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Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Herbert Brenon Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Herbert Brenon 电影 串行 (大全) Quinneys https://zh.listvote.com/lists/film/movies/quinneys-7272298/actors The Clemenceau https://zh.listvote.com/lists/film/movies/the-clemenceau-case-3520302/actors Case Yellow Sands https://zh.listvote.com/lists/film/movies/yellow-sands-8051822/actors The Heart of Maryland https://zh.listvote.com/lists/film/movies/the-heart-of-maryland-3635189/actors The Woman With Four https://zh.listvote.com/lists/film/movies/the-woman-with-four-faces-17478899/actors Faces Empty Pockets https://zh.listvote.com/lists/film/movies/empty-pockets-62333808/actors Honours Easy https://zh.listvote.com/lists/film/movies/honours-easy-12124839/actors Wine, Women and https://zh.listvote.com/lists/film/movies/wine%2C-women-and-song-56291174/actors Song The Custard Cup https://zh.listvote.com/lists/film/movies/the-custard-cup-62595387/actors Moonshine Valley https://zh.listvote.com/lists/film/movies/moonshine-valley-6907976/actors The Eternal Sin https://zh.listvote.com/lists/film/movies/the-eternal-sin-21869328/actors Life's Shop Window https://zh.listvote.com/lists/film/movies/life%27s-shop-window-3832153/actors Laugh, Clown https://zh.listvote.com/lists/film/movies/laugh%2C-clown-1057743/actors God Gave Me Twenty https://zh.listvote.com/lists/film/movies/god-gave-me-twenty-cents-15123200/actors Cents The New Magdalen https://zh.listvote.com/lists/film/movies/the-new-magdalen-15865904/actors The Passion Flower https://zh.listvote.com/lists/film/movies/the-passion-flower-16254009/actors Sin https://zh.listvote.com/lists/film/movies/sin-16908426/actors -
Malcolm Muggeridge the Infernal Grove
e FONTANA MALCOLM MUGGERIDGE THE INFERNAL GROVE 'The wit sparkles on almost every page' BERNARD LEVIN Chronicles of Wasted Time Part 2 The Infernal Grove Malcolm Muggeridge was born in 1903 and educated at Selhurst Grammar School and Selwyn College, Cambridge. After lecturing at the Egyptian University in Cairo, he joined the editorial staff of the Man chester Guardian in 1930, and was Moscow Corre spondent for this paper from 1932-3. In the war of 1939-45 he served as an Intelligence officer in North Africa, Moz.ambique, Italy and France, being seconded to MI6, the wartime version of the Secret Service. He ended up in Paris as Liaison Officer with the French Securite Militaire, and was awarded the Legion of Hon0ur (Chevalier), the Croix de Guerre with Palm and the Medaille de la Reconnaissance Fran9aise. His career as a journalist included a spell' as Washington Correspondent of the Daily Telegraph from 1946-7, and Deputy Editorship from 1950-52. He was Editor of Punch from 1953-7 and Rector of Edinburgh University from 1967-8. He has written numerous books since the early '30s, including Some thing Beautiful for God, Jesus Rediscovered, Tread Softly for you Tread on my Jokes, and The Thirties. He lives in Robertsbridge, Sussex. Volume I of Chronicles of Wasted Time, The Green Stick, is abo available from Fontana, MALCOLM MUGGERIDGE Chronicles of Wasted Time Part 2 The Infernal Grove Till I tum from Female Love, And root up the Infernal Grove, I shall never worthy be To step into Eternity Blake FONTA NA/Collins First published by William Collins Sons & Co. -
Use and Applications of Draping in Turkey's
USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION DUYGU KOCABA Ş MAY 2010 USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY DUYGU KOCABA Ş IN PARTIAL FULFILLMENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES MAY 2010 Approval of the Graduate School of Social Sciences ...................................................... Prof. Dr. Cengiz Erol Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ...................................................... Prof. Dr. Tevfik Balcıoglu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adaquate, in scope and quality, as a thesis for the degree of Master of Design. ...................................................... Asst. Prof. Dr. Şölen Kipöz Supervisor Examining Committee Members Asst. Prof. Dr. Duygu Ebru Öngen Corsini ..................................................... Asst. Prof. Dr. Nevbahar Göksel ...................................................... Asst. Prof. Dr. Şölen Kipöz ...................................................... ii ABSTRACT USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION Kocaba ş, Duygu MDes, Department of Design Studies Supervisor: Asst. Prof. Dr. Şölen K İPÖZ May 2010, 157 pages This study includes the investigations of the methodology and applications of draping technique which helps to add creativity and originality with the effects of experimental process during the application. Drapes which have been used in different forms and purposes from past to present are described as an interaction between art and fashion. Drapes which had decorated the sculptures of many sculptors in ancient times and the paintings of many artists in Renaissance period, has been used as draping technique for fashion design with the contributions of Madeleine Vionnet in 20 th century. -
Chapter 3 Methodology…
Chapter 3 Methodology… Methodology….. CHAPTER III METHODOLOGY The research being descriptive and analytical in nature, a longitudinal research design was planned to accomplish the framed objectives. The study had been divided into three different phases. The detailed historical research was conducted during the first phase while the second phase included the collection and documentation of the data. Earnest efforts for the preservation and popularization of the traditional royal costumes were made during the third phase of research. The organized research procedure that would be accomplishing the present study is mentioned as follows: 3.1 Selection of topic The present research had started with an inspiring thought of investigator’s master’s dissertation work and experiences. The researcher had seen various researches and documentation of Indian royal costumes especially of princely states of Rajasthan and Gujarat and found that the dearth of information was available on the royal costumes of Kachchh which led researcher towards its investigation. The present research had taken its shape as a researcher came across royal heritage of Kachchh for taking it into the limelight and preserving it in a decent manner for future generation. Moreover, the statement of the problem identified as Documentation of traditional costumes of rulers of Kachchh. The rulers of Kachchh were not as popular as other princely state rulers. The word “royal costume” provides an impression of luxurious fabrics, embellishments, and royalty. There could be the difference in these elements in royal costumes of Kachchh compared to other ruler’s costume. Kachchh’s geographical location has Rajasthan one end and Sindh Pakistan at the other end as neighboring states which could have influenced the costumes. -
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”. -
Disciplining the Heart: Love, School, and Growing up Karen in Mae Hong Son
Disciplining the Heart: Love, School, and Growing Up Karen in Mae Hong Son Dayne Corey O’Meara A thesis submitted for the degree of Doctor of Philosophy of The Australian National University. February 2020 © Copyright by Dayne O’Meara 2020 All rights reserved Statement of Originality This thesis is the original work of the author. All sources used and assistance obtained have been acknowledged. Dayne O’Meara February 2020 ii Acknowledgements I am indebted to a number of people who have helped me over not only the four years of working on this project but also my journey to anthropology before that. The first person I would like to thank has not been directly involved in this thesis but is the person I credit with starting me down this path. She continues to be a valued friend and support. Tanya King was one of my undergraduate lecturers at Deakin University in Geelong, and she supervised my Honours thesis. I entered her introduction to anthropology class in 2009 as a relatively close-minded student. After a few weeks, my whole outlook on the world changed dramatically. My motivations for learning about other peoples shifted, and my passion for the discipline of anthropology was born. The others who taught me at Deakin also influenced me greatly to reach this point. Thanks also to Rohan Bastin, Roland Kapferer, and Richard Sutcliffe for guiding me through anthropology from 2009–2012. After relocating to the Australian National University in Canberra for postgraduate studies, I met Ajarn Chintana Sandilands, to whom I owe an enormous debt of gratitude for her patience, passion, and tenacity. -
The King's Nation: a Study of the Emergence and Development of Nation and Nationalism in Thailand
THE KING’S NATION: A STUDY OF THE EMERGENCE AND DEVELOPMENT OF NATION AND NATIONALISM IN THAILAND Andreas Sturm Presented for the Degree of Doctor of Philosophy of the University of London (London School of Economics and Political Science) 2006 UMI Number: U215429 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U215429 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I Declaration I hereby declare that the thesis, submitted in partial fulfillment o f the requirements for the degree of Doctor of Philosophy and entitled ‘The King’s Nation: A Study of the Emergence and Development of Nation and Nationalism in Thailand’, represents my own work and has not been previously submitted to this or any other institution for any degree, diploma or other qualification. Andreas Sturm 2 VV Abstract This thesis presents an overview over the history of the concepts ofnation and nationalism in Thailand. Based on the ethno-symbolist approach to the study of nationalism, this thesis proposes to see the Thai nation as a result of a long process, reflecting the three-phases-model (ethnie , pre-modem and modem nation) for the potential development of a nation as outlined by Anthony Smith. -
The Shape of Women: Corsets, Crinolines & Bustles
The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth. -
Forbidden Songs of the Pgaz K'nyau
Forbidden Songs of the Pgaz K’Nyau Suwichan Phattanaphraiwan (“Chi”) / Bodhivijjalaya College (Srinakharinwirot University), Tak, Thailand Translated by Benjamin Fairfield in consultation with Dr. Yuphaphann Hoonchamlong / University of Hawai‘i at Mānoa, Honolulu, Hawai‘i Peer Reviewer: Amporn Jirattikorn / Chiang Mai University, Thailand Manuscript Editor and General Editor: Richard K. Wolf / Harvard University Editorial Assistant: Kelly Bosworth / Indiana University Bloomington Abstract The “forbidden” songs of the Pkaz K’Nyau (Karen), part of a larger oral tradition (called tha), are on the decline due to lowland Thai moderniZation campaigns, internaliZed Baptist missionary attitudes, and the taboo nature of the music itself. Traditionally only heard at funerals and deeply intertwined with the spiritual world, these 7-syllable, 2-stanza poetic couplets housing vast repositories of oral tradition and knowledge have become increasingly feared, banned, and nearly forgotten among Karen populations in Thailand. With the disappearance of the music comes a loss of cosmology, ecological sustainability, and cultural knowledge and identity. Forbidden Songs is an autoethnographic work by Chi Suwichan Phattanaphraiwan, himself an artist and composer working to revive the music’s place in Karen society, that offers an inside glimpse into the many ways in which Karen tradition is regulated, barred, enforced, reworked, interpreted, and denounced. This informative account, rich in ethnographic data, speaks to the multivalent responses to internal and external factors driving moderniZation in an indigenous and stateless community in northern Thailand. Citation: Phattanaphraiwan, Suwichan (“Chi”). Forbidden Songs of the Pgaz K’Nyau. Translated by Benjamin Fairfield. Ethnomusicology Translations, no. 8. Bloomington, IN: Society for Ethnomusicology, 2018. DOI: https://doi.org/10.14434/emt.v0i8.25921 Originally published in Thai as เพลงต้องห้ามของปกาเกอะญอ. -
Clothing Construction Registration Form
Due June 15 Due June 15 CLOTHING CONSTRUCTION REGISTRATION FORM Name___________________________ Birthdate________________ Telephone Number (___)_____________ County___________________________ Club ____________________________________________________ ---Enter all items you will bring to be judged by marking the appropriate box(es) on this sheet. Enter each class only one time.--- General Clothing STEAM Clothing 2 - Simply Sewing ❑ Clothing Portfolio ❑ Design Basics, Understand Design Principles ❑ Textile Science Scrapbook ❑ Pressing Matters ❑ Sewing for Profit ❑ Upcycled Garment ❑ Upcycled Clothing Accessory Beyond the Needle ❑ Textile Clothing Accessory ❑ Beginning Embellished Garment ❑ Top (vest acceptable) Beginning Textile Clothing Accessory Bottom (pants or shorts) ❑ ❑ ❑ Upcycled Garment ❑ Skirt ❑ Design Portfolio ❑ Lined or Unlined Jacket (non-tailored) ❑ Color Wheel ❑ Dress (not formal wear) ❑ Embellished Garment with Original Design ❑ Romper or Jumpsuit ❑ Original Designed Fabric Yardage ❑ Two-Piece Outfit ❑ Item Made from Original Designed Fabric ❑ Alter Your Pattern ❑ Textile Arts Garment or Accessory ❑ Garment Made from Sustainable or Unconventional Fibers ❑ Beginning Fashion Accessory Other Garment or Accessory ❑ Advanced Fashion Accessory ❑ Wearable Technology Garment ❑ STEAM Clothing 3 - A Stitch Further ❑ Wearable Technology Accessory ❑ Upcycled Garment STEAM Clothing 1 - Fundamentals ❑ Upcycled Clothing Accessory Textile Clothing Accessory ❑ Clothing Portfolio ❑ Sewing Kit ❑ Dress or Formal ❑ Skirted Combination ❑ Fabric