Turners Falls Reporterwaeporter for the Years Given
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Unsung Heroines in Canadian Women's Great War Fictions
Donna Coates The Best Soldiers of All Unsung Heroines in Canadian Women's Great War Fictions If we keep on speaking the same language together, we're going to reproduce the same history. Begin the same old stories all over again. Listen: all around us, men and women sound just the same. The same discussions, the same arguments, the same scenes. The same distractions and separations. The same difficulties, the same impossi- bility of making connections. The same . Same . Always the same. LUCE IRIGARAY 205 In the 1950s, Desmond Pacey remarked that war writ- ing was the least examined area in Canadian literature, a comment still rele- vant today. To date, only one article on Great War fictions has appeared. Sweepingly titled "Canadian Fiction of the Great War," it sounds inclusive, but is not. Although Eric Thompson declares his intention to analyze war novels "which constitute the best fiction by Canadian writers about the experiences of Canadian fighting soldiers in the Great War of 1914-18" (81), he discusses only fictions by Peregrine Acland, Charles Yale Harrison, Philip Child, and contemporary writer Timothy Findley. In exclusively considering male writers, however, Thompson succumbs to traditional patriarchal criti- cism, which assumes that the weaponless are wordless, and that war is none of women's business; hence he ignores several of the "best" wartime writers such as Gertrude Arnold and L. M. Montgomery, whose novels also include (albeit peripherally) the experiences of Canadian fighting soldiers. Thompson's failure to include women in his study is particularly glaring in light of the fact that Carl F. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Movie Mirror Book
WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al ways been at high pitch, so, in offering these concise his tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made. -
Epica Marina I, 2
Epica marina I, 2 2020 Università degli Studi di Milano Dipartimento di Studi letterari, filologici e linguistici COMITATO DI DIREZIONE: Guglielmo Barucci (Università degli Studi di Milano), Sandra Carapezza (Università degli Studi di Milano), Michele Comelli (Università degli Studi di Milano), Cristina Zampese (Università degli Studi di Milano) COMITATO SCIENTIFICO: Maria Cristina Cabani (Università degli Studi di Pisa), Alessandro Cassol (Università degli Studi di Milano), Jo Ann Cavallo (Columbia University, New York), Cristiano Diddi (Università degli Studi di Salerno), Marco Dorigatti (University of Oxford), Stefano Ercolino (Università Ca’ Foscari Venezia), Bruno Falcetto (Università degli Studi di Milano), Fulvio Ferrari (Università di Trento), Luca Frassineti (Università della Campania Luigi Vanvitelli), Massimiliano Gaggero (Università degli Studi di Milano), Massimo Gioseffi (Università degli Studi di Milano), Giovanni Iamartino (Università degli Studi di Milano), Dennis Looney (University of Pittsbourgh), Cristina Montagnani (Università di Ferrara), Franco Tomasi (Università degli Studi di Padova) COMITATO DI REDAZIONE: Angela Andreani (Università degli Studi di Milano), Ottavio Ghidini (Università Cattolica del Sacro Cuore), Barbara Tanzi Imbri (Università degli Studi di Milano) In copertina: Ivan K. Aivazovsky, Bracing the waves, private collection «AOQU» I, 2 (2020) Open Access online: http://riviste.unimi.it/index.php/aoqu ISBN 9788855264051 ISSN 2724-3346 DOI 10.13130/2724-3346/2020/2 Copyright © 2020 Volume pubblicato con il contributo del Dipartimento di Studi letterari, filologici e linguistici dell’Università degli Studi di Milano Grafica di copertina: Shiroi Studio Stampa: Ledizioni Via Morigi 11, 20123 Milano Via Alamanni 11, 20141 Milano www.shiroistudio.com www.ledizioni.it Indice Premessa pp. 7-8 Ronald Blankenborg, The Territory without a Map: the Sea as a pp. -
The Silent Film Project
e t 02-28-2018 Films that have completed scanning:Th Silen Film Project TITLE YEAR STUDIO DIRECTOR STAR e 13AdventuresWashington of BillSquare and [1921]1928 UniversalPathegram MelvilleRobert N.W. BradburyBrown JeanBob SteeleHersholt Alic Joyce Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 Black Sambo's Escape [1925] Keystone e al f e e f , e e f Th go o th Silent Film Project at th Library o Congress is to borrow catalog, digitally preserve, and ensur th availability o silent (and selected sound era) films for public viewing and research. -
July 1978 Scv^ Monthly for the Press && the Museum of Modern Art Frl 11 West 53 Street, New York, N.Y
d^c July 1978 ScV^ Monthly for the Press && The Museum of Modern Art frl 11 West 53 Street, New York, N.Y. 10019 Department of Public Information, (212)956-2648 What' s New Page 1 What's Coming Up Page 2 Current Exhibitions Page 3-4 Gallery Talks, Special Events Page 4-5 Ongoing Page Museum Hours, Admission Fees Page 6 Events for Children , Page 6 WHAT'S NEW DRAWINGS Artists and Writers Jul 10—Sep 24 An exhibition of 75 drawings from the Museum Collection ranging in date from 1889 to 1976. These drawings are portraits of 20th- century American and European painters and sculptors, poets and philosophers, novelists and critics. Portraits of writers in clude those of John Ashbery, Joe Bousquet, Bertolt Brecht, John Dewey, Iwan Goll, Max Jacob, James Joyce, Frank O'Hara, Kenneth Koch, Katherine Anne Porter, Albert Schweitzer, Gertrude Stein, Tristan Tzara, and Glenway Wescott. Among the artists represent ed by self-portraits are Botero, Chagall, Duchamp, Hartley, Kirchner, Laurencin, Matisse, Orozco, Samaras, Shahn, Sheeler, and Spilliaert. Directed by William S. Lieberman, Director, De partment of Drawings. (Sachs Galleries, 3rd floor) VARIETY OF MEDIA Selections from the Art Lending Service Jul 10—Sep 5 An exhibition/sale of works in a variety of media. (Penthouse, 6th floor) PHOTOGRAPHY Mirrors and Windows: American Photography Since 1960 Jul 28—Oct 2 This exhibition of approximately 200 prints attempts to provide a critical overview of the new American photography of the past Press Preview two decades. The central thesis of the exhibition claims that Jul 26 the basic dichotomy in contemporary photography distinguishes llam-4pm those who think of photography fundamentally as a means of self- expnession from those who think of it as a method of exploration. -
Ouida Bergère
Ouida Bergère Also Known As: Eulalia Bergère, Ida Bergère, Mrs. George Fitzmaurice, Mrs. Basil Rathbone Lived: December 14, 1885 - November 29, 1974 Worked as: adapter, film actress, scenario editor, screenwriter Worked In: United States by Laura Jacquelyn Simmons Ouida Bergère was perhaps best known in the film industry as Mrs. Basil Rathbone and party hostess extraordinaire. However, before her marriage, to Rathbone, Bergère was a prominent and top paid scenario writer. Bergère was born in Spain, but moved to the US at the age of six. Her father was French-Spanish and her mother, British (Lowrey 1920, 22). There is some conflicting information regarding her birth name; most sources claim she was born Ida Bergère, others Eulalia Bergère. Regardless, upon entering the film industry, she changed her name to Ouida. Bergère began her film career by serving as scenario editor and actress for Pathé Freres, eventually writing her own scripts and branching out to other companies, including Vitagraph and Famous Players-Lasky, according to the New York Dramatic Mirror in 1915 (24). Much of Bergère’s screenwriting career coincides with the career of her second husband, George Fitzmaurice, to whom she was married before Rathbone. She met Fitzmaurice after she started her screenwriting career, and after their marriage, he directed almost all of the films she wrote. As is the case with the many Hollywood marriages, Bergère’s relationship to Fitzmaurice must be considered when discussing her career, and, typically, because her career was so closely linked to that of Fitzmaurice, there is confusion about their credits. She very well might have had her hand in directing some of the films that have been credited to him, as was the case with other couples such as actress Alice Terry and director Rex Ingram. -
Films Refusés, Du Moins En Première Instance, Par La Censure 1917-1926 N.B
Films refusés, du moins en première instance, par la censure 1917-1926 N.B. : Ce tableau dresse, d’après les archives de la Régie du cinéma, la liste de tous les refus prononcés par le Bureau de la censure à l’égard d’une version de film soumise pour approbation. Comme de nombreux films ont été soumis plus d’une fois, dans des versions différentes, chaque refus successif fait l’objet d’une nouvelle ligne. La date est celle de la décision. Les « Remarques » sont reproduites telles qu’elles se trouvent dans les documents originaux, accompagnées parfois de commentaires entre [ ]. 1632 02 janv 1917 The wager Metro Immoral and criminal; commissioner of police in league with crooks to commit a frame-up robbery to win a wager. 1633 04 janv 1917 Blood money Bison Criminal and a very low type. 1634 04 janv 1917 The moral right Imperial Murder. 1635 05 janv 1917 The piper price Blue Bird Infidelity and not in good taste. 1636 08 janv 1917 Intolerance Griffith [Version modifiée]. Scafold scenes; naked woman; man in death cell; massacre; fights and murder; peeping thow kay hole and girl fixing her stocking; scenes in temple of love; raiding bawdy house; kissing and hugging; naked statue; girls half clad. 1637 09 janv 1917 Redeeming love Morosco Too much caricature on a clergyman; cabaret gambling and filthy scenes. 1638 12 janv 1917 Kick in Pathé Criminal and low. 1639 12 janv 1917 Her New-York Pathé With a tendency to immorality. 1640 12 janv 1917 Double room mystery Red Murder; robbery and of low type. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
Bbwcesro! Kr/ C*
'Vttijl <<^ BBwCESro! k R/ c* 8REHB •* '1 i' 1 ft^'r Hi _ Sft" 63* Scanned from the collections of The Library of Congress AUDIO-VISUAL CONSERVATION CONGRESS at The LIBRARY of u»i Packard Campus Conservation for Audio Visual www.loc.gov/avconservation Reading Room Motion Picture and Television www.loc.gov/rr/mopic Center Recorded Sound Reference www.loc.gov/rr/record Vol. XX. (JkaS? leMOtf ttffitXT* No. 1 / I?|?Ci jbf3 c "HERE THEY ARE! I'VE ROOKED 'EM!" t"| HATS the way to talk to your people as soon as you sign your contracts for the new 3 " {Pictures (Nationally Advertised) Let everybody in your town know what's coming to your theater next season. Advertise the stars, adver- of tise the plays. Tie up with the immense campaign neitional advertising. Use the trade marks. Your whole community is asking: "Where can we " see Paramount and Artcraft pictures ? Stand up and shout the glad news— fit HERE THEY ARE!" PLATERS-LASKY CORPORATION h&MOUS .JESSEl.lASKYMh.P^.CECILB.DEMILLEa>Kftr?Me™i J ADOLPllZtU<ORi'rM rNIW YORKy jadLdUJULcfggg ZEESS <w CHICAGO July 6, 19 18 — L. icturcs Another story of dramat- ic and emotional intensity which will win new thousands of admirers for the ablest young emotional star of the screen Sflorious Jldveniure By Edith Barnard Delano Directed by Hobart Henley This production is announced as "the story of every girl's dream and one girl's triumph. A drama of love's conflict with man's selfishness." The kind of story that Mae Marsh's own tremendous public selects for her to play in. -
Pioneer Film Director Honored / HENRY KING
The Museum of Modern Art 'iWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 57 FOR IMMEDIATE RELEASE PIONEER FILM DIRECTOR HONORED SEVEN WEEK RETROSPECTIVE FOR HENRY KING CO-SPONSORED BY MUSEUM AND DIRECTORS GUILD OF AMERICA "...the most underpublicized filmmaker in Hollywood. This tall, lean, handsome, urbane, but unflamboyant model of a corporation president makes film hits so easily, so efficiently, and so calmly that he is not news in a community of blaring trumpets, crashing cymbals and screaming egos." -Frank Capra Henry King, one of the founding fathers of American film, who began his career early in the century, remains today one of the legendary figures in Hollywood, and though he preserves his privacy, his films such as "The Song of Bernadette," "Twelve O'clock High" and "The Gunfighter" speak for themselves, and these and other major works will be part of a seven week retrospective given in King's honor by New York's Museum of Modern Art in association with the Directors Guild of America. The Virginia-born director, who has specialized, like D.W. Griffith and John Ford, in Americana themes since his first classic, "Tol'able David," and later with "State Fair", "In Old Chicago," "Jesse James" and "Alexander's Ragtime Band," will make a trip from the West Coast to New York to participate in the opening of this program. On June 29 and 30, he will address the Museum audiences, although he seldom makes public appearances. While he contributed to Hollywood's worldwide reputation, King, who recognized such early superstars as Richard Barthelmess, Ronald Colman and Gary Cooper and gave them their first leading roles on the screen, has managed to retain his relative anonymity in an ostentatious environment. -
Henry King (Director) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Henry King (director) 电影 串行 (大全) Pay Dirt https://zh.listvote.com/lists/film/movies/pay-dirt-3373234/actors Social Briars https://zh.listvote.com/lists/film/movies/social-briars-3487390/actors One Hour Before Dawn https://zh.listvote.com/lists/film/movies/one-hour-before-dawn-3549539/actors Dice of Destiny https://zh.listvote.com/lists/film/movies/dice-of-destiny-3186693/actors The Bond Boy https://zh.listvote.com/lists/film/movies/the-bond-boy-3520051/actors The White Dove https://zh.listvote.com/lists/film/movies/the-white-dove-3523359/actors The Sting of the Lash https://zh.listvote.com/lists/film/movies/the-sting-of-the-lash-3522853/actors Help Wanted-Male https://zh.listvote.com/lists/film/movies/help-wanted-male-3129968/actors When a Man Rides Alone https://zh.listvote.com/lists/film/movies/when-a-man-rides-alone-3567696/actors Shadows and Sunshine https://zh.listvote.com/lists/film/movies/shadows-and-sunshine-3346009/actors Told at Twilight https://zh.listvote.com/lists/film/movies/told-at-twilight-2870550/actors Salvage https://zh.listvote.com/lists/film/movies/salvage-3470354/actors Should a Wife Forgive? https://zh.listvote.com/lists/film/movies/should-a-wife-forgive%3F-3482558/actors Uncharted Channels https://zh.listvote.com/lists/film/movies/uncharted-channels-3549201/actors Sunshine and Gold https://zh.listvote.com/lists/film/movies/sunshine-and-gold-3377339/actors Southern Pride https://zh.listvote.com/lists/film/movies/southern-pride-22009953/actors All the World to Nothing https://zh.listvote.com/lists/film/movies/all-the-world-to-nothing-2837619/actors