'Mr. Agnew and I Share the View That Television Journalism Leaves Something to Be Desired
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Summer 2008, Vol. II, Issue 2
RRIIVVEERR TTAALLKK Summer 2008 Summer 2008 THE MINNESOTA RIVER CURRENT Vol. II Is sue 2 “““BBBIIIGGG SSSTTTOOONNNEEE IIIIII CCCOOOAAALLL PPPLLLAAANNNTTT””” Introduction Scott Sparlin, Executive Director of the Not only has the proposed construction Coalition for a Clean Minnesota River spoke of the Big Stone II power plant, located across passionately about the Minnesota River and the from Ortonville in South Dakota, stirred up a consequences on water resources. debate on how each of us looks at the Minnesota “Since 1989, we’ve worked hard to River but also how this coal-generated plant educate and raise awareness about the condition could affect our daily life. of the Minnesota River. Together with our Citizens, legislators and organizations significant partners in business, government, and are concerned about the plant’s impact on the nonprofit sector, we have achieved numerous reducing water flow from the Big Stone Lake, successes and have met challenges head on in increasing mercury pollution and our standard of our efforts to heal and improve water in the living here in the Minnesota River Watershed. Minnesota basin.” For those on the other end of the spectrum, Big Stone II represents economic “Reconvene the development and stable electrical prices. Local MN / SD businesses, unions and power companies see the Boundary Waters plant providing high wage jobs and a way to Commission. meet rising energy demands. Can we talk this Emotion has run high on both sides as through with our good neighbor? people express their view points on climate change, water quality and alternative energy I’m sure they have a sources including wind generation. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
Mass Media and the Transformation of American Politics Kristine A
Marquette Law Review Volume 77 | Issue 2 Article 7 Mass Media and the Transformation of American Politics Kristine A. Oswald Follow this and additional works at: http://scholarship.law.marquette.edu/mulr Part of the Law Commons Repository Citation Kristine A. Oswald, Mass Media and the Transformation of American Politics, 77 Marq. L. Rev. 385 (2009). Available at: http://scholarship.law.marquette.edu/mulr/vol77/iss2/7 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Law Review by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. MASS MEDIA AND THE TRANSFORMATION OF AMERICAN POLITICS I. INTRODUCTION The importance of the mass media1 in today's society cannot be over- estimated. Especially in the arena of policy-making, the media's influ- ence has helped shape the development of American government. To more fully understand the political decision-making process in this coun- try it is necessary to understand the media's role in the performance of political officials and institutions. The significance of the media's influ- ence was expressed by Aleksandr Solzhenitsyn: "The Press has become the greatest power within Western countries, more powerful than the legislature, the executive, and the judiciary. One would then like to ask: '2 By what law has it been elected and to whom is it responsible?" The importance of the media's power and influence can only be fully appreciated through a complete understanding of who or what the media are. -
Reese, Stephen D., the Structure of News Sources on Television: A
Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources on television: A network analysis of 'CBS News,' 'Nightline,' 'MacNeil/Lehrer,' and 'This Week with David Brinkley' , Journal of Communication, 44:2 (1994:Spring) p.84 Reese, Stephen D., The structure of news sources -
Hawaiian Day July 7
Full Moon Day July 5 According toThe Old Farmer's Almanac, July's full moon is known as the Full Buck Moon. That's because it's normally the month when a buck deer gets the beginnings of his new antlers. It's also known as the Thunder Moon (because thunderstorms are common at this time) and the Full Hay Moon. Do you know the Names of All the Full Moons? How many "moon" phrases you name? The moon phase is the shape of the directly sunlit portion of the Moon as viewed from Earth. The phases gradually change over the period of a synodic month, as the orbital positions of the Moon around Earth and of Earth around the Sun Shift. July 6 Fried Chicken Day Fried chicken has a long and interesting history—Here are a few facts: Fried Chicken Was Invented by the Scottish. Before WWII, It Was a Special Occasion Dish. Not all Chickens are Suitable for Frying. There are Three Primary Frying Methods— deep-frying ,pressure- frying (or “broasting”), cast-iron skillet . The Pressure Fryer Was the Secret to KFC’s Success. Hawaiian Day July 7 The Hawaiian Islands Kingdom was annexed by the United States on this day in 1898. Hawaii was once an independent kingdom. (1810 - 1893) The flag was designed at the request of King Kamehameha I. It has eight stripes of white, red and blue that represent the eight main islands. The flag of Great Britain is emblazoned in the upper left corner to honor Hawaii's friendship with the British. -
Oral History Interview with Sharon Huntley Kahn, July 10, 2018
Archives and Special Collections Mansfield Library, University of Montana Missoula MT 59812-9936 Email: [email protected] Telephone: (406) 243-2053 This transcript represents the nearly verbatim record of an unrehearsed interview. Please bear in mind that you are reading the spoken word rather than the written word. Oral History Number: 463-001 Interviewee: Sharon Huntley Kahn Interviewer: Donna McCrea Date of Interview: July 10, 2018 Donna McCrea: This is Donna McCrea, Head of Archives and Special Collections at the University of Montana. Today is July 10th of 2018. Today I'm interviewing Sharon Huntley Kahn about her father Chet Huntley. I'll note that the focus of the interview will really be on things that you know about Chet Huntley that other people would maybe not have known: things that have not been made public already or don't appear in many of the biographical materials and articles about him. Also, I'm hoping that you'll share some stories that you have about him and his life. So I'm going to begin by saying I know that you grew up in Los Angeles. Can you maybe start there and talk about your memories about your father and your time in L.A.? Sharon Kahn: Yes, Donna. Before we begin, I just want to say how nice it is to work with you. From the beginning our first phone conversations, I think at least a year and a half ago, you've always been so welcoming and interested, and it's wonderful to be here and I'm really happy to share inside stories with you. -
What Made Him a Hero EDWARD R
devotee of a questionable female guru named Madame bleached decks all the human unfortunates of a third the ways we, as human beings, shape our own reality Vilmorin, had simply gone out walking one night in the world hell. It is a hell that will quickly become familiar and the reality of others. Not for nothing are reporters moonlight, dived into a tide pool in the shallow surf, to Ruth. In Bissance, she discovers that Eugene Dia - in particular that raffish predator Dave Millett - so cracked his head open and died. mont, the British consul, is a pederast. With her own important in this novel. Ruth finally gets the headlines Everyone else in Ruth's immediate world wants to eyes, she sees the half-clothed African boys who scurry she craves. Madame Vilmorin has another "story." By take the story as it is. After all, Jim is dead; what can be furtively to his door. She also discovers that Diamont is the time these ladies get through with each other, poor done about it l'\ow? But Ruth, suffering her son's loss as a friend of the sinister woman who must be responsible Jim, the pretty youth with the fatally bashed head, has for Jim's death. And so, when Madame Vilmorin cor become no more than a plot point in mirrored, baroque Carolyn See's most recent novel is "Golden Days." dially welcomes her to what must be one of the seediest narratives. And Francis King has had a lot of brutal fun She teaches English at the University of California, Los communes in recent literature, it's more than reason with his readers. -
Guide to the Walter Johnson Papers 1938-1985
University of Chicago Library Guide to the Walter Johnson Papers 1938-1985 © 2017 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Biographical Note 3 Scope Note 5 Subject Headings 6 INVENTORY 7 Series I: Personal 7 Series II: Correspondence 7 Subseries 1: 1950-1963 7 Subseries 2: 1964-1984 9 Series III: University of Chicago 15 Series IV: University of Hawaii 16 Series V: Writing and Research 17 Subseries 1: Publications 17 Subseries 2: Lectures and Speeches 20 Subseries 3: Research 22 Series VI: Adlai Stevenson 24 Subseries 1: Research 24 Subseries 2: Correspondence 31 Series VII: Political Activity 69 Subseries 1: Paul Douglas for Alderman, 5th Ward, Chicago, 1939 69 Subseries 2: Johnson Aldermanic Campaign, 5th Ward, Chicago, 1943 70 Subseries 3: Political Activism and Research 72 Series VIII: Restricted 74 Descriptive Summary Identifier ICU.SPCL.JOHNSONW Title Johnson, Walter. Papers Date 1938-1985 Size 22 linear feet (44 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Walter Johnson(1915-1985) historian and politician. Papers contain personal material, correspondence, speeches and lectures, research and writing, campaign literature, newspaper clippings, and press releases documenting Johnson’s academic and political career. Most of the materials in the collection relate to Johnson’s The Papers of Adlai Stevenson. Information on Use Access Series VIII contains student evaluative material, and is restricted until 2062. The remainder of the collection is open for research. Citation When quoting material from this collection, the preferred citation is: Johnson, Walter. -
Found, Featured, Then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D
Found, Featured, then Forgotten Image created by Jack Miller. Courtesy of Vietnam Veterans Against the War. Found, Featured, then Forgotten U.S. Network TV News and the Vietnam Veterans Against the War Mark D. Harmon Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE Found, Featured, then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D. Harmon Digital version at www.newfoundpress.utk.edu/pubs/harmon Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/us/. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-8-7 ISBN-10: 0-9797292-8-9 Harmon, Mark D., (Mark Desmond), 1957- Found, featured, then forgotten : U.S. network tv news and the Vietnam Veterans Against the War / Mark D. Harmon. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2011. 191 p. : digital, PDF file. Includes bibliographical references (p. [159]-191). 1. Vietnam Veterans Against the War—Press coverage—United States. 2. Vietnam War, 1961-1975—Protest movements—United States—Press coverage. 3. Television broadcasting of news—United States—History—20th century. I. Title. HE8700.76.V54 H37 2011 Book design by Jayne White Rogers Cover design by Meagan Louise Maxwell Contents Preface ..................................................................... -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
From Making What's in 1951, He Recalls Having Only 14 on His Staff: Douglas Edwards (Who Had Been Anchoring and Coproducing a 15- Minute Yours Theirs
matter of fact, the censorship has been fast Four years later, Mr. Edwards was back in view of ratings and critics' notices -but and reasonably intelligent .... at the conventions, this time to co- anchor when CBS remained second to NBC with "You get accustomed to these long -dis- some of the sessions with Walter the new team, Mr. Cronkite was brought tance conversations after a few years, but Cronkite. By then the capability of going back as "national editor" on the 1964 that first two -way with the beachhead pro- to the floor was developed and, as Mr. Ed- election night. duced a pleasant thrill. I gave [Bill] Downs wards says, "Television was less the tail From 1951, CBS did have its the go- ahead. Twenty seconds later, the being wagged by the dog; it may have been "showpiece," as Mr. Mickelson calls it- bottom fell out of the circuit and he the power." See It Now with Edward R. Murrow as became unintelligible. That's the way it Mr. Cronkite, who had been brought in host and coproducer with Fred Friendly goes. from wTOPTv Washington by Mr. (who later rose to the CBS News presiden- "Over the far shore the boys stumble Mickelson, anchored every convention cy). The program represented a move out through the dark to reach their and election night coverage from that time of the "newsreel" era. Among the show's camouflaged transmitters. They speak with the exception of 1964 when Robert innovations for television: it was the first their stories. Sometimes they get through Trout (who'd handled conventions pre- to shoot its own film and use a sound track and sometimes they don't." viously for CBS Radio) and Roger Mudd without dubbing, as well as the first to After the war, Mr. -
" WE CAN NOW PROJECT..." ELECTION NIGHT in AMERICA By. Sean P Mccracken "CBS NEWS Now Projects...NBC NEWS Is Read
" WE CAN NOW PROJECT..." ELECTION NIGHT IN AMERICA By. Sean P McCracken "CBS NEWS now projects...NBC NEWS is ready to declare ...ABC NEWS is now making a call in....CNN now estimates...declares...projects....calls...predicts...retracts..." We hear these few opening words and wait on the edges of our seats as the names and places which follow these familiar predicates make very well be those which tell us in the United States who will occupy the White House for the next four years. We hear the words, follow the talking-heads and read the ever changing scripts which scroll, flash or blink across our television screens. It is a ritual that has been repeated an-masse every four years since 1952...and for a select few, 1948. Since its earliest days, television has had a love affair with politics, albeit sometimes a strained one. From the first primitive experiments at the Republican National Convention in 1940, to the multi angled, figure laden, information over-loaded spectacles of today, the "happening" that unfolds every four years on the second Tuesday in November, known as "Election Night" still holds a special place in either our heart...or guts. Somehow, it still manages to keep us glued to our television for hours on end. This one night that rolls around every four years has "grown up" with many of us over the last 64 years. Staring off as little more than chalk boards, name plates and radio announcers plopped in front of large, monochromatic cameras that barely sent signals beyond the limits of New York City and gradually morphing into color-laden, graphic-filled, information packed, multi channel marathons that can be seen by virtually...and virtually seen by...almost any human on the planet.