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WEEK 30: Sunday, 21 July
WEEK 30: Sunday, 21 July - Saturday, 27 July 2019 ALL MARKETS Start Consumer Closed Date Genre Title TV Guide Text Country of Origin Language Year Repeat Classification Subtitles Time Advice Captions Gorgeously animated, this wordless story about a stranded castaway pays Studio 2019-07-21 0600 Animation The Red Turtle tribute to what's most important in life: companionship, love, family, and the JAPAN No Dialogue-100 2016 RPT PG Ghibli stewardship of nature. One day, while spending the summer with her great aunt, Mary follows an odd cat into the nearby woods. There she stumbles upon flowers which hold a Studio 2019-07-21 0730 Fantasy Mary And The Witch's Flower strange, luminescent power that brings a broomstick to life - which then, in a JAPAN English-100 2017 RPT PG Ghibli heartbeat, whisks her above the clouds and off to a strange and secret place. It is here she finds Endor College - a school of magic! When master thief Lupin III discovers that the money he robbed from a casino is counterfeit, he goes to Cagliostro, rumoured to be the source of the forgery. Studio 2019-07-21 0930 Family The Castle Of Cagliostro There he discovers a beautiful princess, Clarisse, who's being forced to marry JAPAN English-100 1979 RPT PG Y Ghibli the count. In order to rescue Clarisse and foil the count, Lupin teams up with his regular adversary, Inspector Zenigata, and fellow thief Fujiko Mine. Set in Yokohama in 1963, this lovingly hand-drawn film centers on Umi (voiced by Sarah Bolger) and Shun (voiced by Anton Yelchin) and the budding romance that develops as they join forces to save their high school’s ramshackle Studio 2019-07-21 1130 Drama From Up On Poppy Hill clubhouse from demolition. -
Release of Episodes 7 to 12 of VLADLOVE, Mamoru Oshii and Junji
Make The World More Sustainable March 3, 2021 Ichigo Ichigo Animation Release of Episodes 7 to 12 of VLADLOVE, Mamoru Oshii and Junji Nishimura’s New Anime Series on March 14, 2021! Introducing Images from the Second Half of the Series! Renowned anime director Mamoru Oshii is known for breakthrough works such as PATLABOR: The Movie and Ghost in the Shell. VLADLOVE, written and directed by Oshii, is his first collaboration with Junji Nishimura since Urusei Yatsura, and Episodes 1 to 6 were released on February 14, 2021. Oshii’s strong desire to make a powerful, lasting impact is evident in the series. In the second half of VLADLOVE, Oshii stays true to his words “I will show you what happens when an old fogey gets cranky,” and pushes his art to another level. Enjoy VLADLOVE, a work which is rocking the foundations of modern Japanese anime. * Please see below the streaming platforms where you can watch VLADLOVE. 1 A Complete VLADLOVE Guide (in Japanese) Will Go on Sale on March 5, 2021! Currently Accepting Advanced Orders! How did a comedy about a high school girl and a beautiful vampire come to life? In VLADLOVE, Oshii weaves in many references to his works over the past decades. What was the intention behind that scene? What was the inspiration for that character? The guide answers these questions and more, offering a behind-the-scenes look into the production process. Illustration Gallery, Main Character Introductions and Images, Explanations of All Episodes, Cast Interviews, Storyboards of All Episodes, Images Selected by the Key Animation -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
La Notion ''D'habiter'' Ou Comment Aborder En Classe Les Spécificités
La notion ”d’habiter” ou comment aborder en classe les spécificités des occupations géographiques humaines à travers l’animation japonaise Audrey Jaux To cite this version: Audrey Jaux. La notion ”d’habiter” ou comment aborder en classe les spécificités des occupations géographiques humaines à travers l’animation japonaise. Education. 2017. hal-02386034 HAL Id: hal-02386034 https://hal-univ-fcomte.archives-ouvertes.fr/hal-02386034 Submitted on 29 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Mémoire présenté pour l’obtention du Grade de MASTER “Métiers de l’Enseignement, de l’Education et de la Formation” Mention 1er Degré Professeur des Ecoles Sur le thème La notion « d’habiter », ou comment aborder en classe les spécificités des occupations géographiques humaines à travers l’animation Japonaise. Projet présenté par Audrey Jaux Directeur Professeur : Michel Vrac (Ecole supérieure du professorat et de l'éducation. ESPE Montjoux) Numéro CNU : 23 Année universitaire 2016-2017 1 Remerciements : A Michel VRAC pour la richesse de documentation qu’il m’a proposé et pour sa disponibilité et son aide. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
(WHEN MARNIE WAS THERE) Is a Fourth Quarter 2017 LVCA Dvd
OMOIDE NO MÂNÎ (WHEN MARNIE WAS THERE) is a Fourth Quarter 2017 LVCA dvd donation to the Hugh Stouppe Memorial Library of the Heritage United Methodist Church of Ligonier, Pennsylvania. Here’s Kino Ken’s review of that mystical animation from Japan. 16 of a possible 20 points **** of a possible ***** Japan 2014 color 103 minutes feature animation fantasy dubbed in English Studio Ghibli / Toho Company /Dentsu / Hakuhodo DY Media Partners Producers: Yoshiaki Nishimura, Koji Hoshino, Geoffrey Wexler (English version), Toshio Suzuki Key: *indicates outstanding technical achievement or performance (j) designates a juvenile performer Points: Direction: Hiromasa Yonebayashi 0 Editing: Rie Matsubara 2 Photography: Atsushi Okui 2 Lighting 2 Animation: Masashi Ando (Animation Director) 1 Screenplay: Keiko Niwa, Masashi Ando, and Hiromasa Yonebayashi based on the novel by Joan Robinson 2 Music: Takatsugu Muramatsu, Priscilla Ahn (theme music) Francisco Tarriega (“Valse in La Mayor” from Recuerdos de la Alhambra) 2 Production Design: Yohei Taneda Character Design: Masashi Ando 2 Sound: Eriko Kimura, Jamie Simone (English Version) Sound Direction: Koji Kasamatsu 1 Voices Acting 2 Creativity 16 total points English Voices Cast: Ava Acres (Sayaka), Kathy Bates (Mrs. Kadoya), Taylor Autumn Bertman (j) (Young Marnie), Mila Brener (j) (Young Hisako), Ellen Burstyn (Nan), Geena Davis (Yoriko Sasaki), Grey Griffin (Setsu Oiwa), Catherine O’Hara (Elderly Lady), Takuma Oroo (Neighborhood Association Officer), John Reilly (Kiyomasa Oiwa), Raini Rodriguez (Nobuko -
How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power
View metadata, citation and similarbrought COREpapers to youat core.ac.ukby provided by University of Tasmania Open Access Repository 1 Wings and Freedom, Spirit and Self: How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power Shadow (BA Hons) 195408 Submitted in fulfilment of the requirements for the Degree of Masters of Journalism, Media and Communications University of Tasmania June, 2015 2 Declaration of Originality: This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of the my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. X Shadow Date: 6/10/2015 Authority of Access: This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. X Shadow Date: 6/10/2015 3 Declaration of Copy Editing: Professional copy was provided by Walter Leggett to amend issues with consistency, spelling and grammar. No other content was altered by Mr Leggett and editing was undertaken under the consent and recommendation of candidate’s supervisors. X Shadow Date: 6/10/2015 4 Contents Abstract ...................................................................................................................................... 7 CHAPTER 1 ............................................................................................................................. -
The Wind Rises: a Swirling Controversy
16 The Wind Rises: A Swirling Controversy Sean Mowry ‘16 HST 401: World War II in Cinema Professor Alan Allport In the summer of 2013, Japanese recent history, and its messages are director Hayao Miyazaki released his final important to examine. This is especially the movie as a writer and director, The Wind case in the current context of Japanese Rises.55 Miyazaki is a legend in Japanese desires to remilitarize under its cinema, and is often referred to as the “Walt conservative leadership. 56 Disney of Japan.” He is a founder, and the The Wind Rises tells the story of Jiro most famous member of the Tokyo-based Horikoshi, the real life designer of the animation studio, Studio Ghibli, which has Mitsubishi A6M Zero fighter plane, the produced 5 of the 15 highest grossing most famous airplane in Japanese history 57 anime movies in Japanese history. In fact, and an icon of the Pacific War. The film The Wind Rises takes the tenth spot on that begins in Jiro’s childhood dreams as he list, and it also is the highest grossing flies acrobatically in a plane, but above him 58 Japanese film from 2013. This makes the he sees dark clouds hiding aircraft all influence of this movie very prominent in marked with the Nazi Iron Cross. Jiro’s 55 Roy Akagawa, “Excerpts of Hayao Miyazaki’s 57 “Top Grossing Anime,”Box Office Mojo, News Conference Announcing His Retirement,” Accessed December 16, 2015 The Asahi Shimbun , September 6, 2013 http://www.boxofficemojo.com/genres/chart/?id=a http://ajw.asahi.com/article/behind_news/people/A nime.htm J201309060087. -
Gender and Computer Games/Video Games
Gender and Computer Games/ Video Games Girls’ Perspective Orientation Authors: Yan Jingjing Subject: Master Thesis in Business Administration 15 ECTS Program: Master of International Management Gotland University Spring semester 2010 Supervisor: Bo Lennstrand Abstract The topic of this thesis is “Gender Differences in Computer games/ Video games Industry”. Due to rapid development in technology and popularization of computers all around the world, computer games have already become a kind of common entertainment. Because computer games were designed especially for boys at the very beginning, there are still some remaining barriers when training female game designers and expanding game markets among female players. This thesis is mainly based on two studies which have enormous contributions to gender issue in computer games area. A simple model is established by summarizing factors mentioned and discussed in those two books. The main purpose consists of two comparisons under Gender Differences: one comparison is between the current data with the previous one, in order to check whether there are any changes during the past 10 years. The other one compares the young people in two regions, Sweden and China, in computer games perspective. Model designing, test, questionnaire and interview methods are used in this paper aiming to collect and categorize the data, which facilitates to analyze the results of the comparisons. The results reflect that although computer becomes a familiar “friend” in modern daily life, there are not obvious changes of girls‟ perspectives in computer game industry. Certainly, there are some differences between the young people coming from two regions which will be expounded in the thesis. -
Hayao Miyazaki Film
A HAYAO MIYAZAKI FILM ORIGINAL STORY AND SCREENPLAY WRITTEN AND DIRECTED BY HAYAO MIYAZAKI MUSIC BY JOE HISAISHI THEME SONGS PERFORMED BY MASAKO HAYASHI AND FUJIOKA FUJIMAKI & NOZOMI OHASHI STUDIO GHIBLI NIPPON TELEVISION NETWORK DENTSU HAKUHODO DYMP WALT DISNEY STUDIOS HOME ENTERTAINMENT MITSUBISHI AND TOHO PRESENT A STUDIO GHIBLI PRODUCTION - PONYO ON THE CLIFF BY THE SEA EXECUTIVE PRODUCER KOJI HOSHINO PRODUCED BY TOSHIO SUZUKI © 2008 Nibariki - GNDHDDT Studio Ghibli, Nippon Television Network, Dentsu, Hakuhodo DYMP, Walt Disney Studios Home Entertainment, Mitsubishi and Toho PRESENT PONYO ON THE CLIFF BY THE SEA WRITTEN AND DIRECTED BY HAYAO MIYAZAKI Running time: 1H41 – Format: 1.85:1 Sound: Dolby Digital Surround EX - DTS-ES (6.1ch) INTERNATIONAL PRESS THE PR CONTACT [email protected] Phil Symes TEL 39 346 336 3406 Ronaldo Mourao TEL +39 346 336 3407 WORLD SALES wild bunch Vincent Maraval TEL +33 6 11 91 23 93 E [email protected] Gaël Nouaille TEL +33 6 21 23 04 72 E [email protected] Carole Baraton / Laurent Baudens TEL +33 6 70 79 05 17 E [email protected] Silvia Simonutti TEL +33 6 20 74 95 08 E [email protected] PARIS OFFICE 99 Rue de la Verrerie - 75004 Paris - France TEL +33 1 53 01 50 30 FAX +33 1 53 01 50 49 [email protected] PLEASE NOTE: High definition images can be downloaded from the ‘press’ section of http://www.wildbunch.biz SYNOPSIS CAST A small town by the sea. Lisa Tomoko Yamaguchi Koichi Kazushige Nagashima Five year-old Sosuke lives high on a cliff overlooking Gran Mamare Yuki Amami the Inland Sea. -
Tesis.Pdf (13.00Mb)
Programa de Doctorado en Ciencias Sociales y Jurídicas Escuela Internacional de Doctorado 2018 TESIS DOCTORAL Lidia Esteban López Sofia López Hernández, Mario Rajas Fernández y Eduardo Rodríguez Merchán Antonio Sánchez-Escalonilla García-Rico En el transcurso de los últimos dos años han fallecido dos apasionados de la música y el cine sin los que esta tesis hubiera sido completamente distinta. A uno de ellos nunca llegué a conocerlo, al menos no más allá de lo que uno puede conocer a alguien a través de su obra. Se trata de Isao Takahata, protagonista de las próximas páginas. Con el otro sí tuve la fortuna de coincidir. Eduardo Rodríguez Merchán, director inicial de este trabajo de investigación, me dijo que hablara de música, quiso que analizara las películas que más me gustaban (“si estás dispuesta a aprender japonés...”). Pero además fue espectador de mis conciertos, y compartió su sonrisa cálida y sus consejos cercanos en tardes de merienda y cine. No puedo por menos que agradecer enteramente esta tesis a un amigo. I. INTRODUCCIÓN ............................................................................ 1 1. Elección del tema de investigación ............................................ 1 2. Introducción a Studio Ghibli ...................................................... 5 3. Proceso de producción y conceptos básicos ............................ 11 II. METODOLOGÍA ........................................................................... 17 1. Objetivos ................................................................................ -
Viewed and Discussed in Wired Magazine (Horn), Japan's National Newspaper the Daily Yomiuri (Takasuka),And the Mainichi Shinbun (Watanabe)
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 You Are Not Alone: Self-Identity and Modernity in Neon Genesis Evangelion and Kokoro Claude Smith III Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ASIAN STUDIES YOU ARE NOT ALONE: SELF-IDENTITY AND MODERNITY IN NEON GENESIS EVANGELION AND KOKORO By CLAUDE SMITH III A Thesis submitted to the Department of Asian Studies in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Thesis of Claude Smith defended on October 24, 2008 . __________________________ Yoshihiro Yasuhara Professor Directing Thesis __________________________ Feng Lan Committee Member __________________________ Kathleen Erndl Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii My paper is dedicated in spirit to David Lynch, Anno Hideaki, Kojima Hideo, Clark Ashton Smith, Howard Phillips Lovecraft, and Murakami Haruki, for showing me the way. iii ACKNOWLEDGEMENTS I would like very much to thank Dr. Andrew Chittick and Dr. Mark Fishman for their unconditional understanding and continued support. I would like to thank Dr. Feng Lan, Dr. Erndl, and Dr. Yasuhara. Last but not least, I would also like to thank my parents, Mark Vicelli, Jack Ringca, and Sean Lawler for their advice and encouragement. iv INTRODUCTION This thesis has been a long time in coming, and was first conceived close to a year and a half before the current date.