Volume 27, Number 07 (July 1909) James Francis Cooke
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Toward a Lexicon for the Style Hongrois Jonathan D
University of Northern Colorado Scholarship & Creative Works @ Digital UNC School of Music Faculty Publications School of Music Spring 1991 Toward a Lexicon for the Style hongrois Jonathan D. Bellman Follow this and additional works at: https://digscholarship.unco.edu/musicfacpub Part of the Musicology Commons Recommended Citation Bellman, Jonathan D., "Toward a Lexicon for the Style hongrois" (1991). School of Music Faculty Publications. 2. https://digscholarship.unco.edu/musicfacpub/2 This Article is brought to you for free and open access by the School of Music at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in School of Music Faculty Publications by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. Toward a Lexicon for the Style hongrois Author(s): Jonathan Bellman Source: The Journal of Musicology, Vol. 9, No. 2 (Spring, 1991), pp. 214-237 Published by: University of California Press Stable URL: http://www.jstor.org/stable/763553 . Accessed: 17/01/2015 20:21 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Musicology. -
Download/Documents/POL1067002018ENGLISH.PDF
ACADEMIC PUBLIC INTELLECTUALS’ LIVES: NEGOTIATING THE BORDERLINES by ASHENAFI ALEMU ABOYE B.A., Addis Ababa University, 2004 M.A., Addis Ababa University, 2011 A DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Educational Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April, 2019 © Ashenafi Alemu Aboye, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: Academic public in- tellectuals’ lives: Negotiating the borderlines Submitted by Ashenafi Alemu Aboye in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Studies Examining Committee: Professor Amy Scott Metcalfe _____________________________________________________________ Supervisor Professor Marlene Asselin _____________________________________________________________ Supervisory Committee Member Professor Samuel Rocha _____________________________________________________________ Supervisory Committee Member Professor Handel Wright _____________________________________________________________ University Examiner Professor Teresa Dobson _______________________________________________________________ University Examiner ii Abstract This study presents the life stories of four selected Ethiopian public intellectuals among the diaspora. The overall study is presented in a form of fictionalized narrative based on -
Three Centuries of French Medieval Music
THREE CENTURIES OF FRENCH MEDIEVAL MUSIC Downloaded from NEW CONCLUSIONS AND SOME NOTES. By AMEDEE GASTOUE LL the historians of our art admit that from about the third http://mq.oxfordjournals.org/ quarter of the Xlth century till the corresponding quar- A ter of the XlVth century, it was French music which dictated its laws to Europe. Monks of Limoges and Discantus singers of Notre Dame de Paris, Troubadours of the South or Trouveres of the North, such were the first masters of French music, which was to enjoy such great influence in the artistic world of the Middle Ages. The few scholars who have studied t.liia epoch, so curious, at University of Iowa Libraries/Serials Acquisitions on May 28, 2015 have generally sought to specialise in one or other of the scientific branches implied by these researches: it is to such researches that must be attributed the merit of such general views as one can hope to be able to construct on this ground. But, it must be admitted, what each of these specialists has sought to deduce in his own sphere,—or indeed, the greater part of the general views, too hasty as to the conclusions, attempted so far, whatever may have been the merit of their authors,—cannot give an exact and precise idea of the development of our art at this period. I should like to contribute, therefore, by a few special points made in this study, to laying the foundations of a work which shall view the subject as a whole, a work of which I have been preparing the details for years, with a view to publishing later on the precious remains of French music of the Middle Ages. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Selected Late Works for Piano Solo, 1870–1886 Selected Late Works for Piano Solo, 1870–1886 Edited by Nicholas Hopkins Edited by Nicholas Hopkins
PL1058 Franz Liszt Franz Liszt Selected Late Works for Piano Solo, 1870–1886 Selected Late Works for Piano Solo, 1870–1886 Edited by Nicholas Hopkins Edited by Nicholas Hopkins The final years in the life of Franz Liszt were a period of great misfortune and distress. Much of his music from this time, largely sacred choral works and music for solo piano, 1870–1886 / ed. Hopkns Solo, for Piano Works Late Liszt: Selected Franz had been received with vitriolic criticism, hostility and public disinterest. He had endured a number of personal losses, including the deaths of his son Daniel and of his eldest daughter Blandine, as well as of a number of close friends and colleagues. A growing estrangement with his daughter Cosima subjected him to a deep depression that followed him for the remainder of his life, as did an abortive marriage to Princess Carolyne zu Sayn-Wittgenstein. He had become obsessed with death and even contemplated suicide on several occasions. All of these mounting setbacks would take their toll, and the aged Liszt would be subjected to critical bouts of depression, self-doubt and lethargy. Alcohol would become a comfort and eventually an addiction. His physical health would inevitably be affected. His eyesight failed over the course of his final years, to the extent that he was unable to maintain correspondence or to compose. He additionally suffered from ague and dropsy, an accumulation of excess water that resulted in extreme swelling. Chronic dental problems brought about the loss of most of his teeth, and warts developed on his face, a result of tumorous growths that are unequivocally displayed in his late portraits. -
ENTERTAINMENT Page 17 Technique • Friday, March 24, 2000 • 17
ENTERTAINMENT page 17 Technique • Friday, March 24, 2000 • 17 Fu Manchu on the road On shoulders of giants ENTERTAINMENT The next time you head off down the Oasis returns after some troubling highway and are looking for some years with a new release and new hope tunes, try King of the Road. Page 19 for the future of the band. Page 21 Technique • Friday, March 24, 2000 Passion from the mouthpiece all the way to the back row By Alan Back Havana, Cuba, in 1949, Sandoval of jazz, classical idioms, and Living at a 15-degree tilt began studying classical trumpet traditional Cuban styles. at the age of 12, and his early During a 1977 visit to Cuba, Spend five minutes, or even experience included a three-year bebop master and Latin music five seconds, talking with enrollment at the Cuba National enthusiast Dizzy Gillespie heard trumpeter Arturo Sandoval and the young upstart performing you get an idea of just how with Irakere and decided to be- dedicated he is to his art. Whether “I don’t have to ask gin mentoring him. In the fol- working as a recording artist, lowing years, Sandoval left the composer, professor, or amateur permission to group in order to tour with both actor, he knows full well where anybody to do Gillespie’s United Nation Or- his inspiration comes from and chestra and an ensemble of his does everything in his power to what I have to.” own. The two formed a friend- pass that spark along to anyone Arturo Sandoval ship that lasted until the older who will listen. -
July 1918) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1918 Volume 36, Number 07 (July 1918) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 36, Number 07 (July 1918)." , (1918). https://digitalcommons.gardner-webb.edu/etude/648 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. n£ ETUDE .ivs musical magazine 41.50 . HikY - 1918 A YEAR MUSICAL EMBLEM THE ETUDE Page 1,29 rLY 19 8 __ Material for Summer Holiday Music Classes^ Prepare Now Half of the success of Summer Music classes depends upon the selection of material so interesting that the hot weather is forgottefi and so rapid that FOR NEXT SEASON fine results show at the end of the eight or nine weeks of study Order Teaching Material Early ■ Primers The Standard Graded Why Primers? Because a good drill in Successful First Instruction Books the elements of music is the foundation for Course Abundant Reasons and Convincing Argu¬ . all future musical work. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
La Caccia Nell'ars Nova Italiana
8. Iohannes Tinctoris, Diffinitorium musice. Un dizionario Il corpus delle cacce trecentesche rappresenta con «La Tradizione Musicale» è una collana promossa di musica per Beatrice d’Aragona. A c. di C. Panti, 2004, ogni probabilità uno dei momenti di più intenso dal Dipartimento di Musicologia e Beni Culturali pp. LXXIX-80 e immediato contatto tra poesia e musica. La viva- dell’Università di Pavia, dalla Fondazione Walter 9. Tracce di una tradizione sommersa. I primi testi lirici italiani cità rappresentativa dei testi poetici, che mirano Stauffer e dalla Sezione Musica Clemente Terni e 19 tra poesia e musica. Atti del Seminario di studi (Cre mona, alla descrizione realistica di scene e situazioni im- Matilde Fiorini Aragone, che opera in seno alla e 20 febbraio 2004). A c. di M. S. Lannut ti e M. Locanto, LA CACCIA Fonda zione Ezio Franceschini, con l’intento di pro- 2005, pp. VIII-280 con 55 ill. e cd-rom mancabilmente caratterizzate dal movimento e dalla concitazione, trova nelle intonazioni polifo- muovere la ricerca sulla musica vista anche come 13. Giovanni Alpigiano - Pierluigi Licciardello, Offi - niche una cassa di risonanza che ne amplifica la speciale osservatorio delle altre manifestazioni della cium sancti Donati I. L’ufficio liturgico di san Do nato di cultura. «La Tradizione Musicale» si propone di of- portata. L’uso normativo della tecnica canonica, de- Arezzo nei manoscritti toscani medievali, 2008, pp. VIII-424 NELL’ARS NOVA ITALIANA frire edizioni di opere e di trattati musicali, studi 8 finita anch’essa ‘caccia’ o ‘fuga’, per l’evidente me- con ill. a colori monografici e volumi miscellanei di alto valore tafora delle voci che si inseguono, si dimostra 16. -
Christopher A. Reynolds Collection of Women's Song
http://oac.cdlib.org/findaid/ark:/13030/kt1t1nf085 No online items Inventory of the Christopher A. Reynolds Collection of Women's Song Sara Gunasekara & Jared Campbell Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2013 The Regents of the University of California. All rights reserved. Inventory of the Christopher A. D-435 1 Reynolds Collection of Women's Song Collector: Reynolds, Christopher A. Title: Christopher A. Reynolds Collection of Women's Song Date (inclusive): circa 1800-1985 Extent: 15.3 linear feet Abstract: Christopher A. Reynolds, Professor of Music at the University of California, Davis, has identified and collected sheet music written by women composers active in North America and England. This collection contains over 3000 songs and song publications mostly published between 1850 and 1950. The collection is primarily made up of songs, but there are also many works for solo piano as well as anthems and part songs. In addition there are books written by the women song composers, a letter written by Virginia Gabriel in the 1860s, and four letters by Mrs. H.H.A. Beach to James Francis Cooke from the 1920s. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Dept. of Special Collections. Davis, California 95616-5292 Collection number: D-435 Language of Material: Collection materials in English Biography Christoper A. Reynolds received his PhD from Princeton University. He is Professor of Music at the University of Californa, Davis and author of Papal Patronage and the Music of St. -
The Republican Journal 82
The Republican Journal 82. VOLUME BELFAST, MAINE, THURSDAY, APRIL 7, 1910. NUMBER 14 Contents of Today 's Journal. OBITUARY were made: E. R. Conner and The Government. William H. Bray, c A. Horton of the Duplex Roller Bushing Millinery Openings. City E. R. Conner had 6 votes and PERSONAL. News of Belfast.. City William H. Bray C o. submitted some correspondence he had had Personal... Capt. J. died at 1 a. m., .The Henry Chaples April { the 8 votes and Bray was declared elected for the vemment.. Millinery Open- ^ Brilliant and of The meeting of city govern- v ith George Lawley & Sons of one of at his home on 62 Bewildering Display the April Boston, Mr. and Mrs. Charles left The Churches. .Obituary.. .Se- 4th, upper High street, aged unexpired term of one Bradbury Monday gi.. Latest ment was held Monday evening, April 4th, year. £ le largest yacht concerns in the Societies. 6 months and 22 He had been ill Fashions. building t a six-weeks’ visit in New York. rei years, days. Sanford Howard was The roll of accounts elected by acclamation c builders 1 at Last Saturday was an ideal as to weath- Mayor Hanson presiding. mntry, of the cup defenders May- Men and Affairs Washington... with tuberculosis since last October, but death day as as building inspector. Mrs. Caroline C. Dolloff returned .Hottest Yet for * r for the was read and ordered follows: ^ ower and Volunteer and other famous Monday Wedding Bells.. resulted from heart failure. He was born at millinery openings, and the streets paid many The were submitted as c ■aft. -
Philippe Le Chancelier Et Son Oeuvre
Université de Poitiers École doctorale SHES CESCM – UMR CNRS 6223 Anne-Zoé RILLON-MARNE PHILIPPE LE CHANCELIER ET SON ŒUVRE : ETUDE SUR L’ELABORATION D’UNE POETIQUE MUSICALE Volume I Thèse de Doctorat de Musicologie Sous la direction du Pr. Olivier CULLIN Poitiers 2008 2 Remerciements La thèse de doctorat est un travail long et solitaire mais il ne se fait pas dans la solitude. L’encadrement, les échanges dont j’ai pu profiter tout au long de ces années m’ont été d’un grand soutient intellectuel et moral. Mes premières pensées vont à Olivier Cullin, professeur à l’Université de Tours, qui a su, dans sa tâche de directeur de thèse, mêler exigence, confiance et encouragements. Par ses conseils, ses corrections et son écoute attentive, il a nettement contribué à faire exister ce travail. Il cultive et parvient à transmettre une curiosité qui fait de la recherche un véritable plaisir. J’adresse également ma reconnaissance à Nigel Wilkins qui encadra mes premiers pas à l’Université en dirigeant mes mémoires de maîtrise et DEA à la Sorbonne. Je remercie également très chaleureusement ceux qui m’ont aidée, écoutée ou lue malgré leurs emplois du temps bien remplis. Je pense principalement à Nicole Bériou et Gilbert Dahan. L’intérêt qu’ils ont porté à mon travail m’a permis de prendre confiance et donné l’occasion de présenter certains aspects de mes recherches à diverses occasions. L’entraide et la solidarité entre doctorants m’ont également été d’un grand soutien. Je me souviens des discussions avec mes amis, membres de l’ « équipe », docteurs ou futurs docteurs Séverine, Guillaume, Christelle ou encore Margaret.