Tooele Transcript Bulletin, Published Every Tuesday and Thursday in This Newspaper
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Allegheny Technologies Comes to Rowley
FRONT PAGE A1 www.tooeletranscript.com TUESDAY Faces of 2007: A Year in Pictures See B1 TOOELETRANSCRIPT BULLETIN January 1, 2008 SERVING TOOELE COUNTY SINCE 1894 VOL. 114 NO. 65 50¢ 2007 Top 10 Stories Allegheny Technologies comes to Rowley Back in May, focus on producing titanium sponge Pittsburgh- from magnesium supplied by US 1 based Allegheny Magnesium, and is expected to be Top 10 stories of Technologies, a $4.9 one of the largest titanium produc- 2007 billion-in-revenues ing facilities in the country. global metals pro- Dan Greenfield, Allegheny direc- ducer, broke ground tor of corporate communications, on a massive $450 million titanium said there will be a total of 125 sponge plant in Rowley near the edge acres developed for the facility, and of the Great Salt Lake, signaling a that the largest building on site is new era for economic development expected to cover an area of approxi- in Tooele County. mately 230,000 square feet. He said Allegheny will set up near US the Allegheny plant will be the first Magnesium and become the anchor titanium sponge facility built in the tenant in an industrial zone that United States in many years. could eventually become an incuba- Allegheny’s decision to come was tor for high-tech jobs in the county a major coup for Tooele County’s — a shift away from the county’s economic development brain trust, traditionally high-pollutant, high- which is working with the state in manual-labor manufacturing base. developing tax incentives for the Allegheny produces specialty met- company and other companies that als for the aerospace, medical and may want to locate within the new defense industries, among other industrial zone at Rowley. -
Jess Harbeck
Jess Harbeck Gender: Female E-mail: [email protected] Height: 5 ft. 8 in. Weight: 115 pounds Eyes: Brown Hair Length: Short Waist: 27 Inseam: 32 Shoe Size: 8.0 Physique: Athletic Coat/Dress Size: 2-4 Ethnicity: Caucasian / White Photos Film Credits Bumblebee Stunt Double: Hailee Steinfeld Black Panther Motion Capture (Stunts) Transformers: The Last Knight Stunt Double: Laura Haddock CHIPS Stunt Performer Maniac Stunt Double-Nora Arnezeder Keith Woulard R.I.P.D. Stunt Double: Marisa Miller Oakley Lehman Shark Night 3D Stunt Double-Katharine McPhee Jeff Dashnaw Project X ND Stunts Allan Graf Bridesmaids Stunt Double-Rose Byrne Malosi Leonard S.W.A.T.: Fire Fight Stunt Double-Carly Pope Mike Smith John Carter of Mars ND Stunts Tom Struthers Mirrors 2 Stunt Double-Christy Carlson Mike Smith Generated on 10/07/2021 10:55:13 pm Page 1 of 4 Romano Hot Tub Time Machine ND Stunts Trevor Habberstad Battle: Los Angeles Stunt Double-Bridget Moynahan Joey Box Piranha 3D ND Stunts Alex Daniels Couple's Retreat Stunt Double-Malin Akerman Dan Malone Without A Paddle 2 Stunt Double-Madison Riley Kerry Rossall Dance Flick Stunt Double-Shoshana Bush Charlie Brewer An American Carol ND Stunts Monty Cox The Happening ND Stunts Jeff Habberstad Bratz, The Movie Stunt Double/ND Stunts Mike Long Television Hart of Dixie Stunt Double-Jaime King James Armstrong Grimm Stunt Double: Amy Acker Matt Taylor Grimm Stunt Double: Nana Visitor Matt Taylor True Blood Stunt Double-Kristin Bauer Mike Massa Wonder Woman ND Stunts Lance Gilbert CSI Stunt Double John Epstein Justified ND Stunts Kerry Rossal Undercovers ND Stunts Joey Box The Mentalist ND Stunts John Branagan VH1 Do Something Awards Stunt Double-Jane Lynch Alex Daniels Grey's Anatomy (2 Episodes) Stunt Double/ND Stunts Phil Culotta House M.D. -
Performing the Self on Survivor
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M Repository TEMPORARILY MACHIAVELLIAN: PERFORMING THE SELF ON SURVIVOR An Undergraduate Research Scholars Thesis by REBECCA J. ROBERTS Submitted to the Undergraduate Research Scholars program at Texas A&M University in partial fulfillment of the requirements for the designation as an UNDERGRADUATE RESEARCH SCHOLAR Approved by Research Advisor: Dr. James Ball III May 2018 Major: Performance Studies Psychology TABLE OF CONTENTS Page ABSTRACT ............................................................................................................................. 1 ACKNOWLEDGMENTS ........................................................................................................ 2 INTRODUCTION .................................................................................................................... 3 CHAPTERS I. OUTWIT. OUTPLAY. OUTLAST ......................................................................... 8 History of Survivor ............................................................................................ 8 Origin Story of Survivor .................................................................................. 10 Becoming the Sole Survivor ............................................................................ 12 II. IDENTITY & SELF-PRESENTATION ................................................................ 17 Role Performance ........................................................................................... -
Julia Reichert and the Work of Telling Working-Class Stories
FEATURES JULIA REICHERT AND THE WORK OF TELLING WORKING-CLASS STORIES Patricia Aufderheide It was the Year of Julia: in 2019 documentarian Julia Reichert received lifetime-achievement awards at the Full Frame and HotDocs festivals, was given the inaugural “Empowering Truth” award from Kartemquin Films, and saw a retrospec- tive of her work presented at the Museum of Modern Art in New York. (The International Documentary Association had already given her its 2018 award.) Meanwhile, her newest work, American Factory (2019)—made, as have been all her films in the last two decades, with Steven Bognar—is being championed for an Academy Award nomination, which would be Reichert’s fourth, and has been picked up by the Obamas’ new Higher Ground company. A lifelong socialist- feminist and self-styled “humanist Marxist” who pioneered independent social-issue films featuring women, Reichert was also in 2019 finishing another film, tentatively titled 9to5: The Story of a Movement, about the history of the movement for working women’srights. Yet Julia Reichert is an underrecognized figure in the contemporary documentary landscape. All of Reichert’s films are rooted in Dayton, Ohio. Though periodically rec- ognized by the bicoastal documentary film world, she has never been a part of it, much like her Chicago-based fellow Julia Reichert in 2019. Photo by Eryn Montgomery midwesterners: Kartemquin Films (Gordon Quinn, Steve James, Maria Finitzo, Bill Siegel, and others) and Yvonne 2 The Documentary Film Book. She is absent entirely from Welbon. 3 Gary Crowdus’s A Political Companion to American Film. Nor has her work been a focus of very much documentary While her earliest films are mentioned in many texts as scholarship. -
Carnival Row Ii
McKinney Macartney Management Ltd DARRAN TIERNAN ISC - Director of Photography FOUNDATION Director: Rupert Sanders. Producer: Macdara Kelleher. Starring: Jared Harris and Lee Pace. Skydance Television / Apple TV+. STAR TREK: PICARD Directors: Douglas Aarniokoski, Hannelle M. Culpepper, Johnathan Frakes and Maja Vrvilo. Producers: Michael Chabon, James Duff and Akiva Goldsman. Starring: Patrick Stewart, Santiago Cabrera and Isa Briones. CBS. PERRY MASON Director: Timothy van Patten. Producer: Peter Feldman. Starring: Matthew Rhys, Eric Lange and Tatiana Maslany. HBO. THE HUNT Director: Craig Zobel. Producers: Jason Blum and Damon Lindelof. Starring: Emma Roberts, Justin Hartley and Betty Gilpin. Universal Pictures. $1 Director: Craig Zobel. Producer: Alexandre Dauman, Matt DeRoss, Jason Mosberg, Craig Zobel Starring: John Carroll Lynch, Leslie Odom Jr. Nathaniel Martello-White Anonymous Content / CBS WESTWORLD Directors: Lisa Joy. Producer: J.J. Abrams, Bryan Burk, Lisa Joy, Jonathan Nolan Starring: Evan Rachel Wood, Thandie Newton, James Marsden, Ed Harris, Anthony Hopkins Warner Bros. Kilter Films, Bad Robot, Jerry Weintraub Productions Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 DARRAN TIERNAN Contd … 2 DESIGNATED SURVIVOR Directors: Mike Listo and Frederick E. O. Toye. Producers: Michael Russell Gunn, Richard Klein and Dana Ledoux Miller. Starring: Kiefer Sutherland, Natasha McElhone, Kal Penn, Maggie Q, Adan Canto and Italia Ricci. Netflix. AMERICAN GODS Directors: Craig Zobel, Vincenzo Natali, Adam Kane and Floria Sigismondi. Producer: Mark O’Neill. Starring: Emily Browning, Gillian Anderson and Ian McShane. Freemantle Media North America / Starz! CONVICTION (Pilot) Director: Liz Friedlander. -
The BG News February 13, 1987
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-13-1987 The BG News February 13, 1987 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 13, 1987" (1987). BG News (Student Newspaper). 4620. https://scholarworks.bgsu.edu/bg-news/4620 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Spirits and superstitions in Friday Magazine THE BG NEWS Vol. 69 Issue 80 Bowling Green, Ohio Friday, February 13,1987 Death Funding cut ruled for 1987-88 Increase in fees anticipated suicide by Mike Amburgey said. staff reporter Dalton said the proposed bud- get calls for $992 million Man kills wife, The Ohio Board of Regents statewide in educational subsi- has reduced the University's dies for 1987-88, the same friend first instructional subsidy allocation amount funded for this year. A for 1987-88 by $1.9 million, and 4.7 percent increase is called for by Don Lee unless alterations are made in in the academic year 1988-89 Governor Celeste's proposed DALTON SAID given infla- wire editor budget, University students tionary factors, the governor's could face at least a 25 percent budget puts state universities in The manager of the Bowling instructional fee increase, a difficult place. -
Airbrush Supplies Catalog 1-800-783-2612 Dixieart.Com Airbrush Colors Airbrush Colors
April 1st 2014 - Edition Airbrush Supplies Catalog 1-800-783-2612 dixieart.com Airbrush Colors Airbrush Colors Wicked Colors (Createx's premium grade aribrush colors) contain mild amounts of solvent and are inter-mixed with a durable, exterior-grade resign. A touch of solvent enhances performance, prevents tip dry and allows usage of colors on just about any surface. The Wicked Colors dry semi-gloss and are perfect for t-shirts, automotive graphics, and illustration. Wicked Detail Colors dry matte are a ideal for highly detailed illustrations. Important: When mailing or faxing orders, please specify which size you want by placing an "02", “04”, “16”, “32” or “128” at the end of the order number. For example, AB W03004 would be a 4 oz. bottle of Opaque White. Wicked & Wicked Detail, Fluorescent and Opaque Colors W 500 High Performance Reducer Size retail price Your Price Features / Benefits 2 oz ................................................... 6.13 .................4.55 • Enhanced flow and tip-dry virtually eliminated when airbrushing 16 oz ............................................... 20.20 ...............16.15 • Less surface tension allows for heavier coats without crater defects 32 oz ............................................... 32.76 ...............26.20 • Fast flashing for decreased drying times compared to not reducing or use of 128 oz ........................................... 110.78 ............... W100 Reducer 88.60 • Colors air dry to a cured film with improved film properties which is flat and Wicked Colors Wicked Detail Colors level AB W001................................. White AB W050........................Detail White • Contains 2-Butoxy Ethanol AB W002................................. Black AB W051........................Detail Black • Use colors mixed with High Performance Reducer within 72 hours. AB W003................................ Yellow AB W052.......................Detail Yellow AB W053.................... -
ECON 3240 American Factory Workers in Chinese Factory Spring 2020
ECON 3240 American Factory workers in Chinese Factory Spring 2020 American Factory is great documentary for us, mainly because it discusses how some can fall out of the middle class, becoming vulnerable if not poor, but then thanks to government policy (what government) claw the their way back into the middle class, keeping the Dream alive for themselves and their children we hope (IG mobility). It is also the almost universal story but a story of how workers and manageres learng by doing (aka learning by doing). For reasons that become obviout in the film the same factories and workers learn to do better overtime, like AI but not artificial, more of a group dynamic with input from workers and managers. Somehow workers can become much more productive over time, using lesst time to produce the same number of cars (or glass panels..). The makers of this documentatry sense this dynamic: the camera dwells on the machinery and workers converting sand (silicon) many shapes of very transparent glass (our Coa our Chinese owner entreprenuer writes a song about transparency, which could have two meanings, and Fu, see the Terry Gross interview below. We see the last GM S-10 truck role through the assembly line and we are off, new owners, some new workers from China and 2000 American workers, some from the GM plant that clased. To spread the pain/ privelidge we can the divide the 1 hour 50 minute file into three sectiosn. Everyone read the cast of characters below should watch the first 20 minutes (some of the key cast members are listed below, the huge factory building itself is a star…I thought it was in Dayton, Ohio but actually in another town, this happens when land intensive factories spring up near cities). -
A 040909 Breeze Thursday
Post Comments, share Views, read Blogs on CaPe-Coral-daily-Breeze.Com Back home CAPE CORAL Miracle lose 5-2 to Mets in first game DAILY BREEZE — SPORTS WEATHER: Showers • Tonight: Partly Cloudy • Friday: Showers — 2A cape-coral-daily-breeze.com Vol. 48, No. 118 Thursday, May 21, 2009 50 cents Council denies land use change for Golf Club “To date the TPL (Trust for Public Lands) and the CRA Land owners seek backup plan (Community Redevelopment Agency) have not come to a deal yet. If the CRA is not successful, we’ve got to do By GRAY ROHRER Cape Coral City Council. of the 175-acre parcel in the something with this site — we can’t let it sit forever.” [email protected] Despite ongoing negotia- southeast from parks and recre- The plans of Florida Gulf tions with the Trust for Public ation to mixed use as a backup — Brian Carlson, representative for Ryan Companies, Ventures, owners of The Golf Lands and the Cape Coral plan. the parent company of Florida Gulf Ventures Club who were taking a mulli- Community Redevelopment “We are here today because gan on a land use change pro- Agency to sell the property, this is our only opportunity this posal, fell into a sand trap Florida Gulf Ventures repre- year to ask for a change this Companies, the parent compa- Florida Gulf Ventures said the Wednesday when the proposal sentatives said they needed to year,” said Brian Carlson, a ny of Florida Gulf Ventures. golf course is not profitable, was unanimously denied by the switch the land use designation representative for Ryan Economic analysts -
History Overview Detailed 2020-2021 Tri 2
TRIMESTERTRIMESTER 2 HISTORYHISTORY OVERVIEWOVERVIEW 2020-2021 1/4-1/4-1/1/77 The Constitution Date 1787 Themes Rise and Fall of Empires and Nations Trade and Commerce Readings 1/4-5 Hist US V3 Ch 35, 36 Shhh! p 7-26 1/6-7 Hist US V3 Ch 37, 38 Shhh! p 28-44 1/11-12 Hist US V3 Ch 39, 40 Who Was Geo Washington? pp 1-21 Founding Mothers – Mrs. Jay Story of George Washington Ch 1-2 1/13-14 Hist US V3 Ch 41, 42 Who Was Geo Washington? pp 22-42 Story of George Washington Ch 3-4 BriefBrief OverviewOverview ofof AmericaAmerica inin thethe AftermathAftermath ofof thethe RevolutionaryRevolutionary WarWar The state of American affairs post-Revolutionary War: Congress and the states are in debt, and a postwar depression on the scale of the Great Depression of the 1930s exacerbates the troubles. Currency is losing value. Army vets are unpaid – given promissory notes that are worth little due to inflation. Vets sell their notes to put clothes on their backs and food in their mouths. Economic slump of the 1780s had many sources: • Massive quantities of property were destroyed in the war. • Because men were fighting in the war, they were unable to perform their regular jobs. Economic output fell. • Enslaved men, women, and children emancipated themselves by leaving with the British or simply running into forests and swamps. This was a financial loss to their enslavers. • Britain refused to allow Americans to trade with British sugar islands in the Caribbean – one of the American’s greatest income sources. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2.