Goddess Bhuvaneswari
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
X ESSENCE of SHRI KAMAKSHI VILASA
ESSENCE OF SHRI KAMAKSHI VILASA LALITOPAKHYAANA OF MARKANDEYA PURANA INCLUDED x 1 TRANSLATED & COMPILED BY V D N RAO PREFACE On the conclusion of the Series of Essence of Puranas in English, HH Vijayendra Sarasvati of Kanchi mutt at Kanjeevaram, Tamil nadu instructed me to highlight Shri Kamakshi Vilasa, as Maharshi Markandeya described in the Vidya Khanda of Markandeya Maha Purana in great detail. Translations in Telugu and Tamil are also available. The ‘Essence of Kamakshi Vilasa’ has fourteen chapters viz.Devi Kamakshi as Tripura Sundari, Kanchipura as Bhuloka Vaikuntha, Hastishaila Mahatmya, details of Varadaraja Swami, the vastness and significance of Vegavati River, Rudra shaala, The Sacred Tree of Ekaamra, Ekaamreshwara and Tapah Kamakshi, SarvaTirtha Mahima in the Bhuvana Vaikuntha, Kamakoti Nagara Nirnaya, Kamakoti ‘bilwa’or the secret passage, glories of Maha Tripura Sundari, eminence of Janardana deva the destroyer of fears and difficulties, and superiority of Devi Kamakshi overMaha Deva Shiva Himself! Till date, a holy visit to Kanchi ever sustains lasting experience; the unity of the roads connecting the followings of Varada Raja Swami and Ekamareshwara is unique. And the outstanding ability to unify the routes of Shiva and Vishnu are truly amazing as reinforced by the Maha Shakti Devi Kamakshi’s outstanding presence at Kanchi; in the Ultimate Analysis one needs to deeply meditate the Power par excellencewhich is ‘Avyatam Shasvatam Vishnum Anantam Ajam Avyayam’ or the UltimateTruth is Unmanifested, Boundless, All Pervasive, Endless, Unborn, and Everlasting.! I am ever beholden to the lasting blessings of HH and the confidence that he has reposed in me to let larger audience reach in translating the original and present the same as Essence of Shri Kamakshi Vilasa into English. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
The Varahi Temple of Caurasi
Orissa Review * September-October - 2007 The Varahi Temple of Caurasi Jayanti Rath The Varahi temple of Caurasi is unique in more sanctum two more images of Varahi which are than one way. The image enshrined in this temple smaller than the main image are placed in the is exquisitely beautiful and considered to be one Jagamohana. Both of them are seated in of the masterpieces among the images of the deity ardhaparyankasana. Among them the image in the found all over India. Structurally marvelled, it right niche is shown with a fish in her right hand stands different from all other contemporary and a kapala in her left hand. At the bottom a temples of Orissa (10th-11th century A.D.). A figure of naravahana is placed on the pedestal. curious combination of Tantricism and Vaisnavism The four-armed Varahi in the left niche holds a can be marked in the sculptures of this temple kapala in the lower left hand and is shown with which is at once amazing and thought provoking. Varada mudra in the corresponding right hand. Varahi is believed to be the Sakti of Varaha. The upper right hand holds a fish and left hand In the Tantric text 'Varahi Tantra' mention has holds a rosary. Two of the Parsva devatas are been made of five forms of Varahi i.e., Svapna still found intact in the niches of the temple. In the Varahi, canda Varahi, Mahi Varahi (Bhairavi), niche of the south wall Ganesa, the deity of the Krcca Varahi and Matsya Varahi. learning has been represented, while the niche of the west wall protects the image of Surya, the The description of Matsya Varahi closely deity of light. -
Kali Stotram Herself
“The mind can disentangle itself from worldliness if, through Her grace, She makes it turn toward Kali Stotram Herself. Only then does it become devoted to the lotus feet of the Divine Mother.” Hymns to Goddess Kali ~ Sri Ramakrishna Paramahamsa In India there has been an unbroken tradition of worshiping God in the form of the Divine Mother Kali for many thousands of years. Kali is She from whom all are born and into whom all must eventually return. She is the ultimate power of creation and destruction, and pervades every aspect of the universe. While Her iconography and mythology have deep mystical and symbolic meaning, Her essence is simple: transformation. Loving Her transforms our lives. She annihilates limitations, purifies hearts, fills lives with joy and protects Her children in ways understandable only to those who worship and depend on Her. Kali is the Goddess of the Tantric tradition, which is characterized by dynamic spiritual practices aimed at transforming consciousness. Primary among these is the devotional recitation of mantras and hymns. Chanting gives expression to the heart’s innate longing for the Divine while awakening subtle energies within the body and mind. This collection of rare hymns to Goddess Kali is being made available with the prayer that they will be approached with humility, devotion, and unselfishness. Translated by Swami Bhajanananda Saraswati © 2012 Kali Mandir www.kalimandir.org Gayatri Mantra for Goddess Kali Meditation on Dakshina Kali This meditation mantra is found in Kali Tantra and Tanta Sara. Dhyana mantras are recited to sonically invoke and mentally visualize the subtle forms of deities before meditation and worship. -
Dr. Babasaheb Ambedkar Writings & Speeches Vol. 4
Babasaheb Dr. B.R. Ambedkar (14th April 1891 - 6th December 1956) BLANK DR. BABASAHEB AMBEDKAR WRITINGS AND SPEECHES VOL. 4 Compiled by VASANT MOON Dr. Babasaheb Ambedkar : Writings and Speeches Vol. 4 First Edition by Education Department, Govt. of Maharashtra : October 1987 Re-printed by Dr. Ambedkar Foundation : January, 2014 ISBN (Set) : 978-93-5109-064-9 Courtesy : Monogram used on the Cover page is taken from Babasaheb Dr. Ambedkar’s Letterhead. © Secretary Education Department Government of Maharashtra Price : One Set of 1 to 17 Volumes (20 Books) : Rs. 3000/- Publisher: Dr. Ambedkar Foundation Ministry of Social Justice & Empowerment, Govt. of India 15, Janpath, New Delhi - 110 001 Phone : 011-23357625, 23320571, 23320589 Fax : 011-23320582 Website : www.ambedkarfoundation.nic.in The Education Department Government of Maharashtra, Bombay-400032 for Dr. Babasaheb Ambedkar Source Material Publication Committee Printer M/s. Tan Prints India Pvt. Ltd., N. H. 10, Village-Rohad, Distt. Jhajjar, Haryana Minister for Social Justice and Empowerment & Chairperson, Dr. Ambedkar Foundation Kumari Selja MESSAGE Babasaheb Dr. B.R. Ambedkar, the Chief Architect of Indian Constitution was a scholar par excellence, a philosopher, a visionary, an emancipator and a true nationalist. He led a number of social movements to secure human rights to the oppressed and depressed sections of the society. He stands as a symbol of struggle for social justice. The Government of Maharashtra has done a highly commendable work of publication of volumes of unpublished works of Dr. Ambedkar, which have brought out his ideology and philosophy before the Nation and the world. In pursuance of the recommendations of the Centenary Celebrations Committee of Dr. -
Rhasoda Varga Margit
Rhasoda Varga Margit A TÍZ KOZMIKUS ERŐ Bevezetés Az alábbiakban az Abszolútumnak (Istennek) a tíz legmagasabb szintű női erejét mutatom be a hindu tantrikus tanítások felhasználásával, valamint ezek egybevetését a buddhista, taoista és keresztény tanításokkal. A női princípium az erő megtestesítője, az erő mozgatója pedig a férfi princípium. A kettő lényegileg egy. Az alábbi összeállításhoz felhasználtam megvilágosodott jógik könyveit, a hindu, buddhista, taoista és keresztény szentírásokat, továbbá saját belső megtapasztalásaimat. A mantrák szövege, a jantrák színei, a jantrák értelmezései, továbbá a filozófiai utak egybevetései saját meditatív alkotásaim és meglátásaim. A jantrák felépítésében néhány esetben eltértem az irodalmi hagyományoktól. Aki az általam közzétett mantrákat és jantrákat átéléssel, értve használja, eséllyel folyamodhat az istennők kegyelméért, és az erők használatáért. Minden aspektushoz tartozik egy hang vagy hangsor is, amely itt nem kerül ismertetésre. Amikor a kapcsolat létrejön az istennő és a gyakorló között, akkor belül akaratlanul felhangzik a hangmantra, amely visszaigazolja a kapcsolat meglétét. Bár a részletes tanítás az UKTM jógaiskola tanítványai számára válik hozzáférhetővé, az itt ismertetettek ebben a formában is gyakorlati útmutatást adnak a környező világ és benne önmagunk megértéséhez. KALI MAHAVIDYA „Itt minden az ellentétek misztériuma. A sötétség a rejtőzködő fény varázslata. A szenvedés a gyönyör tragikus maszkja. Míg a halál az örökkévaló élet játéka.” (Sri Aurobindo) Az Abszolútum (Isten) transzcendentális létező. Az Abszolútum belső önmozgása következtében válik teremtővé. A teremtés első pillanatában születik meg az IDŐ. Az idő véges intervallumok (múlt, jelen, jövő) sorozataként válik végtelenné. Az időnek tehát az a feladata, hogy feldarabolja a végtelent, ezáltal érzékelhetővé tegye azt a teremett lények számára. Abban a pillanatban azonban, amint az időt feldaraboljuk, megszületik az elmúlás fogalma, mivel egy időszakasz lezárulása, annak befejezését jelenti. -
Chapter 8 Th E Slaying of Raktabija
1 C H A P T E R 8 T H E S L AY I N G O F R A K TA B I JA The Rishi said: 1-3. After the daitya Chanda was slain and Munda was laid low, and many of the battalions were destroyed, the lord of the asuras, powerful Sumbha, with mid overcome by anger, commanded then the mobilization of all the daitya hosts: 4. ’Now let the eighty-six asuras - upraising their weapons - with all their forces, and the eighty-four Kambus, surrounded by their own forces, go out. 5. ’Let the fifty asura families of Kotiviryas and the hundred families of Dhaumras go forth at my command. 6. ’Let the asurasa Kalakas, Daurhrdas, the Mauryas and the Kalakeyas hasten at my command and march forth ready for battle.’ 7. After issuing these orders, Sumbha, the lord of the asuras and a ferocious ruler, went forth, attended by many thousands of big forces. 8. Seeing that most terrible army coming, Chandika filled into space between the earth and the sky with the twang of her bow-string. 9. Thereon her lion made an exceedingly loud roar, O King, and Ambika magnified those roars with the clanging of the bell. 10. Kali, expanding her mouth wide and filling the quarters with the sound (hum ) overwhelmed the noises of her bow-string, lion and bell by her terrific roars. 11. On hearing that roar the enraged asura battalions surrounded the lion, the Devi (Chandika) and Kali on all the four sides. 12-13. At this moment, O King, in order to annihilate the enemies of devas and for the well- being of the supreme devas, there issued forth, endowed with exceeding vigour and strength, Shaktis from the bodies of Brahma, Shiva, Guha, Vishnu and Indra, and with the form of those devas went to Chandika. -
Riddles in Hinduism
Bharat Ratna Dr. Bhimrao Ramji Ambedkar "Father Of Indian Constitution" India’s first Law Minister Architect of the Constitution of India ii http://www.ambedkar.org Born April 14, 1891, Mhow, India Died Dec. 6, 1956, New Delhi Dr. Bhimrao Ramji Ambedkar, was the first Minister of Law soon after the Independence of India in 1947 and was the Chairman of the drafting committee for the Constitution of India As such he was chiefly responsible for drafting of The Constitution of India. Ambedkar was born on the 14 th April, 1891. After graduating from Elphinstone College, Bombay in 1912, he joined Columbia University, USA where he was awarded Ph.D. Later he joined the London School of Economics & obtained a degree of D.Sc. ( Economics) and was called to the Bar from Gray's Inn. He returned to India in 1923 and started the 'Bahishkrit Hitkarini Sabha' for the education and economic improvement of the lower classes from where he came. One of the greatest contributions of Dr. Ambedkar was in respect of Fundamental Rights & Directive Principles of State Policy enshrined in the Constitution of India. The Fundamental Rights provide for freedom, equality, and abolition of Untouchability & remedies to ensure the enforcement of rights. The Directive Principles enshrine the broad guiding principles for securing fair distribution of wealth & better living conditions. On the 14 th October, 1956, Babasaheb Ambedkar a scholar in Hinduism embraced Buddhism. He continued the crusade for social revolution until the end of his life on the 6th December 1956. He was honoured with the highest national honour, 'Bharat Ratna' in April 1990 . -
Shiva and Parvati
Newsletter Archives www.dollsofindia.com Durga Puja in Bengal an Ode to the Sacred Feminine Copyright © 2011, DollsofIndia Indian mythology is rich with several stories of Devis and Devatas (Goddesses and Gods), of divine couples who work together as one, in order to fight malevolence and protect their devotees from the dark forces of evil. Today, we bring you the story of the Trimurti, or the Divine Trinity-couples of Hinduism - the tales of Brahma and Saraswati; Vishnu and Lakshmi; and Shiva and Parvati. Together, we discover the true nature and mission of these three divine couples of Hindu mythology. Buy this Table Top Picture Buy this Book TRIMUTI - BRAHMA, VISHNU PARVATI, LAKSHMI AND AND SHIVA SARASWATI - CONSORTS OF THE TRIMURTI DEITIES Brahma and Saraswati Lord Brahma - the Prajapati, the Creator Lord Brahma is considered the Creator of the entire world and hence, he is also referred to as the Prajapati. Brahma is infinite and is the source of space and time. Theologically, Brahma is eka akshara or made up of one letter, the AUM. He is also a swayambhu devata, the self-born God. In philosophical terms, Brahma is the first manifestation of one's ahankara. In cosmological terms, he is the Hiranya Garbha or the golden embryo, whence came all creation. He is Buy this Poster considered the Ball of Fire, from which developed BRAHMA the entire Universe. Hence, all creatures from all the three worlds are his progeny. Brahma is also referred to as the Pitamaha (Patriarch), Dhatru (Sustainer), Lokesha (Master of the Universe), Vidhi (Ordinator) and Viswakarma (Architect of the World). -
Women's Stories of Their Transpersonal Experiences with The
Women’s Stories of their Transpersonal Experiences with the Divine Feminine by Dawn Marie Rabey BSc, Ambassador University, 1996 MA, Trinity Western University, 2005 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY In the Department of Educational Psychology and Leadership Studies Dawn Marie Rabey, 2013 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Supervisory Committee Women’s Stories of their Transpersonal Experiences with the Divine Feminine by Dawn Marie Rabey BSc, Ambassador University, 1996 MA, Trinity Western University, 2005 Supervisory Committee Dr. Honore France (Department of Educational Psychology and Leadership Studies) Supervisor Dr. Tim Black (Department of Educational Psychology and Leadership Studies) Department Member Dr. Lara Lauzon, (School of Exercise Science, Physical and Health Education) Outside Member ii Abstract Supervisory Committee Dr. Honore France, Supervisor Department of Educational Psychology and Leadership Studies Dr. Tim Black, Departmental Member Department of Educational Psychology and Leadership Studies Dr. Lara Lauzon, Outside Member School of Exercise Science, Physical and Health Education Spirituality is becoming an increasingly important dimension of Counselling Psychology. As multicultural communities become more inclusive and global, it is valuable for counsellors to become more familiar with the different types of spiritual experiences that individuals are having. By attending to such experiences, counsellors may address how current forms of spirituality encourage healing, growth, and development, thereby increasing our understanding of human potential. Furthermore, many cultures are emerging from a religious history that portrays a male god as supreme, and the predominant images of the Divine as masculine. -
The Dasa(Ten) Mahavidyas in Tantra, Worship of Devi-Shakti Is Referred to As a Vidya. of the Hundreds of Tantrik Practices
The Dasa(Ten) Mahavidyas In Tantra, worship of Devi-Shakti is referred to as a Vidya. Of the hundreds of tantrik practices, the worship of the ten major Devis is called the Dasa Mahavidya. These major forms of the goddess are described in the Todala Tantra. They are Kali, Tara, Maha Tripura Sundari (or Shodasi-Sri Vidya), Bhuvaneshvari, Chinnamasta, Bhairavi, Dhumavati, Bagalamukhi, Matangi, and Kamala. These ten aspects of Shakti are the epitome of the entire creation. Chapter 10 also outlines their consorts, although Dhumavati, the widow form, is not allocated a consort. There are several "levels" at which these Devis can be worshiped with the prescribed Mantra and Yantra. Like a simple worship of the yantra with the mantra recitation, as a remedial astrological measure, elaborate worship with all tantrak rituals for attaining various siddhis associated with these tantras and for spiritual salvation. Successful sadhana of these Vidyas gives several boons to the practitioner. The Tantrik- Yogi who has control over his senses and positively inclined uses the boons to guide people and for the benefit of mankind. The ones whose head starts spinning with success use them for the gratification of the senses, gather a bunch of disciples around them and become fake gurus. The last chapter of todala Tantra equates Vishnu's ten incarnations with the ten Mahavidyas as follows: "Shri Devi said: Lord of Gods, Guru of the universe, tell me of the ten avatars. Now I want to hear of this, tell me of their true nature. Paramesvara, reveal to me which avatar goes with which Devi.