New Kreinik Japan Threads
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Machine Embroidery Threads
Machine Embroidery Threads 17.110 Page 1 With all the threads available for machine embroidery, how do you know which one to choose? Consider the thread's size and fiber content as well as color, and for variety and fun, investigate specialty threads from metallic to glow-in-the-dark. Thread Sizes Rayon Rayon was developed as an alternative to Most natural silk. Rayon threads have the soft machine sheen of silk and are available in an embroidery incredible range of colors, usually in size 40 and sewing or 30. Because rayon is made from cellulose, threads are it accepts dyes readily for color brilliance; numbered unfortunately, it is also subject to fading from size with exposure to light or frequent 100 to 12, laundering. Choose rayon for projects with a where elegant appearance is the aim and larger number indicating a smaller thread gentle care is appropriate. Rayon thread is size. Sewing threads used for garment also a good choice for machine construction are usually size 50, while embroidered quilting motifs. embroidery designs are almost always digitized for size 40 thread. This means that Polyester the stitches in most embroidery designs are Polyester fibers are strong and durable. spaced so size 40 thread fills the design Their color range is similar to rayon threads, adequately without gaps or overlapping and they are easily substituted for rayon. threads. Colorfastness and durability make polyester When test-stitching reveals a design with an excellent choice for children's garments stitches so tightly packed it feels stiff, or other items that will be worn hard stitching with a finer size 50 or 60 thread is and/or washed often. -
Pleats, Tucks, & Ruffles
My BERNINA BERNINA ACCESSORIES WORKBOOK PLEATS, TUCKS, & RUFFLES GATHERING PINTUCKS PINTUCKS & STITCHES PLEATING & RUFFLING NARROW TUCKS 48 My BERNINA BERNINA ACCESSORIES WORKBOOK GATHERING Gathering Foot #16 comes in two versions, one for 5.5 mm machines and one for 9 mm machines. They are both called #16 and both have a 5.5 mm needle opening. One is wider than the other and it is designed to fit the wider feed teeth of the larger machines. Supplies & Settings • Three pieces medium weight cotton, one 3” x 6” and two 4” x 12” Gathering Foot #16 • Cotton or polyester thread • Gathering Foot #16 • 80/12 Universal needle • Center needle position • Stitch: Straight Stitch Gathering Attach the gathering foot to the machine, select the Straight Stitch and adjust the stitch length to 5 mm. Swatch #1 1. Place one 12” length of fabric right side up under the foot. 2. Stitch the length of the fabric; it will gather as it goes under the needle. Swatch #2 1. Place the remaining 12” length of fabric right side up under the presser foot. Stitch 2”-3” and stop. Note: There are three things that 2. Insert the 6” length of fabric right side down into affect the amount of gathers: the slot of the foot with the raw edge against the right side of the slot. Fabric Weight—The lighter weight the 3. Continue stitching, carefully guiding both pieces of fabric, the more it gathers. fabric. Guide the fabric being gathered with the left hand and the flat piece of fabric with the right hand. -
Bernina Bernina Accessories Workbook Bernina
MYMy BERNINA BERNINA ACCESSORIES WORKBOOK BERNINA MASTERY BOOK SERIES Presser Feet and Accessories BERNINA PRESSER FEET ACCESSORIES WORKBOOK 1 ©2019 BERNINA of America. Permission granted to copy and distribute in original form only. Content may not be altered or used in any other form or under any other branding. 06022019 My BERNINA BERNINA ACCESSORIES WORKBOOK TABLE OF CONTENTS INTRODUCTION ....................................... 4 CORDED EDGE ....................................... 25 FEET INFORMATION ................................ 5 NARROW HEM ....................................... 26 SEAMS ..................................................... 6 TRIMMED EDGE ..................................... 27 PATCHWORK SEAM ................................ 7 SPECIALTY FABRICS .............................. 28 STANDARD SEAM .................................... 8 SEWING JEANS & DENIM ...................... 29 KNIT SEAM ............................................... 9 SEWING LEATHER, VINYL & PLASTIC .... 30 FAGOTED SEAM .................................... 10 APPLIQUÉ & DECORATIVE STITCHES .. 31 HEMSTITCHED SEAM ............................. 11 BLANKET STITCH APPLIQUÉ .................. 32 EDGE JOINING SEAM ............................. 12 INVISIBLE APPLIQUÉ .............................. 33 FLAT FELLED SEAM ................................ 13 DECORATIVE STITCHING ....................... 34 CLOSURES ............................................. 14 QUILTING ............................................... 35 MANUAL BUTTONHOLES ..................... -
Powerhouse Museum Lace Collection: Glossary of Terms Used in the Documentation – Blue Files and Collection Notebooks
Book Appendix Glossary 12-02 Powerhouse Museum Lace Collection: Glossary of terms used in the documentation – Blue files and collection notebooks. Rosemary Shepherd: 1983 to 2003 The following references were used in the documentation. For needle laces: Therese de Dillmont, The Complete Encyclopaedia of Needlework, Running Press reprint, Philadelphia, 1971 For bobbin laces: Bridget M Cook and Geraldine Stott, The Book of Bobbin Lace Stitches, A H & A W Reed, Sydney, 1980 The principal historical reference: Santina Levey, Lace a History, Victoria and Albert Museum and W H Maney, Leeds, 1983 In compiling the glossary reference was also made to Alexandra Stillwell’s Illustrated dictionary of lacemaking, Cassell, London 1996 General lace and lacemaking terms A border, flounce or edging is a length of lace with one shaped edge (headside) and one straight edge (footside). The headside shaping may be as insignificant as a straight or undulating line of picots, or as pronounced as deep ‘van Dyke’ scallops. ‘Border’ is used for laces to 100mm and ‘flounce’ for laces wider than 100 mm and these are the terms used in the documentation of the Powerhouse collection. The term ‘lace edging’ is often used elsewhere instead of border, for very narrow laces. An insertion is usually a length of lace with two straight edges (footsides) which are stitched directly onto the mounting fabric, the fabric then being cut away behind the lace. Ocasionally lace insertions are shaped (for example, square or triangular motifs for use on household linen) in which case they are entirely enclosed by a footside. See also ‘panel’ and ‘engrelure’ A lace panel is usually has finished edges, enclosing a specially designed motif. -
Working with Neon Rays Added Karen Chrissinger As a Teacher
June 2017 A Message from Jill In this Issue: On October 1, 2009, I took a big step in my and my family’s life - I A Message from Jill purchased Louise’s Needlework. Being an owner of a small business is one of the hardest yet most fulfilling jobs there is. I love the challenge of Yeah….that stitch! growing Louise’s every year and we have come so far yet there is still more Karen Chrissinger discusses the basic types of stitches and growing to do. Our move has been one of the best changes we made. We how they are worked. love our space, light and parking. In fact we wish we had more space than we have now! We have added new thread lines and continue to grow Classes others. Don’t miss out on a wonderful new class beginning soon at Louise’s. We have had great success with our clubs and will continue to add new and exciting ones in the near future. New classes have been added on A Few of Our Newest Arrivals Thursdays and we have hosted Laura Taylor (who will be back in 2018), Canvases just added – and will be hosting Kelly Clark in September. available in the store and online. Even employees have changed. We have Working with Neon Rays added Karen Chrissinger as a teacher. If you Diane Snyder gives several haven’t taken a class from her you should. helpful hints on working with this beautiful, but sometimes Karen has spread her love of needlepoint to frustrating, ribbon. -
Yarn Couching
Threads n Scissors Machine Yarn Couching IMPORTANT: PLEASE READ Materials These designs are made to be used with a Freemotion Yarn Stabilizer: Couching Foot. Please check with your dealer regarding this Either two layers of foot for your machine. water soluble OR I own a Bernina Artista and use the #43 foot 1 layer of cutaway The designs are smaller than a regular design. Be sure to use a large hoop for these designs. The Yarn Couching Foot is Freemotion Yarn Couching Foot LARGER than a normal embroidery foot and needs the extra space not to hit into the hoop. 2mm diameter yarn or Before starting any Yarn Couching Design, snap the Yarn cording to be used with foot Couching Foot firmly into place, put your hoop into the ma- chine and LIFT the pressure foot. Check the design or Trace Fabric of choice, I used the design to be sure that the foot won’t hit the embroidery suede type fabric hoop when stitching. When you are sure all is right, you may start stitching your designs. Embroidery thread Follow these Instructions to continue with the stitching of your design. No 80 embroidery needle or needle rec- ommended to be used Hoop either 2 layers of water soluble stabilizer OR 1 layer of cutaway stabilizer with couching foot with your fabric. Using a normal embroidery foot, stitch out the design leaving the last color. Some of the Designs may have the same color used two or three times at the end. Don’t stitch these yet. These are color stops used for the yarn or cording. -
Stitch Setting Chart
STITCH SETTING CHART STITCH SETTING CHART The following chart shows information for each utility stitch concerning applications, stitch lengths, stitch widths, and whether or not the twin needle mode can be used. Stitch width Stitch length Presser foot [mm (inch.)] [mm (inch.)] Twin Stitch Stitch name Applications needle Auto. Manual Auto. Manual Straight stitch General sewing, gather, pintuck, (Left) etc. Reverse stitch is sewn while 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Left) etc. Reinforcement stitch is sewn 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reverse stitch is sewn while 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reinforcement stitch is sewn 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Triple stretch General sewing for 0.0 0.0 - 7.0 2.5 1.5 - 4.0 OK stitch reinforcement and decorative (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) topstitching Stem stitch Reinforced stitching, sewing and 1.0 1.0 - 3.0 2.5 1.0 - 4.0 OK decorative applications (1/16) (1/16 - 1/8) (3/32) (1/16 - 3/16) ( J ) Decorative Decorative stitching, top 0.0 0.0 - 7.0 2.5 1.0 - 4.0 OK stitch stitching (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) Basting stitch Basting 0.0 0.0 - 7.0 20.0 5.0 - 30.0 NO (0) (0 - 1/4) (3/4) (3/16 - 1-3/16) Zigzag stitch For overcasting, mending. -
Embroiderers' Guild of America Master Craftsman Program Canvas Step 1
Embroiderers’ Guild of America Master Craftsman Program Canvas Step 1 Basic Canvas Work Purpose: To exhibit mastery of basic canvas techniques and compensation. General Requirements: Please reread information package. Do NOT compensate by using tent stitch or OUTLINING as your ability to compensate will not show. No canvas distortion is allowed in this program. Work on a frame, but DO NOT submit on the frame. Please block your work before submitting if necessary. Design: Use one of the three enclosed designs. No background is to be worked. The circle is part of the design, not part of the background. The straight lines around the design are to be used to align the pattern on the canvas and not to be stitched in an outline stitch. They must not show on the final piece so place the design on the canvas carefully. Design Size: Do not enlarge, reduce, or change the design. Fabric: Mono canvas eighteen (l8) threads per inch. Do not use interlock canvas. Canvas color can coordinate with the color scheme. Fabric Size: Thirteen by seventeen inches (l3" x l7".) Threads: Stranded cotton embroidery floss. Colors: The color scheme must be Monochromatic with only five (5) values used. The color family of black, gray, white can be used, but none of these are to be used in conjunction with any other color family. Stitches: Choose ten (l0) of the twenty (20) stitches listed. Do not use more than ten (l0) and do not use variations. Do not use the stitches in isolation. Each stitch must be used enough times to show proficiency. -
Advanced Multi-Needle Embroidery
PR1055X 10-NEEDLE EMBROIDERY . ADVANCED MULTI-NEEDLE EMBROIDERY Experience the Power of 10 • 10 Needles and Large 10.1" Built-in High Definition • Industry-First InnovEye Technology with Virtual LCD Display Design Preview Increase your productivity with 10 needles and stitch designs up to Get a real-time camera view of the needle area and see your 10 colors without changing thread. View your creations in a class- embroidery design on your fabric – no scanning needed! Also, scan leading crisp, vivid color LCD display and navigate easily with the your fabric or garment, preview your design on-screen, and you’re scrolling menu and large, intuitive icons. View 29 built-in tutorial ready to embroider. It works with the optional cap and cylinder videos or MP4 files on-screen. frames for tight spaces. • Brother-Exclusive My Design Center Built-in Software • Wireless LAN Connectivity – My Stitch Monitor Mobile App for Virtually Endless Design Possibilities Keep track of your embroidery with the My Stitch Monitor mobile Draw designs directly onto the screen or use the included scanning app on your iOS or AndroidTM device. Follow the progress of your frame to scan art to embroider. With up to 1600% zoom, view the project and get alerts when it’s time to change threads or when your smallest details of your designs on the LCD display. embroidery is finished. • Add Beautiful Stippling and Decorative Fills • Wireless LAN Connectivity – Link Function Accurately add stippling or echo stitching to any embroidery design, With wireless LAN connectivity and PE-DESIGN 11 software*, you can or save the outline, and then choose from 26 new built-in decorative link as many as 10 machines without a cable. -
1 MULTIUSE, EMBROIDERY and SEWING SCISSORS Stainless Steel
WWW.RAMUNDI.IT GIMAP s.r.l. 23834 PREMANA (LC) ITALY Zona Ind. Giabbio Tel. +39 0341 818 000 The line is composed by extremely high performance items, result of over 70 years of research of perfect cutting performances. Every single item is produced with the best materials and is carefully controlled by the expert hands of our artisans, from the raw material to the last control phase. The Extra line quality will satisfy all your needs. MULTIUSE, EMBROIDERY AND SEWING SCISSORS Stainless steel and handles in nylon 6 Series of professional scissors for textile, embroidery and multipurpose use. Made in AISI 420 steel, these scissors will allow you to made every kind of job with an extreme confort and precision. The scissors are made with special machines that make a perfect finish and operation that lasts over time. Nylon 6 handle are made with fiberglass with an innovative design and it can be use in contact with food. multiuse scissors in stainless steel and handles 553/5 in nylon 6 13 cm 553/6 15 cm 553 552/7,5 19 cm 552/8,5 21 cm 552/9,5 24 cm 552/10,5 26 cm 552/11 28 cm 552M Left- hand 22 cm 552 240/1/3,5 Embroidery scissors 9 cm 241/1/4 Embroidery scissors bent 10 cm 241/1/4 240/1/3,5 351/4 Sewing scissors 10,5 cm 351/5 12,5 cm 351/6 15 cm 351 485/7 Multiuse scissors 19 cm 360MN/4,5 Thread clipper 485/7 360MN/4,5 1 WWW.RAMUNDI.IT GIMAP s.r.l. -
Silverwork and Sequins
Session 2: Cornucopia II: Silverwork and sequins In this session you will be learning how to couch metallic threads, both Jap Thread and twist. You will also learn how to stitch sequins in place using a bead. Metallic threads add a touch of sparkle to your embroidery designs. They are made by tightly wrapping a flat metallic strip around a core of cotton or silk thread. This produces a shiny thread which can be bought in a range of sizes. There are particular ways of stitching with metallic threads which you will learn in this session. MATERIALS AND EQUIPMENT NEEDED FOR THIS SESSION: • Embroidery hoop or small frame • Embroidery scissors • Needles: o Crewel/embroidery needle size 10/12 o Large-eyed needle such as a chenille or tapestry needle (large enough to take the metallic threads) • The worked embroidery from Session 1: Cornucopia I: Blackwork Infills • Silver Jap Thread • Silver Twist Thread (or DMC silver metallic stranded thread) • Grey sewing cotton • Silver sequins, 3-4 mm, either round or flower-shaped or both: about 5-6 in total • Silver or clear seed beads, one per sequin plus one spare READ ALL OF THE INSTRUCTIONS THROUGH BEFORE YOU START YOUR EMBROIDERY. WORKING THE EMBROIDERY: HORN-OF-PLENTY SECTIONS 1. Place your worked piece from Session 1: Cornucopia I: Blackwork Infills in your hoop or frame (if it isn’t still there!) 2. You are going to use a technique called COUCHING to stitch the silver threads in position on your embroidery. Metallic threads are often too heavy to stitch through the fabric and the outer metallic cover will separate off if you take them through the fabric too often. -
Owl Whipstitch Instructions
Sew Cute Patterns Plush Baby Owl Pattern Whipstitch Tutorial www.sewcutepatterns.com Copyright Sew Cute Patterns Copyright © 2013 by Sew Cute Patterns All rights reserved. No part of this pattern may be reproduced electronically or in print in any form without the written permission of the publisher. Patterns may not be sold or distributed in any manner. Finished sewing projects may be resold by whatever means desired. Your stuffed baby owl will be created with a whipstitch which is done by hand using embroidery floss and a sewing needle. What is a whipstitch? A whipstitch is simply a stitch that passes over the edge of the fabric. Watch a video example at: http://www.sewcutepatterns.com/p/whipstitch.html Begin the whipstitch by tying a knot in the end of the thread. Then poke the needle through the top layer of fabric, about 1/8" in Then go over the edge of the fabric and poke the needle up through both layers of fabric about 1/8" from the edge. The distance between the stitches can vary depending on how you'd like the stitch to look. Generally, about 3/4" or a tab wider is good. Repeat till you get to the end of the fabric you are stitching. Tie a knot to secure. When whipsitching, you want to use a fabric type that won't fray around the edges. Felt fabric is best not only because it doesn't fray but because it doesn't have a lot of pull. So the stitch looks good. Felt however is very limited in colors and patterns and it’s not very soft.