Travelling Narratives Modernity and the Spatial Imaginary
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Christopher Isherwood Papers
http://oac.cdlib.org/findaid/ark:/13030/c8pk0gr7 No online items Christopher Isherwood Papers Finding aid prepared by Sara S. Hodson with April Cunningham, Alison Dinicola, Gayle M. Richardson, Natalie Russell, Rebecca Tuttle, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2, 2000. Updated: January 12, 2007, April 14, 2010 and March 10, 2017 The Huntington Library. All rights reserved. Christopher Isherwood Papers CI 1-4758; FAC 1346-1397 1 Overview of the Collection Title: Christopher Isherwood Papers Dates (inclusive): 1864-2004 Bulk dates: 1925-1986 Collection Number: CI 1-4758; FAC 1346-1397 Creator: Isherwood, Christopher, 1904-1986. Extent: 6,261 pieces, plus ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of British-American writer Christopher Isherwood (1904-1986), chiefly dating from the 1920s to the 1980s. Consisting of scripts, literary manuscripts, correspondence, diaries, photographs, ephemera, audiovisual material, and Isherwood’s library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta. Language: English. Access The collection is open to qualified researchers by prior application through the Reader Services Department, with two exceptions: • The series of Isherwood’s daily diaries, which are closed until January 1, 2030. -
The Novels of Christopher Isherwood
• - '1 .' 1 THE NOVELS OF CHRISTOPHER ISHERWOOD " .r -----------------------~------ ---------- ( ~ .... 'o( , • 1 • , \ J .. .. .J., .. ~ 'i':;., t , • ) .. \ " NARCISSUS OBSERVED AND OBSERVING: THE NOVELS OF C~RISTOPHER 1SI'lERWOOD " By Wiltiam Aitken , / Submitted in Partial Fulfillment of the Requirements For a Master of Arts Degree . Department of'English ~J • ~1cG i 11 Uni ve~s i ty '. , 2 August 1974 .'J . f .' '. li ' . .~ ~ 4-' '\ .. • .( 1 , 1975 ABSTRACT \ • 1, • "Narcissis Obser,\ed and,Observing: The Novels of ~hristoPhe'r Isherwood" deals with narcissi~... --both limitless and limited--as a constant theme running through the novels of Christopher Isher'(fOod. Narcissism is examined in its mythical and psychoanalytlcal contexts, with special emphasis given to the writings of Freud and Marcuse. Par ticular attention is paid~to the author's homosexuality and his various works that deal with homosexuality: an attempt is made to show how » nârcissism may function as a vital and invaluable creative asset for the homosexual author. RESUME "Narc1sse observé et observant: Les Roman~de Christopher r - Isherwood. 11 Cet ouvrage démontre que le narcissisme (à la fois limité et sans limites) est, un thème constant des romans ~e Christopher Ishe~ wood. le phénomêne du narci~sisme est analysé dans ses contextes mythiques et psychanalytiques avec une insistance particuli~re sur les oeuvres de Freud et de Marcuse. L'étude porte un~ attentlon sp€ciale" "à llhomos~xualité de l'auteur et à ses oeuvres diverses et essaie de montrer comment le narcissisme peut être une source d'lnspiration ( v~ta1e et inestimable pour l'écrivain homasexuel . • • PREFACE 1 wish to thank Professor Donald Rùbin for his h~lp a~d suggestions concerning Isherwood's works and pertinent backgr~nd t mate~ia11 a1so, Professor Bruce Garside for his guidance concerning narcissism and psychoanalytic theory. -
Berthold Viertel
Katharina Prager BERTHOLD VIERTEL Eine Biografie der Wiener Moderne 2018 BÖHLAU VERLAG WIEN KÖLN WEIMAR Veröffentlicht mit der Unterstützug des Austrian Science Fund (FWF) : PUB 459-G28 Open Access: Wo nicht anders festgehalten, ist diese Publikation lizenziert unter der Creative-Com- mons-Lizenz Namensnennung 4.0; siehe http://creativecommons.org/licenses/by/4.0/ Bibliografische Information der Deutschen Nationalbibliothek : Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie ; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Umschlagabbildung : Berthold Viertel auf der Probe, Wien um 1953; © Thomas Kuhnke © 2018 by Böhlau Verlag GmbH & Co. KG, Wien Köln Weimar Wiesingerstraße 1, A-1010 Wien, www.boehlau-verlag.com Korrektorat : Alexander Riha, Wien Satz : Michael Rauscher, Wien Umschlaggestaltung : Michael Haderer, Wien ISBN 978-3-205-20832-7 Inhalt Ein chronologischer Überblick ....................... 7 Einleitend .................................. 19 1. BERTHOLD VIERTELS RÜCKKEHR IN DIE ÖSTERREICHISCHE MODERNE DURCH EXIL UND REMIGRATION Außerhalb Österreichs – Die Entstehung des autobiografischen Projekts 47 Innerhalb Österreichs – Konfrontationen mit »österreichischen Illusionen« ................................. 75 2. ERINNERUNGSORTE DER WIENER MODERNE Moderne in Wien ............................. 99 Monarchisches Gefühl ........................... 118 Galizien ................................... 129 Jüdisches Wien .............................. -
Picador December 2019
PICADOR DECEMBER 2019 PAPERBACK The Inflamed Mind A Radical New Approach to Depression Edward Bullmore Worldwide, depression will be the single biggest cause of disability in the next twenty years. But treatment for it has not changed much in the last three decades...until now. In this game-changing book, University of Cambridge Professor of Psychiatry Edward Bullmore reveals the breakthrough new science on the link between depression and inflammation of the body and brain. He explains how and why we now know that mental disorders can have their root cause in the immune PSYCHOLOGY / system, and outlines a future revolution in which treatments could be PSYCHOPATHOLOGY / specifically targeted to break the vicious cycle of stress, inflammation, and DEPRESSION depression. Picador | 12/31/2019 9781250318169 | $18.00 / $24.50 Can. Trade Paperback | 256 pages | Carton Qty: 32 The Inflamed Mind goes far beyond the clinic and the lab, representing a whole 8.3 in H | 5.4 in W new way of looking at how mind, brain, and body all work together in a Includes 15 black-and-white illustrations throughout sometimes-misguided effort to help us survive in a hostile world. It offers insights into the story of Western medicine, how we have got it wrong as well as Subrights: UK: Short Books; tr.: The Gener right in the past, and how we could start getting to grips with depression and Company; 1st Ser: Picador, Aud.: Picador other mental disorders much more effectively in the future. Other Available Formats: Hardcover ISBN: 9781250318145 • For readers of Atul -
Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111.... -
Christopher Isherwood's Camp
Theory and Practice in English Studies Volume 8, No. 2, 2019 E-ISSN: 1805-0859 CHRISTOPHER ISHERWOOD’S CAMP Thomas Castañeda Abstract In this paper I consider recurrent themes in the work of Christopher Isherwood, a novelist best known for his portrayal of Berlin's seedy cabaret scene just before the outbreak of the Second World War. The themes I discuss each hinge on un- canny discrepancies between youth and old age, male and female, sacred and pro- fane, real and sham. Together, I argue, these themes indicate the author's invest- ment in a queer camp sensibility devoted to theatricality, ironic humor, and the supremacy of style. I focus on specific descriptions of characters, objects, and places throughout the author's work in order to foreground camp's rather exuber- ant interest in artifice, affectation, and excess, as well as its ability to apprehend beauty and worthiness even, or especially, in degraded objects, people, or places. Ultimately, I argue that the term camp, especially as it applies to Isherwood's work, names both a comedic style and a specifically queer empathetic mode rooted in shared histories of hurt, secrecy, and social marginalization. Keywords Artifice; camp; dandy; humor; irony; style; theatricality; queerness * * * CHRISTOPHER Isherwood (1904–1986) first glossed the term camp in a 1954 novel entitled The World in the Evening; there, he describes camp as a way of “ex- pressing what’s basically serious to you in terms of fun and artifice and elegance” (125). The novel centers around a bisexual widower named Stephen Monk, who flees his second marriage in Los Angeles to live with his “aunt” Sarah – a close family friend – in a small Quaker community outside Philadelphia. -
The Unforgiving Margin in the Fiction of Christopher Isherwood
The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 Copyright 2011 Paul Michael McNeil All rights reserved ABSTRACT The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Rebellion and repudiation of the mainstream recur as motifs throughout Christopher Isherwood‟s novels and life, dating back to his early experience of the death of his father and continuing through to the end of his own life with his vituperative rant against the heterosexual majority. Threatened by the accepted, by the traditional, by the past, Isherwood and his characters escape to the margin, hoping to find there people who share alternative values and ways of living that might ultimately prove more meaningful and enlightened than those they leave behind in the mainstream. In so doing, they both discover that the margin is a complicated place that is more often menacing than redemptive. Consistently, Isherwood‟s fiction looks at margins and the impulse to flee from the mainstream in search of a marginal alternative. On the one hand, these alternative spaces are thought to be redemptive, thought to liberate and nourish. Isherwood reveals that they do neither. To explore this theme, the dissertation focuses on three novels, The Berlin Stories (The Last of Mr. Norris and Goodbye to Berlin), A Meeting by the River, and A Single Man, because ach of these novels corresponds to marginal journeys of Isherwood— namely, his sexual and creative exile in Berlin from 1929 to 1933, his embrace of Hindu philosophy, and his life as a homosexual. -
Breakfast at the Prater: Christopher Isherwood, His Women and Men
Breakfast at the Prater: Christopher Isherwood, His Women and Men Gian Piero Piretto My intention is to analyze Christopher Isherwood’s novel Prater Violet1 in connection with a group of books, plays and films that, despite their distance in genre, time and space, provide a basis for an interactive investigation of Isherwood’s novel.2 In Berlin Stories, imagining her own destiny and that of her friend Chris, a fictionalized version of the author, Sally Bowles tells Chris: “We two old tramps are going to be the most marvelous novelist and the greatest actress in the world”.3 Nobody, at the moment of her remark, would have agreed with her, and no-one would have been inclined to confirm her optimistic view. Still, Chris and Sally are determined to face both life and a world turning Nazi and showing very little promise. The political situation notwithstanding, and with all her weakness, unfocused passion and lack of common sense, Sally has great expectations for the future, just like the two tramps who, in Chaplin’s 1936 movie Modern Times, walk towards the horizon, uncertain yet indomitable, showing their backs to the spectators.4 The female character is fundamental in this story. Chris is a shy, insecure, and presumably gay young Englishman living in the gaudy atmosphere of Berlin in the Weimar years, who is at once attracted and bewildered by Sally’s unprompted vitality and bravery, just the opposite of his own attitude toward life. Chris depends on Sally: he has left England to get acquainted with the rest of the world, to put a distance between himself and his middle-class family, and to enjoy the sexual freedom of the most exciting European city. -
War and the Writing of Henry Green
WAR AND THE WRITING OF HENRY GREEN Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Geoffrey Easeman Department of English University of Leicester May 2001 UMI Number: U139323 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U139323 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Contents Abstract: War and the Writing of Henry Green by Geoffrey Easeman................................................i Acknowledgements.................................................................................................................................................ii Preface.....................................................................................................................................................................iii Chapter 1:Pack My Bag: shame remembered..............................................................................................1 Chapter 2: Blindness: it isn't the war that matters, it's the after-war................................................ -
The Berlin Stories (1945) the Berlin Stories New Directions, 1954 1
DISCUSSION QUESTIONS Select Works by Isherwood The Berlin Stories (1945) The Berlin Stories New Directions, 1954 1. What do you like about the structure of The Berlin Stories? Would it have been a Christopher and His Kind (1976) stronger work if the two halves had been re-written as one novel? Univ. of Minnesota Press, 2001 2. What do you think Isherwood is referring to when he writes about the “indestructible Santa Monica something” that he comes back to Berlin to look for in the early 1950’s? (p.xii) Diaries,Vol.1: 1939-60 K. Bucknell (ed.) 3. Does Frl. Schroeder represent more than just a friend in this work? HarperCollins, 1997 4. Which characters did you recognize from both books? Did they take on different characteristics depending on which story you are reading? My Guru and His Disciple (1980) Univ. of Minnesota Press, 2001 CITYWIDE The Last of Mr. Norris Prater Violet (1945) 1. The desperate economic climate influences the political leanings of the young Univ. of Minnesota Press, 2001 population: “And morning after morning, all over the immense, damp, dreary town . A Single Man (1964) young men were waking up to another workless empty day to be spent as they could Univ. of Minnesota Press, 2001 best contrive . .”(p. 87) Within this context, compare the pull of the Communist The World in the Evening (1954) READS Party versus the National Socialists (Nazis) for the characters. Univ. of Minnesota Press, 1999 2.“’You’re young. Your standards are so severe. When you get to my age, you’ll see things differently, perhaps. -
The Minor Transnationalism of Christopher Isherwood
CENTRAL EUROPEAN UNIVERSITY A SINGULAR NOMAD: THE MINOR TRANSNATIONALISM OF CHRISTOPHER ISHERWOOD by CALVIN W. KEOGH Doctoral Dissertation Submitted to Central European University Gender Studies Department In partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Comparative Gender Studies CEU eTD Collection Supervisor: Jasmina Lukić Budapest, Hungary August, 2018 CEU eTD Collection Declaration I hereby declare that this dissertation contains no materials previously accepted for any other degrees in any other institutions, and contains no materials previously written and/or published by any other persons, except where appropriate acknowledgement is made in the form of bibliographic reference. Calvin W. Keogh CEU eTD Collection CEU eTD Collection Abstract This project brings a transnational perspective to the work of Christopher Isherwood (1904-86), a writer who began his career in the UK in the 1920s, established his reputation in mainland Europe in the 1930s, and published most of his writing in the US from the 1940s-80s. Transnationalism in literary studies is presented as a critical methodology of selection and analysis, which calls attention to the work of migrant writers and involves a sophisticated approach to related issues of identity, selfhood, and subject positioning. A selection of novels and novellas from the three main periods of Isherwood’s career is made according to his concept of Wanderjahren, or years of wandering, which refers to a time from before he left London in the 1920s to when he felt settled in the US in the 1960s. For the purposes of analysis, ‘minor transnationalism’ is presented as a theoretical framework on the basis of the philosophy of nomadism and the related concept of minor literature as devised by Gilles Deleuze (1925-95) and Félix Guattari (1930-92). -
People, Objects, and Anxiety in Thirties British Fiction
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The Things That Remain: People, Objects, and Anxiety in Thirties British Fiction Emily O'Keefe Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Literature in English, British Isles Commons Recommended Citation O'Keefe, Emily, "The Things That Remain: People, Objects, and Anxiety in Thirties British Fiction" (2012). Dissertations. 374. https://ecommons.luc.edu/luc_diss/374 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2012 Emily O'keefe LOYOLA UNIVERSITY CHICAGO THE THINGS THAT REMAIN: PEOPLE, OBJECTS, AND ANXIETY IN THIRTIES BRITISH FICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY EMILY O‘KEEFE CHICAGO, ILLINOIS AUGUST 2012 Copyright by Emily O‘Keefe, 2012 All rights reserved. ACKNOWLEDGEMENTS Thank you to Joyce Wexler, who initially inspired me to look beyond symbolism to find new ways of engaging with material things in texts. Her perceptive readings of several versions of these chapters guided and encouraged me. To Pamela Caughie, who urged me to consider new and fascinating questions about theory and periodization along the way, and who was always ready to offer practical guidance. To David Chinitz, whose thorough and detailed comments helped me to find just the right words to frame my argument.