William S. Paley Biography Founder, the Paley Center for Media
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Summer 2008, Vol. II, Issue 2
RRIIVVEERR TTAALLKK Summer 2008 Summer 2008 THE MINNESOTA RIVER CURRENT Vol. II Is sue 2 “““BBBIIIGGG SSSTTTOOONNNEEE IIIIII CCCOOOAAALLL PPPLLLAAANNNTTT””” Introduction Scott Sparlin, Executive Director of the Not only has the proposed construction Coalition for a Clean Minnesota River spoke of the Big Stone II power plant, located across passionately about the Minnesota River and the from Ortonville in South Dakota, stirred up a consequences on water resources. debate on how each of us looks at the Minnesota “Since 1989, we’ve worked hard to River but also how this coal-generated plant educate and raise awareness about the condition could affect our daily life. of the Minnesota River. Together with our Citizens, legislators and organizations significant partners in business, government, and are concerned about the plant’s impact on the nonprofit sector, we have achieved numerous reducing water flow from the Big Stone Lake, successes and have met challenges head on in increasing mercury pollution and our standard of our efforts to heal and improve water in the living here in the Minnesota River Watershed. Minnesota basin.” For those on the other end of the spectrum, Big Stone II represents economic “Reconvene the development and stable electrical prices. Local MN / SD businesses, unions and power companies see the Boundary Waters plant providing high wage jobs and a way to Commission. meet rising energy demands. Can we talk this Emotion has run high on both sides as through with our good neighbor? people express their view points on climate change, water quality and alternative energy I’m sure they have a sources including wind generation. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
American Forces Network Radio Programming Decisions (D-2006-117)
September 27, 2006 Information Technology Management American Forces Network Radio Programming Decisions (D-2006-117) Department of Defense Office of Inspector General Quality Integrity Accountability Additional Copies To obtain additional copies of this report, visit the Web site of the Department of Defense Inspector General at http://www.dodig.mil/audit/reports or contact the Secondary Reports Distribution Unit at (703) 604-8937 (DSN 664-8937) or fax (703) 604-8932. Suggestions for Future Audits To suggest ideas for or to request future audits, contact the Office of the Deputy Inspector General for Auditing at (703) 604-8940 (DSN 664-8940) or fax (703) 604-8932. Ideas and requests can also be mailed to: ODIG-AUD (ATTN: Audit Suggestions) Department of Defense Inspector General 400 Army Navy Drive (Room 801) Arlington, VA 22202-4704 Acronyms AFIS American Forces Information Service AFN American Forces Network AFRTS American Forces Radio and Television Service AFN-BC American Forces Network - Broadcast Center ASD(PA) Assistant Secretary of Defense (Public Affairs) OIG Office of Inspector General Department of Defense Office of Inspector General Report No. D-2006-117 September 27, 2006 (Project No. D2006-D000FI-0103.000) American Forces Network Radio Programming Decisions Executive Summary Who Should Read This Report and Why? This report will be of interest to DoD personnel responsible for the selection and distribution of talk-radio programming to overseas U.S. Forces and their family members and military personnel serving onboard ships. The report discusses the controls and processes needed for establishing a diverse inventory of talk-radio programming on American Forces Network Radio. -
Together Again Laughs Burns Rewrote the Act and for the BETSY WICKARD Next Forty Years Was Gracie Allen’S Straight Man
George Burns and Gracie Allen For Information Contact: Together Again laughs Burns rewrote the act and for the BETSY WICKARD next forty years was Gracie Allen’s straight man. Actress BETSY WICKARD Burns wrote “Lamb Chops”, the act that has performed in theaters propelled them to top billing in the and casinos throughout the vaudeville circuit with Gracie acting as the country. She was a silly, lightheaded foil. Burns and Allen made dancer/singer in The a string of one-reel comedies and then Branson Follies, The Palm Springs Follies, appeared the films “The Big Broadcast” and The Great American Follies, and Golden “A Damsel in Distress” with Fred Astaire. At Girls USA. She appeared in the feature films the same time the Burns and Allen radio Rocky V and Mannequin on the Move. She show became one of the most popular has appeared in numerous national programs of the time. On television, The commercials and print ads for major George Burns and Gracie Allen Show put corporations. She is now living in Florida faces to the radio characters audiences had and performing on the Condo Circuit. She is come to love. After Gracie Allen retired delighted to be portraying Gracie Allen in George Burns remained in show business. “Together Again.” At the age of 78 he won the Academy Award in “The Sunshine Boys” movie and PETER SALZER gained greater stardom as God in the “Oh George Burns and Gracie Allen God” series. George Burns entertained Actor/Writer PETER audiences to the ripe old age of 100 years. Together Again SALZER has created roles When Peter Salzer walks on stage in on stage and on screen “Together Again” audiences see George George Burns and Gracie Allen and has appeared in many television Burns come back to life. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Mass Media and the Transformation of American Politics Kristine A
Marquette Law Review Volume 77 | Issue 2 Article 7 Mass Media and the Transformation of American Politics Kristine A. Oswald Follow this and additional works at: http://scholarship.law.marquette.edu/mulr Part of the Law Commons Repository Citation Kristine A. Oswald, Mass Media and the Transformation of American Politics, 77 Marq. L. Rev. 385 (2009). Available at: http://scholarship.law.marquette.edu/mulr/vol77/iss2/7 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Law Review by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. MASS MEDIA AND THE TRANSFORMATION OF AMERICAN POLITICS I. INTRODUCTION The importance of the mass media1 in today's society cannot be over- estimated. Especially in the arena of policy-making, the media's influ- ence has helped shape the development of American government. To more fully understand the political decision-making process in this coun- try it is necessary to understand the media's role in the performance of political officials and institutions. The significance of the media's influ- ence was expressed by Aleksandr Solzhenitsyn: "The Press has become the greatest power within Western countries, more powerful than the legislature, the executive, and the judiciary. One would then like to ask: '2 By what law has it been elected and to whom is it responsible?" The importance of the media's power and influence can only be fully appreciated through a complete understanding of who or what the media are. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Death No More Bryan Dunagun April 26, 2020 Well, If
Death No More Bryan Dunagun April 26, 2020 Well, if you have a Bible, would you open up to Revelation 21? This is the last book in the Bible, the second to last chapter in the Bible. I want to start off by reading this Scripture together. This is written by a guy named John, one of Jesus' disciples, who's now living in exile as a prisoner of Rome. John has given this vision of the future that we have in Jesus. We'll start in verse 1. "Then I saw a new heaven and a new earth for the first heaven and the first earth had passed away and there was no longer any sea. I saw the Holy City, the New Jerusalem coming down out of heaven from God prepared as a bride, beautifully dressed for her husband. And I heard a loud voice from the throne saying, look, God's dwelling place is now among the people. He will dwell with them, and they will be his people, and God himself will be with them and be their God. He will wipe every tear from their eyes and there will be no more death or mourning or crying or pain for the old order of things has passed away." Verse 5. "He who was seated on the throne said, “Behold I am making all things new.”, and then he said, “Write this down for these words are trustworthy and true.” He said to me, “It is done. I am the Alpha and the Omega, the beginning and the end. -
Station Ownership and Programming in Radio
FCC Media Ownership Study #5: Station Ownership and Programming in Radio By Tasneem Chipty CRA International, Inc. June 24, 2007 * CRA International, Inc., 200 Clarendon Street, T-33, Boston, MA 02116. I would like to thank Rashmi Melgiri, Matt List, and Caterina Nelson for helpful discussions and valuable assistance. The opinions expressed here are my own and do not necessarily reflect those of CRA International, Inc., or any of its other employees. Station Ownership and Programming in Radio by Tasneem Chipty, CRA International, June, 2007 I. Introduction Out of concern that common ownership of media may stifle diversity of voices and viewpoints, the Federal Communications Commission (“FCC”) has historically placed limits on the degree of common ownership of local radio stations, as well as on cross-ownership among radio stations, television stations, and newspapers serving the same local area. The 1996 Telecommunications Act loosened local radio station ownership restrictions, to different degrees across markets of different sizes, and it lifted all limits on radio station ownership at the national level. Subsequent FCC rule changes permitted common ownership of television and radio stations in the same market and also permitted a certain degree of cross-ownership between radio stations and newspapers. These changes have resulted in a wave of radio station mergers as well as a number of cross-media acquisitions, shifting control over programming content to fewer hands. For example, the number of radio stations owned or operated by Clear Channel Communications increased from about 196 stations in 1997 to 1,183 stations in 2005; the number of stations owned or operated by CBS (formerly known as Infinity) increased from 160 in 1997 to 178 in 2005; and the number of stations owned or operated by ABC increased from 29 in 1997 to 71 in 2005. -
Foreign Government-Sponsored Broadcast Programming
February 11, 2021 Foreign Government-Sponsored Broadcast Programming Overview Radio Sputnik, a subsidiary of the Russian government- Congress has enacted several laws to enable U.S. citizens financed Rossiya Segodnya International Information and the federal government to monitor attempts by foreign Agency, airs programming on radio stations in Washington, governments to influence public opinion on political DC, and Kansas City, MO. Rossiya Segodnya has contracts matters. Nevertheless, radio and television viewers may with two different U.S.-based entities to broadcast Radio have difficulty distinguishing programs financed and Sputnik’s programming. One entity is a radio station distributed by foreign governments or their agents. In licensee itself, while the other is an intermediary. DOJ has October 2020, the Federal Communications Commission directed each entity to register under FARA. Copies of the (FCC) proposed new requirements for broadcast radio and Rossiya Segodnya’s contracts with both entities are television stations to identify foreign government-provided available on both the FCC and DOJ websites. programming. FCC filings and a November 2015 report from the Reuters Statutory Background news agency indicate that China Radio International (CRI), For nearly 100 years, beginning with the passage of the an organization owned by the Chinese government, may Radio Act of 1927 (P.L. 69-632) and the Communications have agreements to transmit programming to 10 full-power Act of 1934 (P.L. 73-416), Congress has required broadcast U.S. radio stations, but independent verification is not stations to label content supplied and paid for by third readily available. parties so viewers and listeners can distinguish it from content created by the stations themselves (47 U.S.C. -
Television Programming for Children: a Report of 'The Children's Televisiontask'fbrce
A ED 183 133 IR* 0Q8 034 AUTHOR GreenWle Susan And Others .TITLE TelevAsion Programming for Children: A Report:of the ChilOenfs Tc4evision Task'FOrce. .'eINSTITUTION. ,PeOral Communications CoMmissicn, 4tsh1ngton, PU 8 DAT h Ot79 NOTE 194p. .4 EDRS PRICE ! ME01/PCOB Plus Póstage. DESCRIPTOR& ^*Broadcast \Industry; nhildens Television; *Compliance (legal): *Educational Policy; Educational Television: *FefUral Regulation: Marketing; Rrograming (BroAdcast); Television Commercials: - Televislon Pel,earch IDENTrFIgRS *Federal Commun,ications,Comm ssion ABSTRACT These two volumes cf a 5-volume.repert cm commerAal* broadcaster complance with thy Federal COmmunications Commission (FCC) 1974 policies on programminil and advertising' to,chilffren provide an overall analysis of ctildrenos television, as well as a detailed analysis of'broadcas, industry compliance. The first volume reviews the social, cognItive, and.economic factors 'that affect t,he, amount, types, and scheduling of childrer0-s programs, and drscuses policy optionz open to 'the FCC with staff recommendationsl The ana14sis of broadcaster compliance dn the second volume il based on a A, series of studies examining the.policy impact on the overalla ount , ofProgramming designed for children 12 years_and under, the afnount sof educatIlertal programming, program SCheduling, and olbvercommerci&lizatibn on children's televisi6nind related advertising issues. The effectiveness of the preent license renewal form as a method of assessing crpliance is also examined. (CMV) 13 , f a. .. , *********************************************1*********************4*** * Repfilductio4S supplied-by EDPS Rre the best that can be made '* . 41% from the original documqnt. , 1 v 0. 1 U.S 'IMPARTMENT OF hEALTH. EDUCATION & WELFARE NATIONAL INSTITUTE OF EDUCATION e THIS. DOCUMENT HAS 'BEENRePRO. 04 DUCED EXACTIO, AA RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN. -
What Made Him a Hero EDWARD R
devotee of a questionable female guru named Madame bleached decks all the human unfortunates of a third the ways we, as human beings, shape our own reality Vilmorin, had simply gone out walking one night in the world hell. It is a hell that will quickly become familiar and the reality of others. Not for nothing are reporters moonlight, dived into a tide pool in the shallow surf, to Ruth. In Bissance, she discovers that Eugene Dia - in particular that raffish predator Dave Millett - so cracked his head open and died. mont, the British consul, is a pederast. With her own important in this novel. Ruth finally gets the headlines Everyone else in Ruth's immediate world wants to eyes, she sees the half-clothed African boys who scurry she craves. Madame Vilmorin has another "story." By take the story as it is. After all, Jim is dead; what can be furtively to his door. She also discovers that Diamont is the time these ladies get through with each other, poor done about it l'\ow? But Ruth, suffering her son's loss as a friend of the sinister woman who must be responsible Jim, the pretty youth with the fatally bashed head, has for Jim's death. And so, when Madame Vilmorin cor become no more than a plot point in mirrored, baroque Carolyn See's most recent novel is "Golden Days." dially welcomes her to what must be one of the seediest narratives. And Francis King has had a lot of brutal fun She teaches English at the University of California, Los communes in recent literature, it's more than reason with his readers.