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contemporary art magazine issue # seventeen february | march twothousandnine Spedizione in a.p. -70% _ DCB Milano Thomas Zipp WadeGUYTON ILSATIN CatherineSULLIVAN in collaboration with Sean Griffin, Dylan Skybrook and Kunle Afolayan INAUGURAZIONE IN TRIANGLE OF NEED INAUGURAZIONECONTEMPORANEAIN T.J. Wilcox Thomas Zipp WadeGUYTONVibekeTANDBERG C29ON01TE09MPOREORANEA1800 T.J.L’Eau Wilcox de Vie The hamburger turns in my stomach L’Eau de Vie ILSATIN CatherineSULLIVANand I throw up on you. 29 01 09 ORE 1800 inLiquid collaboration hamburger. with Then Sean I hit Griffin, you. DylanAfter that Skybrook we are and both Kunle out of Afolayan words. TRIANGLE OF NEED VibekeTANDBERG The hamburger turns in my stomach and I throw up on you. Liquid hamburger. Then I hit you. After that we are both out of words. Tel. +39 02 294 043 73 Fax +39 02 294 055 73 via dell’orso, 16 20121 milano - italy tel +39 02 72094331 fax +39 02 72096873 Via Tadino 15 www.francescakaufmann.com I-20124 Milano Via Stradella 7 20129 Milano Tel. +39 02 294 043 73 ViaTel. Stradella+39 02 2043555 7 Fax. +39 02 29533590 Fax +39 02 294 055 73 20129 Milano via dell’orso, 16 20121 milano - italy Tel.www.galleriaraffaellacortese.com +39 02 2043555 tel +39 02 72094331 fax +39 02 72096873 Via Tadino 15 Fax. +39 02 29533590 www.francescakaufmann.com I-20124 Milano www.galleriaraffaellacortese.com Home Jan Mot rue Antoine Dansaertstraat 190 Exhibitions MAP Current and Upcoming 1000 Brussels, Belgium Previous t +32 2 514 10 10 Artists f +32 2 514 14 46 Sven Augustijnen [email protected] Pierre Bismuth Manon de Boer Rineke Dijkstra Thursday, Friday, Saturday Mario Garcia Torres 2 - 6.30 pm Dominique Gonzalez-Foerster and by appointment Douglas Gordon Joachim Koester David Lamelas Sharon Lockhart Deimantas Narkevicius Tino Sehgal Tris Vonna-Michell Ian Wilson Works by Other Artists Newspaper E-news Links WADE GUYTON & T.J. WILCOX 10 CURATOR’S CORNER 86 MARKETING DIRECTOR A LITTLE MORE CONVERSATION Andrea Viliani MAURIZIO TERPIN PRODUCING SpaCE [email protected] PETER COFFIN 18 WHILE SHOWING ART ACTING TO PRETEND, PRETEDING TO ACT European Kunstahlle, c/o Ebertplatz PUBLISHER Michele Robecchi CONTRAPPUNTO s.r.l. RACHEL HARRISON 90 MOUSSE MAGAZINE DANH VO 24 SWITCHING THE ADDENDS Via Arena 23, 20123 Milano - Italia NO WAY OUT Vincenzo De Bellis tel. / fax +39 02 8356631 Francesca Pagliuca [email protected] SCOTT MYLES 95 www.moussemagazine.it HARK! 28 SULLYNG THE CONCEPT WAITING FOR GIORGIO Marco Tagliaferro DISTRIBUTION Jennifer Allen _ ITALY SKELETONS IN THE CLOSET 98 Promos Comunicazione PART OF THE PROCESS 32 PIETRO ROCCASALVA www.promoscomunicazione.it PROJECT: Anna Daneri _SWITZERLAND FRANCESCO VEZZOLI Motto Distribution Chiara Leoni LOST IN THE SUPERMARKET 100 www.mottodistribution.worldpress.com PHILLIP LAI 34 BOOK SHOP 110 _ WORLD Export Press ASEPTIC COSMIC SPACES Stefano Cernuschi www.exportpress.com Gigiotto Del Vecchio PARIS-MILAN 112 PRESS THEA DJORDJADZE 39 BENOÎT MAIRE CSQ via dell’Industria 52, Erbusco (BS) NO IDEAS BUT IN THINGS Francesca di Nardo Dieter Roelstraete BERLIN-MILANO 114 COVER DANH VO, Untitled (America), 2008 - Installation Detail PORTFOLIO 43 EVA BERENDES BSI Art Collection, Lugano - courtesy: Galerie Isabella Bortolozzi / DANH VO PEDRO BARATEIRO Christiane Rekade Marianna Vecellio THIS PAGE LONDON-MILANO 118 FRom ABOVE, LEFT TO RIGHT SUSANNE WINTERLING 49 THE POTENTIAL OF MISINTERPRETATION Phillip LAI, Jesus Christ Loves You, 2003 - courtesy: Stuart I IS ANOTHER Alli Beddoes Shave / Modern Art, London Stefania Palumbo FREEK Wambacq, Tracteur sur mur, 2005 - Courtesy: Elisa NEW YORK-MILANO 120 Platteau Galerie, Brussels. © FREEK Wambacq DANH VO, Untitled (America), 2008 - Installation Detail WILLIAM E. JONES 52 ZOE LEONARD BSI Art Collection, Lugano - courtesy: Galerie SEXUALITY AS A UTOPIAN PROMISE Cecilia Alemani Isabella Bortolozzi / DANH VO Luigi Fassi Kim Jones, Wilshire Boulevard Walk, 4 February 1976 - courtesy: the artist AND Pierogi, New York / Leipzig_PH. JEFF LOS ANGELES-MILANO 122 Gubbins INTRODUCING 56 EUAN MACDONALD EMANUELE BECHERI Andrew Berardini BOOK SHOPPING Roberta Tenconi Photo credit: Eman, 2009 THE MAGICAL BUCKET 60 Thanks to MELVIN MOTI EDITOR IN CHIEF Flavio Albanese, Viviana Appiani, Ilaria Bombelli, Bastard Andrea Lissoni Bowl, Andrea Cernuschi, Alice Conconi, Giacinto Di EDOARDO BONASPETTI Pietrantonio, Electa Koenig, Domenico Insinga, Inmi Lee, ARTIST’S PROJECT 63 [email protected] Pauline Lecour, Igor Muroni, Gabriella Patrone, Elisa Poli, JULIAN GOETHE Carlotta Poli, Emanuele Zamponi, Alexis Zavialoff, Francesca Boenzi MANAGING EDITOR CHIARA LEONI Mousse would like to thank Galerie Balice Hartling for KIM JONES 68 [email protected] its help in making Oscar Tuazon interview on Mousse 16 possible. A MUDMAN’S LIFE Caroline Corbetta EDITORIAL ASSISTANT STEFANO CERNUSCHI MATTHEW SMITH 72 [email protected] THE FLESH OF THINGS Alessandro Sarri ART DIRECTOR FRANCESCO VALTOLINA OMER FAST 76 [email protected] REDACTING Barbara Casavecchia INTERN CARLOTTA POLI CITY FOCUS 80 FROM BRUSELLES WITH LOVE Translations Els Roeroelandt Teresa Albanese, Johanna Bishop, Miriam Hurley, Alisa Kotmair, Stephen Piccolo FREEK WAMBACQ 83 Copy editor THE SPONTANEOUS AESTHETICS JOHANNA BISHOP OF EVERYDAY LIFE Aaron Schuster LAYOUT BARBARA CAPANNI LOST AND FOUND 85 FRANCESCO VALTOLINA BAS JAN ADER Angela Vettese Galleria Emi Fontana LILIANA MORO MARIO Opening 21 March 2009 24 March - 15 May Viale Bligny 42 CRESCI 20136 Milano t. +39 0258322237 f. +39 0258306855 [email protected] www.galleriaemifontana.com PAOLO MUSSAT SARTOR inaugurazione sabato 7 febbraio 2009 ore 18 GALLERIA MASSIMO MININI Via Apollonio 68 Brescia tel. 030.383034 [email protected] www.galleriaminini.it MOUSSE / WADE GUYTON & T.J. WILCOX / PAG. 10 MOUSSE / WADE GUYTON & T.J. WILCOX / PAG. 11 A Little More Conversation Quanto può essere difficile per due artisti, amici di vecchia data, organizzare una con- versazione per un magazine d’arte? Apparentemente un’impresa insormontabile. Ma poi emerge un sospetto che, avanzando nella lettura, diviene certezza: fra aftershow a base di margaritas, computer decrepiti e stampanti bollite, questo balletto di sms, chiacchie- re mondane e procrastinazioni si rivela un ottimo stratagemma – l’equivalente verbale di un motivo jazz – per condurci, senza che nemmeno ce ne accorgiamo, dentro le fucine di Wade Guyton e T.J. Wilcox, nel vivo della pratica e dell’occasione che genera un’opera... 25 nov 2008, 13:16 T. J. : ciao, ieri ti ho lasciato un sms x quel 23 dic 2008, 17:30 T. J. : (è un po’ che non ti sento, sarai dei miei film sono sempre stati molto modesti per scelta (o anche magazine italiano – hai pensato all’argomento? molto occupato a stendere le tele… riprendo da dove eravamo per mancanza di)… mi sembra una sfida interessante filmare rimasti) sono felice di parlarti in questo momento perché tutti (che so) la “Cina” nella propria stanza da letto piuttosto che 10 dic 2008, 10:29 Wade: hai trovato Christian Scheidemann? e 2 siamo a new york ma con la testa a milano. una cosa che volare lì con tutta la baracca. mi è molto piaciuto, un paio di anni ehi, lo so ke abbiamo deciso di fare la conversazione oggi o mi ha influenzato nella preparazione di questa mostra è stata fa, vedere la casa di Pollock a Springs, Long Island,– i primi drip domani, ma nn è ke possiamo rimandare? una conoscenza frammentaria e casuale di Milano, ma, pur paintings furono dipinti in una stanza da letto al piano superiore essendo lacunosa, rappresenta bene certe mie fisse attuali (o della loro vecchia cascina – le stesse tele che oggi associamo 10 dic 2008, 16:01 T. J. : sono stato da Herr Scheidemann – che ricorrenti). ti faccio un paio di esempi: mi è sempre piaciuta la con enormi spazi espositivi modernisti in realtà riflettono le tipo simpatico – me ne sono ricordato solo a vederlo, ma lo avevo produzione di Fornasetti, e volevo che il lavoro x Milano fosse un dimensioni di un interno domestico ottocentesco. e mi fa piacere conosciuto un sacco di tempo fa – mi sa che sarà Gavin a spedire po’ un omaggio ai suoi oggetti. poi… uno dei soggetti del nuovo che qualcun altro stia oliando gli ingranaggi di new york city con la roba. comunque vuole che appiccichi tutto come Kelley con i film che esporrò è una donna che si chiamava Marchesa Luisa qualche buona bottiglia – male non fa mai, spesso aiuta. mattoni. secondo te posso andare da K per vedere come fanno Casati – di origini milanesi. condusse una vita molto stravagante loro? mando una seconda parte x Mousse. a Venezia, dove a tarda notte faceva bagni di luna con pelliccia 26 dic 2008, 23:46 T. J. : è tardi e sto per finire ma mi è e diversi giri di perle, scortata per piazza San Marco dai suoi successa una cosa stranissima e so che a te era capitato T. J.: ieri sera ho trovato il mio registratore. ti hanno detto se ci ghepardi con lunghi guinzagli tempestati di diamanti. qualcosa di simile… ho aperto un nuovo rotolo del mylar su cui serve qualcosa? grazie per esserti messo in contatto tu con loro, sto stampando i vari elementi che saranno ritagliati e combinati se hai bisogno di qualcosa dimmi pure. fammi sapere quando sei 23 dic 2008, 17:53 Wade: interessante: entrambi i tuoi progetti nei disegni a collage – è tutta la sera che stampo – ma il rotolo libero – non vedo l’ora, almeno ci vediamo! t. sono nati da qualcuno che faceva il bagno! sta reagendo all’inchiostro in modo nuovo e inatteso (come se screpolasse l’immagine). l’effetto mi pare bellissimo ma 10 dic 2008, 12:18 Wade: vorrebbero qualcosa per natale… x 23 dic 2008 23:37 T. J. : che giornata. ho avuto tanto da fare per ancora una volta mi viene ribadito quanto sia grande il margine Kelley non ci saranno problemi, tranquillo. chiedi a lui. il lavoro che ho completamente ignorato il natale… fino a oggi.
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    MARC BIJL Curriculum Vitae INFORMATION Name: Marc Bijl Website www.studiomarcbijl.com/ Date of Birth: 1970, The Netherlands Residence: Berlin, Germany Education: 1992—1997 Royal Academy of Art & Design ‘s-Hertogenbosch 1996 Rennie Macintosh School of Art Glasgow 1996 SOLO EXHIBITIONS 2018 After Dark, Galerie Reinhard Hauff, Stuttgart 2017 Zeitgeist, Upstream Gallery, Amsterdam 2016 #tags, Spinello Projects, Miami, FL (US) Blurry Conflicts, Buro Groningen, NL 2015 Family Man, Kunstverein Heppenheim, Germany 2014 Solo Booth Armory Show, New York under auspicien of Upstream Gallery Amsterdam, The Netherlands The Order of The Black Opaque, Plaatsmaken Arnhem, The Netherlands 2012 Urban Gothic, Groninger Museum, Groningen, The Netherlands (cat.) Light and Shadow, Gallery, Upstream Amsterdam, The Netherlands Never trust a rebel, Galerie Reinhard Hauff, Stuttgart, Germany 2010 9/11 666 777, Upstream Gallery, Amsterdam, The Netherlands& Bite The Beef, Kunstverein Artitude, Berlin, Germany 2009 ArtBaselMiami under auspicien of The Breeder Athens, Miami, USA The simple complexity of it all, Kunsthalle Fridericianum, Kassel, Germany curated by Rein Wolfs Towards our new constructtion, Rental Gallery with The Breeder, Cologne, Germany Arrested Development, DA2 Salamanca, Spain (cat.) 2008 New sites for personal structures, Upstream Gallery, Amsterdam, The Netherlands 2006 Indy Structures, The Breeder, Athens, Greece (Cat.) Afterhours, Cosmic Gallery, Paris, France 2005 Afterhours, curated by Roel Arkesteijn, Gem Museum, The Hague, The Netherlands
  • Continental School, Circa 1900 Portrait of the Marchesa Luisa Casati With

    Continental School, Circa 1900 Portrait of the Marchesa Luisa Casati With

    THOS. AGNEW & SONS LTD. 6 ST. JAMES’S PLACE, LONDON, SW1A 1NP Tel: +44 (0)20 7491 9219. www.agnewsgallery.com Continental School, circa 1900 Portrait of the Marchesa Luisa Casati with a Python Oil on board 67.5 x 52.3cm Marchesa Luisa Casati was renowned for her eccentricity and hedonistic life style. She married young only to discover that the constraints of it didn’t suit her. Luisa returned intermittently to an affair with the wild Italian poet Gabriele d’Annunzio, while numbering both men and women among her other lovers. She was often seen promenading Paris and the Venetian canals around the Palazzo Venier dei Leoni, on the Grand Canal (later also the home of Peggy Guggenheim; it today houses her collection) in only a fur coat, accompanied by two cheetahs, or wearing live snakes as jewellery, as in the present painting. In an effort to make herself a ‘living work of art’ she commissioned portraits from, among others, Boldini, Kees Van Dongen, Jacques-Emile Blanche, Man Ray, Cecil Beaton, Baron de Mayer, Fernand Knopff, Federico Beltrán-Masses and Augustus John, who famously said of her “Luisa Casati should be shot, stuffed and displayed in a glass case”. His 1919 portrait of her hangs in the Art Gallery of Ontario, Toronto, and is one of their most popular paintings. At six feet and cadaverously skinny, Casati was not considered a beauty, but she made herself unforgettable all the same. Her hair was cut and dyed a fiery red, her skin bleached white with Thos Agnew & Sons Ltd, registered in England No 00267436 at 21 Bunhill Row, London EC1Y 8LP VAT Registration No 911 4479 34 THOS.

  • La Danza Nel Futurismo : Giannina Censi E La Danza Moderna Thesis = the Dance of Futurism : Giannina Censi and Modern Dance

    博士学位論文（東京外国語大学） Doctoral Thesis (Tokyo University of Foreign Studies) 氏 名 横田 さやか 学位の種類 博士（学術） 学位記番号 博甲第 174 号 学位授与の日付 2013 年 11 月 6 日 学位授与大学 東京外国語大学 博士学位論文題目 未来派の舞踊 －ジャンニーナ・チェンシとモダン・ダンス－ Name Yokota, Sayaka Name of Degree Doctor of Philosophy (Humanities) Degree Number Ko-no. 174 Date November 6, 2013 Grantor Tokyo University of Foreign Studies, JAPAN Title of Doctoral La danza nel futurismo : Giannina Censi e la danza moderna Thesis = The Dance of Futurism : Giannina Censi and Modern Dance La danza nel futurismo : Giannina Censi e la danza moderna Sayaka YOKOTA Tokyo University of Foreign Studies PhD Dissertation Sommario Prefazione ........................................................................................................................................ 1 Capitolo I. Il “secondo” futurismo: il problema della periodizzazione ........................................... 5 Capitolo II. La sensibilità corporea di Marinetti ........................................................................... 29 Capitolo III. Danza e futurismo ..................................................................................................... 51 III. 1. Il futurismo attorno alla danza ........................................................................................ 51 III. 2. “Catalisi” tra il futurismo e i Ballets Russes ................................................................... 75 III. 3. Il doppio filone della danza moderna .............................................................................. 99 Illustrazioni