Television Program Preferences of Listeners in Utah County, Utah
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Television and the Myth of the Mediated Centre: Time for a Paradigm Shift in Television Studies?
TELEVISION AND THE MYTH OF THE MEDIATED CENTRE: TIME FOR A PARADIGM SHIFT IN TELEVISION STUDIES? Paper presented to Media in Transition 3 conference, MIT, Boston, USA 2-4 May 2003 NICK COULDRY LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE Media@lse London school of Economics and Political Science Houghton Street London WC2A 2AE UK Tel +44 (0)207 955 6243 Fax +44 (0)207 955 7505 [email protected] 1 TELEVISION AND THE MYTH OF THE MEDIATED CENTRE: TIME FOR A PARADIGM SHIFT IN TELEVISION STUDIES? ‘The celebrities of media culture are the icons of the present age, the deities of an entertainment society, in which money, looks, fame and success are the ideals and goals of the dreaming billions who inhabit Planet Earth’ Douglas Kellner, Media Spectacle (2003: viii) ‘The many watch the few. The few who are watched are the celebrities . Wherever they are from . all displayed celebrities put on display the world of celebrities . precisely the quality of being watched – by many, and in all corners of the globe. Whatever they speak about when on air, they convey the message of a total way of life. Their life, their way of life . In the Synopticon, locals watch the globals [whose] authority . is secured by their very remoteness’ Zygmunt Bauman, Globalization: The Human Consequences (1998: 53-54) Introduction There seems to something like a consensus emerging in television analysis. Increasing attention is being given to what were once marginal themes: celebrity, reality television (including reality game-shows), television spectacles. Two recent books by leading media and cultural commentators have focussed, one explicitly and the other implicitly, on the consequences of the ‘supersaturation’ of social life with media images and media models (Gitlin, 2001; cf Kellner, 2003), of which celebrity, reality TV and spectacle form a taken-for-granted part. -
Final Evaluation Report
Final Evaluation Report Aceh Youth Radio Project A project implemented by Search for Common Ground Indonesia Funded by DFID and administered by the World Bank From April 2008 to February 2009 Contact Information: Stefano D’Errico Search for Common Ground Nepal Dir: (+977) 9849052815 [email protected] Evaluators: Stefano D’Errico – Representative, SFCG Nepal Alif Imam – Local Consultant Supported by SFCGI Staff: Dylan Fagan, Dede Riyadi, Alfin Iskandar, Andre Taufan, Evy Meryzawanti, Yunita Mardiani, Alexandra Stuart, Martini Morris, Bahrul Wijaksana, Brian Hanley 1 Executive Summary In February 2009, Search for Common Ground (SFCG) Indonesia concluded the implementation of a pilot project entitled Aceh Youth Radio for Peacebuilding. The project, funded by DFID and administered by the World Bank, had the overall objective of ―transforming the way in which Acehnese youth deal with conflict, away from adversarial approaches towards cooperative solutions‖. It lasted 10 months and included four main activity components: trainings on media production and conflict management; outreach events in each of nine working districts; Aceh Youth View Report presenting youth issues to local decision makers, and; production and broadcasting of two youth radio programs (see Annex III, for more details). Some of the positive impacts of the AYRP pilot include: All participants and radio presenters acquired knowledge in media production and conflict resolution; most of the participants now use expertise learned from AYRP for other jobs; AYRP enhanced -
Black Women in Primetime Soap Opera: Examining Representation Within Genre Television
Black Women in Primetime Soap Opera: Examining Representation within Genre Television by Courtney Suggs A Thesis Submitted in Partial Fulfillment of Requirements for the Degree of Master of Science in Media Studies Middle Tennessee State University December 2019 Dissertation Committee: Dr. Katie Foss, Chair Dr. Sanjay Asthana Dr. Sally Ann Cruikshank ABSTRACT Using textual genre analysis, this research studied representation in primetime soap operas Scandal, How To Get Away with Murder, and Empire. Two hundred and eighty- three episodes were viewed to understand how black female identity is represented in primetime soap and how genre influences those representation. Using Collins (2009) theory of controlling images, this study found that black female protagonists were depicted as jezebels and matriarchs. The welfare mother stereotype was updated by portrayals of black woman as hard working. Soap opera conventions such as heavy talk helped provide context to stereotypical portrayals while conventions such as melodrama lead to reactive characterization. ii TABLE OF CONTENTS CHAPTER I: INTRODUCTION……………………………………………….….....1 Background……………………………………………………...………........3 CHAPTER II: LITERATURE REVIEW.....................................................................9 Black Women in Scripted Television…...........................................................9 Television Effects on Viewers……………………………………………....14 CHAPTER III: THEORETICAL FRAMEWORK………………………………....18 Representation Theory……………………………………………………...18 Genre Theory……………………………………………………………….19 -
Marital and Familial Roles on Television: an Exploratory Sociological Analysis Charles Daniel Fisher Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1974 Marital and familial roles on television: an exploratory sociological analysis Charles Daniel Fisher Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Family, Life Course, and Society Commons Recommended Citation Fisher, Charles Daniel, "Marital and familial roles on television: an exploratory sociological analysis " (1974). Retrospective Theses and Dissertations. 5984. https://lib.dr.iastate.edu/rtd/5984 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
Station: KALL 700 – AM + KOVO 960 AM Contest Name: JAZZ Vs CAVS On-Air Ticket Giveaway Promo Dates: 3/7/16 – 3/11/16
Broadway Media, LLC Contest Rules As of 1/13/2016 Station: KALL 700 – AM + KOVO 960 AM Contest name: JAZZ Vs CAVS On-Air Ticket Giveaway Promo Dates: 3/7/16 – 3/11/16 General Rules for all contests 1. Each contest is open to all qualified persons 18 years or older except the following: a. Employees of Broadway Media, LLC and related companies; household members, siblings, and parents of said Broadway employees; b. Employees of all Salt Lake Metro area broadcasting companies, and their immediate family members; There is no purchase necessary. 2. A total of one prize may be won per household address, name, and or family residing in same, per contest, whether the prize be in cash, services, or merchandise. 3. Persons who have previously won a prize of either cash, services, or merchandise from any of the Broadway Media radio stations ( KXRK, KEGA, KYMV, KUUU, KUDD, KALL, KOVO), either from a contest or a station event, are subject to the following restrictions: Persons who have won a prize valued from $0 - $498 may are eligible to win again with no time restrictions. Persons who have won a prize valued above $499 are not eligible to win again until after 90 days from the date of the previous item won. Persons who have won a prize valued between $500 and $999 may not win again until after 6 months from the date of the previous item won. Persons who have won a prize valued at $1,000 or more may not win again until after 12 months from the date of the previous item won. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 42Nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 42nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Live Television Broadcast Airing Exclusively on Pop Sunday, April 26 at 8:00 p.m. EDT/5:00 p.m. PDT Daytime Creative Arts Emmy® Awards Gala on April 24th To be held at the Universal Hilton Individual Achievement in Animation Honorees Announced New York – March 31st, 2015 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 42nd Annual Daytime Emmy® Awards. The awards ceremony will be televised live on Pop at 8:00 p.m. EDT/5:00 p.m. PDT from the Warner Bros. Studios in Burbank, CA. “This year’s Daytime Emmy Awards is shaping up to be one of our most memorable events in our forty-two year history,” said Bob Mauro, President, NATAS. “With a record number of entries this year, some 350 nominees, the glamour of the historic Warner Bros. Studios lot and the live broadcast on the new Pop network, this year promises to have more ‘red carpet’ then at any other time in our storied-past!” “This year’s Daytime Emmy Awards promises a cornucopia of thrills and surprises,” said David Michaels, Senior Vice President, Daytime. “The broadcast on Pop at the iconic Warner Bros. Studios honoring not only the best in daytime television but the incomparable, indefatigable, Betty White, will be an event like nothing we’ve ever done before. Add Alex Trebek and Florence Henderson as our hosts for The Daytime Creative Arts Emmy Awards at the Universal Hilton with Producer/Director Michael Gargiulo as our crafts lifetime achievement honoree and it will be two galas the community will remember for a long time!” In addition to our esteemed nominees, the following six individuals were chosen from over 130 entries by a live, juried panel in Los Angeles and will be awarded 1 the prestigious Emmy Award at our Daytime Creative Arts Emmy Awards on April 24, 2015. -
American Forces Network Radio Programming Decisions (D-2006-117)
September 27, 2006 Information Technology Management American Forces Network Radio Programming Decisions (D-2006-117) Department of Defense Office of Inspector General Quality Integrity Accountability Additional Copies To obtain additional copies of this report, visit the Web site of the Department of Defense Inspector General at http://www.dodig.mil/audit/reports or contact the Secondary Reports Distribution Unit at (703) 604-8937 (DSN 664-8937) or fax (703) 604-8932. Suggestions for Future Audits To suggest ideas for or to request future audits, contact the Office of the Deputy Inspector General for Auditing at (703) 604-8940 (DSN 664-8940) or fax (703) 604-8932. Ideas and requests can also be mailed to: ODIG-AUD (ATTN: Audit Suggestions) Department of Defense Inspector General 400 Army Navy Drive (Room 801) Arlington, VA 22202-4704 Acronyms AFIS American Forces Information Service AFN American Forces Network AFRTS American Forces Radio and Television Service AFN-BC American Forces Network - Broadcast Center ASD(PA) Assistant Secretary of Defense (Public Affairs) OIG Office of Inspector General Department of Defense Office of Inspector General Report No. D-2006-117 September 27, 2006 (Project No. D2006-D000FI-0103.000) American Forces Network Radio Programming Decisions Executive Summary Who Should Read This Report and Why? This report will be of interest to DoD personnel responsible for the selection and distribution of talk-radio programming to overseas U.S. Forces and their family members and military personnel serving onboard ships. The report discusses the controls and processes needed for establishing a diverse inventory of talk-radio programming on American Forces Network Radio. -
Further Discoveries About Big Jon and Sparkie, Pt. 1
September-October 2020 www.otrr.org Groups.io No. 110 Contents Further Discoveries About Big Jon Big Jon and and Sparkie, Pt. 1 Sparkie 1 Stay Tuned for Gavin Callaghan Terror 7 Who Said That? 16 Since this publication is strictly devoted to OTR, one can forego the usual Purchasing Groups 20 preambles and explanations and delve directly into the heart of the matter: the Wistful Vistas 20 current state of Big Jon and Sparkie Remembering Ken studies. Piletic 21 In a sense, it is both the best of times The Joe Hehn and the worst of times. Worst, in the Collection 22 sense that although there is a great deal Maupin’s Musings of information out there, most of it is 23 uncodified, unformed, unsorted, and Four Star incorrect. And best, in the sense that Productions 25 there is a wide open and largely Remembering Don unexplored field for examination and Frey 26 endeavor – despite the fact that No Radio 100 Years School Today went off the air back in Ago 27 1982 and was on the air for three decades Acquisitions 30 before that. Contributors: In a sense, this is to be expected. One And thus, aside from a few devoted enthusiasts, studies have languished. Gavin Callaghan sees the same situation in the comic book But in the ignored also lies opportunity. Jim Cox field, in which superhero comics remain the fixed center of attention, while (so- Ryan Ellett Facebook called) “children’s comics” from Archie, Martin Grams Back in 2018, I founded the Big Jon and Larry Maupin Harvey, Gold Key and Dell remain Sparkie Fans page on Facebook. -
1. About Us 2. Our Reach Market Share Graph Issue Graph 3. Why Solution-Focused Journalism Matters (More Than Ever) 4
since 2012 2012 Map of Utah Media Outlet Pickup* *A full list of outlets that picked up UTNC can be found in section 8. “Public News Service has a proven track record effectively getting public interest messages and information out on issues that we care about. AARP-UT pledged support as a founding member of the UTNC and we look forward to the benefits of having a news service in Utah!” - Laura Polacheck, Communications Director, AARP-UT 1. About Us 2. Our Reach Market Share Graph Issue Graph 3. Why Solution-Focused Journalism Matters (More Than Ever) 4. Spanish News and Talk Show Bookings 5. Member Benefits 6. List of Issues 7. PR Needs (SBS) 8. Media Outlet List Utah News Connection • utnc.publicnewsservice.org page 2 1. About Us since 2012 What is the Utah News Connection? Launched in 2012, the Utah News Connection is part of a network of independent public interest state-based news services pioneered by Public News Service. Our mission is an informed and engaged citizenry making educated decisions in service to democracy; and our role is to inform, inspire, excite and sometimes reassure people in a constantly changing environment through reporting spans political, geographic and technical divides. Especially valuable in this turbulent climate for journalism, currently 77 news outlets in Utah and neighboring markets regularly pick up and redistribute our stories. Last year, an average of 15 media outlets used each Utah News Connection story. These include outlets like the KALL-AM Clear Channel News talk Salt Lake, KKAT-FM Clear Channel News talk Salt Lake, KUER-FM, KTVX-TV ABC Salt Lake City, KZMU-FM, Salt Lake Tribune and Ogden Standard-Examiner. -
The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Radio Daily 370409.Pdf
, Serving the Better Interests of Commercial VOL. 1. NO. 43 NEW YORK, N. Y., FRIDAY, APRIL 9, 1937 FIVE CENTS 5-Language News Programs WIRE ·SNIPING LOOMS lllakes GoO(1 Service in Italian, German, Polish and Chicago - Douglas Perkins. 13· year·old harmonica player. who Portuguese Being Made Available IN CHICAGO BAND JAM hummed his way with $6 to i Chicago from Cobb. Ky.. and Chicago-Reluctance of Hotel Drake asked a Palmer House clerk by Van Cronkhite Assoc~ates management and Mutual Broadcast I "Where's the radio station here?" I ing System officials to let NBC install has been signed by the Alka Programs of foreign language news a wire in the Gold Coast Room where I I Seltzer National Barn Dance for service in Italian, German, Polish and Paul Whiteman and his orchestra tomorrow. , fOUR NEW ACCOUNTS open tonight is expected to result in Portuguese are about to be offered an outbreak of band-spot and wire by Van Cronkhite Associates Inc., sniping between NBC, CBS and STARTING ON MUTUAL recently organized radio news service Mutual. Hotel Drake is one of headed by John Van Cronkhite, Mutual's strongest spots, but White CBS, NBC SWITCHING Lovely Lady Inc., Chicago (cos RADIO DAILY learns. The foreign man is under NBC management and metics), Procter & Gamble {OxydoD, language programs will be in addi for various bookings NBC has turned Ravin Co. of California (cosmetics) tion to the regular Van Cronkhite over its band contracts to Con CLtVELAND STATIONS and Willys-Overland Co., Toledo, are news service in English. solidated Radio Artists Inc., which four new clients which will shortly Besides giving summaries of the day's headline events, delivered direct handled the Drake booking.