlotte Moore, Controller, BBC One Princess Anne Theatre Charlotte Moore began her career in television travelling to remote corners of the world to make films about cannibals, disappearing tribes and stolen art. As a filmmaker and commissioner, she is responsible for a huge number of challenging and acclaimed docs from Living with Cancer and Stephen Fry's Secret Life of The Manic Depressive to Protecting our Children, 7/7: One Day in London, Terry Pratchett: Choosing To Die and Welcome to Lagos. -
ARTHUR AROHA KAMINSKI DA SILVA.Pdf
UNIVERSIDADE FEDERAL DO PARANÁ ARTHUR AROHA KAMINSKI DA SILVA UM OCEANO DE HESITAÇÕES: AS CONSTITUIÇÕES DO EU E DO FANTÁSTICO EM O OCEANO NO FIM DO CAMINHO DE NEIL GAIMAN. CURITIBA 2018 ARTHUR AROHA KAMINSKI DA SILVA UM OCEANO DE HESITAÇÕES: AS CONSTITUIÇÕES DO EU E DO FANTÁSTICO EM O OCEANO NO FIM DO CAMINHO DE NEIL GAIMAN. Dissertação apresentada ao Programa de Pós- Graduação em Letras, do Setor de Ciências Humanas da Universidade Federal do Paraná (PPGL/UFPR), como requisito parcial à obtenção do título de Mestre em Letras na área de Estudos Literários. Orientador: Prof. Dr. Alexandre André Nodari. CURITIBA 2018 FICHA CATALOGRÁFICA ELABORADA PELO SISTEMA DE BIBLIOTECAS/ UFPR COM OS DADOS FORNECIDOS PELO (A) AUTOR(A) BIBLIOTECA DE CIÊNCIAS HUMANAS BIBLIOTECÁRIO: RITA DE CÁSSIA ALVES DE SOUZA – CRB-9/ 816 Silva, Arthur Aroha Kaminski da. Um oceano de hesitações : as constituições do eu e do fantástico em O oceano no fim do caminho de Neil Gaiman / Arthur Aroha Kaminski da Silva. – Curitiba, 2018. 263 f. Dissertação (Mestrado) – Universidade Federal do Paraná. Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Orientador: Prof. Dr. Alexandre André Nodari. AGRADECIMENTOS Esta dissertação foi escrita em dois lugares, e consequentemente foi influenciada por diversas pessoas e seres aos quais devo agradecer. Uma primeira parte das ideias aqui contidas foi discutida e produzida nas cercanias de um edifício que frequento desde que tinha cinco anos, e ao qual, de tempos em tempos, sempre pareço voltar: a reitoria da UFPR, no centro de Curitiba, capital paranaense. Este curioso espaço, com seus numerosos e congelantes corredores de pedra, seus excêntricos frequentadores, suas inconfundíveis e intermináveis rampas, e seu aprazível pátio onde se praticam obscuros esportes, sempre se constituiu para mim como uma espécie de segunda casa, e eu posso afirmar, sem sombra de dúvidas, de que foi lá que, em grande medida, eu cresci. -
Doctor Who: Peacemaker
The peace and quiet of a remote homestead in the 1880s American West is shattered by the arrival of two shadowy outriders searching for ‘the healer’. When the farmer refuses to help them, they raze the house to the ground using guns that shoot bolts of energy instead of bullets. In the town of redwater, the Doctor and Martha learn of a snake-oil salesman whose patent medicines actually cure his patients. But when the Doctor and Martha investigate they discover the truth is stranger, and far more dangerous. Caught between the law of the gun and the deadly plans of intergalactic mercenaries, the Doctor are about to discover just how wild the West can become. Featuring the Doctor and Martha as played by David Tennant and Freema Agyeman in the hit series from BBC television. Peacemaker BY JAMES SWALLOW 2 4 6 8 10 9 7 5 3 1 Published in 2007 by BBC Books, an imprint of Ebury Publishing. Ebury Publishing is a division of the Random House Group Ltd. © James Swallow, 2007 James Swallow has asserted his right to be identified as the author of this Work in accordance with the Copyright, Design and Patents Act 1988. Doctor Who is a BBC Wales production for BBC One Executive Producers: Russell T Davies and Julie Gardner Series Producer: Phil Collinson Original series broadcast on BBC Television. Format © BBC 1963. ‘Doctor Who’, ‘TARDIS’ and the Doctor Who logo are trademarks of the British Broadcasting Corporation and are used under licence. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. -
Finery June July August 1St Draft
Greater Bay Area Costumers Guild Volume 13, Number 3 June-July-August 2015 Which Who Are You? ???? All photos courtesy of Jean Martin and Christopher Erickson Tickets for the Doctor Who Who-Dunnit Murder Mystery are on sale now. See The GBACG website for more information Page 2 In This Issue: 50 Plus years of “Doctor Who” Costuming , page 2-Cypress Lawn, page 7 - President’s Letter, page 7 - Editor’s Letter, page 8 – How to Get a Free Decades Of Style Pattern, Page 8- Upcoming Events, Page 9 Finery is the newsletter of the Greater Bay Area Costumers Guild, an educational group dedicated to all aspects of costume and textile arts, and is published bi-monthly. The next deadline for submissions is 8/15/15 If you have any suggestions for articles or topics of interest, please contact the editor, Robin McGann, at [email protected] 50 Plus Years of “Doctor Who” Costuming By Jean Martin and Christopher Erickson “Doctor Who” is a classic, long-running British science fiction show that began in 1963 about a time- traveling alien who regenerates, has adventures, saves the universe and has an affection for the human race. “Doctor Who” has become even more popular since its re-launch in 2005, and you can see fans in costumes from its 50 plus-year run at numerous conventions and events. With more than five decades of characters and episodes to choose from, fans have a wealth of costume inspirations from the 12 Doctors (so far) who mostly wear suits that are either based on various time periods or are whimsical creations. -
Annual Report 2015
ANNUAL REPORT 2015 AGM 24 May 2016, 6:00pm at the RTS, 3 Dorset Rise, London EC4Y 8EN ROYAL TELEVISION SOCIETY REPORT 2015 PATRONS PRINCIPAL PATRONS IBM BBC IMG Studios BSkyB ITN Channel 4 Television KPMG ITV McKinsey and Co S4C Sargent-Disc INTERNATIONAL PATRONS STV Group Discovery Networks UKTV Liberty Global Virgin Media NBCUniversal International YouView The Walt Disney Company Turner Broadcasting System Inc Viacom International Media RTS PATRONS Networks Autocue YouTube Digital Television Group ITV Anglia MAJOR PATRONS ITV Granada Accenture ITV London Amazon Video ITV Meridian Audio Network ITV Tyne Tees BT ITV Wales Channel 5 ITV West Deloitte ITV Yorkshire Enders Analysis Lumina Search EY PricewaterhouseCoopers FremantleMedia Quantel FTI Consulting Raidió Teilifís Éireann Fujitsu UTV Television Huawei Vinten Broadcast 2 CONTENTS Foreword by RTS Chair and CEO 4 Board of Trustees report to members 6 I Achievements and performance 6 1 National events 6 2 Centres events 34 II Governance and finance 46 1 Structure, governance and management 46 2 Objectives and activities 47 3 Financial review 47 4 Plans for future periods 48 5 Administrative details 48 Independent auditors’ report 50 Financial statements 51 Notes to the financial statements 55 Notice of AGM 2016 66 Agenda for AGM 2016 66 Form of proxy 67 Minutes of AGM 2015 68 Who’s who at the RTS 70 Picture credits 72 Cover: Coronation Street actor Sair Khan speaking from the audience at the RTS early-evening event ‘The secret of soaps: the story behind the stories’ 3 ROYAL TELEVISION SOCIETY REPORT 2015 FOREWORD his was a busy year for the Society. -
Doctor Who: the Doctor, Tegan, Nyssa and Adric
WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES DOCTOR WHO: THE CLASS OF 82 THE DOCTOR, TEGAN, NYSSA AND ADRIC REUNITE FOR BIG FINISH! PLUS! DOCTOR WHO: PHILIP OLIVIER ON HEX AND HECTOR! THE FIFTH DOCTOR BOX SET: WRITING FOR ADRIC! AND IT’S ALL CHANGE FOR BLAKE’S 7… ISSUE 66 • AUGUST 2014 WELCOME TO BIG FINISH! We love stories and we make great full-cast audio drama and audiobooks you can buy on CD and/or download Big Finish… Subscribers get more We love stories. at bigfinish.com! Our audio productions are based on much- If you subscribe, depending on the range you loved TV series like Doctor Who, Dark subscribe to, you get free audiobooks, PDFs Shadows, Blake’s 7, Stargate and Highlander of scripts, extra behind-the-scenes material, a as well as classic characters such as Sherlock bonus release and discounts. Holmes, The Phantom of the Opera and Dorian Gray, plus original creations such as Graceless and The Adventures of Bernice Summerfield. www.bigfinish.com We publish a growing number of books (non- You can access a video guide to the site by fiction, novels and short stories) from new and clicking here. established authors. WWW.BIGFINISH.COM @BIGFINISH /THEBIGFINISH VORTEX MAGAZINE PAGE 3 Sneak Previews & Whispers Editorial OMETIMES, the little things that you do go a lot further than you would ever expect. At Big Finish, S Paul Spragg was testament to that. Since Paul’s tragic passing earlier this year, Big Finish has been inundated with messages from people whose lives Paul touched, to many different extents, from friends who knew him well, to those he helped with day-to-day customer service enquiries. -
Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit. -
Deuses Americanos, De Neil Gaiman
A (des)construção do sujeito: a arqueologia da personagem em Deuses Americanos, de Neil Gaiman The (di)construction of the subject: the archeology of the character in american gods, by Neil Gaiman Ilse Maria da Rosa Vivian1 Guilherme Buzatto2 Resumo: American Gods, é um romance de Neil Gaiman, autor britânico, reconhecido mundialmente pela autoria de HQs e de roteiros para o cinema e para a televisão. Dentre outras produções, Gaiman escreveu o roteiro de dois episódios da série Doctor Who: "The Doctor's Wife" foi transmitido em 2011 durante a sexta temporada da série, e "Nightmare in Silver" foi transmitido em 2013 na sétima temporada. Autor do famoso Sandman, que consiste numa série de HQs que tem como protagonista a personificação do Sonho ou de Morpheus, Gaiman é produtor de obras que transitam pelas vertentes da mitologia antiga e moderna. É o caso de Deus Americanos, cuja saga é vivida pelo misterioso e emblemático protagonista Shadow, um ex-condenado, recém liberto da prisão. Sem noção de sua real identidade, inicia uma série de viagens pelas diversas paisagens americanas, cuja motivação é a busca por aliados para uma guerra que está prestes a acontecer entre deuses antigos e modernos. Ao viver a desventura do mundo contemporâneo, Shadow vai se tornando uma figura complexa: em devir, busca compor-se em meio às fatalidades dos embates de forças opostas, as quais representam o antigo e o novo, o espiritual e o mundano, a sacralidade e a tecnologia. Esses elementos são pano de fundo dos eventos que norteiam (ou que desnorteiam) a narrativa. O choque entre opostos atinge o ápice com o nascimento da pós- modernidade. -
Doctor Who and the Politics of Casting Lorna Jowett, University
Doctor Who and the politics of casting Lorna Jowett, University of Northampton Abstract: This article argues that while long-running science fiction series Doctor Who (1963-89; 1996; 2005-) has started to address a lack of diversity in its casting, there are still significant imbalances. Characters appearing in single episodes are more likely to be colourblind cast than recurring and major characters, particularly the title character. This is problematic for the BBC as a public service broadcaster but is also indicative of larger inequalities in the television industry. Examining various examples of actors cast in Doctor Who, including Pearl Mackie who plays companion Bill Potts, the article argues that while steady progress is being made – in the series and in the industry – colourblind casting often comes into tension with commercial interests and more risk-averse decision-making. Keywords: colourblind casting, television industry, actors, inequality, diversity, race, LGBTQ+ 1 Doctor Who and the politics of casting Lorna Jowett The Britain I come from is the most successful, diverse, multicultural country on earth. But here’s my point: you wouldn’t know it if you turned on the TV. Too many of our creative decision-makers share the same background. They decide which stories get told, and those stories decide how Britain is viewed. (Idris Elba 2016) If anyone watches Bill and she makes them feel that there is more of a place for them then that’s fantastic. I remember not seeing people that looked like me on TV when I was little. My mum would shout: ‘Pearl! Come and see.