FOREIGN RIGHTS Autumn 2016
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Neighbourhood Watch for the Whole of OS
The deadline for the DECEMBER issue will be November 15. Don't be late. The Christmas issue is a big one. Make sure OSCAR your article or ad is in it! Ottawa South Community Association Review NOVEMBER 1986 SHORTS Neighbourhood Watch FIREHALL WATCH REACHES 50% In the 5 months since its for the whole of OS inception, the Old Firehall Neighbourhood Watch has sur- by ROSEMARY FITZPATRICK passed the 50% point in signing up residents. The With the Neighbourhood area, bounded by Sunnyside, Watch Programs quickly ex- Riverdale, Cameron, and Wil- panding through Ottawa South lard, expects to reach the OSCA is anxious to see all 90% minimum participation of the community under this required by the Ottawa Po- successful program in the lice during early spring. near future. As it stands, Have you marked your VCR 50% of Ottawa South has a with an identifying mark, Neighbourhood Watch. secured all your windows and Neighbourhood Watch is a installed outdoor lighting? self-help crime prevention For those requiring assis- program designed to encour- tance or offering assis- age each citizen to take an tance, the area coordinator, active interest in helping Tom Lawson, can be reached to protect the person and at 236-7022. property of . those in the immediate area of his/her own house. ALDERMAN QUINN Such a program requires TO ATTEND very little time and basi- OSWATCH MEETING cally involves being a good neighbour. It works on the 0SWATCH, a committee con- principle that a person siastic organizers for zones OSCA) evenings at 235-3880 cerned with housing, trans- about to commit a crime is 1 to 7 on the accompanying or Constable Gary Ashford portation and other develop- less likely to do so when map. -
Don Camillo and His Flock
Don Camillo and His Flock Mondo piccolo "Don Camillo e il suo Gregge" by Giovanni Guareschi, 1908-1968 Translated by Frances Frenaye Published: 1961 J J J J J I I I I I Table of Contents The Little World The Thirteenth-Century Angel The Dance of the Hours Rhadames The Stuff from America A Matter of Conscience War to the Knife The Polar Pact The Petition A Solomon Come to Judgment Thunder on the Right Red Letter Day The Strike Thunder The Wall The Sun Also Rises Technique of the Coup d‘État Benefit of Clergy Out of the Night The Bicycle The Prodigal Son Shotgun Wedding Seeds of Hate War of Secession Bianco The Ugly Madonna The Flying Squad Horses of a Different Color Blue Sunday Don Camillo Gets in Trouble When the Rains Came The Right Bell Everyone at his Post Appointment at Midnight J J J J J I I I I I The Little World When I was a young man I worked as a reporter and went around all day on a bicycle looking for news stories for the paper. One day I met a girl and after that I spent so many hours thinking about how this girl would feel if I became Emperor of Mexico, or maybe died instead, that I had very little time left for anything else. So at night I filled my allotted space with invented stories which people liked very much because they were much more true to life than true ones. Of course, there is nothing surprising about this, because stories, like people, grow in a certain atmosphere. -
Foreign Rights Fall 2020
FOREIGN RIGHTS FALL 2020 HOT TITLES FICTION ................................................................................................................................ 3 HOT TITLES NON-FICTION ....................................................................................................................... 5 WOMEN’S FICTION ................................................................................................................................. 6 Hermien Stellmacher ........................................................................................................................... 6 Martina Sahler ..................................................................................................................................... 7 Ruth Eder ............................................................................................................................................. 8 Stefanie Gercke ................................................................................................................................... 9 HISTORICAL FICTION ............................................................................................................................. 12 Rebecca Gablé ................................................................................................................................... 12 Sophia Farago .................................................................................................................................... 18 Martina André .................................................................................................................................. -
The Italian Communist Party and The
CENTRAL EUROPEAN UNIVERSITY DEPARTMENT OF HISTORY The Italian Communist Party and the Hungarian crisis of 1956 History one-year M. A. In partial fulfillment of the requirements for the degree of Masters of Arts Candidate: Aniello Verde Supervisor: Prof. Marsha Siefert Second reader: Prof. Alfred Rieber CEU eTD Collection June 4th, 2012 A. Y. 2011/2012 Budapest, Hungary Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection Acknowledgements I would like to express my frank gratitude to professors Marsha Siefert and Alfred Rieber for their indispensible support, guidance and corrections. Additionally, I would like to thank my Department staff. Particularly, I would like to thank Anikó Molnar for her continuous help and suggestions. CEU eTD Collection III ABSTRACT Despite a vast research about the impact of the Hungarian crisis of 1956 on the legacy of Communism in Italy, the controversial choices of the Italian Communist Party (PCI) have been often considered to be a sort of negative exception in the progressive path of Italian Communism toward modern European socialism. Instead, the main idea of this research is to reconstruct the PCI’s decision-making within the context of the enduring strategic patterns that shaped the political action of the party: can the communist reaction to the impact in Italy of the Hungarian uprising be interpreted as a coherent implication of the communist preexisting and persisting strategy? In order to answer this question, it is necessary to reconstruct how the news coming from Hungary left an imprint on the “permanent interests” of the PCI, and how the communist apparatus reacted to the crisis. -
IL CINEMA RITROVATO 2008 Cineteca Del Comune Di Bologna
XXXVII Mostra Internazionale del Cinema Libero IL CINEMA RITROVATO 2008 Cineteca del Comune di Bologna XXII edizione / 22nd Edition Sabato 28 giugno - Sabato 5 luglio / Saturday 28 June - Saturday 5 July Questa edizione del festival è dedicata a Vittorio Martinelli This festival’s edition is dedicated to Vittorio Martinelli IL CINEMA RITROVATO 2008 Via Azzo Gardino, 65 - tel. 051 219 48 14 - fax 051 219 48 21 - cine- XXII edizione [email protected] Segreteria aperta dalle 9 alle 18 dal 28 giugno al 5 luglio / Secretariat Con il contributo di / With the financial support of: open June 28th - July 5th -from 9 am to 6 pm Comune di Bologna - Settore Cultura e Rapporti con l'Università •Cinema Lumière - Via Azzo Gardino, 65 - tel. 051 219 53 11 Fondazione Cassa di Risparmio in Bologna •Cinema Arlecchino - Via Lame, 57 - tel. 051 52 21 75 Ministero per i Beni e le Attività Culturali - Direzione Generale per il Cinema Modalità di traduzione / Translation services: Regione Emilia-Romagna - Assessorato alla Cultura Tutti i film delle serate in Piazza Maggiore e le proiezioni presso il Programma MEDIA+ dell’Unione Europea Cinema Arlecchino hanno sottotitoli elettronici in italiano e inglese Tutte le proiezioni e gli incontri presso il Cinema Lumière sono tradot- Con la collaborazione di / In association with: ti in simultanea in italiano e inglese Fondazione Teatro Comunale di Bologna All evening screenings in Piazza Maggiore, as well as screenings at the L’Immagine Ritrovata Cinema Arlecchino, will be translated into Italian -
Adenauer, Marshall and Freedom in Europe
1 Nikolas R. Dörr Adenauer, Marshall and Freedom in Europe Speech for the George Marshall Society George-Marshall-Haus in the Konrad Adenauer School, Kriftel, June 6, 2013 Ladies and gentlemen, today is a good day to think about German-American relations. A few hours ago, during his state visit, U.S. President Barack Obama held a speech at the Brandenburg Gate and almost exactly fifty years ago – on 26 June 1963 – John F. Kennedy famously proclaimed „Ich bin ein Berliner“ in front of the Rathaus Schöneberg. „Adenauer, Marshall and Freedom in Europe“– It is a comprehensive topic. Konrad Adenauer and George C. Marshall were globally two of the most important politicians in the post-war period. Numerous publications have been brought out about both of them: monographs, anthologies, even illustrated books, to say nothing of the multitude of articles in scientific and journalistic media. In this talk, I will focus on the immediate post-war period, in which both politicians reached the peak of their prowess. You see Konrad Adenauer, first Federal German Chancellor from 1949 and leader of the CDU from 1950 to 1966, as Time magazine‘s „Man of the Year“ in 1953 with very nice symbolism in the background: showing a new tree growing, slowly but surely, from the old German oak shattered after the loss of the World War. This was seen to be, above all, economic growth. This evening‘s second protagonist is George Catlett Marshall, Chief of Staff of the U.S. army in the Second World War, politically independent Secretary of State between 1947 and 1949 as well as Secretary of Defense 1950 to 1951. -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 2 Monographs and Serials By Subject Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2010 A Holmes & Doyle Bibliography Volume 2, Monographs & Serials, by Subject This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. This second volume presents the exact same information arranged by subject. The subject headings used below are, for the most part, taken from the original De Waal bibliography. Some headings have been modified. Please use the bookmark function in your PDF reader to navigate through the document by subject categories. De Waal's major subject categories are: 1. The Sacred Writings 2. The Apocrypha 3. Manuscripts 4. Foreign Language Editions 5. The Literary Agent (Sir Arthur Conan Doyle) 6. The Writings About the Writings 7. Sherlockians and The Societies 8. Memorials and Memorabilia 9. Games, Puzzles and Quizzes 10. Actors, Performances and Recordings 11. Parodies, Pastiches, Burlesques, Travesties and Satires 12. Cartoons, Comics and Jokes The compiler wishes to thank Peter E. Blau, Don Hobbs, Leslie S. Klinger, and Fred Levin for their assistance in providing additional entries for this bibliography. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 01A SACRED WRITINGS -- INDIVIDUAL TALES -- A CASE OF IDENTITY (8) 1. Doyle, Arthur Conan. A Case of identity and other stories. -
The People of the Po's Volatile Relationship with Their River
Semestrale di Studi e Ricerche di Geografia DOI: 10.13133/1125-5218.15383 XXXI, 1, 2019, ISSN 1125-5218 pp. 45-59 An “old drunken and malicious father”: the people of the Po’s volatile relationship with their river Peter Coates* Keywords: Flooding, Liquidity, Amphibious culture, Risk adaptation, Environmental humanities 1. Introducing Il grande fiume When we think about Italian rivers, those that usually spring to mind are the Tiber and the Arno (Mauch, Zeller, 2008, p. 1). Yet neither is Italy’s longest riv- er, nor the most influential watercourse in modern Italian history. Instead, the status of Il grande fiume and il fiume nazionale has been awarded to the Po (Can- estrelli, 1892, p. 23; Mammi, 1996; Papotti, 1996, pp. 27, 35, 53, 56). The main fluvial artery of Italian industry and commerce – the nation’s «only respectable river» according to journalist and writer Giovanni Guareschi (Guareschi, 2013), p. x) – the Po bisects Italy’s most productive agricultural region and most densely populated area. The river’s significance is also international. The science and technology of river control in continental Europe was born on its unstable banks. This cradle of hydraulic engineering is a superlative river of gastronomy too. The powerful taste of place transmitted by the river and its valley, Val Padana – also known as la pianura padana or la Bassa (Papotti, 1996, pp. 19-21) – has also inspired a wealth of literary and filmic representations. Culturally as well as economically, the Po has become il Mississippi italiano, or, il nostro Old Man River. The relationship between the Po and its people – who, following the lead of film director Michelangelo Antonioni, we might refer to as gente del Po (Anto- nioni, 1947)1 – is complex and multi-layered. -
Don-Camillo-Comrade.Pdf
Table of Contents Gold Fever Don Camillo’s Revenge Don Camillo in Disguise Operation Rondella A Forced Rest The Space Cell Politics on the Road Christ’s Secret Agent The Rains Came to Stay Three Stalks of Wheat The Cell Goes to Confession In the Jaws of Hell Comrade Nadia’s Coffee The Next-to-Last Wave A Story That Has No End A Note from the Author Gold Fever The news exploded like a bomb around Monday noon, upon the arrival of the newspapers. Someone in the village had won ten million liras in the national soccer sweepstakes. The papers gave the name of the winner as Pepito Sbezzeguti, but no one in the town was known under such an exotic name. The bet collector, besieged by a curious mob, threw out his arms hopelessly. 'I sold any number of tickets to fellows from out of town at the market on Saturday,' he said. 'It must be one of them. Ten million liras! He's bound to show up.' But no one showed up, and the village continued to fret, because they felt sure there was something fishy about the name. Sbezzeguti was plausible, someone of that name might have come to the market. But Pepito was going a little too far. Nobody who dealt in wheat, corn, hay, livestock and Parmesan cheese would be called Pepito. 'It's a phony name, if you ask me,' said the proprietor of the Molinetto.'And someone using a false name isn't likely to be a stranger. It must be a villager who doesn't want it known that he played the sweeps. -
Comune Di Brescello Points of Interest - City of Brescello
PUNTI DI INTERESSE - COMUNE DI BRESCELLO POINTS OF INTEREST - CITY OF BRESCELLO MUSEI NOME ORARI BREVE DESCRIZIONE NUMERI UTILI REFERENTE Le sale contengono numerosi cimeli del Don Camillo cinematografico: la moto di Peppone, il vestito di don Camillo, le Lunedì - Venerdì: 09.30 biciclette usate dai due alla fine di “Don Camillo e l’On. Peppone”. -12.30 / 14.30-17.30 1. Museo Peppone e Don All’interno si possono ammirare numerose fotografie scattate Sabato, Domenica e festivi: 09.30- (0039) 0522 – 482564 Elena, Simone, Valeria Camillo durante la lavorazione dei film; i manifesti originali; le ricostruzioni 12.30 / 14.30- 18.30 (estivo) di alcuni ambienti delle riprese. Si possono inoltre acquistare 14.00 - 18.00 (invernale) souvenir, i libri di Giovannino Guareschi, i dvd dei film e prodotti tipici locali. Oltre al salone delle mostre al pianterreno, al primo piano viene proposta ai visitatori la ricostruzione di un set cinematografico Lunedì - Venerdì: 09.30 originale dei film di Don Camillo e Peppone, oltre a una mostra di -12.30 / 14.30-17.30 2. Museo Guareschi, il fuori scena che ritrae il rapporto tra cinema e territorio dove gli Sabato, Domenica e festivi: 09.30- Elena, Simone, Valeria Cinema e il territorio abitanti di Brescello sono protagonisti. All’ ultimo piano è stato 12.30 / 14.30- 18.30 (estivo) allestito un omaggio alla realtà contadina degli anni 50 e ricordi 14.00 - 18.00 (invernale) della Grande alluvione del novembre del 1951 corredati dalle tipiche imbarcazioni del Po e gli strumenti dei barcaioli. Brescello, o per meglio dire, Brixellum, è stato un insediamento fondamentale per la Roma imperiale per la sua posizione strategica lungo una delle principali vie commerciali del nostro territorio. -
Betrayal and Paranoia in John Le Carré's Espionage Fiction: Tinker Tailor Soldier Spy, Our Game and the Constant Gardener
T.C. İSTANBUL ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İNGİLİZ DİLİ VE EDEBİYATI ANABİLİM DALI YÜKSEK LİSANS TEZİ BETRAYAL AND PARANOIA IN JOHN LE CARRÉ’S ESPIONAGE FICTION: TINKER TAILOR SOLDIER SPY, OUR GAME AND THE CONSTANT GARDENER GAMZE G. ÖZFIRAT 2501080878 TEZ DANIŞMANI DR. ÖĞRETİM ÜYESİ FERAH İNCESU İSTANBUL – 2019 TEZ ONAY SAYFASI ABSTRACT BETRAYAL AND PARANOIA IN JOHN LE CARRÉ’S ESPIONAGE FICTION: TINKER TAILOR SOLDIER SPY, OUR GAME AND THE CONSTANT GARDENER GAMZE G. ÖZFIRAT The spy novels of John le Carré mostly revolve around the concepts of loyalty and betrayal and are imbibed with a sense of paranoia against the evil figure. In Le Carré’s fiction, political betrayal usually goes parallel with personal betrayal and the clash of duty with individual conscience is a common theme. John le Carré is the author persona created by David Cornwell, a former officer of the British Secret Service who also served as an intelligence agent during the Cold War era. Although it is not a must to go back to the author’s life in literary criticism, in Le Carré’s case, it is his insider experience about the clandestine world that distinguishes him as a realistic author and gives his critically acclaimed novels their merit. The aim of this study is to do a close reading of three novels by John le Carré, Tinker Tailor Soldier Spy (1974), Our Game (1995) and The Constant Gardener (2001), in order to examine the elements of paranoia and betrayal in the light of the historical and political atmosphere of their respective era. -
When TV Series Permeate and Produce Reality. Preliminary Reflections on Performativity of the «Small Screen»
Isabelle Dumont When TV Series permeate and produce Reality. Preliminary Reflections on Performativity of the «Small Screen» The last decades witnessed the development of a «new narrative formula» in the world of TV series, able to influence opinions and behaviours and to stimulate in spectators a sort of «state of immersion». Furthermore, some series end up with having a more tangible performative effect, realizing a state of permeation of reality which can be materialized for instance in the fiction induced tourism, but also with the creation of «public forums» where TV viewers mix up political opinions and their private sphere. Nevertheless, «permeation» only constitutes a first step of performativity, while a second stage – «production of reality» – is reached in some cases when locations physically take on some characteristic features of a TV series. Which are then the factors and mechanisms that trigger performativity? A possible key to answer the question can be found applying Berques’ concept of médiance to the analysis of this phenomenon. Quando la fiction permea e produce la realtà. Riflessioni preliminari sulla performatività del «piccolo schermo» Gli ultimi decenni hanno visto lo sviluppo di una «nuova formula narrativa» nel mondo della fiction, in grado di in- fluenzare opinioni e comportamenti e di stimolare negli spettatori una sorta di «stato di immersione». Inoltre, alcune fictions finiscono per avere un effetto performativo più tangibile, realizzando uno stato di permeazione della realtà che può concretizzarsi ad esempio nel turismo indotto dalla fictionstessa, ma anche nella creazione di «forum pubblici» dove i telespettatori mescolano opinioni politiche e sfera privata. Tuttavia, la «permeazione» costituisce solo un primo livello della performatività, mentre un secondo stadio – la «produzione della realtà» – viene raggiunto in alcuni casi allorquando determinate locations assumono fisicamente alcune caratteristiche di una fiction.