The Bayeux Tapestry Ebook
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Machine Embroidery Threads
Machine Embroidery Threads 17.110 Page 1 With all the threads available for machine embroidery, how do you know which one to choose? Consider the thread's size and fiber content as well as color, and for variety and fun, investigate specialty threads from metallic to glow-in-the-dark. Thread Sizes Rayon Rayon was developed as an alternative to Most natural silk. Rayon threads have the soft machine sheen of silk and are available in an embroidery incredible range of colors, usually in size 40 and sewing or 30. Because rayon is made from cellulose, threads are it accepts dyes readily for color brilliance; numbered unfortunately, it is also subject to fading from size with exposure to light or frequent 100 to 12, laundering. Choose rayon for projects with a where elegant appearance is the aim and larger number indicating a smaller thread gentle care is appropriate. Rayon thread is size. Sewing threads used for garment also a good choice for machine construction are usually size 50, while embroidered quilting motifs. embroidery designs are almost always digitized for size 40 thread. This means that Polyester the stitches in most embroidery designs are Polyester fibers are strong and durable. spaced so size 40 thread fills the design Their color range is similar to rayon threads, adequately without gaps or overlapping and they are easily substituted for rayon. threads. Colorfastness and durability make polyester When test-stitching reveals a design with an excellent choice for children's garments stitches so tightly packed it feels stiff, or other items that will be worn hard stitching with a finer size 50 or 60 thread is and/or washed often. -
Bayeux Tapestry Writing Assignment You Do Not Have to Be A
Bayeux Tapestry Writing Assignment You do not have to be a needlepoint enthusiast to appreciate the magnificent Bayeux Tapestry, which chronicles the events leading up to the conquest of England by Duke William of Normandy in the year 1066. Technically speaking it is not a tapestry at all – but an embroidery, stitched with wool on a linen background by a team of needle workers. But the interesting question is: was it made just to celebrate a great victory? To answer this question you have to consider the political situation at the time. Duke William claimed that the King, Edward the Confessor, had promised him the throne of England. However this event had not been properly witnessed or recorded. He also claimed that Harold, the future King of England, had previously sworn allegiance to him. But Harold had been imprisoned in France at that time, and his actions could have been misunderstood. On Edward’s death, William of Normandy had expected to ascend the English throne. But instead Harold disputed his claims, insisting that the Kingdom had been bequeathed to him by the dying monarch, and was duly crowned King. William replied to this by invading England, defeating the English army and killing King Harold at the Battle of Hastings. Now the new King William had to ensure that history told the story his way. What better way to achieve this than with a huge 230 feet long tapestry – a priceless work of art, which would be preserved for centuries, and confirm his right, and that of his successors, to the throne of England. -
Thread Yarn and Sew Much More
Thread Yarn and Sew Much More By Marsha Kirsch Supplies: • HUSQVARNA VIKING® Yarn embellishment foot set 920403096 • HUSQVARNA VIKING® 7 hole cord foot with threader 412989945 • HUSQVARNA VIKING ® Clear open toe foot 413031945 • HUSQVARNA VIKING® Clear ¼” piecing foot 412927447 • HUSQVARNA VIKING® Embroidery Collection # 270 Vintage Postcard • HUSQVARNA VIKING® Sensor Q foot 413192045 • HUSQVARNA VIKING® DESIGNER™ Royal Hoop 360X200 412944501 • INSPIRA® Cut away stabilize 141000802 • INSPIRA® Twin needles 2.0 620104696 • INSPIRA® Watercolor bobbins 413198445 • INSPIRA® 90 needle 620099496 © 2014 KSIN Luxembourg ll, S.ar.l. VIKING, INSPIRA, DESIGNER and DESIGNER DIAMOND ROYALE are trademarks of KSIN Luxembourg ll, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB • Warm and Natural batting • Yarn –color to match • YLI pearl crown cotton (color to match yarn ) • 2 spools of matching Robison Anton 40 wt Rayon thread • Construction thread and bobbin • ½ yard back ground fabric • ½ yard dark fabric for large squares • ¼ yard medium colored fabric for small squares • Basic sewing supplies and 24” ruler and making pen Cut: From background fabric: 14” wide by 21 ½” long From dark fabric: (20) 4 ½’ squares From medium fabric: (40) 2 ½” squares 21” W x 29” L (for backing) From Batting 21” W x 29” L From YLI Pearl Crown Cotton: Cut 2 strands 1 ¾ yds (total 3 ½ yds needed) From yarn: Cut one piece 5 yards © 2014 KSIN Luxembourg ll, S.ar.l. VIKING, INSPIRA, DESIGNER and DESIGNER DIAMOND ROYALE are trademarks of KSIN Luxembourg ll, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB Directions: 1. -
Virginia Theological Seminary Gothic France: 21-31 May 2021
Virginia Theological Seminary Gothic France: 21-31 May 2021 SAMPLE OF PROGRAM* Day 1: Friday, May 21, 2021 Arrival in Paris on your own Group Welcome Dinner in a restaurant Lodging in a 4 * boutique hotel in the 5th or 6th arrondissement of Paris (Hotel des Saint-Pères or similar) Day 2: Saturday May 22, 2021 Meet your private tour bus and 2 guides at your hotel for a guided day in Paris. Guided visit of the church of St Pierre de Montmartre, one of the oldest extant churches in Paris, and the Sacré Coeur Basilica with its mosaic of Christ in Glory. Lunch on your own in historic Montmartre After lunch, meet your tour bus for a guided visit of the St Denis Basilica to learn about the birth of Gothic architecture Return to the hotel at the end of the day. Dinner on your own Lodging in a 4 * boutique hotel in the 5th or 6th arrondissement of Paris (Hotel des Saint-Pères or similar) Day 3: Sunday, May 23, 2021 Meet your private tour bus and your 2 guides in front of your hotel for a day trip to Chartres. Guided tour of Notre Dame de Chartres Cathedral, a unique example of early gothic architecture, th and its 13 century Labyrinth Group Lunch in a restaurant Free time to explore the town of Chartres Return to Paris with your tour bus at the end of the day Dinner on your own Lodging in a 4 * boutique hotel in the 5th or 6th arrondissement of Paris (Hotel des Saint-Pères or similar) Day 4: Monday, May 24, 2021 Meet your 2 guides at your hotel for a guided day in Paris (transport pass provided) Guided visit of Notre Dame Cathedral (the exterior), an iconic masterpiece of Gothic architecture, ravaged by fire in April 2019. -
2019 Flagship Vatech Sept5.Indd
In collaboration with The National WWII Museum Travel Book by May 17, 2019 and save up to $1,000 per couple. D-DAY: THE INVASION OF NORMANDY AND LIBERATION OF FRANCE SEPTEMBER 5 – 11, 2019 NORMANDY BEACHES ARROMANCHES SAINTE-MÈRE-ÉGLISE BAYEUX • CAEN POINTE DU HOC FALAISE • CHAMBOIS NORMANDY CHANGES YOU FOREVER Dear Alumni and Friends, Nothing can match learning about the Normandy landings as you visit the ery places where these events unfolded and hear the stories of those who fought there. The story of D-Day and the Allied invasion of Normandy have been at the heart of The National WWII Museum’s mission since they opened their doors as The National D-Day Museum on June 6, 2000, the 56th Anniversary of D-Day. Since then, the Museum in New Orleans has expanded to cover the entire American experience in World War II. The foundation of this institution started with the telling of the American experience on D-Day, and the Normandy travel program is still held in special regard – and is considered to be the very best battlefield tour on the market. Drawing on the historical expertise and extensive archival collection, the Museum’s D-Day tour takes visitors back to June 6, 1944, through a memorable journey from Pegasus Bridge and Sainte-Mère-Église to Omaha Beach and Pointe du Hoc. Along the way, you’ll learn the timeless stories of those who sacrificed everything to pull-off the largest amphibious attack in history, and ultimately secured the freedom we enjoy today. Led by local battlefield guides who are experts in the field, this Normandy travel program offers an exclusive experience that incorporates pieces from the Museum’s oral history and artifact collections into presentations that truly bring history to life. -
Our First Two Big-Time Classes
Translate Latest news from Rittenhouse Needlepoint View this email in your browser May 2018 Newsletter In this Issue: 1. Our First Two Big Time Classes 2. News roundup 3. Thread of the Month: Stef Francis 12 Ply Silk 4. Stitch of the Month: Little Wavy 5. Notes on Needlepoint Our First Two Big-Time Classes Why do I say, "Our first two big-time classes?" Well, because this is the first time in the nearly ten years that we have been open that we will be bringing in professional teachers to our store to teach. And boy are we excited! First up is "78 Stitches, 78 Threads" with Ruth Dilts. This wonderful class is a crash-course in all things Rainbow Gallery. You know Rainbow Gallery threads. You've been using them forever. They are those threads that come on cards https://us2.campaign-archive.com/?e=[UNIQID]&u=9b9b7549e5c8f818070e0508c&id=d352853db8[6/26/2018 4:17:38 PM] and are on the ubiquitous spin racks found pretty much wherever needlepoint supplies are sold. True confession here -- I've been in the business for a while now and even I have trouble keeping all the names of their products straight in my mind so I can only imagine what a jumble it must be for people who don't handle them every day. Well, now is your chance to start untangling that confusing web. And best of all with this class you will end up with a permanent reference volume to take home with you so that in the future you need never be confused by the plethora of Rainbow Gallery options ever again. -
Powerhouse Museum Lace Collection: Glossary of Terms Used in the Documentation – Blue Files and Collection Notebooks
Book Appendix Glossary 12-02 Powerhouse Museum Lace Collection: Glossary of terms used in the documentation – Blue files and collection notebooks. Rosemary Shepherd: 1983 to 2003 The following references were used in the documentation. For needle laces: Therese de Dillmont, The Complete Encyclopaedia of Needlework, Running Press reprint, Philadelphia, 1971 For bobbin laces: Bridget M Cook and Geraldine Stott, The Book of Bobbin Lace Stitches, A H & A W Reed, Sydney, 1980 The principal historical reference: Santina Levey, Lace a History, Victoria and Albert Museum and W H Maney, Leeds, 1983 In compiling the glossary reference was also made to Alexandra Stillwell’s Illustrated dictionary of lacemaking, Cassell, London 1996 General lace and lacemaking terms A border, flounce or edging is a length of lace with one shaped edge (headside) and one straight edge (footside). The headside shaping may be as insignificant as a straight or undulating line of picots, or as pronounced as deep ‘van Dyke’ scallops. ‘Border’ is used for laces to 100mm and ‘flounce’ for laces wider than 100 mm and these are the terms used in the documentation of the Powerhouse collection. The term ‘lace edging’ is often used elsewhere instead of border, for very narrow laces. An insertion is usually a length of lace with two straight edges (footsides) which are stitched directly onto the mounting fabric, the fabric then being cut away behind the lace. Ocasionally lace insertions are shaped (for example, square or triangular motifs for use on household linen) in which case they are entirely enclosed by a footside. See also ‘panel’ and ‘engrelure’ A lace panel is usually has finished edges, enclosing a specially designed motif. -
Abbot Suger's Consecrations of the Abbey Church of St. Denis
DE CONSECRATIONIBUS: ABBOT SUGER’S CONSECRATIONS OF THE ABBEY CHURCH OF ST. DENIS by Elizabeth R. Drennon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Boise State University August 2016 © 2016 Elizabeth R. Drennon ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Elizabeth R. Drennon Thesis Title: De Consecrationibus: Abbot Suger’s Consecrations of the Abbey Church of St. Denis Date of Final Oral Examination: 15 June 2016 The following individuals read and discussed the thesis submitted by student Elizabeth R. Drennon, and they evaluated her presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. Lisa McClain, Ph.D. Chair, Supervisory Committee Erik J. Hadley, Ph.D. Member, Supervisory Committee Katherine V. Huntley, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by Lisa McClain, Ph.D., Chair of the Supervisory Committee. The thesis was approved for the Graduate College by Jodi Chilson, M.F.A., Coordinator of Theses and Dissertations. DEDICATION I dedicate this to my family, who believed I could do this and who tolerated my child-like enthusiasm, strange mumblings in Latin, and sudden outbursts of enlightenment throughout this process. Your faith in me and your support, both financially and emotionally, made this possible. iv ACKNOWLEDGEMENTS I would like to thank Dr. Lisa McClain for her support, patience, editing advice, and guidance throughout this process. I simply could not have found a better mentor. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Advanced Multi-Needle Embroidery
PR1055X 10-NEEDLE EMBROIDERY . ADVANCED MULTI-NEEDLE EMBROIDERY Experience the Power of 10 • 10 Needles and Large 10.1" Built-in High Definition • Industry-First InnovEye Technology with Virtual LCD Display Design Preview Increase your productivity with 10 needles and stitch designs up to Get a real-time camera view of the needle area and see your 10 colors without changing thread. View your creations in a class- embroidery design on your fabric – no scanning needed! Also, scan leading crisp, vivid color LCD display and navigate easily with the your fabric or garment, preview your design on-screen, and you’re scrolling menu and large, intuitive icons. View 29 built-in tutorial ready to embroider. It works with the optional cap and cylinder videos or MP4 files on-screen. frames for tight spaces. • Brother-Exclusive My Design Center Built-in Software • Wireless LAN Connectivity – My Stitch Monitor Mobile App for Virtually Endless Design Possibilities Keep track of your embroidery with the My Stitch Monitor mobile Draw designs directly onto the screen or use the included scanning app on your iOS or AndroidTM device. Follow the progress of your frame to scan art to embroider. With up to 1600% zoom, view the project and get alerts when it’s time to change threads or when your smallest details of your designs on the LCD display. embroidery is finished. • Add Beautiful Stippling and Decorative Fills • Wireless LAN Connectivity – Link Function Accurately add stippling or echo stitching to any embroidery design, With wireless LAN connectivity and PE-DESIGN 11 software*, you can or save the outline, and then choose from 26 new built-in decorative link as many as 10 machines without a cable. -
The Idea of Medieval Heresy in Early Modern France
The Idea of Medieval Heresy in Early Modern France Bethany Hume PhD University of York History September 2019 2 Abstract This thesis responds to the historiographical focus on the trope of the Albigensians and Waldensians within sixteenth-century confessional polemic. It supports a shift away from the consideration of medieval heresy in early modern historical writing merely as literary topoi of the French Wars of Religion. Instead, it argues for a more detailed examination of the medieval heretical and inquisitorial sources used within seventeenth-century French intellectual culture and religious polemic. It does this by examining the context of the Doat Commission (1663-1670), which transcribed a collection of inquisition registers from Languedoc, 1235-44. Jean de Doat (c.1600-1683), President of the Chambre des Comptes of the parlement of Pau from 1646, was charged by royal commission to the south of France to copy documents of interest to the Crown. This thesis aims to explore the Doat Commission within the wider context of ideas on medieval heresy in seventeenth-century France. The periodization “medieval” is extremely broad and incorporates many forms of heresy throughout Europe. As such, the scope of this thesis surveys how thirteenth-century heretics, namely the Albigensians and Waldensians, were portrayed in historical narrative in the 1600s. The field of study that this thesis hopes to contribute to includes the growth of historical interest in medieval heresy and its repression, and the search for original sources by seventeenth-century savants. By exploring the ideas of medieval heresy espoused by different intellectual networks it becomes clear that early modern European thought on medieval heresy informed antiquarianism, historical writing, and ideas of justice and persecution, as well as shaping confessional identity. -
Hie Est Wadard: Vassal of Odo of Bayeux Or Miles and Frater of St Augustine's, Canterbury?'
Reading Medieval Studies XL (20 14) Hie est Wadard: Vassal of Odo of Bayeux or Miles and Frater of St Augustine's, Canterbury?' Stephen D. White Emory University On the Bayeux Embroidery, the miles identified as Wadard by the accompanying inscription (W 46: Hie est Wadarcf) has long been known as a 'vassal' of William l's uterine brother, Odo of Bayeux (or de Conteville), who was Bishop of Bayeux from 104911050 until his death in 1097; earl of Kent from e. 1067 until hi s exile in 1088; and prior to his imprisonment in 1082, the greatest and most powerful landholder after the king.' Wadard appears just after Duke William's invading army has landed at Pevensey (W 43) and four of his milites have hurried to Hastings to seize food (W 44-5: Et hie milites festinaverunt hestinga lit eibum raperentur).' On horseback, clad in a hauberk and armed with a shield and spear, Wadard supervises as animals are brought to be slaughtered by an axe-wielding figure (W 45) and then cooked (W 46). Writing in 1821, Charles Stoddard was unable to identify Wadard, because written accounts of the conquest never mention him .4 Nevertheless, he cited his image, along with those of two other men called Turold (W 11) and Vital (W 55), as evidence that the hanging must have dated from 'the time of the Conquest', when its designer and audience could still have known of men as obscure as Wadard and the other two obviously were.' In 1833, Wadard was first identified authoritatively as Odo's 'sub-tenant' by Henry Ellis in A General introduction to Domesday Book, though as far back as 1821 Thomas Amyot had I am deeply indebted to Kate Gilbert fo r her work in researching and editing this article and to Elizabeth Carson Pastan for her helpful suggestions and criticisms.