IL CINEMA RITROVATO 2008 Cineteca Del Comune Di Bologna
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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
DOCUMENT RESUME RC 021 689 AUTHOR Many Nations
DOCUMENT RESUME ED 424 046 RC 021 689 AUTHOR Frazier, Patrick, Ed. TITLE Many Nations: A Library of Congress Resource Guide for the Study of Indian and Alaska Native Peoples of the United States. INSTITUTION Library of Congress, Washington, DC. ISBN ISBN-0-8444-0904-9 PUB DATE 1996-00-00 NOTE 357p.; Photographs and illustrations may not reproduce adequately. AVAILABLE FROM Superintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Books (010) Guides Non-Classroom (055) -- Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS *Alaska Natives; American Indian Culture; *American Indian History; American Indian Languages; *American Indian Studies; *American Indians; Annotated Bibliographies; Federal Indian Relationship; *Library Collections; *Resource Materials; Tribes; United States History IDENTIFIERS *Library of Congress ABSTRACT The Library of Congress has a wealth of information on North American Indian people but does not have a separate collection or section devoted to them. The nature of the Librarv's broad subject divisions, variety of formats, and methods of acquisition have dispersed relevant material among a number of divisions. This guide aims to help the researcher to encounter Indian people through the Library's collections and to enhance the Library staff's own ability to assist with that encounter. The guide is arranged by collections or divisions within the Library and focuses on American Indian and Alaska Native peoples within the United States. Each -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
SPRING 2011.Pdf
THE INTERNET NOISELETTER OF LOOSER THAN LOOSE SPRING VOLUME Nº 5 2011 Vintage Entertainment ISSUE Nº 11 THIS WEB-DOC IS ABSOLUTELY FREE OF CHARGE looser than loose publishing loose cannon fire www.looserthanloose.com A Rambling Editorial Screed by Dave Stevenson All Original Material © 2011 Today’s Editorial is Brought to you by the Letter Troll DITED UBLISHED Y Once upon a time, American popular culture spawned a maniacal, nar- E DITED & PUBLISHED BY cissistic freak-show of a man who was thought by many to be a genius, but Dave and Ali Stevenson known to everyone as a perilously unstable lunatic. He chain-smoked 188 Seames Drive, Marlboro cigarettes, swilled bourbon like water and had a reputation for Manchester, NH 03103 U.S.A. abusing recreational drugs. He was known to associate with the worst kind [email protected] of reprobates, misfits and malcontents - often leading to violent or con- frontational situations. His manner of speaking seemed to be the product LAYOUT & DESIGN of a racing mind and was characterized by a twisted kind of logic that even he would describe as being dangerously insane. No, his name is not Charlie Dave Stevenson Sheen. It was Hunter S. Thompson - a formerly inimitable figure whose DISTRIBUTIONISTRIBUTION once-unique troubles have now seemingly found their way into Sheen’s consciousness. At least, for commercial purposes. Ali Stevenson In recent days, Charlie Sheen has spent his spare time amusing us with DEADLINE FOR VOL. 5, ISSUE Nº 12: a new kind of Punch and Judy show. The cast is comprised of his ego May 1, 2011 (Punch) and his less-than-appreciable acting skills (Judy). -
THTR 433A/ '16 CD II/ Syllabus-9.Pages
USCSchool of Costume Design II: THTR 433A Thurs. 2:00-4:50 Dramatic Arts Fall 2016 Location: Light Lab/PDE Instructor: Terry Ann Gordon Office: [email protected]/ floating office Office Hours: Thurs. 1:00-2:00: by appt/24 hr notice Contact Info: [email protected], 818-636-2729 Course Description and Overview This course is designed to acquaint students with the requirements, process and expectations for Film/TV Costume Designers, supervisors and crew. Emphasis will be placed on all aspects of the Costume process; Design, Prep: script analysis,“scene breakdown”, continuity, research, and budgeting; Shooting schedules, and wrap. The supporting/ancillary Costume Arts and Crafts will also be discussed. Students will gain an historical overview, researching a variety of designers processes, aesthetics and philosophies. Viewing films and film clips will support critique and class discussion. Projects focused on specific design styles and varied media will further support an overview of techniques and concepts. Current production procedures, vocabulary and technology will be covered. We will highlight those Production departments interacting closely with the Costume Department. Time permitting, extra-curricular programs will include rendering/drawing instruction, select field trips, and visiting TV/Film professionals. Students will be required to design a variety of projects structured to enhance their understanding of Film/TV production, concept, style and technique . Learning Objectives The course goal is for students to become familiar with the fundamentals of costume design for TV/Film. They will gain insight into the protocol and expectations required to succeed in this fast paced industry. We will touch on the multiple variations of production formats: Music Video, Tv: 4 camera vs episodic, Film, Commercials, Styling vs Costume Design. -
Don Camillo and His Flock
Don Camillo and His Flock Mondo piccolo "Don Camillo e il suo Gregge" by Giovanni Guareschi, 1908-1968 Translated by Frances Frenaye Published: 1961 J J J J J I I I I I Table of Contents The Little World The Thirteenth-Century Angel The Dance of the Hours Rhadames The Stuff from America A Matter of Conscience War to the Knife The Polar Pact The Petition A Solomon Come to Judgment Thunder on the Right Red Letter Day The Strike Thunder The Wall The Sun Also Rises Technique of the Coup d‘État Benefit of Clergy Out of the Night The Bicycle The Prodigal Son Shotgun Wedding Seeds of Hate War of Secession Bianco The Ugly Madonna The Flying Squad Horses of a Different Color Blue Sunday Don Camillo Gets in Trouble When the Rains Came The Right Bell Everyone at his Post Appointment at Midnight J J J J J I I I I I The Little World When I was a young man I worked as a reporter and went around all day on a bicycle looking for news stories for the paper. One day I met a girl and after that I spent so many hours thinking about how this girl would feel if I became Emperor of Mexico, or maybe died instead, that I had very little time left for anything else. So at night I filled my allotted space with invented stories which people liked very much because they were much more true to life than true ones. Of course, there is nothing surprising about this, because stories, like people, grow in a certain atmosphere. -
Catalogo Delle Opere a Stampa E Una Cartolina Con Firma Autografa, Il Primo 24 Pp
Lim Antiqua s.a.s - Studio bibliografico Via della Chiesa IX, 44 Loc. Monte San Quirico 55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Compositori p. 2 Direttori d’orchestra p. 26 Strumentisti e pianisti p. 38 Cantanti d’opera p. 43 5. Pierre Boulez Compositori 1. Franco Alfano (Napoli 1875 – Sanremo 1954) Lettera autografa firmata del compositore napoletano noto per aver completato Turandot di Puccini, indirizzata al giornalista Giorgio Pillon. Dat. 12 gennaio 1946: “Chiarissimo Professore, la notizia della morte di Romualdo Pantini, mio vecchio caro amico, mi è giunta di sorpresa …Io devo a Pantini innumerevoli consigli se non altrettante reali collaborazioni. “Eliana” datosi al Teatro Reale di Roma, dopo l’estero, due anni fa, appartiene a queste ultime. Anche per “Sakuntala” egli mi è stato largo di suggerimenti”. Franco Alfano rivestì prestigiosi incarichi tra i quali ricordiamo l'insegnamento al Liceo di Bologna, nel 1918 la direzione del Conservatorio di Bologna e dal 1923 la direzione del conservatorio "Giuseppe Verdi" di Torino che mantenne sino al 1939. -
John Cassavetes: at the Limits Of
JOHN CASSAVETES: AT THE LIMITS OF PERFORMANCE A thesis submitted in fulfilment of the requirements for the Degree of Master of Arts in Cinema Studies in the University of Canterbury by Luke Towart University of Canterbury 2014 Table of Contents Acknowledgements…………………………………………………………………………....1 Abstract………………………………………………………………………………………..2 Introduction……………………………………………………………………………………3 Chapter One: Performative Opposition: A Woman Under the Influence…………………….20 Chapter Two: A New Kind of Acting: Shadows……………………………………………..52 Chapter Three: Documentaries of Performance: Faces……………………………………...90 Conclusion…………………………………………………………………………………..122 Bibliography………………………………………………………………………………...134 Filmography………………………………………………………………………………...141 1 Acknowledgements Thank you to Alan Wright, my primary supervisor, and Mary Wiles, my secondary supervisor, for their guidance whilst writing this thesis. 2 Abstract This thesis examines the central role of performance in three of the films of John Cassavetes. I identify Cassavetes’ unique approach to performance and analyze its development in A Woman Under the Influence (1974), Shadows (1959) and Faces (1968). In order to contextualize and define Cassavetes’ methodology, I compare and contrast each of these films in relation to two other relevant film movements. Cassavetes’ approach was dedicated to creating alternative forms of performative expression in film, yet his films are not solely independent from filmic history and can be read as being a reaction against established filmic structures. His films revolve around autonomous performances that often defy and deconstruct traditional concepts of genre, narrative structure and character. Cassavetes’ films are deeply concerned with their characters’ isolation and inability to communicate with one another, yet refrain from traditional or even abstract constructions of meaning in favour of a focus on spontaneous, unstructured performance of character. Cassavetes was devoted to exploring the details of personal relationships, identity and social interaction. -
Series 28: 7) John Cassavetes, KILLING of a CHINESE BOOKIE (1976, 135 Minutes)
March 11, 2014 (Series 28: 7) John Cassavetes, KILLING OF A CHINESE BOOKIE (1976, 135 minutes) Directed by John Cassavetes Cinematography by Mitch Breit Ben Gazzara ... Cosmo Vittelli Timothy Carey ... Flo Al Ruban ... Marty Reitz JOHN CASSAVETES (director) (b. John Nicholas Cassavetes, December 9, 1929 in New York City, New York—d. February 3, 1989 (age 59) in Los Angeles, California) directed 16 films and TV shows, which are 1986 Big Trouble, 1984 Love Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of a Chinese Bookie, 1974 A Woman Under the Influence, 1972 “Columbo” (TV Series), 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob Hope Presents the Chrysler Theatre” (TV Series), 1962-1963 “The Lloyd Bridges Show” (TV Series), 1963 A Child Is Waiting, 1961 Too Late Blues, 1959-1960 “Johnny Staccato” (TV Series), and 1959 Shadows. He also wrote 14 films and TV shows—2010 Antes del estreno (original story), MITCH BREIT (cinematography) has been cinematographer for 1999 Gloria (1980 screenplay), 1997 She's So Lovely, 1984 Love 2 films: 1976 The Killing of a Chinese Bookie and 1974 A Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of Woman Under the Influence. a Chinese Bookie, 1974 A Woman Under the Influence, 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob BEN GAZZARA ... Cosmo Vittelli (b. Biagio Anthony Gazzara, Hope Presents the Chrysler Theatre” (TV Series), 1961 Too Late August 28, 1930 in New York City, New York—d. February 3, Blues, and 1959 Shadows—and edited 2—1968 Faces and 1959 2012 (age 81) in New York City, New York) appeared in 133 Shadows. -
The Swedish Film and Post-War American Films 1938
THE MUSEUM OF MODERN ART 14 WEST 49TH STREET, NEW YORK TEUEPHONE: CIRCLE 7-7470 FOR IMMEDIATE RELEASE Legends to the contrary notwithstanding, the negative of Erich von Stroheim's much-discussed film, Greed, has been preserved in Metro-Goldwyn-Mayer's vaults and it has therefore been possible to include this celebrated "masterpiece of realism" in the Museum of Modern Art Film Libraryfs current Series IV, The Swedish Film and Post-War American Films, Greed will be shown to Museum members on Wednesday, February 23rd, at 8:45 P.M. in the auditorium of the American Museum of Natural History, 77th Street and Central Park West. Thereafter it will be available to students of the film in i colleges and museums throughout the country. Greed, a faithful transcription into pictorial terms of Frank Norris1 novel, "McTeague," was created under unusual circumstances and met with a curious fate. It was not made in a studio, but on location in San Francisco. Whole blocks and houses were purchased as settings , walls knocked out to make the photography of real in teriors practicable. Every detail of the novel was reproduced at considerable expense of time and money, with a passionate and un compromising care for veracity. Eventually von Stroheim offered his producers his finished work, a final cut print twenty reels long which he proposed they should issue in two parts, and which bore no perceptible trace of those elements usually reckoned as "box office. The film was taken from him, cut down to the present ten reel ver sion and so released. -
Erich Von Stroheim, the Child of His Own Loins Fanny Lignon
Erich von Stroheim, the child of his own loins Fanny Lignon To cite this version: Fanny Lignon. Erich von Stroheim, the child of his own loins. 2017. hal-01638172 HAL Id: hal-01638172 https://hal.archives-ouvertes.fr/hal-01638172 Submitted on 19 Nov 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. http://www.thalim.cnrs.fr/ http://www.univ-lyon1.fr/ Fanny Lignon Maître de conférences Etudes cinématographiques et audiovisuelles Université Lyon 1 Laboratoire THALIM / Equipe ARIAS (CNRS / Paris 3 / ENS) E-mail : [email protected] LIGNON Fanny, « Erich von Stroheim, the child of his own loins », OUPblog, Oxford University Press, 22 septembre 2017. [En ligne : https://blog.oup.com/2017/09/erich-von-stroheim-child-loins/] ERICH VON STROHEIM, THE CHILD OF HIS OWN LOINS Fanny Lignon (Translated by Civan Gürel) Even though Erich von Stroheim passed away 60 years ago, it is clear that his persona is still very much alive. His silhouette and his name are enough to evoke an emblematic figure that is at once Teutonic, aristocratic and military. No one has forgotten his timeless characters—among others, Max von Mayerling in Sunset Boulevard, a talented film director who has become the devoted servant of the almost-forgotten silent film star whose movies he used to make, or von Rauffenstein, the prisoner of war camp commandant of La Grande Illusion with his neck stiff in a brace, perfectly symbolizing at once a world that is gradually passing away and a world that is being born. -
Mervyn Leroy GOLD DIGGERS of 1933 (1933), 97 Min
January 30, 2018 (XXXVI:1) Mervyn LeRoy GOLD DIGGERS OF 1933 (1933), 97 min. (The online version of this handout has hot urls.) National Film Registry, 2003 Directed by Mervyn LeRoy Numbers created and directed by Busby Berkeley Writing by Erwin S. Gelsey & James Seymour, David Boehm & Ben Markson (dialogue), Avery Hopwood (based on a play by) Produced by Robert Lord, Jack L. Warner, Raymond Griffith (uncredited) Cinematography Sol Polito Film Editing George Amy Art Direction Anton Grot Costume Design Orry-Kelly Warren William…J. Lawrence Bradford him a major director. Some of the other 65 films he directed were Joan Blondell…Carol King Mary, Mary (1963), Gypsy (1962), The FBI Story (1959), No Aline MacMahon…Trixie Lorraine Time for Sergeants (1958), The Bad Seed (1956), Mister Roberts Ruby Keeler…Polly Parker (1955), Rose Marie (1954), Million Dollar Mermaid (1952), Quo Dick Powell…Brad Roberts Vadis? (1951), Any Number Can Play (1949), Little Women Guy Kibbee…Faneul H. Peabody (1949), The House I Live In (1945), Thirty Seconds Over Tokyo Ned Sparks…Barney Hopkins (1944), Madame Curie (1943), They Won't Forget (1937) [a Ginger Rogers…Fay Fortune great social issue film, also notable for the first sweatered film Billy Bart…The Baby appearance by his discovery Judy Turner, whose name he Etta Moten..soloist in “Remember My Forgotten Man” changed to Lana], I Am a Fugitive from a Chain Gang (1932), and Two Seconds (1931). He produced 28 films, one of which MERVYN LE ROY (b. October 15, 1900 in San Francisco, was The Wizard of Oz (1939) hence the inscription on his CA—d.