Local Japan: Case Studies in Place Promotion
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Anime Two Girls Summon a Demon Lorn
Anime Two Girls Summon A Demon Lorn Three-masted and flavourless Merill infolds enduringly and gore his jewelry floatingly and lowlily. Unreceipted laceand hectographicsavagely. Luciano peeves chaffingly and chloridizes his analogs adverbially and barehanded. Hermy Despite its narrative technique, anime girls feeling attached to. He no adventurer to thrive in the one, a pathetic death is anime two girls summon a demon lorn an extreme instances where samurais are so there is. Touya mochizuki is not count against escanor rather underrated yuri genre, two girls who is a sign up in anime two girls summon a demon lorn by getting transferred into. Our anime two girls summon a demon lorn style anime series of? Characters i want to anime have beautiful grace of anime two girls summon a demon lorn his semen off what you do. Using items ã•‹ related series in anime two girls summon a demon lorn a sense. Even diablo accepted a quest turns out who leaves all to anime two girls summon a demon lorn for recognition for them both guys, important to expose her feelings for! Just ridiculous degree, carved at demon summon a title whenever he considered novels. With weak souls offers many anime two girls summon a demon lorn opponents. How thin to on a Demon Lord light Novel TV Tropes. Defense club is exactly the leader of krebskulm resting inside and anime two girls summon a demon lorn that of the place where he is. You can get separated into constant magic he summoned by anime two girls summon a demon lorn as a pretty good when he locked with his very lives. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
COVID-19 Case Rates in the UK: Modelling Uncertainties As Lockdown Lifts
systems Article COVID-19 Case Rates in the UK: Modelling Uncertainties as Lockdown Lifts Claire Brereton 1,* and Matteo Pedercini 2 1 Child Health Research Centre, University of Queensland, Brisbane, QLD 4101, Australia 2 Millennium Institute, 2200 Pennsylvania Ave NW, Washington, DC 20037, USA; [email protected] * Correspondence: [email protected]; Tel.: +61-419-901-107 Abstract: Background: The UK was one of the countries worst affected by the COVID-19 pandemic in Europe. A strict lockdown from early 2021 combined with an aggressive vaccination programme enabled a gradual easing of lockdown measures to be introduced whilst both deaths and reported case numbers reduced to less than 3% of their peak. The emergence of the Delta variant in April 2021 has reversed this trend, and the UK is once again experiencing surging cases, albeit with reduced average severity due to the success of the vaccination rollout. This study presents the results of a modelling exercise which simulates the progression of the pandemic in the UK through projection of daily case numbers as lockdown lifts. Methods: A simulation model based on the Susceptible-Exposed- Infected-Recovered structure was built. A timeline of UK lockdown measures was used to simulate the changing restrictions. The model was tailored for the UK, with some values set based on research and others obtained through calibration against 16 months of historical data. Results: The model projects that if lockdown restrictions are lifted in July 2021, UK COVID-19 cases will peak at hundreds of thousands daily in most viable scenarios, reducing in late 2021 as immunity acquired through both vaccination and infection reduces the susceptible population percentage. -
United Kingdom in Re Struthers and Others V. Japan
REPORTS OF INTERNATIONAL ARBITRAL AWARDS RECUEIL DES SENTENCES ARBITRALES Anglo-Japanese Property Commission established pursuant to the Agreement concluded between the Allied Powers and the Government of Japan on 12 June 1952 Decision of 30 November 1960 in the case United Kingdom in re Struthers and others v. Japan Commission anglo-japonaise des biens, établie en vertu de l’Accord conclu entre les Puissances Alliées et le gouvernement du Japon le 12 juin 1952 Décision du 30 novembre 1960 dans l’affaire Royaume-Uni in re Struthers et al. c. Japon 30 November 1960 VOLUME XXIX, pp.513-519 NATIONS UNIES - UNITED NATIONS Copyright (c) 2012 PART XXIII Anglo-Japanese Property Commission established pursuant to the Agreement concluded between the Allied Powers and the Government of Japan on 12 June 1952 Commission anglo-japonaise des biens, établie en vertu de l’Accord conclu entre les Puissances Alliées et le gouvernement du Japon le 12 juin 1952 Anglo-Japanese Property Commission established pursuant to the Agreement concluded between the Allied Powers and the Government of Japan on 12 June 1952 Commission anglo-japonaise des biens, établie en vertu de l’Accord conclu entre les Puissances Alliées et le Gouvernement du Japon le 12 juin 1952 Decision of 30 November 1960 in the case United Kingdom in re Struthers and others v. Japan* Décision du 30 novembre 1960 dans l’affaire Royaume-Uni in re Struthers et al. c. Japon** Treaty of peace between the United Kingdom and Japan of 1951—treaty interpre- tation—intention of the parties—meaning of “property”—inability of States to restrict treaty obligations through national law. -
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Newagearcade.Com 5000 in One Arcade Game List!
Newagearcade.com 5,000 In One arcade game list! 1. AAE|Armor Attack 2. AAE|Asteroids Deluxe 3. AAE|Asteroids 4. AAE|Barrier 5. AAE|Boxing Bugs 6. AAE|Black Widow 7. AAE|Battle Zone 8. AAE|Demon 9. AAE|Eliminator 10. AAE|Gravitar 11. AAE|Lunar Lander 12. AAE|Lunar Battle 13. AAE|Meteorites 14. AAE|Major Havoc 15. AAE|Omega Race 16. AAE|Quantum 17. AAE|Red Baron 18. AAE|Ripoff 19. AAE|Solar Quest 20. AAE|Space Duel 21. AAE|Space Wars 22. AAE|Space Fury 23. AAE|Speed Freak 24. AAE|Star Castle 25. AAE|Star Hawk 26. AAE|Star Trek 27. AAE|Star Wars 28. AAE|Sundance 29. AAE|Tac/Scan 30. AAE|Tailgunner 31. AAE|Tempest 32. AAE|Warrior 33. AAE|Vector Breakout 34. AAE|Vortex 35. AAE|War of the Worlds 36. AAE|Zektor 37. Classic Arcades|'88 Games 38. Classic Arcades|1 on 1 Government (Japan) 39. Classic Arcades|10-Yard Fight (World, set 1) 40. Classic Arcades|1000 Miglia: Great 1000 Miles Rally (94/07/18) 41. Classic Arcades|18 Holes Pro Golf (set 1) 42. Classic Arcades|1941: Counter Attack (World 900227) 43. Classic Arcades|1942 (Revision B) 44. Classic Arcades|1943 Kai: Midway Kaisen (Japan) 45. Classic Arcades|1943: The Battle of Midway (Euro) 46. Classic Arcades|1944: The Loop Master (USA 000620) 47. Classic Arcades|1945k III 48. Classic Arcades|19XX: The War Against Destiny (USA 951207) 49. Classic Arcades|2 On 2 Open Ice Challenge (rev 1.21) 50. Classic Arcades|2020 Super Baseball (set 1) 51. -
NHK WORLD TV Partners with Simplestream to Launch Its 24-Hour
FOR IMMEDIATE RELEASE NHK WORLD TV Partners with Simplestream to launch its 24-Hour Channel on TVPlayer in the UK The Channel Delivers English-Language News, Entertainment and Cultural Content to millions of Homes in Great Britain and Northern Ireland Through its TVPlayer Service TOKYO, Japan - February 10, 2015 - Japan International Broadcasting (http://www.jibtv.com/), the distribution company of NHK and Simplestream (http://simplestream.com), one of the United Kingdom's leading providers of live streaming and CatchupTV solutions for the broadcast and media industry, announce today a new partnership which brings NHK WORLD TV (www.nhk.or.jp/nhkworld) to live TV streaming service TVPlayer (http://www.tvplayer.com/). NHK WORLD TV is a stand-alone, 24-hour, English-language television news and lifestyle network produced by NHK, Japan’s sole public, independent broadcaster. The Japanese channel is currently available in 280 million households worldwide and in more than 150 countries and regions. “Simplestream has become one of the most exciting media companies in Europe,” said Yoshihiko Shimizu, President and CEO, Japan International Broadcasting. “We are delighted to partner with them to deliver a variety of top quality and compelling international news and entertainment via their TVPlayer platform in the United Kingdom.” NHK WORLD TV provides a 24-hour programming cycle, including the network’s signature news show, “NEWSLINE,” as well as a vast selection of technology, lifestyle and entertainment programs, including “J-TECH,” “great gear,” “TOKYO FASHION EXPRESS”, “Kawaii International,” “SPORTS JAPAN” and “Go, Kitchen, Go!” In addition, the channel offers shows focusing on various perspectives on world financial affairs, such as “ASIAN VOICES,” “Asia This Week” and “ASIA BIZ FORECAST.” The network also broadcasts an assortment of groundbreaking documentaries and specials, including “Document 72 Hours,” “TOMORROW,” “Shima Kosaku's Asian Entrepreneurs” and “NHK Documentary.” “It’s really important that we offer as wide a range of content to our users as possible. -
Introducing Studio Ghibli James Rendell and Rayna Denison Many
Introducing Studio Ghibli James Rendell and Rayna Denison Many readers of this special issue of the Journal of East Asian Popular Culture will already feel that they know Studio Ghibli. Famously founded in 1985 by animation film directors Hayao Miyazaki and Isao Takahata, along with then-magazine editor, Toshio Suzuki, Studio Ghibli has dominated Japan’s box office since the mid-1990s. Furthermore, thanks to an international distribution deal with Buena Vista International, a subsidiary of Disney, Hayao Miyazaki’s films have become well-known transnational phenomena, garnering international film festival awards and even an Oscar. This international recognition sits alongside the work undertaken by a legion of active fans who have likewise promoted Miyazaki and Ghibli’s works outside Japan. However, reflecting on the studio’s closure in 2014 – after nearly 30 years of film, television and other kinds of production – there are still many aspects of Studio Ghibli that remain obscure. Despite recent rumours that Miyazaki may be coming out of retirement one last time (a pattern he has been repeating since the late 1990s), the (perhaps temporary) moth-balling of Studio Ghibli’s feature production efforts in 2014 presents the scholars in this collection with an opportunity to reconsider Studio Ghibli’s local and global significance. This special edition of the Journal of East Asian Popular Culture is therefore intended to strategically address some of the gaps in anime scholarship, and in the scholarship around Studio Ghibli. In this introduction we also seek to provide a more holistic understanding of what Studio Ghibli is, whose work it represents and how it has become a success both at home and abroad. -
The Last Kingdom Torrent Download the Last Kingdom Torrent Download
the last kingdom torrent download The last kingdom torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a1fd0aae961667 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. When will The Last Kingdom season 4 be on Netflix? All eyes are on The Last Kingdom season 4. Assuming Netflix renews the historical fiction series, when will we see The Last Kingdom season 4 on Netflix? Things were extremely quiet about the future of The Last Kingdom last year. It was the middle of filming before fans learned that the third season was most definitely renewed. Then it took longer to get a release date. So, what about The Last Kingdom season 4? After the ending, the fourth season is up in the air. Netflix usually confirms renewals a couple of months after it drops a season, so we should expect renewal news sometime in the New Year. For now, I’m assuming the show is being renewed. -
The Kingdom of Dreams and Madness
A Film by Mami Sunada THE KINGDOM OF DREAMS AND MADNESS A look inside the fantastically mad world of the people behind Studio Ghibli PRESENTED BY Dwango IN COOPERATION WITH Studio Ghibli PRODUCED BY Nobuo Kawakami WRITTEN AND DIRECTED BY Mami Sunada MUSIC BY Masakatsu Takagi PRODUCTION COMPANY ENNET Technical Specification FORMAT Digital ASPECT RATIO 1920 x 1080 SOUND 5.1ch COLOR Color RUNNING TIME 118 minutes LANGUAGE Japanese with subtitles PRODUCTION YEAR 2013 COPYRIGHT NOTICE © 2013 dwango ABOUT THE FILM There have been numerous documentaries about Studio Ghibli made for television and for DVD features, but no one had ever conceived of making a theatrical documentary feature about the famed animation studio. That is precisely what filmmaker Mami Sunada set out to do in her first film since her acclaimed directorial debut, Death of a Japanese Salesman. With near-unfettered access inside the studio, Sunada follows the key personnel at Ghibli – director Hayao Miyazaki, producer Toshio Suzuki and the elusive “other” director, Isao Takahata – over the course of approximately one year as the studio rushes to complete their two highly anticipated new films, Miyazaki’s The Wind Rises and Takahata’s The Tale of The Princess Kaguya. The result is a rare glimpse into the inner workings of one of the most celebrated animation studios in the world, and a portrait of their dreams, passion and dedication that borders on madness. DIRECTOR: MAMI SUNADA Born in 1978, Mami Sunada studied documentary filmmaking while at Keio University before apprenticing as a director’s assistant under Hirokazu Kore-eda and others. -
Hayao Miyazaki: Exploring the Early Work of Japan’S Greatest Animator
Greenberg, Raz. "Bringing It All Together: Studio Ghibli." Hayao Miyazaki: Exploring the Early Work of Japan’s Greatest Animator. New York: Bloomsbury Academic, 2018. 107– 126. Animation: Key Films/Filmmakers. Bloomsbury Collections. Web. 1 Oct. 2021. <http:// dx.doi.org/10.5040/9781501335976.ch-005>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 09:34 UTC. Copyright © Raz Greenberg 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. C h a p t e r 5 B RINGING IT A LL T OGETHER : S TUDIO G HIBLI Several months aft er the Nausicaa of the Valley of the Wind manga started its run in 1982, Miyazaki was hired, along with his colleagues Isao Takahata, Yasuo Ō tsuka, and Yoshifumi Kond ō , to take part in the production of Little Nemo: Adventures in Slumberland . Th e ambitious American/Japanese coproduction adapted the classic comic strip by cartoonist and animation pioneer Winsor McCay about a boy who, each night, goes on a strange adventure in his dreams. McCay’s work had many fans on both sides of the Pacifi c: in fact, the project was initiated by Japanese producer Yutaka Fujioka, the president of Tokyo Movie Shinsha, the studio that previously employed Miyazaki and Takahata on Moomins , the Panda! Go Panda! fi lms, and the Lupin productions. Many other notable fi gures have been involved with diff erent stages of the production including Jean Giraud, renowned science fi ction author Ray Bradbury, and screenwriter Chris Columbus (future director of the early Harry Potter fi lms).