THE MEDIA in YOUR LIFE an Introduction to Mass Communication, 3/E © 2004
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Joan Didion and the New Journalism
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1986 Joan Didion and the new journalism Jean Gillingwators Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the American Literature Commons Recommended Citation Gillingwators, Jean, "Joan Didion and the new journalism" (1986). Theses Digitization Project. 417. https://scholarworks.lib.csusb.edu/etd-project/417 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. JOAN DIDION AND THE NEW JOURNALISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Jean Gillingwators June 1986 JOAN DIDION AND THE NEW JOURNALISM ■ ■ A Thesis Presented to the Faculty of California State University, San Bernardino by Jean ^i^ingwators June 1986 Approved by: Jw IT m Chair Date Abstract Most texts designed to teach writing include primarily non-fiction models. Most teachers, though, have been trained in the belles lettres tradition, and their competence usually lies with fiction Or poetry. Cultural preference has traditionally held that fiction is the most important form of literature. Analyzing a selection of twentieth century non-fiction prose is difficult; there are too few resources, and conventional analytical methods too often do not fit modern non-fiction. The new journalism, a recent literary genre, is especially difficult to "teach" because it blends fictive and journalistic techniques. -
“Authentic” News: Voices, Forms, and Strategies in Presenting Television News
International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation. -
Summer 2008, Vol. II, Issue 2
RRIIVVEERR TTAALLKK Summer 2008 Summer 2008 THE MINNESOTA RIVER CURRENT Vol. II Is sue 2 “““BBBIIIGGG SSSTTTOOONNNEEE IIIIII CCCOOOAAALLL PPPLLLAAANNNTTT””” Introduction Scott Sparlin, Executive Director of the Not only has the proposed construction Coalition for a Clean Minnesota River spoke of the Big Stone II power plant, located across passionately about the Minnesota River and the from Ortonville in South Dakota, stirred up a consequences on water resources. debate on how each of us looks at the Minnesota “Since 1989, we’ve worked hard to River but also how this coal-generated plant educate and raise awareness about the condition could affect our daily life. of the Minnesota River. Together with our Citizens, legislators and organizations significant partners in business, government, and are concerned about the plant’s impact on the nonprofit sector, we have achieved numerous reducing water flow from the Big Stone Lake, successes and have met challenges head on in increasing mercury pollution and our standard of our efforts to heal and improve water in the living here in the Minnesota River Watershed. Minnesota basin.” For those on the other end of the spectrum, Big Stone II represents economic “Reconvene the development and stable electrical prices. Local MN / SD businesses, unions and power companies see the Boundary Waters plant providing high wage jobs and a way to Commission. meet rising energy demands. Can we talk this Emotion has run high on both sides as through with our good neighbor? people express their view points on climate change, water quality and alternative energy I’m sure they have a sources including wind generation. -
Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Professional Projects from the College of Journalism Journalism and Mass Communications, College of and Mass Communications Spring 4-18-2019 Journalistic Ethics and the Right-Wing Media Jason McCoy University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/journalismprojects Part of the Broadcast and Video Studies Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Journalism Studies Commons, Mass Communication Commons, and the Other Communication Commons McCoy, Jason, "Journalistic Ethics and the Right-Wing Media" (2019). Professional Projects from the College of Journalism and Mass Communications. 20. https://digitalcommons.unl.edu/journalismprojects/20 This Thesis is brought to you for free and open access by the Journalism and Mass Communications, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Professional Projects from the College of Journalism and Mass Communications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln This paper will examine the development of modern media ethics and will show that this set of guidelines can and perhaps should be revised and improved to match the challenges of an economic and political system that has taken advantage of guidelines such as “objective reporting” by creating too many false equivalencies. This paper will end by providing a few reforms that can create a better media environment and keep the public better informed. As it was important for journalism to improve from partisan media to objective reporting in the past, it is important today that journalism improves its practices to address the right-wing media’s attack on journalism and avoid too many false equivalencies. -
The Producing Process 3
03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
Literary War Journalism: Framing and the Creation of Meaning J
Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Ted Geltner Journal of Magazine Media, Volume 13, Number 2, Summer 2012, (Article) Published by University of Nebraska Press DOI: https://doi.org/10.1353/jmm.2012.0002 For additional information about this article https://muse.jhu.edu/article/773721/summary [ Access provided at 1 Oct 2021 07:15 GMT with no institutional affiliation ] Literary War Journalism Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Jacksonville University [email protected] Ted Geltner, Valdosta State University [email protected] Abstract Relatively few studies have systematically analyzed the ways literary journalists construct meaning within their narratives. This article employed rhetorical framing analysis to discover embedded meaning within the text of John Sack’s Gulf War Esquire articles. Analysis revealed several dominant frames that in turn helped construct an overarching master narrative—the “takeaway,” to use a journalistic term. The study concludes that Sack’s literary approach to war reportage helped create meaning for readers and acted as a valuable supplement to conventional coverage of the war. Keywords: Desert Storm, Esquire, framing, John Sack, literary journalism, war reporting Introduction Everything in war is very simple, but the simplest thing is difficult. The difficulties accumulate and end by producing a kind of friction that is inconceivable unless one has experienced war. —Carl von Clausewitz Long before such present-day literary journalists as Rolling Stone’s Evan Wright penned Generation Kill (2004) and Chris Ayres of the London Times gave us 2005’s War Reporting for Cowards—their poignant, gritty, and sometimes hilarious tales of embedded life with U.S. -
Read the Full Report As an Adobe Acrobat
CREATING A PUBLIC SQUARE IN A CHALLENGING MEDIA AGE A White Paper on the Knight Commission Report on Informing Communities: Sustaining Democracy in the Digital Age Norman J. Ornstein with John C. Fortier and Jennifer Marsico Executive Summary Much has changed in media and communications costs. Newspapers would benefit from looser technologies over the past fifty years. Today we face the rules and more flexibility. News organizations dual problems of an increasing gap in access to these should be able to work together to collect technologies between the “haves” and “have nots” and payment for content access. fragmentation of the once-common set of facts that 2. Implement government subsidies. With high Americans shared through similar experiences with the costs of operation, the newspaper industry media. This white paper lays out four major challenges should be eligible for lower postal rates and that the current era poses and proposes ways to meet exemptions from sales taxes. these challenges and boost civic participation. 3. Change the tax status of papers, making them tax-exempt in some fashion. This could Challenge One: Keeping Newspapers Alive involve categorizing newspapers as “bene- fit” or “flexible purpose” corporations, or Until They Are Well treating them as for-profit businesses that have a charitable or educational purpose. A large part of the average newspaper budget com- prises costs related to printing, bundling, and deliv- ery. The development of new delivery models could greatly reduce (or perhaps eliminate) these Challenge Two: Universal Access and expenses. Potential new models use screen- Adequate Spectrum technology advancement (using new tools like the iPad) and raise subscription revenue online. -
The History of NBC New York Television Studios, 1935-1956"
`1 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 By Bobby Ellerbee And Eyes Of A Generation.com Preface and Acknowledgement This is the first known chronological listing that details the conversions of NBC’s Radio City studios at 30 Rockefeller Plaza in New York City. Also included in this exclusive presentation by and for Eyes Of A Generation, are the outside performance theaters and their conversion dates to NBC Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the network that pioneered so much of the new medium. As you will see, many shows were done as “remotes” in NBC radio studios with in-house mobile camera units, and predate the official conversion date which signifies the studio now has its own control room and stage lighting. Eyes Of A Generation, would like to offer a huge thanks to the many past and present NBC people that helped, but most especially to Frank Merklein (NBC 1947-1961) Joel Spector (NBC 1965-2001), Dennis Degan (NBC 2003 to present), historian David Schwartz (GSN) and Gady Reinhold (CBS 1966 to present), for their first hand knowledge, photos and help. This presentation is presented as a public service by the world’s ultimate destination for television history…The Eyes Of A Generation. –Bobby Ellerbee http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 `2 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 Contents Please Note: Converted should be understood as the debut date of the facility as an exclusive TV studio, now equipped with its own control room. -
The Blogization of Journalism
DMITRY YAGODIN The Blogization of Journalism How blogs politicize media and social space in Russia ACADEMIC DISSERTATION To be presented, with the permission of the Board of School of Communication, Media and Theatre of the University of Tampere, for public discussion in the Lecture Room Linna K 103, Kalevantie 5, Tampere, on May 17th, 2014, at 12 o’clock. UNIVERSITY OF TAMPERE DMITRY YAGODIN The Blogization of Journalism How blogs politicize media and social space in Russia Acta Universitatis Tamperensis 1934 Tampere University Press Tampere 2014 ACADEMIC DISSERTATION University of Tampere School of Communication, Media and Theatre Finland Copyright ©2014 Tampere University Press and the author Cover design by Mikko Reinikka Distributor: [email protected] http://granum.uta.fi Acta Universitatis Tamperensis 1934 Acta Electronica Universitatis Tamperensis 1418 ISBN 978-951-44-9450-5 (print) ISBN 978-951-44-9451-2 (pdf) ISSN-L 1455-1616 ISSN 1456-954X ISSN 1455-1616 http://tampub.uta.fi Suomen Yliopistopaino Oy – Juvenes Print 441 729 Tampere 2014 Painotuote Preface I owe many thanks to you who made this work possible. I am grateful to you for making it worthwhile. It is hard to name you all, or rather it is impossible. By reading this, you certainly belong to those to whom I radiate my gratitude. Thank you all for your attention and critique, for a friendly talk and timely empathy. My special thanks to my teachers. To Ruslan Bekurov, my master’s thesis advisor at the university in Saint-Petersburg, who encouraged me to pursue the doctoral degree abroad. To Kaarle Nordenstreng, my local “fixer” and a brilliant mentor, who helped me with my first steps at the University of Tampere. -
Reese, Stephen D., the Structure of News Sources on Television: A
Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources -
Hawaiian Day July 7
Full Moon Day July 5 According toThe Old Farmer's Almanac, July's full moon is known as the Full Buck Moon. That's because it's normally the month when a buck deer gets the beginnings of his new antlers. It's also known as the Thunder Moon (because thunderstorms are common at this time) and the Full Hay Moon. Do you know the Names of All the Full Moons? How many "moon" phrases you name? The moon phase is the shape of the directly sunlit portion of the Moon as viewed from Earth. The phases gradually change over the period of a synodic month, as the orbital positions of the Moon around Earth and of Earth around the Sun Shift. July 6 Fried Chicken Day Fried chicken has a long and interesting history—Here are a few facts: Fried Chicken Was Invented by the Scottish. Before WWII, It Was a Special Occasion Dish. Not all Chickens are Suitable for Frying. There are Three Primary Frying Methods— deep-frying ,pressure- frying (or “broasting”), cast-iron skillet . The Pressure Fryer Was the Secret to KFC’s Success. Hawaiian Day July 7 The Hawaiian Islands Kingdom was annexed by the United States on this day in 1898. Hawaii was once an independent kingdom. (1810 - 1893) The flag was designed at the request of King Kamehameha I. It has eight stripes of white, red and blue that represent the eight main islands. The flag of Great Britain is emblazoned in the upper left corner to honor Hawaii's friendship with the British.