Life Writing Prize MAXINE DAVIES LIFE WRITING PRIZE SHORTLIST 2020 Dad’S Home
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The Spirit of May '97
the spirit of May '97 Issue 38 . • • ..• ..• • ..• Editor/ill Hello and welcome to yet once again agreed to supply us now and it improves with every another action packed issue of with a selection of items, for use listen (check out how to order a The Spirit of Rush. We have in the raffle/auction part of the copy direct on the inside back tried to get this issue to you as event. Some ofthe confirmed cover)-any news of a UK! soon as we could after no.37 in items are as follow ... Roll the European release Chris? From case any of you were planning Bones - Award Plaque. the opening fusion sounding Editorial Address: a trip to North America to catch Complete sets of the re "Patterns" through the epic nd the band on the 2 leg of the mastered albums, Tour closing number 23 Garden Close, t4e tour. You should have Merchandise & some other "Checkerboards" Tiles cover all ChinbrookRoad, picked this issue up in mid-May surprises. As you can see the the bases, why this band are Grove Park,· from your doormat (if all went band and their management not signed to a major label is London, SE12 9TG. well between here and the have been very generous once beyond belief. Personal England printers). As you read this only again. Many, many thanks to favourites include "Anothers a couple of weeks of the 2nd leg them. Hand" and It's marvellous mid would have taken place and section extended instrumental North America with the tour running until the We have included a page or two passage. -
Rush's Lyrical Rhetoric of Oppression and Liberation
Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation Rush’s Lyrical Rhetoric of Oppression and Liberation: Extending “Freedom Songs” into the Progressive Rock Genre Brett A. Barnett Associate Professor of Communication Slippery Rock University of Pennsylvania [email protected] Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation 2 On April 18, 2013, members of the Canadian power trio Rush were among the artists inducted into the Rock and Roll Hall of Fame, a well-deserved honor that was long overdue. Formed in August 1968, Rush would join artists like Pink Floyd and Yes in shaping the music movement that would come to be categorized as “progressive” rock, or “prog rock,” a rock music sub-genre that Rush. Photo credit: By Enrico Frangi (Uploaded by User:Jonasz) [Public domain], via Wikimedia Commons also developed in the late 1960s.1 As reflected in the music of Rush, progressive rock involves more advanced musical forms, including an expanded instrumental palette and increased com- plexity in terms of instrumentation, as well as more sophisticated lyrical themes ranging from unconventional subject matter to increased social commentary. After years playing on the Toronto music scene, Rush formed their own label, Moon Records, and shortly thereafter released their first album, Rush, in 1974.2 Rush’s self-titled debut album did not garner much attention until Cleveland’s WMMS (100.7 FM), widely regarded as one of the most influential rock radio stations in North America, -
A Tribute to Rush's Incomparable Drum Icon
A TRIBUTE TO RUSH’S INCOMPARABLE DRUM ICON THE WORLD’S #1 DRUM RESOURCE MAY 2020 ©2020 Drum Workshop, Inc. All Rights Reserved. From each and every one of us at DW, we’d simply like to say thank you. Thank you for the artistry. Thank you for the boundless inspiration. And most of all, thank you for the friendship. You will forever be in our hearts. Volume 44 • Number 5 CONTENTS Cover photo by Sayre Berman ON THE COVER 34 NEIL PEART MD pays tribute to the man who gave us inspiration, joy, pride, direction, and so very much more. 36 NEIL ON RECORD 70 STYLE AND ANALYSIS: 44 THE EVOLUTION OF A LIVE RIG THE DEEP CUTS 48 NEIL PEART, WRITER 74 FIRST PERSON: 52 REMEMBERING NEIL NEIL ON “MALIGNANT NARCISSISM” 26 UP AND COMING: JOSHUA HUMLIE OF WE THREE 28 WHAT DO YOU KNOW ABOUT…CERRONE? The drummer’s musical skills are outweighed only by his ambitions, Since the 1970s he’s sold more than 30 million records, and his playing which include exploring a real-time multi-instrumental approach. and recording techniques infl uenced numerous dance and electronic by Mike Haid music artists. by Martin Patmos LESSONS DEPARTMENTS 76 BASICS 4 AN EDITOR’S OVERVIEW “Rhythm Basics” Expanded, Part 3 by Andy Shoniker In His Image by Adam Budofsky 78 ROCK ’N’ JAZZ CLINIC 6 READERS’ PLATFORM Percussion Playing for Drummers, Part 2 by Damon Grant and Marcos Torres A Life Changed Forever 8 OUT NOW EQUIPMENT Patrick Hallahan on Vanessa Carlton’s Love Is an Art 12 PRODUCT CLOSE-UP 10 ON TOUR WFLIII Three-Piece Drumset and 20 IN THE STUDIO Peter Anderson with the Ocean Blue Matching Snare Drummer/Producer Elton Charles Doc Sweeney Classic Collection 84 CRITIQUE Snares 80 NEW AND NOTABLE Sabian AAX Brilliant Thin Crashes 88 BACK THROUGH THE STACK and Ride and 14" Medium Hi-Hats Billy Cobham, August–September 1979 Gibraltar GSSVR Stealth Side V Rack AN EDITOR’S OVERVIEW In His Image Founder Ronald Spagnardi 1943–2003 ole models are a tricky thing. -
Foreword 5 Introduction 6 About This Book 8 the Making of Taking Center Stage 14 Drum Key 30
TAKING CENTER STAGE a lifetime of live performance NEIL PEART by Joe Bergamini © 2012 Hudson Music LLC International Copyright Secured. All Rights Reserved. No part of this publication may be reproduced in any form or by any means without the prior written permission of the publisher. www.hudsonmusic.com ConTenTsConTenTsConTenTs Foreword 5 Introduction 6 About This Book 8 The Making of Taking Center Stage 14 Drum Key 30 CHAPTER 1: 2112 and All the World’s a Stage Tours (1976-77) 33 Drum Setup 35 CHAPTER 2: A Farewell to Kings Tour (1977) 36 Drum Setup 39 CHAPTER 3: Hemispheres Tour (1978-79) 40 Drum Setup 42 ”The Trees” 43 Analysis 43 Drum Transcription 45 “La Villa Strangiato” 49 Analysis 49 Drum Transcription 51 CHAPTER 4: Permanent Waves Tour (1979-80) 58 Drum Setup 60 ”The Spirit of Radio” 61 Analysis 61 Drum Transcription 62 ”Free Will” 66 Analysis 66 Drum Transcription 68 ”Natural Science” 73 Analysis 73 Drum Transcription 75 CHAPTER 5: Moving Pictures Tour (1980-81) 81 Drum Setup 84 ”Tom Sawyer” 85 Analysis 85 Drum Transcription 87 ”YYZ” 91 Analysis 91 Drum Transcription 93 CHAPTER 6: Signals Tour (1982-83) 97 Drum Setup 101 ”Subdivisions” 102 Analysis 102 Drum Transcription 104 CHAPTER 7: Grace Under Pressure and Power Windows Tours (1984-86) 108 Drum Setup 113 ”Marathon” 114 Analysis 115 Drum Transcription 116 2 CHAPTER 8: Hold Your Fire Tour (1987-88) 122 Drum Setup 126 ”Time Stand Still” 128 Analysis 128 Drum Transcription 129 CHAPTER 9: Presto Tour (1990) 134 Drum Setup 136 ”Presto” 138 Analysis 138 Drum Transcription 140 CHAPTER -
1. Rush - Tom Sawyer 2
1. Rush - Tom Sawyer 2. Black Sabbath - Iron Man 3. Def Leppard - Photograph 4. Guns N Roses - November Rain 5. Led Zeppelin - Stairway to Heaven 6. AC/DC - Highway To Hell 7. Aerosmith - Sweet Emotion 8. Metallica - Enter Sandman 9. Nirvana - All Apologies 10. Black Sabbath - War Pigs 11. Guns N Roses - Paradise City 12. Tom Petty - Refugee 13. Journey - Wheel In The Sky 14. Led Zeppelin - Kashmir 15. Jimi Hendrix - All Along The Watchtower 16. ZZ Top - La Grange 17. Pink Floyd - Another Brick In The Wall 18. Black Sabbath - Paranoid 19. Soundgarden - Black Hole Sun 20. Motley Crue - Home Sweet Home 21. Derek & The Dominoes - Layla 22. Rush - The Spirit Of Radio 23. Led Zeppelin - Rock And Roll 24. The Who - Baba O Riley 25. Foreigner - Hot Blooded 26. Lynyrd Skynyrd - Freebird 27. ZZ Top - Cheap Sunglasses 28. Pearl Jam - Alive 29. Dio - Rainbow In The Dark 30. Deep Purple - Smoke On The Water 31. Nirvana - In Bloom 32. Jimi Hendrix - Voodoo Child (Slight Return) 33. Billy Squier - In The Dark 34. Pink Floyd - Wish You Were Here 35. Rush - Working Man 36. Led Zeppelin - Whole Lotta Love 37. Black Sabbath - NIB 38. Foghat - Slow Ride 39. Def Leppard - Armageddon It 40. Boston - More Than A Feeling 41. AC/DC - Dirty Deeds Done Dirt Cheap 42. Ozzy Osbourne - Crazy Train 43. Aerosmith - Walk This Way 44. Led Zeppelin - Dazed & Confused 45. Def Leppard - Rock Of Ages 46. Ozzy Osbourne - No More Tears 47. Eric Clapton - Cocaine 48. Ted Nugent - Stranglehold 49. Aerosmith - Dream On 50. Van Halen - Eruption / You Really Got Me 51. -
How Is Rush Canadian?
Rush and Philosophy 2nd pages 3/11/11 1:56 PM Page 287 21 How Is Rush Canadian? DURRELL BOWMAN Given Canada’s relatively small population (twenty-one million in 1969, thirty-four million in 2009), many—but certainly not all—of the nation’s more ambitious musicians have pursued at least some of their career activities in the US and other foreign parts. Rush mainly demonstrates “Canadianness” by combining such British and American influences as progressive rock, hard rock, and indi- vidualism. However, the band has also included more specifically Canadian references across its long career. CanCon The Canadian government implemented specific content—or “CanCon”—regulations in 1971, and broadcasters were then required to include certain percentages of Canadian material. For music, at least two of a song recording’s four main categories of Music, Artist, Production, and Lyrics (“M-A-P-L”) must be “Canadian” according to citizenship or location. The interpretation of this changed after 1991, due to a “scandal” involving Bryan Adams failing to qualify as Canadian because of co-writing certain songs, such as “(Everything I Do) I Do it For You” ( Waking up the Neighbours and Robin Hood: Prince of Thieves , both 1991), with such non-Canadians as Mutt Lange and Michael Kamen. (Spelling the word “neighbours” in the Canadian way apparently didn’t help.) The outcome is that even though Shania Twain similarly co- wrote the songs on Come on Over (1997) with her then-husband Mutt Lange and did not record any of this music in Canada, her album and its songs by that point qualified as Canadian. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
KUCI 88.9 FM Fall Program Guide 1990
KUCI 88.9 FM IF YOU COULD ONLY SEE WHAT YOU HEAR KUCI Program Guide A Message From The Top is a non-profit radio station licensed to the gents of the University of California, and run by KUCI is 21 ! CI students and its affiliates. KUCI broadcasts at a Since KUCI's first broadcast in 1969, our staff of 88.9 Megahertz. Our transmitter is has grown from about a half a dozen people to over 100, ocated high atop the physical sciences building on our record library to more than 30,000 and an applicatg beautiful UCI campus. All donations to the ion for a license upgrade (to increase our broadcast are tax deductible. Our Mailing address is: signal) is in the works! KUCI 88.9 FM, University of California, P.O. Box The tremendous achievements and growth of Irvine, CA, 92716-4362. Requests: (714) 856 this station has been the result of the individual efforts 824. Business: (714) 856-6868. Fax: (714) 856 and visions of a unique group- a group committed to 673. If you could see what you hear! providing new and diverse programming to UCI and its t------------------- surrounding community. But, with our maturity comes more responsibil General Manager ity. In the future, you can expect KUCI to continue pro Katie Roberts viding words and sounds that inform and entertain as Music Director well as conflict and challenge. For, on a deeper level, Todd Sievers our role as a public service station is to respect and Promotions assert the First Ammendment, which gives you the right Danielle Michaelis to choose what you hear, what you say, and what you Program Director think. -
Chris Mcdonald. 2009. Rush, Rock Music and the Middle Class: Dreaming in Middletown
Chris McDonald. 2009. Rush, Rock Music and the Middle Class: Dreaming in Middletown. Bloomington and Indianapolis: Indiana University Press. Reviewed by Bradley Sroka I first heard the rock band Rush in 1990 when a friend in my ninth-grade science class lent me their first greatest hits collection, Chronicles. I was raised in a middle-class suburb of Annapolis, Maryland, and the tastemakers at my high school informed me that Rush was indeed very cool, so I better listen to them. By the tenth grade, all of my friends listened to their music and spoke with great authority about the band's superior musicianship and the deep meaning we were confident was so evident in Peart's lyrics. For us, Rush's albums were not just the soundtracks to our adolescence; we considered them a trusted font of worldly wisdom. Rush is a virtuoso rock trio begun in 1968 in Toronto and best known for the classic-rock staples "Tom Sawyer" (1981), "The Spirit of Radio" (1980), "Closer to the Heart" (1977), and a half-dozen or so others. Each of the musicians in the trio is a perennial poll winner for his respective instrument in magazines such as Guitar Player and Modern Drummer. Geddy Lee (b. Gary Lee Weinrib) sings, plays bass guitar, and, since 1977, also plays various keyboard instruments and synthesizers. His voice is "distinctive," in that he sings in a high register that many consider an acquired taste. Alex Lifeson (b. Aleksandar ZivojinoviC) plays guitar, and Neil Peart is their revered and ostentatious drummer. Lee and Lifeson regularly write the band's music, and, Peart, far more often than not, writes the lyrics. -
500 Songs That Shaped Rock
500 Songs That Shaped Rock James Henke, chief curator for the Rock and Roll Hall of Fame, with the help of music writers and critics, selected 500 songs (not only rock songs) that they belie e ha e been most influential in shaping rock and roll! "he list is alphabetical by artist! A AC/DC, #$ack in $lack% AC/DC, #Highway to Hell% Roy Acuff and the Smoky Mountain Boys, #&abash 'annonball% Aerosmith, #(ream )n% Aerosmith, #"oys in the *ttic% Afrika Bambaataa, #+lanet Rock% The Allman Brothers Band, #Ramblin, -an% The Allman Brothers Band, #&hipping +ost% The Animals, #"he House of the Rising .un% The Animals, #&e /otta /et )ut of "his +lace% Louis Armstrong, #&est 0nd $lues% Arrested De elo!ment, #"ennessee% B The B"#$%s, #Rock 1obster% 1 of 19 The B-#$%s La&ern Baker, #Jim (andy% 'ank Ballard and the Midnighters, #&ork &ith -e *nnie% The Band, #"he 2ight "hey (ro e )ld (i3ie (own% The Band, #"he &eight% Beach Boys, #'alifornia /irls% Beach Boys, #(on,t &orry $aby% Beach Boys, #/od )nly 4nows% Beach Boys, #/ood 5ibrations% Beach Boys, #.urfin, 6!.!*!% The Beastie Boys, #(7ou /otta) Fight for 7our Right (to +arty)% The Beatles, #* (ay in the 1ife% The Beatles, #Help8% The Beatles, #Hey Jude% The Beatles, #9 &ant to Hold 7our Hand% The Beatles, #2orwegian &ood% The Beatles, #.trawberry Fields Fore er% The Beatles, #7esterday% The Beau Brummels, #1augh 1augh% Beck, #1oser% (eff Beck )rou!, #+lynth (&ater (own the (rain)% The Bee )ees, #.tayin, *li e% Archie Bell and the Drells, #"ighten 6p% Chuck Berry, #Johnny $! /oode% 2 of 19 Chuck Berry, #-aybelline% Chuck Berry, #Rock and Roll -usic% The Big Bo!!er, #'hantilly 1ace% Big Brother and the 'olding Com!any, #+iece of -y Heart% Big Star, #.eptember /urls% Black Sabbath, #9ron -an% Black Sabbath, #+aranoid% Bobby Blue Bland, #"urn )n 7our 1o e 1ight% Blondie, #Heart of /lass% *urtis Blo+, #"he $reaks% )ary ,-S- Bonds, #:uarter to "hree% Booker T- . -
Textu(R)Al Undercoding and the Music of the Rock Band Rush: String Quartets, Death Metal, Trip-Hop, and Other Tributes Durrell Bowman
Textu(r)al Undercoding and the Music of the Rock Band Rush: String Quartets, Death Metal, Trip-Hop, and other Tributes Durrell Bowman Rush Pre-professional period (1968-69) Original members included: Alex Lifeson (b. 1953), John Rutsey (b. 1953) Other early member: Geddy Lee (b. 1953) Early professional period (1969-74: one single, one album) Lee, Lifeson, Rutsey; mainly original songs by 1971 (Led Zeppelin influence) Single: “Not Fade Away” (1973, cover version of original by Buddy Holly, 1957-58) Album: Rush (1974, recorded 1973), including “Working Man” (written in 1971) 1974 – 2004 period (28 albums; 22 U.S. gold, platinum, or multi-platinum, 142 songs) Geddy Lee’s virtuosic bass playing and countertenor (high, falsetto-related) singing Alex Lifeson’s precise-yet-tuneful guitar playing Neil Peart’s (b. 1952) elaborately constructed drumming and lyrics 1974-78 (after Rush, five more studio albums, one live album, one anthology) individualism & progressive (“art”) rock influences, with heavy metal & hard rock example: “2112” (title suite from 2112, 1976) examples: “Closer to the Heart,” “Xanadu,” “Cygnus X-1” (A Farewell to Kings, 1977) example: “The Trees” (from Hemispheres, 1978) 1980-89 (six studio albums, one live album) toning down the more extreme individualism and “prog” (progressive) features other influences (post-punk, jazz-rock, synth-rock, music technology) examples: Permanent Waves (1980, including “The Spirit of Radio,” “Freewill”) Moving Pictures (1981, incl. “Tom Sawyer,” “Red Barchetta,” “YYZ,” “Limelight”) Signals -
Ebook Rush -- Deluxe Bass TAB Collection 1975
Ebook Rush -- Deluxe Bass TAB Collection 1975 - 2007: Authentic Bass TAB Freeware From the legendary progressive rock band, Rush, this collection covers their 30+ year career. Commencing in the mid-'70s and concluding with chart success Snakes and Arrows this 22 song collection is a tribute to prog-rock, master bassist Geddy Lee. All of Geddy Lee's amazing bass parts fully transcribed in TAB. Titles: The Big Money * Closer to the Heart * Distant Early Warning * Dreamline * Far Cry * Fly by Night * Freewill * Ghost of a Chance * The Larger Bowl * Limelight * New World Man * One Little Victory * Red Barchetta * Show Don't Tell * The Spirit of Radio * Subdivisions * Test for Echo * Tom Sawyer * The Trees * Vital Signs * Working Man * YYZ. Paperback: 148 pages Publisher: Alfred Music (July 1, 1997) Language: English ISBN-10: 0739058118 ISBN-13: 978-0739058114 Product Dimensions: 8.9 x 0.4 x 11.8 inches Shipping Weight: 1.1 pounds (View shipping rates and policies) Average Customer Review: 3.2 out of 5 stars 8 customer reviews Best Sellers Rank: #802,449 in Books (See Top 100 in Books) #112 in Books > Arts & Photography > Music > Songbooks > Guitars & Fretted Instruments > Bass Guitars #382 in Books > Arts & Photography > Music > Songbooks > Specific Artist #2145 in Books > Arts & Photography > Music > Instruments > Guitar Some reviews say it's not exactly accurate. I think it might depend on which recording you're playing to. I found a couple off notes, but it's also difficult to keep an 8:00 song to a couple pages, so I think they make some exceptions and get the general groove/note choice.