Invisibility Themes in Silent Movies
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The Enchanted Castle by E. Nesbit</H1>
The Enchanted Castle by E. Nesbit The Enchanted Castle by E. Nesbit The Enchanted Castle by E. Nesbit To Margaret Ostler with love from E. Nesbit Peggy, you came from the heath and moor, And you brought their airs through my open door; You brought the blossom of youth to blow In the Latin Quarter of Soho. For the sake of that magic I send you here A tale of enchantments, Peggy dear, A bit of my work, and a bit of my heart... The bit that you left when we had to part. Royalty Chambers, Soho, W. 25 September 1907 page 1 / 369 There were three of them Jerry, Jimmy, and Kathleen. Of course, Jerry's name was Gerald, and not Jeremiah, whatever you may think; and Jimmy's name was James; and Kathleen was never called by her name at all, but Cathy, or Catty, or Puss Cat, when her brothers were pleased with her, and Scratch Cat when they were not pleased. And they were at school in a little town in the West of England the boys at one school, of course, and the girl at another, because the sensible habit of having boys and girls at the same school is not yet as common as I hope it will be some day. They used to see each other on Saturdays and Sundays at the house of a kind maiden lady; but it was one of those houses where it is impossible to play. You know the kind of house, don't you? There is a sort of a something about that kind of house that makes you hardly able even to talk to each other when you are left alone, and playing seems unnatural and affected. -
Chatham Ttss
m •• •-•'-••;»• • Chatham ttss VOL. XXII. NO. 8 CHATHAM, MORRIS COUNTY, N. J , FEBRUARY 23, 1918 PRICE. FIVE CENTS Woman's flub Reception. Death of Conrad Tan Fleet A CALL FOR FILLING The Woman's Club of diatham^Bave DIFFERENT One by one the heroes of the Civil HOME AND SCHOOL ASSOCIATION its first annual reception last Friday War are pas-Ing away. Death has venln? at the school auditorium. summoned another- one In the person ALL THE ICE HOUSES About 250 members and their guests CLERGYMEN of Conrad Van Fleet, who died Thurs- attended, a most gratifying number day morning after an Illness of several We Stand First for Efficient Parenthood when we remember all the war activi- months from the infirmities of age. Unless II Is .Done There Will ties which- claim our time, Mrs. An Interesting Contrast Be- Mr. Van Fleet was seventy-eight years WE STAND NEXT FOR CO-OPERATION WITJi THE SCHOOL tfiarles Davis, Pi<rsldent of the otjtge, and for many .years w,as a ijajj Be a Disastrous Scarcity Thursday Morning Club of Madison, tween a Patriotic"American ued member of the Chatham commun- Well Trained. der. It Is entirely "up to us," accord- represented that organization as guest ity life. He served with distinction in The head of the household wore an ing as we are ready. Think, Be worth of Ice Next Summer of the^Woman's Club. and a Copperhead the Civil War, and since his return ugly dark look when he beheld the of iodine will save five wounds from Following the reception and a short was active in U. -
The Silent Film Project
e t 02-28-2018 Films that have completed scanning:Th Silen Film Project TITLE YEAR STUDIO DIRECTOR STAR e 13AdventuresWashington of BillSquare and [1921]1928 UniversalPathegram MelvilleRobert N.W. BradburyBrown JeanBob SteeleHersholt Alic Joyce Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 Black Sambo's Escape [1925] Keystone e al f e e f , e e f Th go o th Silent Film Project at th Library o Congress is to borrow catalog, digitally preserve, and ensur th availability o silent (and selected sound era) films for public viewing and research. -
Films Refusés, Du Moins En Première Instance, Par La Censure 1917-1926 N.B
Films refusés, du moins en première instance, par la censure 1917-1926 N.B. : Ce tableau dresse, d’après les archives de la Régie du cinéma, la liste de tous les refus prononcés par le Bureau de la censure à l’égard d’une version de film soumise pour approbation. Comme de nombreux films ont été soumis plus d’une fois, dans des versions différentes, chaque refus successif fait l’objet d’une nouvelle ligne. La date est celle de la décision. Les « Remarques » sont reproduites telles qu’elles se trouvent dans les documents originaux, accompagnées parfois de commentaires entre [ ]. 1632 02 janv 1917 The wager Metro Immoral and criminal; commissioner of police in league with crooks to commit a frame-up robbery to win a wager. 1633 04 janv 1917 Blood money Bison Criminal and a very low type. 1634 04 janv 1917 The moral right Imperial Murder. 1635 05 janv 1917 The piper price Blue Bird Infidelity and not in good taste. 1636 08 janv 1917 Intolerance Griffith [Version modifiée]. Scafold scenes; naked woman; man in death cell; massacre; fights and murder; peeping thow kay hole and girl fixing her stocking; scenes in temple of love; raiding bawdy house; kissing and hugging; naked statue; girls half clad. 1637 09 janv 1917 Redeeming love Morosco Too much caricature on a clergyman; cabaret gambling and filthy scenes. 1638 12 janv 1917 Kick in Pathé Criminal and low. 1639 12 janv 1917 Her New-York Pathé With a tendency to immorality. 1640 12 janv 1917 Double room mystery Red Murder; robbery and of low type. -
Journal of the Speech and Theatre Association of Missouri Volume XLIV, Fall 2014 Published by the Speech and Theatre Association of Missouri – ISSN 1073-8460
Speech and Theatre Association of Missouri Officers President Michael Hachmeister Parkway South High School Vice-President Carla Miller Wydown Middle School Vice-President Elect Lara Corvera Pattonville High School Immediate Past-President Jeff Peltz University of Central Missouri Executive Secretary Scott Jensen Webster University Director of Publications Gina Jensen Webster University Board of Governors Melissa Joy Benton, STLCC – Florissant & Webster Univ. 2014 Todd Schnake, Raymore-Peculiar High School 2014 David Watkins, Neosho High School 2014 Jamie Yung, Lexington High School 2014 Brian Engelmeyer, Wydown Middle School 2015 Matt Good, Lee's Summit West High School 2015 Paul Hackenberger, Winnetonka High School 2015 Maureen Kelts, Delta Woods Middle School 2015 Molly Beck, Ladue Horton Watkins High School 2016 Brad Rackers, Lee's Summit West High School 2016 Justin Seiwell, Clayton High School 2016 Teri Turner, Smith-Cotton High School 2016 Historian Shannon Johnson University of Central Missouri Student Liason John O’Neil Missouri State University Director of Electronic Communications Brian Engelmeyer Wydown Middle School Ex. Officio Member Dr. Melia Franklin DESE Fine Arts www.speechandtheatremo.org i Journal of the Speech and Theatre Association of Missouri Volume XLIV, Fall 2014 Published by the Speech and Theatre Association of Missouri – ISSN 1073-8460 Scholarly Articles Motivations for Friendship: Russia, Croatia and United States 1 Deborrah Uecker, Jacqueline Schmidt, Aimee Lau Moving the Stage 17 William Schlichter Great -
Hollywood and France, 1914-1945 Louise G
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Vive la Différence: Hollywood and France, 1914-1945 Louise G. Hilton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Hilton, Louise G., "Vive la Différence: Hollywood and France, 1914-1945" (2011). LSU Master's Theses. 1206. https://digitalcommons.lsu.edu/gradschool_theses/1206 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. VIVE LA DIFFÉRENCE: HOLLYWOOD AND FRANCE, 1914-1945 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Louise G. Hilton B. A., Louisiana State University, 2004 May 2011 ACKNOWLEDGEMENTS I wish, first of all, to thank my thesis advisor, Dr. Charles Shindo, for his counsel and infinite patience during the time I spent working on this project. Dr. Karl Roider also deserves heartfelt thanks for his unflagging support throughout my studies at LSU and for his agreeing to be a member of my thesis committee. I extend my appreciation to Dr. William Clark for giving of his valuable time to be a part of my committee. -
Puttin' on the Glitz: Hollywood's Influence on Fashion
SPRING EXHIBIT | LANGSON LIBRARY Puttin' on the Glitz Hollywood's Influence o n Fashion OCTOBER 2010 - APRIL 2011 MURIEL ANSLEY REYNO- 1 -LDS EXHIBIT GALLERY Puttin’ on the Glitz Hollywood’s Influence on Fashion An exhibit in the UC Irvine Langson Library Muriel Ansley Reynolds Exhibit Gallery October 2010 - April 2011 Curated by Becky Imamoto, Research Librarian for History THE UC IRVINE LIBRARIES • IRVINE, CALIFORNIA • 2010 Welcome to the UCI Libraries’ Fall 2010 exhibition. Puttin’ on the Glitz: Hollywood’s Influence on Fashion examines the major impact that Hollywood had and continues to have over fashion. This exciting exhibit highlights films and designers from Hollywood’s golden years through the 20th century, all presented within a historical context. Items on display include significant books, journals, images, videos, and movie posters from the Libraries’ collections, and stunning costumes from UCI’s drama department. The curator is Becky Imamoto, Research Librarian for History. I hope you enjoy the exhibit and return to view others in the future. Gerald L. Lowell Interim University Librarian - 3 - this exhibit examines the history of Hollywood costume design from its inception to the end of the 20th century. In the early 1910s, costume design was little more than an afterthought, with silent screen actresses providing costumes from their personal wardrobes. However, during the Golden Age (1930- 1959), Hollywood realized how much publicity and money could be generated through its promotion of new fashion designs, and so set to work building an image of splendor, luxury, and endless consumption. Hollywood was, and is, a powerful social force that determines what is considered by the rest of the world to be beautiful and glamorous. -
The Gothic Novel 1790–1830: Plot Summaries and Index to Motifs
University of Kentucky UKnowledge Literature in English, British Isles English Language and Literature 1981 The Gothic Novel 1790–1830: Plot Summaries and Index to Motifs Ann B. Tracy State University of New York, Plattsburgh Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Tracy, Ann B., "The Gothic Novel 1790–1830: Plot Summaries and Index to Motifs" (1981). Literature in English, British Isles. 57. https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/57 For Mary Jane Keith Schildberg, an early and sinister influence ooooooooooooo::x:oooooooooooocooooooooooooooooooooocoooooc:oooooooooooo This page intentionally left blank The Gothic Novel 1790-1830 ClOOOOOOOOOOOO'OOOOClOOOCIOOOCC CC CO CO CO CO CIXIOOOOOQOOO CO CC CO CO DCCC COCO COCO CO CO CO COCO CO CO COCO COCO CO COOOCXKXIOOOOOOCOOCO Plot Summaries and Index to Motifs ANN B. TRACY THE UNIVERSITY PRESS OF KENTUCKY Publication of this book has been assisted by a grant from the Andrew W. Mellon Foundation. Library of Congress Cataloging in Publication Data Tracy, Ann Blaisdell. The Gothic novel, 1790-1830. Includes bibliographical references and indexes. 1. English fiction - 19th century - Stories, -
Warner Oland Филм ÑпиÑък
Warner Oland Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Charlie Chan on https://bg.listvote.com/lists/film/movies/charlie-chan-on-broadway-4491086/actors Broadway Charlie Chan's https://bg.listvote.com/lists/film/movies/charlie-chan%27s-courage-3666653/actors Courage Mandarin's Gold https://bg.listvote.com/lists/film/movies/mandarin%27s-gold-20077239/actors The Yellow Arm https://bg.listvote.com/lists/film/movies/the-yellow-arm-3990127/actors The Fool's Revenge https://bg.listvote.com/lists/film/movies/the-fool%27s-revenge-21183789/actors Charlie Chan in https://bg.listvote.com/lists/film/movies/charlie-chan-in-shanghai-3818781/actors Shanghai The Romance of https://bg.listvote.com/lists/film/movies/the-romance-of-elaine-1754159/actors Elaine The Eternal Sapho https://bg.listvote.com/lists/film/movies/the-eternal-sapho-3520780/actors Destruction https://bg.listvote.com/lists/film/movies/destruction-373126/actors Don Q, Son of Zorro https://bg.listvote.com/lists/film/movies/don-q%2C-son-of-zorro-607786/actors Bulldog Drummond https://bg.listvote.com/lists/film/movies/bulldog-drummond-strikes-back-3226392/actors Strikes Back One Night in Rome https://bg.listvote.com/lists/film/movies/one-night-in-rome-7093067/actors Charlie Chan's https://bg.listvote.com/lists/film/movies/charlie-chan%27s-secret-860277/actors Secret Days of Thrills and https://bg.listvote.com/lists/film/movies/days-of-thrills-and-laughter-3724790/actors Laughter Charlie Chan in https://bg.listvote.com/lists/film/movies/charlie-chan-in-london-5084672/actors London Sailor -
Early Classical Hollywood Cinema 1900'S-In The
Early Classical Hollywood Cinema 1900’s-In the early 1900s, motion pictures ("flickers") were no longer innovative experiments/scapist entertainment medium for the working-class masses/ Kinetoscope parlors, lecture halls, and storefronts turned into nickelodeon. Admission 5 cents (sometimes a dime) - open from early morning to midnight. 1905-First Nickelodean -Pittsburgh by Harry Davis in June of 1905/few theatre shows in US- shows GREAT TRAIN ROBBERY Urban, foreign-born, working-class, immigrant audiences loved the cheap form of entertainment and were the predominent cinema-goers Some of the biggest names in the film business got their start as proprietors, investors, exhibitors, or distributors in nickelodeons.:Adolph Zukor ,Marcus Loew, Jesse Lasky, Sam Goldwyn (Goldfish), the Warner brothers, Carl Laemmle, William Fox, Louis B. Mayer 1906-According to most sources, the first continuous, full-length narrative feature film (defined as a commercially-made film at least an hour in length) was Charles Tait's biopic of a notorious outback bushranger, The Story of the Kelly Gang (1906, Australia)- Australia was the only country set up to regularly produce feature-length films prior to 1911.- 1907-Griffith begins working for Edision- Edwin S. Porter's and Thomas Edison's Rescued From the Eagle's Nest (1907)/ Griffith- Contributing to the modern language of cinema, he used the camera and film in new, more functional, mobile ways with composed shots, traveling shots and camera movement, split-screens, flashbacks, cross-cutting (showing two simultaneous actions that build toward a tense climax), frequent closeups to observe details, fades, irises, intercutting, parallel editing, dissolves, changing camera angles, soft-focus, lens filters, and experimental/artificial lighting and shading/tinting. -
Turners Falls Reporterwaeporter for the Years Given
LyricLyric TheatreTheatre - Turners Falls, Mass. Gleanings from the TuTurnersrners FFallsalls ReporterReporter for the years given in this synopsis. Compiled, by Ed Gregory August, 2017 Page 11 of 28 Ed Gregory August, 2017 LyricLyric TheatreTheatre - TurnersTumers Falls, Mass. 86 Third Street Gleaning from the Turners Falls ReporterWAeporter for the years given. AprilApril 110,0 , 11912912 Turners Falls'Falls’ new moving picture theatre, the Lyric, on Third Street, presents a very attractive appearance and under the able and expert management of Lawler Bros. already gives promise of being successful as well as well conducted enterprises of the sort generally are. JuneJune 1212 The big Selig feature picture "The Coming of Columbus," will be shown at the Lyric theatre this afternoon at 3.30, evening at 7.15 and at 8.45. The Selig Company has assuredly created a notable production and one which will long be of use as an educational factor. JulyJuly 31 Special Pictures at the Lyric Theater "A Nation's Peril," a big two reel Pathe (Pathé)(Pathé) moving picture, will be shown at the Lyric theater, Third Street, next Saturday afternoon and evening. This is one of the most sensational films ever shown in moving pictures, and shows the explosion of a submarine minemune throwing tons of water into the air, carrying with it shattered fragments of a battleship. "The Lady of the Lake," a three reel Vitagraph special feature picture will be shown Saturday afternoon and evening, August 10th.10th. This picture is taken from the poem of Sir Walter Scott and shows many Scottish scenes. August 28 "The Siege of Petersburg," a spectacular Civil War production based on historical incidents in connection with one of the most sensational campaigns of the rebellion, will be shown at the Lyric theatre, Third Street, for one day only, next Saturday afternoon at 2.25 and 3.45 and in the evening at 7.15 and 8.45. -
Les Premiers Films Criminels
panneauxcrimeOK 7/07/04 15:58 Page 1 LES PREMIERS FILMS CRIMINELS (1898 – 1906) Le «cinématographe » ne s’est penché sur le fait divers criminel ou sur les histoires criminelles que quelques années après sa naissance officielle datant de décembre 1895.- Les premiers films En effet, Ferdinand Zecca, « criminels» commencent après une visite au Musée vers 1898/1899, avec Grévin, frappé par le réalisme quelques petits films des figures de cire qui d’une minute environ, retrace les principaux produits par la Star Film moments du crime d’un de Georges Méliès, rôdeur de barrière, décide l’inventeur de la féérie d’en tirer un film. cinématographique qui ont pour titres : Un vol dans la Ferdinand Zecca, ne se tombe de Cléopâtre (scène contente pas d’animer les • L’histoire d’un crime de Ferdinand Zecca égyptienne), ou Pickpocket figures de cires du Musée 4ème tableau – 1901 et Policeman, (scène Grévin, il leur insuffle une comique)… ou chez Gaumont dramaturgie, celle du genre avec Les cambrioleurs. « criminel », dans le film, qu’il réalise en six La maison Pathé en 1901, tableaux : avec Histoire d’un crime 1 l’assassinat du bourgeois de Ferdinand Zecca jette 2 l’arrestation les bases du film « criminel », 3 la confrontation à la morgue ancêtre du film policier. 4 la sombre rêverie du prisonnier dans sa geôle 5 la toilette du condamné 6 le couperet de la guillotine • Les Apaches pas veinards • Les Apaches de Paris d’Alice Guy – 1904 de Ferdinand Zecca - 1905 • La civilisation à travers les âges de Georges Méliès - 1907 panneauxcrimeOK 7/07/04 15:59 Page 2 …LES PREMIERS FILMS CRIMINELS (1898-1906) • Les incendiaires de Georges Méliès – 1906 • Les Malles sanglantes, du fait divers au cinéma (Illustration du Petit Journal du 16 juin 1896 ; fascicule publié • Robert Macaire de 1907 à 1911 ; et Bertrand, premier épisode le roi des de Fantômas de cambrioleurs Louis Feuillade de Georges en 1913) Méliès - 1906 «L’histoire d’un crime tableaux, un fait divers fait date dans l’histoire criminel commis en 1797, du cinéma.