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Ciné-Ressources Photo d'Andrew Brunelle. — Article sur 61. FANNIE WARD (biographie Illustrée). — CINÉ les dessins animés. Henri Roussell. — David Evremont. — Comment on a tourné les trois masques. POUR TOUS 87. DESDEMONA MAZZA— Miss IVY CLOSE. 63. Numéro de PAQUES 1920 (1 fr.). — SB8- Pour les abonnements et • publié BESSIE LOVE. — LARRY SEMON (Zlgoto). »8. SUE HAYAKAWA. — t Mon Idéal mas- les demandes d'anciens numéros ABONNEMENTS: W. MARCELLE PRADOT. — CREIGHTON culin », par huit « stars » ; c Mon ldéU 1. QHARLES CHAPLIN (biographie). féminin » par six « stars » ; Lors adresser correspondance France Etranger RUTH ROLAND HALE. — Qu'est-ce qu'une t étoile • ? t. Hanson ; Henri Bosc ; Henri ROUSMU. 24 numéros 15 fr. 17 fr. I. 48. JAQUE-CATELA IN. — BESSIE BARRIS- et mandats à CINÉ HAROLD LOCKWOOD. — La revue de* — Pearl Whlte et Douglas Falrbanki CALE. 12 numéros 8 fr. 9 fr. films édité* en 1919. photos). — Où placer votre scénario J (. FLORENCE REED. 43. MOLLI F. KING. IRENE VERNON-CASTLE. — Comment on 63. ANDREE BRABAN'l (biographie Illustrée). Pierre HENRY, directeur POUR 11. Le scénario Illustré de la Sultane de l'A- 43. 64. W1LUAM RUSSELL (biographie illustrée). PUBLICITE forme des « vedettes ». 92, rue de Richelieu, Paris (2e) mour. (Comment on a tourné ce film.) — Comment on a tourné Le Hive. 44. WILLIAM S. HART. S'adresser : G. Ventillard & Cie II. BRYANT WASHBURN. 66. MARY MILES M1NTBR (biographie lliw- 45. MARY PICKFORD (biographie). 121-123, rue Montmartre, Paris 13. PEARL WHITE (une visite à son studio) trée). — Comment on a tourné Blan Téléphone : Louvre 46.49 TOUS 47. PRISCILLA DEAN. — GEORGES BEBAN. U. RENE CRESTE. chette. Téléphone : Central 82-15 15. CHAR LIE CHAPLIN (comment II compote 48. SUZANNE GR AN DAIS. 49. OUVE THOMAS. — Le Benjamin de* 66. ' WILLIAM HART (comment 11 tourne im paraît tous les 14 jours, le vendredi et réalise ses films.) films). — Ce que gagnent les vedette*. 16. MAX LINDER. réalisateurs : PIERRE CARON. 60. EVE FRANCIS. 67. PEARL WHITE. — Article sur la Pro- 17. VIVIAN MARTIN. duction Triangle 1916-1917. 61. Les meilleurs films de l'année 1930. 18. CHARLES RAY. 68. ANDRE NOX (biographie Illustrée). — 53. RENEE BJORLING. — ANDREW F. BRC- lt. EDNA PURVIANCE (la partenaire de HUGUETTE DUGLOS (Blogr. lllustr.) Charlie Chaplin). — D. W. GRIFFITH NELLE. L'ACTIVITÉ CINÉMATO rATTY et ses partenaires. 6». MARGARITA FISHER (blogr. lllustr.). et ses films. 63. 78. ADRESSES INTERPRETES FRANÇAIS. — GRAPHIQUE 54. MARCELLE PKADWT (pnoio). — CHAR- J». JUNE CAPRICE. Edouard Mathé. — L'envers du cinéma. M. EDDIE POLO. — Léon Mathot dans l'Ami LES HUTCHISON. Numéro de NOËL 1920 (1 fr.). — LEON 71.' ADRESSES INTERPRETES AMERICAIN». Frffz (photo). 55. — SEVERIN MARSH. — Le marché en FRANCE hanne et Suzanne Talba. <Sté des Ciné- MATHOT (photo) ; vingt page* iUui- Lillian Gish va réaliser et interpréter 18. HOUDINI. — C. B. de Mille, le réalisateur clnégraphlque mondial. romans-Pathé-Cons.-Cin.). de Forfaiture. ON TOURNE Three XVise pools, un succès théâtral, pour LILIAN GISH, RICHARD BARTHBL- 71. La revue des films de l'année 1921. — Les deux Pigeons, par André Hugon, TEDDY. 56. MESS, DONALD CR1SP. GENEVIEVE FELIX. Vingt ans après, d'après Dumas et Ma- Griffith et United Artists. SI. DIANA KARENNE. — Nos grands filma à avvec Armand Bernard et Germaine Fon- 67. MARY PICKFORD (au travail). 7J. Ce qu'il faut savoir pour devenir Inter- quet, par Henri Diamant-Berger, avec l'étranger. prète de cinéma. — Adresses interprète» tanes. e sa. BEBE DANIELS et HAROLD LLOYD. 58. TOM MIX (biographie illustrée). l'interprétation suivante : • VIOLETTE JYL : JUANITA HANSEN. Scandinaves, anglais, italiens, mini, La Brèche d'Enfer, de Pierre Decour- C'est Lloyd Huches, que l'on vient de 83. MABEL NORMAND. 59. WALLACE REID (biographie Illustrée). — allemands. MM. Yonnel (D'Artagnan) ; de Max M. MONROE SAL1SBURY. — Article « ména- 60. celle, par R. Caillard, avec Betty Carter. voir dans Le Secret des Abimes, que Mary André Antoine. •74. CHARLIE CHAPLIN en Europe. — Pour (cardinal de Goudi) ; Jean Périer (Maza- ges d'artistes ». devenir scénariste. — MAY ALLISON L'Ile où l'on meurt, d'André Reuze, par Pickford vient de choisir pour partenaire 7*. DOUGLAS FAIRBANKS (biographie lllu» rin); Desjardins (Charles I") ; Harry Jean Hervé, de la Comédie-Française. dans son nouveau film : Tess. Me). Krimer (Mordaunt) ; Jean Daragon (Beau- Une nouvelle série de Prince-Rigadin. 76. ALLA NAZIMOVA (au travail). fort); Henri Rollan (Athos) ; Marlinelli Le Crime de Monique Ruffat, réalisé par 77. LR GOSSE [The Kid). — Pollyanna. Porthos) ; de Guingand (Aramis) ; Ar- 78. MARCELLE PRADOT. — FERNAND Robert Péguy, avec Yvette Andreyor, Une des récentes comédies d'Harold HERRMANN. — Comment on a tourné mand Bernard (Planche!) ; etc. Jean Toulout, Simone Sandré, Jeanne Lloyd, A Sailor-\tide Man, a reçu l'appro- la Charrette Fantôme. Mines Marguerite Moreno (Anne d'Au- Brindeau, Mendaille, Lucien Daflsace. bation du ministre de la marine améri- 79. G. SIGNORET. — Comment on a tourné triche); Pierrette Madd (vicomte de Bra- JYOS sens, étude réalisée par M. René caine et sera projetée devant les équi- voulez - vous Les Trois Mousquetaires, en France et gelonne); Jane Pierly (Henriette de Fran- Garrère, sur la vie mondaine à Paris pages. en Amérique. :e); Simone Vaudry (Henriette d'Angle- (Films René Carrère). 80. JACKIE COOGAN (« Le Gosse »). — MAS e terre); Denise Legeay (Mme de Longue- Les romans de la comtesse de Ségur : MARSH. — La cinématographie sous- iIle) ; Bretty (l'Hôtelière). Thomas Ince entreprend une série de marine. Les Mémoires d'un Ane, Le bon petit Dia- Les intérieurs sont tournés aux studios ble, Le général Dourakine, etc. (Pathé petites bandes en deux parties tirées de faire du cinéma ? contes de fées et destinées aiix enfants. Chacun de ces numéros (sauf naturellement Pathé, à Vincennes ; les extérieurs, plus Consortium Cinéma). Le Charmeur de rats sera la première. les numéros 2, 4, 5, 6, 7, 13, 21, 22, 24, 15, ard, en Bretagne, en Périgord, et à Bil- L'idée de Françoise, de P. Gavault, par Miss Frances Ellington dirige la réalisa- 26, 29, 35 et 46, qui sont épuisés) peut être lancourt, où, sur un vaste terrain acquis R. Saindreau, avec Gina Palerme. envoyé franco contre la somme de 0,50 (en tion de cette série. i cet effet, on reconstituera la façade de La maison de la forêt, de Henry Hood. timbres-poste, ou mandats) au nom de P. monuments de l'époque. On compte que O Benry, 92, rue de Richelieu, Paris (11e). par André et Jean Legrand, avec Jean An- le premier épisode sera édité le 22 décem- gelo et Christiane Lorrain. Après Marie Prévost, Gloria Swanson, bre. Harriet Hammond et Mary Thurman, Phyllis Haver, la censure américaine ON PREPARE en AMÉRIQUE Nouvelle série,; envoi franco contre (.76 i Rouletabille chez les Bohémiens, de n'admettant plus les « baigneuses », 81. MUSIDORA. — Mary Johnson. — Le mer- quitte Mack-Sennett. Maurice Tourneur lui aston Leroux, réalisé par Henri Fescourt, Sessue Hayakawa réclame à la Cie Ro- veilleux à l'écran. — Un ménage de vec Gabriel de Gravone, Romuald Joubé, confie un rôle du Chrétien de Hall Caine, « stars » : Doug. et Mary. — Les bertson-Cole 92.000 dollars de domma- Tean Dehelly, Joë Hamman, Edith Je-' qu'il va tourner en Angleterre pour Gold- grands films américains en 1921. — ges-intérêts pour rupture de contrat. wyn. Résultats du concours des réalisateurs. 82. BLANCHE MONTEL. — Le mouvement au cinéma ; ses périls. — Jack Warren- Kerrigan. — La prononciation des noms des « stars ». 83. CH. DE ROCHEFORT. — FRANCE DHE- LEURS DÉBUTS LIA. — WILLIAM FAVERSHAM. — En quoi le cinéma est un art. — Consfils _ aux scénaristes débutants. 84. CLAUDE MERELLE. — Comment on * tourné L'Agonie des Aigles. — MAH- notre appareil de prise de vues notre projecteur de salon LON HAMILTON. (« Papa-longues- Thomas Meighan jambes »). 85. GEORGES LANNES ; PAULINE FREDE- dimensions 25X1 2X23, objectif anastigmat ordre de marche, sur trépied, avec rhéo- RICK (biographies Illustrées). « La première scène de film dans laquelle j'aie paru fut tournée F. 3,5 contenant 35 mètres de film. stat 1 1 volts, donnant une image de 86. LEON MATHOT. — STEWART ROME. — lians les magnifiques dépendances de la propriété Busch, à Pasadena, Prix : 8SO Francs 2 m. 50 de largeur. Prix : 875 Francs JANE NOVAK. — La Photogénte. en Californie — l'une des curiosités que visitent les touristes. Le met- 87. MAE MURRAY. — Trois interprètes teur en scène me dit que d'après mon rôle, cette propriété m'apparte- Griffith : Carol Dempster, Ralph Gra- nait et que je devais agir comme si j'y avais toujours vécu. Pour un ves et Charles E. Mark. — Le rôle dt début, on voit que ce n'était pas mal 1 l'adaptateur. 88. MARY PICKFORD ; sa personnalité, — « Ce film était intitulé The fighting Hope et était produit par la vous le permettent Los Angeles, centre de la production llomnagnie de Jesse L. Lasky, qui par la suite a fondé avec A. Zukor américaine. lu Cie Paramount. 89. EMMY LYNN ; biographie Illustrée. — » Le metteur en scène était George Melford. Laura Hope Crews était pour un prix accessible Maurice Lagrenée. — 'La Vérité », la vedette et Théodore Roherts jouait l'un des principaux rôles. scénario et « découpage '». — C. Gard- » Je me souviens que j'eus quelque peine à m'assimiler, dans les ner-Sulllvan. premiers temps, la technique du jeu cinématographique. J'exagérais 90. WALLACE REID ; sa personnalité. — Louise Huff. — Thomas H. INCE. — la force et la rapidité de mes mouvements, principalement ; pourtant Anila Loos. il faut croire que je ne me (irai pas trop mal de ce premier essai, DEMANDER TOUS 33, Boulevard Saint- 91. Nathalie KOVANKO. — Francelia Bll- puisque M. Lasky m'engagea de suite pour une période de trois ans, lington. — Hobart Bosworlh. — Eric RENSEIGNEMENTS à MAZO Martin, PARIS (IIIe) payant le dédit d'un engagement théâtral que je remplissais alors.
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