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devotee of a questionable female guru named Madame bleached decks all the human unfortunates of a third­ the ways we, as human beings, shape our own reality Vilmorin, had simply gone out walking one night in the world hell. It is a hell that will quickly become familiar and the reality of others. Not for nothing are reporters moonlight, dived into a tide pool in the shallow surf, to Ruth. In Bissance, she discovers that Eugene Dia­ - in particular that raffish predator Dave Millett - so cracked his head open and died. mont, the British consul, is a pederast. With her own important in this novel. Ruth finally gets the headlines Everyone else in Ruth's immediate world wants to eyes, she sees the half-clothed African boys who scurry she craves. Madame Vilmorin has another "story." By take the story as it is. After all, Jim is dead; what can be furtively to his door. She also discovers that Diamont is the time these ladies get through with each other, poor done about it l'\ow? But Ruth, suffering her son's loss as a friend of the sinister woman who must be responsible Jim, the pretty youth with the fatally bashed head, has for Jim's death. And so, when Madame Vilmorin cor­ become no more than a plot point in mirrored, baroque Carolyn See's most recent novel is "Golden Days." dially welcomes her to what must be one of the seediest narratives. And Francis King has had a lot of brutal fun She teaches English at the University of California, Los communes in recent literature, it's more than reason­ with his readers. Whether or not they'll appreciate this Angeles. able for Ruth to believe that her charming hostess is manipulative display is another matter entirely. 0 What Made Him a Hero EDWARD R. MURROW An American Original. By Joseph E. Persico. Illustrated. 562 pp. New York: McGraw-Hill Publishing Company. $24.95. By Joan Konner F all the dragons, temptations and trials that a hero must face on his perilous path through life, none has become more challenging than Othe encounter with a biographer. So it is a relief to travel between the hard covers of a biography of a modern American hero and return from the jour­ ney with the hero and the ideals that inspired him, and us, still intact. • Edward R. Murrow is a man whose name has become a synonym f\?r quality, ~urage and integrity in broadcast journalism and whose life was the enact­ ment, and in some ways the fulfillment, of the broad­ cast journalist'S dream. If one is curious to find out what makes some people stand out above the rest, what makes a person a hero, the story is in "Edward R. Edward R. Murrow, left, Charles Collingwood, center, and Eric Sevareid cover the 1950 electIOns on radIO. Murrow: An American Original." Murrow had talent, drive, intelligence, personality and vision. Add to those qualities the power of his good looks - that piercing heaped like refuse, small mountains of children's shoes After all these years, it is still exceptional - coiled, gaze, those heavy, furrowed brows and that voice that - a scene for which no one who is civilized could be compact, staccato with one concrete image after an­ seemed to resound from some inner sanctum. In sum, prepared. other, taut with restrained rage, living testimony not he added up to more than most of us. Other correspondents filed their stories immedi­ only to a stern and heroic time but to a stern and heroic In comprehensive detail, with dramatic, well-told ately. Murrow needed time, and so he challenged those talent. Murrow alone felt that he did not do the story anecdotes and insight and perceptiveness, Joseph E. twin tyrants of journalism - competition and daily justice. Persico describes a man of extraordinary natural gifts, deadlines. He said he needed time to "acquire detach­ The power of his reporting was not the clue to his human failings and stunning accomplishments. ment." He might have said he needed time to think, a accomplishment. It was that he, in this and countless Here is one example. It is April 1945. Murrow is grossly underrated ingredient of good reporting. other situations, questioned the rules, challenged hy­ with Gen. George Patton's Third Army, reporting for Three days later he filed his report. It may have potheses and followed his instincts to explore beyond CBS Radio from Germany. He enters Buchenwald with lagged behind the others in timing, but it soared above the boundaries of broadcast journalism and to increase the troops and is engulfed in a scene of unimaginable them in telling the story. Newspapers carried his text in public knowledge and understanding. From breaking horror - living skeletons with dead eyes, corpses full; The London Express gave it the front page. The ranks to petition Churchill for permiSSion to broadcast British Broadcasting Company repeated the broadcast. outdoors (so that the life-threatening reality of the Joan Konner is dean of the Graduate School of Critics rated it a classic of radio reporting. London blitz could be heard on radio and experienced Journalism at Columbia University. Mr. Persico quotes this script (and others) in full. Continued on next page What Made Him a Hero Never Settle for the First Response When Joseph E. Persico went exploring for To understand Murrow's character, Mr. Per­ Continued from preceding page the human face behind the heroic image of Ed­ sico tracked down his first college girlfriend. She by the American audience) to supervising and anchor­ ward R. Murrow, he mimicked his subject'S style had become pregnant, dropped out of school and ing the famed television report on Joseph McCarthy, as a reporter. He talked with ordinary people who moved to another state. Murrow arranged for an Murrow tested the possibilities of broadcast news and had watched Murrow in his unguarded moments, abortion and held her in his arms all night af­ set the standard. those who had known him as a lover, who had terward' but he never saw her again after that. Mr. PerSico, the author of "The Imperial Rockefel­ drunk too much with him, who had helped him in As Mr. Persico came to see him, Murrow suf­ ler," a biography of Nelson Rockefeller, takes us on a his college days as a campus politician. fered from an internal conflict between his prole­ well-organized and readable trip through Murrow's Most of them had their own oft-told stories tarian roots (his father was an engineer on a loco­ public and personal life. He was born in North Carolina about Murrow, but Mr. Persico found that he could motive) and his taste for the patrician life. in 1908. His mother was an overprotective, hard-driving extract much more personal and revealing mate­ The author had discovered the same kind of ten­ moralist, his father a hardworking subsistence farmer rial if he borrowed one of his subject's sion, only in reverse, in Nelson Rocke­ who moved the family to Washington State in 1914 and favorite interview techniques. feller, the subject of a previous book. went to work for a lumber company. Murrow grew up "When [Murrow] spoke with politi­ "Rockefeller was to the manor born, in a home without telephones or indoor plumbing, cians or celebrities, he listened to their but as a pOlitician he acquired worked as a lumberjack and became a star student at first answer to his question and then some proletarian touches," he said. Washington State College. He came to New York City to stared at them expectantly, waiting for Mr. Persico's next book will re­ work as an administrator of international education them to go deeper," Mr. Persico said in quire all the investigative skills he has programs, and that led to a job at the young CBS a telephone interview from his home in developed in pursuing Murrow. He is network as "director of talks" in the public affairs Albany. "Inevitably, they did. He writing a biography of William J. Ca­ division. He did so well that in 1937, at age 29, he was would throwaway the first response sey, the former Director of Cen- sent to London as head of European operations. and use the much more interesting ma­ JACK KIGHTLINGER tral Intelligence. terial in the unrehearsed version." Joseph E. Persico. ALBERT SCARDINO HE timing was exquisite for Murrow, for the network and for history. Europe's peace and civilization were collapsing under Hitler's ram­ page, and Murrow brought the story alive for T won the confidence of the people he needed, most American listeners through his own reporting and by day's celebrity anchors ("celebrity" and "star" were recruiting a brilliant corps of correspondents (among descriptions he despised), who are "created" by the especially Murrow's widow, Janet. He did not betray them William Shirer, Eric Sevareid and Howard K. mere fact of their appearance on the screen, Murrow them. To his credit, Mr. Persico does not make his story Smith). Until then, broadcast news had been a poor brought his own individual force of character to the a mindless saga in which Murrow is the Lone Ranger relation to print journalism. Murrow and his literate, medium. He took on challenging subjects out of an capable of accomplishing all that he did without a team articulate "boys" made it independent, respectable and ingrained belief in the American ideals of justice and of talented collaborators. He gives full Credit to Mur­ important - what Murrow called "the biggest class­ fairness and a journalist's commitment to an informed row's associates, in particular his television producer room in the world." He believed in journalism as public, on which a healthy democracy relies.

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