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La Frontiera Idealistica Della Bildung
Topologik - Rivista Internazionale di Scienze Filosofiche, Pedagogiche e Sociali/ Topologik - International Journal of Philosophy, Educational and Social Sciences n. 10 / II semestre 2011 - Issue n° 10 / 2nd semester 2011 EEEducationalEducational Studies Teoria e Prassi della Bildung. Un confronto italo-tedesco/ Theorie und Praxis der Bildung. Ein deutsch-italienischer Vergleich Numero monografico a cura di/Special issue edited by Michele Borrelli, Franco Cambi HERVÉ A. CAVALLERA La frontiera idealistica della Bildung Summary - Il presente saggio analizza la connotazione idealistica che assume la pedagogia della Bildung in Italia nell’incontro con la cultura tedesca. Si ricostruisce la complessità della Bildung nel panorama pedagogico italiano: da Spaventa a Croce, Gentile, all’attualismo della Scuola palermitana e del pensiero cattolico, fino alla scuola romana e al neoidealismo. Parole-chiave : Attualismo, Neoidealismo, Spiritualismo, Etica, Dialogo 1. Da Spaventa a Croce L’incontro con la Bildung germanica 1, nella sua connotazione di Humanitäs-philosophie che coniuga in chiave speculativa l’etica con la bellezza e con la storia, assume, in Italia, una sua fisionomia post-romantica col neo-idealismo di Bertrando Spaventa (1817-1883) che rilegge Hegel e, di conseguenza, reinserisce in circolo non solo, come è noto, la stessa filosofia italiana la cui vitalità, a suo vedere, si era frantumata con il rogo di Bruno, ma lo stesso Hegel di cui accentua il ruolo decisivo nella storia della filosofia e, attraverso Hegel, permette il recupero di quella cittadella della ricerca disinteressata che è l’Università progettata da von Humboldt. È però altrettanto chiaro che se Spaventa rimette in moto l’attenzione per una filosofia di una terra per tante ragioni storiche combattuta dagli Italiani, ciò avviene sia per una ragione teoretica sia per una ragione contingente. -
STUDI ONLINE Rivista Semestrale
ARCHIVIO DELL’ARTE METAFISICA La ricerca al servizio di un grande movimento artistico italiano STUDI ONLINE Rivista semestrale ANNO II n. 4 1 luglio - 31 dicembre 2015 www.archivioartemetafisica.org STUDI ONLINE Rivista semestrale ISSN 2385-0779 Proprietario Archivio dell’Arte Metafisica Direzione Paolo Baldacci e Gerd Roos Comitato scientifico Paolo Baldacci Flavio Fergonzi Paola Italia Fernando Mazzocca Maria Grazia Messina Jürgen Pech Gerd Roos Federica Rovati Dieter Schwarz Editing e redazione scientifica Emiliana Biondi Progetto grafico e realizzazione grafica Lalla Pellegrino per STUDIO23ESIMO.IT Segreteria Archivio dell’Arte Metafisica, Piazza Carlo Mirabello 1, 20121 Milano e-mail [email protected] Tel +39 02 89051406 Fax +39 02 89051554 www.archivioartemetafisica.org ARCHIVIO DELL’ARTE METAFISICA STUDI ONLINE Rivista semestrale ANNO II n. 4 1 luglio - 31 dicembre 2015 Sommario Paolo Baldacci Archipenko tra Carrà e de Chirico, 1914-1918 p. 1 Paolo Baldacci e Gianluca Poldi La camera incantata e Madre e figlio: il metodo di lavoro di Carrà nel 1917 tra Villa del Seminario e la mostra alla Galleria Paolo Chini p. 20 Giuseppe Di Natale Due lettere inedite di Giorgio de Chirico e Carlo Carrà a Gaetano Boschi p. 32 Alice Ensabella “Apparition à la cote du peintre italien Giorgio de Chirico”. La vendita della collezione Paul Eluard del luglio 1924 p. 39 Gerd Roos Giorgio de Chirico und “sein” Perikles in den Jahren um 1925 p. 46 www.archivioartemetafisica.org ARCHIVIO DELL’ARTE METAFISICA Paolo Baldacci Archipenko tra Carrà e de Chirico, 1914-1918 Le grandi mostre preparate con cura, non e figlio. Avrebbe avuto il tempo per iniziarne solo consentono un riesame attento e sotto un quinto ma non vi è nessuna certezza1. -
20 FEBBRAIO – 16 MAGGIO 2009 Celebrazioni Per Il Centenario Del Primo Manifesto Futurista
PANNELLI_FUTURISMO_100X140:PANNELLI_FUTURISMO_100X140 22-01-2009 12:26 Pagina 2 FUTUROMA 20 FEBBRAIO – 16 MAGGIO 2009 Celebrazioni per il Centenario del Primo Manifesto Futurista Assessorato alle Politiche Culturali e della Comunicazione 1 FUTUROMA Le Scuderie del Quirinale presentano FUTURISMO. AVANGUARDIA-AVANGUARDIE Una mostra di Didier Ottinger. Commissario per lʼItalia Ester Coen Scuderie del Quirinale, Roma Inaugurazione al pubblico 20 febbraio ore 10.00 Il giorno dellʼinaugurazione lʼapertura al pubblico sarà eccezionalmente prolungata fino alle ore 01.00 del mattino Il 20 febbraio, a cento anni dalla pubblicazione dell‟appassionato e travolgente Manifesto del Futurismo di Filippo Tommaso Marinetti si apre al pubblico, alle Scuderie del Quirinale, la mostra “Futurismo. Avanguardia- Avanguardie”. Curata in collaborazione con il Centre Georges Pompidou di Parigi e la Tate Modern di Londra, la mostra riafferma il ruolo primario del Futurismo nel complesso disegno del lessico artistico delle prime avanguardie. A sottolineare la collaborazione tra le tre prestigiose istituzioni, ogni sede ha declineto il comune progetto iniziale secondo il segno della propria ottica, evidenziando la partecipazione a quella idea fondante e comune di rinnovamento e tensione verso il futuro che il Futurismo ha significato. Roma, in particolare, pur mantenendo la traccia del progetto francese iniziale, teso a ricostruire la celeberrima mostra futurista del 1912 alla galleria Bernheim-Jeune di Parigi, sposterà l’accento sulla straordinaria trama di corrispondenze -
The Institute of Modern Russian Culture
THE INSTITUTE OF MODERN RUSSIAN CULTURE AT BLUE LAGOON NEWSLETTER No. 69, February, 2015 IMRC, Mail Code 4353, USC, Los Angeles, Ca. 90089-4353, USA Tel.: (213) 740-2735 Fax: (213) 740-8550; E: [email protected] website: http://www.usc.edu./dept/LAS/IMRC STATUS This is the sixty-ninth biannual Newsletter of the IMRC and follows the last issue which appeared in August of last year. The information presented here relates primarily to events connected with the IMRC during the fall and winter of 2014. For the benefit of new readers, data on the present structure of the IMRC are given on the last page of this issue. IMRC Newsletters for 1979-2013 are available electronically and can be requested via e-mail at [email protected]. A full run can be supplied on a CD disc (containing a searchable version in Microsoft Word) at a cost of $25.00, shipping included (add $5.00 for overseas airmail). RUSSIA. Instead of the customary editorial note, we are pleased to publish this nostalgic reminiscence by Alexander Zholkovsky, professor of Slavic languages and literatures at the University of Southern California, Los Angeles. The Gift I'm not very good at giving presents. Nobody taught me to do this at an early age and I still don't know how to. Taking along a bottle of wine or, worst case scenario, a box of chocolates for the hostess, not to mention presenting colleagues with copies of my books, well, that's not a problem. But offering bouquets of flowers or perfumes to ladies of the heart, well, I could count such cases on one hand alone and, in any case, such affairs do bear an increasingly foreign fragrance. -
Epochal Problems of Philosophy of Education, Today. Technology, Posthuman, Neuroscience Franco Cambi Translation by Cosimo Di Bari
Epochal problems of philosophy of education, today. Technology, posthuman, neuroscience Franco Cambi Translation by Cosimo Di Bari 1. Identity and role of “philosophy of education” Philosophical reflection accompanies pedagogy since the time of Plato. And it has been its only and decisive guide for a long time. Nowadays, instead, philosophy redefined its role in pedagogy and started to play the part of criti- cal synthesis of educational knowledge and to orientate the educational pro- cesses in terms of rules. John Dewey explained this double role. In The sources of a science of education, published in 1929, the two mentioned aspects are clear: as a knowledge in itself pedagogy is a synthesis of various and different sciences that constantly develop and that have to be fixed as “sources”, na- mely bearing data which are more and more complex, essential and new; as a knowledge-to-act then pedagogy regulates itself on the base of education (or, today is better to say, on the base of educating/forming) and considers and reconsders it critically. Therefore pedagogy provides analyses of acting struc- tures and guidance ideals or models, developing a double reflective process: both ontological (about the object-education) and historical-regulative (with actual models). Pedagogical philosophy has increasingly developed its epo- chal nature and its critical and planning role on this two levels (epistemologi- cal-axiological and ontological-regulative). In this way pedagogical philoso- phy accompanies the all educational thinking/acting both as a shadow and a horizon-limit and there it forms itself as strong point which is never obsolete, but always legitimated and reintroduced. -
A Pandemic Year and the Offense to the Younger Generations
Education Sciences & Society, 1/2021 ISSN 2038-9442, ISSNe 2284-015X A pandemic year and the offense to the younger generations. Suggestions and hypotheses Michele Corsi* Abstract To summarize this article with a single expression, we could enclose it in a lack, which has been widely argued on all its pages: the programming one. Moreover, there was a lack of planning and ability to predict for many institutions and most of the citizens. Or, still, there was often a failure to prevent, in order to remedy instead, and not always adequately. With a particular reference to Italy on these pages. The above-mentioned four limits or wounds are particularly serious for our country in this pandemic year. Furthermore, this pandemic caught everyone unprepared and inexperienced. And, then, too many people - I am referring to the Government here - sold themselves to a lot of virologists and various mass media exponents, etc., who have frequently ended up increasing the unease of a nation, which is exhausted at a sanitary, economical and psychological level, with an excess of self- representation and easy self-confidence, too. In particular, this text makes school and university and, therefore, those who attend them, from children to young people, its focal point. They are not considered as abstract entities, but embodied people still belonging to an Italy at high speed: from the rapidly increasing poor people in the Southern Italy, which has not progressed yet and is in a great difficulty, to a middle class who, far from being as the fundamental nerve centre of the Italian productive fabric in the last century, is being overcome by pockets of poverty, misery and unemployment on the other hand. -
Reale Accademia D'italia
001 Frontespizio I-VI def 13-06-2005 10:41 Pagina III PUBBLICAZIONI DEGLI ARCHIVI DI STATO STRUMENTI CLXVII SOPRINTENDENZA ARCHIVISTICA PER IL LAZIO Reale Accademia d’Italia Inventario dell’Archivio a cura di PAOLA CAGIANO DE AZEVEDO eELVIRA GERARDI MINISTERO PER I BENI CULTURALI E AMBIENTALI DIPARTIMENTO PER I BENI ARCHIVISTICI E LIBRARI DIREZIONE GENERALE PER GLI ARCHIVI 2005 001 Frontespizio I-VI def 13-06-2005 10:41 Pagina IV DIPARTIMENTO PER I BENI ARCHIVISTICI E LIBRARI DIREZIONE GENERALE PER GLI ARCHIVI Capo del Dipartimento: Salvatore Italia Direttore generale: Maurizio Fallace Responsabile delle pubblicazioni: Antonio Dentoni-Litta Cura redazionale: Paola Cagiano de Azevedo e Elvira Gerardi ©2005 Ministero per i beni e le attività culturali Dipartimento per i beni archivistici e librari Direzione generale per gli archivi ISBN: 88-7125-264-0 Vendita: Istituto Poligrafico e Zecca dello Stato- Libreria dello Stato Piazza Verdi 10, 00198 Roma Stampato da Union Printing SpA 001 Frontespizio I-VI def 13-06-2005 10:41 Pagina V Con la pubblicazione dell’inventario dell’archivio della Reale accademia d’Italia, conservato dall’Accademia nazionale dei Lincei, si conclude il lavoro di riordinamento e inventariazione eseguito da Paola Cagiano de Azevedo e Elvira Gerardi, funzionarie della Soprintendenza archivistica per il Lazio. La documentazione si trovava in uno stato di notevole disordine, collocata in vari locali sia di palazzo Corsini che della Farnesina alla Lungara, sedi dell’Accademia nazionale dei Lincei, per cui il riaccorpamento dei documenti ha richiesto molto tempo e notevole impegno ed è stato possibile anche grazie all’utilizzo dei registri di protocollo della corrispondenza e dei titolari di archi- vio ritrovati. -
Bibliografia Aggiornata Delle Opere in Volume (1903-2007) Di Giuseppe Prezzolini a Cura Di Paola Costantini, Diana Rüesch E Karin Stefanski
Bibliografia aggiornata delle opere in volume (1903-2007) di Giuseppe Prezzolini a cura di Paola Costantini, Diana Rüesch e Karin Stefanski Biblioteca cantonale Lugano Archivio Prezzolini-Fondo Prezzolini 28 settembre 2007 Telefono: +41 91 815 46 36 Fax: +41 91 815 46 39 e-mail: [email protected] sito internet: http://www.sbt.ti.ch/bclugano 2007 Archivio Prezzolini, Lugano Tutti i diritti riservati. Qualsiasi utilizzazione e riproduzione di quest’opera, tanto nella sua forma cartacea quanto in quella elettronica (http://www.sbt.ti.ch/bclugano), è consentita soltanto con l’esplicita citazione della fonte, dei suoi curatori e dell’editore. Oltre il Zeitgeist Se esiste, nel mondo della ricerca, uno strumento che, più di ogni altro, richiederebbe aggiornamenti costanti, è certamente quello bibliografico. La bibliografia, ogni bibliografia, dovrebbe essere il naturale punto di partenza per affrontare un autore: avere sott’occhi ciò che ha scritto – nel caso specifico, i suoi contributi pubblicati in volume – è premessa irrinunciabile a ogni passo successivo, a ogni tentativo di lettura, contestualizzazione, storicizzazione, interpretazione critica. L’ultima (a quel tempo anche la prima) bibliografia delle opere di Giuseppe Prezzolini risale al gennaio del 1982 ed è contenuta in un libro apparso presso l’editore Rusconi (Prezzolini: un secolo di attività. Lettere inedite e bibliografia di tutte le opere compilata da Francesca Pino Pongolini, a cura di Margherita Marchione) – lo stesso che, da pochi anni, aveva iniziato a pubblicare -
CHAPTER 3 the War
!" LUISA CASATI: THE LIVING WORK OF ART de Acosta, would invite herself to the Palazzo dei Leoni shortly after CHAPTER 3 the war. Luisa greeted her guest in style, wearing a white robe, with a white flower held in one hand and her cheetah padding beside her. But to de Acosta, the effect was just ‘bad theatre’. Others opted to sup- plement reality with their own fabrications. Wild stories accumulated about Luisa’s Venetian antics: about the nocturnal walks she took through San Marco, stark naked except for a fur cloak draped from her shoulders; about the gruesome toll her exacting aesthetic was taking ‘I am in a gondola. I am crossing the canal. I am approaching on her servants, several of whom had died, it was said, after having the palace. A fine rain falls in the shimmering violet moonlight. their bodies decorated with toxic gold paint. Her sexuality too was the The green door of the low tide. The splashing of the water subject of lurid invention. Luisa was rumoured to keep a handsome but against the stairs…I can see gold lace gleaming in the windows.’ mute Tunisian lord as her pleasure slave; she was said to possess such (Gabriele D’Annunzio, ‘La figure de cire’) insatiable desires that some of her lovers died from exhaustion in her arms; and afterwards, it was claimed, she commissioned wax dummies In an undated and unfinished short story, ‘La figure de cire’, D’Annunzio in which to entomb their cremated remains. would transpose his love affair with Luisa to the setting of Venice, and This last piece of nonsense might well have been put into circula- to the Palazzo Venier dei Leoni. -
At Home with Peggy GUGGENHEIM, Where Art Is on Show!
ard . f.l li raccan ell o s.p .a. i n dustri a vern ici e smal t i We did this PEGGY GUGGENHEIM COLLECTION At home with Peggy GUGGENHEIM, where art is on show! The story has it that when Peggy The Peggy Guggenheim Collec- & cosy like a home…….a challen- Guggenheim appeared on the tion (Palazzo Venier dei Leoni - ge for those involved in preserving magnificent canal terrace of Grand Canal in Venice) is one of the magical essence of this Palazzo Venier dei Leoni wearing the most important museums in palace. The challenge for the pool her eccentric hats & sun glasses Italy for European & American art of experts responsible for the ……… summer had arrived! … renowned as an artistic & management of Palazzo Venier architectural mecca. The palazzo dei Leoni was to carry out the resembles Peggy’s extraordinary refurbishing without being “seen Who better than this extraordina- personality ……rich & authoritati- or heard”. ry American avant-gardist could ve like e museum, but also warm perceive even the slightest chan- ges in the light & atmosphere? So deep was her admiration for Venice that not only did she purchase this magnificent palace for her home she also installed an extensive collection of her perso- nal masterpieces. A lot has remained of Peggy’s The generosity and genius and Peggy the museum named after Guggenheim her is admired by about Collection (Palazzo 400.000 visitors each Venier dei Leoni - Grand Canal in Venice) is one of the year. most important museums in Italy for European & American art renowned as an artistic & architectural mecca. -
March Twothousandnine Spedizione in A.P
contemporary art magazine issue # seventeen february | march twothousandnine Spedizione in a.p. -70% _ DCB Milano Thomas Zipp WadeGUYTON ILSATIN CatherineSULLIVAN in collaboration with Sean Griffin, Dylan Skybrook and Kunle Afolayan INAUGURAZIONE IN TRIANGLE OF NEED INAUGURAZIONECONTEMPORANEAIN T.J. Wilcox Thomas Zipp WadeGUYTONVibekeTANDBERG C29ON01TE09MPOREORANEA1800 T.J.L’Eau Wilcox de Vie The hamburger turns in my stomach L’Eau de Vie ILSATIN CatherineSULLIVANand I throw up on you. 29 01 09 ORE 1800 inLiquid collaboration hamburger. with Then Sean I hit Griffin, you. DylanAfter that Skybrook we are and both Kunle out of Afolayan words. TRIANGLE OF NEED VibekeTANDBERG The hamburger turns in my stomach and I throw up on you. Liquid hamburger. Then I hit you. After that we are both out of words. Tel. +39 02 294 043 73 Fax +39 02 294 055 73 via dell’orso, 16 20121 milano - italy tel +39 02 72094331 fax +39 02 72096873 Via Tadino 15 www.francescakaufmann.com I-20124 Milano Via Stradella 7 20129 Milano Tel. +39 02 294 043 73 ViaTel. Stradella+39 02 2043555 7 Fax. +39 02 29533590 Fax +39 02 294 055 73 20129 Milano via dell’orso, 16 20121 milano - italy Tel.www.galleriaraffaellacortese.com +39 02 2043555 tel +39 02 72094331 fax +39 02 72096873 Via Tadino 15 Fax. +39 02 29533590 www.francescakaufmann.com I-20124 Milano www.galleriaraffaellacortese.com Home Jan Mot rue Antoine Dansaertstraat 190 Exhibitions MAP Current and Upcoming 1000 Brussels, Belgium Previous t +32 2 514 10 10 Artists f +32 2 514 14 46 Sven Augustijnen [email protected] Pierre Bismuth Manon de Boer Rineke Dijkstra Thursday, Friday, Saturday Mario Garcia Torres 2 - 6.30 pm Dominique Gonzalez-Foerster and by appointment Douglas Gordon Joachim Koester David Lamelas Sharon Lockhart Deimantas Narkevicius Tino Sehgal Tris Vonna-Michell Ian Wilson Works by Other Artists Newspaper E-news Links WADE GUYTON & T.J. -
Queries and Predicate – Argument Relationship
3 Queries and Predicate – Argument Relationship Savina Raynaud Università Cattolica del Sacro Cuore – Milan Italy 1. Introduction Queries are essential for retrieving information. For those who surf the net they can play a crucial role. But the relationship between questions and answers involves many classical topics, not only in the language sciences, especially in pragmatics, but also in philosophy. It would be surprising if the results of such an old, even ancient, inquiry did not inspire interesting solutions to present-day research. In fact, semantics was born at the beginning of philosophical enquiry, for its own sake. Philosophy, conceived as a demand of wisdom and truth requesting the exercise of thought (and good will), has the logos as its specific resource. Given that logos is both uttered thought and thoughtful word, the mood of reflecting upon speeches and their role in finding and telling the truth, asking questions and giving answers, has been present since the beginning. As is often the case, an important motivation to meditate and speculate upon logos came out of a crisis, with its attacks and instrumental claims about language and human discourse. We could identify the Sophist movement, during the development of democracy in the Greek poleis, in the fifth century B.C., as such a factor. Plato and Aristotle are the obvious significant responses to the Sophists’ extraordinary argumentation skills, resting upon relativistic claims. Dialogue between master and disciple as well as an inspection of organon structures emerged as conditions which granted a positive and safe attitude towards truth, knowledge, virtue… in short, a good life.