Neil Peart "A Work in Progress"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rush Chemistry Sheet Music
Rush Chemistry Sheet Music Download rush chemistry sheet music pdf now available in our library. We give you 2 pages partial preview of rush chemistry sheet music that you can try for free. This music notes has been read 1805 times and last read at 2021-10-01 22:24:18. In order to continue read the entire sheet music of rush chemistry you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Drum Set, Percussion Ensemble: Musical Ensemble Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music In Organic Chemistry In Organic Chemistry sheet music has been read 1860 times. In organic chemistry arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-10-01 21:46:00. [ Read More ] Chemistry Song For Contralto Voice Piano Chemistry Song For Contralto Voice Piano sheet music has been read 2080 times. Chemistry song for contralto voice piano arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-10-02 23:30:21. [ Read More ] Rush Rush sheet music has been read 5380 times. Rush arrangement is for Advanced level. The music notes has 2 preview and last read at 2021-10-03 04:45:40. [ Read More ] Rush Different Strings Rush Different Strings sheet music has been read 3884 times. Rush different strings arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-03 01:31:02. [ Read More ] Rush Far Cry Rush Far Cry sheet music has been read 1618 times. -
Life Writing Prize MAXINE DAVIES LIFE WRITING PRIZE SHORTLIST 2020 Dad’S Home
2020 Life Writing Prize MAXINE DAVIES LIFE WRITING PRIZE SHORTLIST 2020 Dad’s Home Maxine Davies Dad’s Home Maxine Davies I am a feather for each wind that blows: Shall I live on to see this bastard kneel And call me father? better burn it now Than curse it then. But be it; let it live. - William Shakespeare, The Winter’s Tale 3 DAD’S HOME Maxine Davies HAPPY MEAL My dad leaves when I am the size of a raspberry. He announces my mam’s pregnancy on a local radio station, buys her a bunch of petrol station flowers and then does off a few weeks later. I meet him three times before I turn thirteen, which is when he moves into our house. The first time I am preoccupied in a game of “pretending that the laundry basket is a small boat”. I don’t remember that one. The second time is after I start school. Most of the other children in my class talk about an additional person living in their house: a dad. I ask my mam if I have one and she tells me that I do and asks if I would like to meet him. I agree, only to change my mind on the way there, but it’s 1996 and mobile phones haven’t really taken off yet and my mam doesn’t want to stand him up so she tells me that we won’t meet him anymore, but that we’ll go to McDonalds anyway. I get a Happy Meal. -
Princess Diana, the Musical Inspired by Her True Story
PRINCESS DIANA, THE MUSICAL INSPIRED BY HER TRUE STORY Book by Karen Sokolof Javitch and Elaine Jabenis Music and Lyrics by Karen Sokolof Javitch Copyright © MMVI All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa Professionals and amateurs are hereby warned that this work is subject to a royalty. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All rights to this work of any kind including but not limited to professional and amateur stage performing rights are controlled exclusively by Heuer Publishing LLC. Inquiries concerning rights should be addressed to Heuer Publishing LLC. This work is fully protected by copyright. No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the publisher. Copying (by any means) or performing a copyrighted work without permission constitutes an infringement of copyright. All organizations receiving permission to produce this work agree to give the author(s) credit in any and all advertisement and publicity relating to the production. The author(s) billing must appear below the title and be at least 50% as large as the title of the Work. All programs, advertisements, and other printed material distributed or published in connection with production of the work must include the following notice: “Produced by special arrangement with Heuer Publishing LLC of Cedar Rapids, Iowa.” There shall be no deletions, alterations, or changes of any kind made to the work, including the changing of character gender, the cutting of dialogue, or the alteration of objectionable language unless directly authorized by the publisher or otherwise allowed in the work’s “Production Notes.” The title of the play shall not be altered. -
Orpe=Civ= V=Kfdeq Italic Flybynightitalic.Ttf
Examples Rush Font Name Rush File Name Album Element Notes Working Man WorkingMan.ttf Rush Logo, Album/Song RUSH Working Man Titles Fly By Night, regular and FlyByNightregular.ttf. orpe=civ=_v=kfdeq italic FlyByNightitalic.ttf Caress Of Steel CaressOfSteel.ttf Rush Logo, Album Title Need to Photoshop to get the correct style RUSH CARESS OF STEEL Syrinx Syrinx.ttf Rush Logo, Album/Song RUSH 2112 Titles ALL THE WORLD'S A STAGE (core font: Arial/Helvetica) Cover text Arial or Helvetica are core fonts for both Windows and Mac Farewell To Kings FarewellToKings.ttf Rush Logo, Album/Song Rush A Farewell To Kings Titles Strangiato Strangiato.ttf Rush Logo Similar to illustrated "Rush" Rush Hemispheres Hemispheres.ttf Album Title Custom font by Dave Ward. Includes special character for "Rush". Hemispheres | RUSH THROUGH TIME RushThroughTime RushThroughTime.ttf Album Title RUSH Jacob's Ladder JacobsLadder.ttf Rush Logo Hybrid font PermanentWaves PermanentWaves.ttf Album Title permanent waves Moving Pictures MovingPictures.ttf Rush Logo, Album Title Same font used for Archives, Permanent Waves general text, RUSH MOVING PICTURES Moving Pictures and Different Stages Exit...Stage Left Bold ExitStageLeftBold.ttf Rush Logo RUSH Exit...Stage Left ExitStageLeft.ttf Album Title Exit...Stage Left SIGNALS (core font: Garamond) Album Title Garamond, a core font in Windows and Mac Grace Under Pressure GraceUnderPressure.ttf Rush Logo, Album Title, Upper Case character set only RUSH GRACE UNDER PRESSURE Song Titles RUSH Grand Designs GrandDesigns.ttf Rush Logo RUSH Grand Designs Lined GrandDesignsLined.ttf Alternate version Best used at 24pt or larger Power Windows PowerWindows.ttf Album Title, Song Titles POWER WINDOWS Hold Your Fire Black HoldYourFireBlack.ttf Rush Logo Need to Photoshop to get the correct style RUSH Hold Your Fire HoldYourFire.ttf Album Title, Song Titles HOLD YOUR FIRE A Show Of Hands AShowofHands.ttf Song Titles Same font as Power Windows. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
Smokey Stumps in State, to Be Mugwump Candidate
Our Price — 10c Cheap A)! the news By all the fits thai fits ... that write it. rOLUME LV Virginia Military Institute, Lexington, Virginia. Friday, April 4. 1969 25 "Death" Wilson To Be Smokey Stumps In State, MI Cadet Of Year To Be Mugwump Candidate Second "classman Kenneth R. to go to Africa and "take up the i Wilson has been chosen by the white man's burden" while enjoy- LEXINGTON (Tass)—Democra- VMI, Public Relations Office as ing himself killing the local inhab- tic Party powers were rocked yes- VMI's cadet of the year. Wilson's itants. terday as famed Lexington politi- picture will now replace the statue Excusing himself from the ques- cian B. McCluer Gilliam declared of Virginia Mourning Her Dead on tioning Wilson went over to the his intentions to run in the upcom- the crest of all official Institute window where he blasted, with his ing party gubernatorial primary. publications .357 magnum, a butterfly who's "The time has come for Virginia In the words of the PRO, Wil- noisy flapping had distrubed him. to wake up!" the beloved VMI pro- son best exemplities the ViSII Returning to the interviev/, fessor said, slamming a book onto ideals—he is the Institute's model Death exclaimed that killing had the floor and waking up a few re- cadet. Wilson has so adapted him- always been part of his life—when porters who were nodding in the self to the VMI life that he can four days old, he had beaten his back row. "We must stick to ths truly say "I love it here." Bar- nurse to death with a jar of Beech- subject ot the course," he said, re- racks is not merely his home away nt baby food. -
ATTENTION All Planets of the Solar Federationii'
i~~30 . .~,.~.* ~~~ Welcome to the latest issue of 'Spirit'. From this issue we are reverting to quarterly publication, hopefully next year we will go back to bi-monthly, once the band are active again. Please join me in welcoming Stewart Gilray aboard as assistant editor. Good luck to Neil Elliott with the Dream Theater fan zine he is currently producing, Neil's address can be found in the perman ant trades section if you are interested. Alex will be appearing at this years Kumbaya Festival in Toronto on the 2nd September, as .... with previous years this Aids benefit show will feature the cream of Canadian talent, Vol 8 No 1 giving their all for a good cause. Ray our North American corespondent will be attending Published quarterly by:- the show (lucky bastard) he will be fileing a full report (with pictures) for the next issue, won't you Ray? Mick Burnett, Alex should have his solo album (see interview 23, Garden Close, beginning page 3) in the shops by October. Chinbrook Road, If all goes well the album should be released Grove Park, in Europe at the same time as North America. London. Next issue of 'Spirit' should have an exclus S-E-12 9-T-G ive interview with Alex telling us all about England. the album. Editor: Mick Burnett The band should be getting back together to Asst Editor: Stewart Gilray begin work writing the new album in September. Typist: Janet Balmer Recording to commence Jan/Feb of next year Printers: C.J.L. with Peter Collins once more at the helm. -
ZOOM 505 Patches
ZOOM 505 Patches AC/DC-Angus Young distortion clean c9 bL 5 a9 41 of of 26 AC/DC-Angus Young early c9 bL 20 9 20 of h1 24 AC/DC-Angus Young general of od 18 a8 of of r4 24 AC/DC-Angus Young rhythm of od 29 9 of of h4 27 AC/DC-Angus Young "Thunderstruck" intro c4 mt 30 9 30 c2 h3 30 acoustics 12-strings haunting c4 ry 10 9 p1 p9 d1 30 acoustic bright of ac 20 9 of p7 of 30 acoustic bright/12-string simulator c4 ac 27 9 12 c2 d1 29 acoustic clean 1 -- ac 30 -- 48 -- -- -- acoustic clean 2 L1 ac -- a9 of of of of acoustic clean 3 of ac 28 of 29 d7 h2 20 acoustic "Eleven Tea" c9 ac 15 of p9 d9 of 27 acoustic groove c9 ac 30 9 45 c1 h9 -- acoustic jazz c2 ac 1 9 15 p7 h1 28 acoustic Kansas "Dust in the Wind" c8 ac -- 8 18 c6 h7 23 acoustic mellow of ac 10 6 45 of r1 ? acoustic rhythm of ac 30 of 46 c6 of 26 acoustic solo 1 c9 ac -- 8 22 c4 h7 26 acoustic solo 2 of ac 22 of 20 c1 h1 30 acoustic solo 3 c1 of -- 4 25 c2 -- 24 acoustic tweaked L5 ac 20 6 50 of of -- Aerosmith/Joe Perry distortion rhythm c1 dt 28 /29 9 24 ? h1 25 alternative L1 Ld 30 7 24 of of 20 ambience heavy a9 fu 30 a9 p4 54 d9 21 bass clean ambient L9 of -- a1 1 c1 of 30 bass simulator 1 c2 ac 30 9 1 p1 of 30 bass simulator 2 c8 ac 3 a6 3 p1 h2 23 bass simulator 3 c2 ac 1 9 15 p1 h1 28 BB King of od 13 of 40 of of 30 BB King acid of ry 23 of of f2 r1 20 Beatles circa 1963 c1 ry 12 1 15 of r2 27 Beatles "Day Tripper" bass fuzz c2 fu 7 a9 1 p1 h7 18 Biohazard distortion c1 bL 30 a9 48 of of 19 Black Sabbath "Dehumanizer" of dt 30 1 40 of of 30 Black Sabbath "Master of Reality" -
The Spirit of May '97
the spirit of May '97 Issue 38 . • • ..• ..• • ..• Editor/ill Hello and welcome to yet once again agreed to supply us now and it improves with every another action packed issue of with a selection of items, for use listen (check out how to order a The Spirit of Rush. We have in the raffle/auction part of the copy direct on the inside back tried to get this issue to you as event. Some ofthe confirmed cover)-any news of a UK! soon as we could after no.37 in items are as follow ... Roll the European release Chris? From case any of you were planning Bones - Award Plaque. the opening fusion sounding Editorial Address: a trip to North America to catch Complete sets of the re "Patterns" through the epic nd the band on the 2 leg of the mastered albums, Tour closing number 23 Garden Close, t4e tour. You should have Merchandise & some other "Checkerboards" Tiles cover all ChinbrookRoad, picked this issue up in mid-May surprises. As you can see the the bases, why this band are Grove Park,· from your doormat (if all went band and their management not signed to a major label is London, SE12 9TG. well between here and the have been very generous once beyond belief. Personal England printers). As you read this only again. Many, many thanks to favourites include "Anothers a couple of weeks of the 2nd leg them. Hand" and It's marvellous mid would have taken place and section extended instrumental North America with the tour running until the We have included a page or two passage. -
Rush's Lyrical Rhetoric of Oppression and Liberation
Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation Rush’s Lyrical Rhetoric of Oppression and Liberation: Extending “Freedom Songs” into the Progressive Rock Genre Brett A. Barnett Associate Professor of Communication Slippery Rock University of Pennsylvania [email protected] Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation 2 On April 18, 2013, members of the Canadian power trio Rush were among the artists inducted into the Rock and Roll Hall of Fame, a well-deserved honor that was long overdue. Formed in August 1968, Rush would join artists like Pink Floyd and Yes in shaping the music movement that would come to be categorized as “progressive” rock, or “prog rock,” a rock music sub-genre that Rush. Photo credit: By Enrico Frangi (Uploaded by User:Jonasz) [Public domain], via Wikimedia Commons also developed in the late 1960s.1 As reflected in the music of Rush, progressive rock involves more advanced musical forms, including an expanded instrumental palette and increased com- plexity in terms of instrumentation, as well as more sophisticated lyrical themes ranging from unconventional subject matter to increased social commentary. After years playing on the Toronto music scene, Rush formed their own label, Moon Records, and shortly thereafter released their first album, Rush, in 1974.2 Rush’s self-titled debut album did not garner much attention until Cleveland’s WMMS (100.7 FM), widely regarded as one of the most influential rock radio stations in North America, -
Grand Onstage 2018-2019 Season Brochure
18 / 19 Cirque Éloize Saloon + SERENA RYDER ROBERT CRAY JEREMY HOTZ THE CELTIC TENORS & MUCH MORE SUBSCRIPTIONS ON SALE NOW! REGULAR TICKETS GO ON SALE AUGUST 13 19 12 SERENA RYDER & INDIANS COTTAGERS CIRQUE ÉLOIZE – SALOON 13 DJUKI MALA 31 JESSE COOK 42 Table of Contents 11 2 018/ 19 Grand OnStage Welcomes You 2 Messages from the Cultural Director & the Mayor of Kingston 3 Subscription Benefits 4 Early Bird Prizes for Subscribing 5 Ways to Save 6 Season Pricing 7 2018/19 Season Calendar 9 Our Sponsors 49 Our Foundation 50 Our Policies 52 Seating Chart 53 Grand Theatre Box Office CALL. 613.530.2050 CLICK. KingstonGrand.ca VISIT. 218 Princess St. Kingston Graphic Design By: 1dea Design + Media Inc. MS. LISA FISCHER & GRAND BATON 48 2 SEASON SEASON 9 2018/1 Welcomes You As Performing Arts Manager for the City of Kingston, I would like to welcome you to the 11th season of the Grand OnStage (GO) presenting program. As the person responsible for Grand OnStage programming, I am often asked about the new and unique performances that will be offered each season, so here are a few of my highlights for 2018-2019. The blues are back in a big way with Grammy award winner Robert Cray on the main stage in March and Juno award winner Steve Strongman in the Baby Grand in November. This intimate acoustic performance will have limited cabaret seating and will be a hot ticket for blues and guitar enthusiasts alike. Also, Juno blues winner Derek Jayson Duggan Miller will be appearing as part of “Rumble The Concert” in February. -
The Freddie Gruber Scholarship Fund in Memory of Buddy Rich and Nick Ceroli
The Freddie Gruber Scholarship Fund In Memory of Buddy Rich and Nick Ceroli Freddie Gruber began his drumming career in New York in the late 1940s. He played in the only big band to feature bebop sax innovator Charlie Parker, and he became close friends with Buddy Rich, a relationship that continued until Buddy’s passing in 1987. In the early ’60s Gruber played his way through Chicago and Las Vegas, eventually arriving in Los Angeles, where he became a key player in that city’s jazz scene. But Gruber soon discovered his true calling—teaching others how to play drums. Over the next forty years, Freddie’s students included a cross-section of drummers whose playing profoundly influenced the music of the times, among them John Guerin, Ian Wallace, Steve Smith, Dave Weckl, Mike Baird, Johnny “Vatos” Hernandez, David Bronson, Peter Erskine, Burleigh Drummond, and Neil Peart. One early student, Don Lombardi, founded the Drum Workshop company. Freddie had an unparalleled understanding of the physical “dance” involved in playing the instrument—the ergonomic relationship of the drummer to the drums. Without ever trying to disrupt a particular drummer’s “character,” he helped each student discover, express, and refine his own voice. One $2,500 prize will be awarded Eligibility: This annual, one year scholarship, is to assist a college student with tuition to an established, accredited institution of higher education, for the purpose of advanced study in the area of percussion, including but not limited to drumset. Scholarship is for one academic year, students may apply in subsequent years (no more than three years total).