Babylon: the Origin of Bonsai? by Will Heath
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The Japanese Religio-Cultural Context
CHAPTER TWO THE JAPANESE RELIGIO-CULTURAL CONTEXT Introduction This chapter introduces three factors that provide essential background information for my investigation into Endo’s theology of inculturation. First, I give a historical sketch of Japanese religion. Secondly, I look at different types of Shinto and clarify aspects of koshinto that inform contemporary Japanese culture. This is important as koshinto with its modern, psychological, and spiritual meanings is the type of Shinto that I observe in Endo’s attempts at inculturation. In connection with this I introduce the Japanese concept of the ‘divine’, and its role in the history of Shinto-Buddhist-Christian relationships. I also go on to propose that koshinto plays a fundamental role in shaping both different types of womanhood in Japan and the negative theology that forms a background to Endo’s type of inculturation. Outline of Features in Japanese Religious History Japan’s indigenous faith is Shinto, which has its roots in the age prior to 300 B.C. The animistic beliefs of this primal religion developed into a community religion with local shrines for household and guardian gods, where people worshipped the divine spirits. Gradually people began to worship ideal kami, personal kami and ancestorial kami.1 This form of Shinto is frequently called ‘proto-shinto’. Confucianism was introduced to Japan near the beginning of the 5th century as a code of moral precepts rather than a religion.2 Buddhism came to Japan from India 1 The Japanese word kami is usually translated into English by the term deity, deities, spirits, or gods. Kami in Japanese can be singular and/or plural. -
Special Recognition for Gifts of $100,000+ to the Chinese Garden
Special Recognition For gifts of $100,000+ to the Chinese Garden Phase II Donors will be recognized upon completion of construction. 24 Lake of Reflected Fragrance | 映芳湖 $8,000,000 Chosen as the site to recognize the lead donor to the Phase II, the large central lake is the heart of the entire garden and unifies the surrounding pavilions, rocks, and plantings. The five bridges spanning its surface offer lovely vistas of the nearby pavilions and the distant hills. The lake’s water is at once negative space, a mirror reflecting and duplicating each scene, and positive space holding colorful carp, water lilies, and lotus. Its name “Reflected Fragrance” recalls the delicate scents of flowers and echoes “Flowing Fragrance,” the name of the Chinese Garden. 25 Terrace for Idle Chanting |閑吟臺 $500,000 This rooftop terrace in the northwest section of the garden provides a stunning overlook of the lake, surrounding trees, and Suzhou style pavilions and bridges. It is an inspirational view, and “chanting” refers to the tradition of reciting poetry in a rhythmic tone and pattern. 26 Court of Assembled Worthies | 集賢院 $1,000,000 Bordered by a graceful and meditative corridor, this large courtyard is sheltered by heritage coast live oak (Quercus agrifolia) trees. The beautifully crafted paved surface can seat 350 and serves as the central space for public gatherings. It is named to honor the esteemed audiences that come together to enjoy cultural performances staged from either the Terrace of Cultivated Elegance to the north or on the pavilion stage of Clear and Transcendent. 27 Reflections in the Stream and Fragrance of Orchids Pavilion |映水蘭香 $350,000 This delicate pavilion, shielded by large California oaks, is a place to pause, meditate, be poetically inspired, and enjoy the fragrance of nearby orchids. -
Prospects for Changes in Gender Bias in the Japanese Language
2015 HAWAII UNIVERSITY INTERNATIONAL CONFERENCES ARTS, HUMANITIES, SOCIAL SCIENCES & EDUCATION JANUARY 03 - 06, 2015 ALA MOANA HOTEL, HONOLULU, HAWAII PROSPECTS FOR CHANGES IN GENDER BIAS IN THE JAPANESE LANGUAGE TAKEMARU, NAOKO UNIVERSITY OF NEVADA DEPARTMENT OF WORLD LANGUAGES AND CULTURES Dr. Naoko Takemaru Department of World Languages and Cultures University of Nevada. Prospects for Changes in Gender Bias in the Japanese Language Synopsis: Although gender bias remains prevalent and deeply rooted in the Japanese language, ongoing efforts to materialize the fairer representation of genders have had a significant impact on bringing about a change for the better. This paper discusses such existing instances of gender bias in the Japanese language by themes, along with any relevant changes and reforms that have taken place or are underway. Prospects for Changes in Gender Bias in the Japanese Language Naoko Takemaru, Ph.D. Department of World Languages and Cultures University of Nevada, Las Vegas Introduction While gender bias remains prevalent and deeply rooted in the Japanese language, ongoing efforts to materialize the fairer representation of genders have had a significant impact on bringing about a change for the better. This paper discusses such existing instances of gender bias in the Japanese language by themes, along with any relevant changes and reforms that have taken place or are underway. In this paper, the Hepburn system is used for the romanization of the Japanese language. Except for proper nouns, long vowels are marked with additional vowels. Translations from Japanese are my own, unless noted otherwise. Male-Female Word Order The male-female word order is the norm of the modern Japanese kanji (ideographic characters) compounds, in which the characters representing males precede those representing females. -
Shanghai, China Overview Introduction
Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers. -
Bonsai Pdf 5/31/06 11:18 AM Page 1
Bonsai pdf 5/31/06 11:18 AM Page 1 THE BONSAI COLLECTION The Chicago Botanic Garden’s bonsai collection is regarded by bonsai experts as one of the best public collections in the world. It includes 185 bonsai in twenty styles and more than 40 kinds of plants, including evergreen, deciduous, tropical, flowering and fruiting trees. Since the entire collection cannot be displayed at once, select species are rotated through a display area in the Education Center’s East Courtyard from May through October. Each one takes the stage when it is most beautiful. To see photographs of bonsai from the collection, visit www.chicagobotanic.org/bonsai. Assembling the Collection Predominantly composed of donated specimens, the collection includes gifts from BONSAI local enthusiasts and Midwest Bonsai Society members. In 2000, Susumu Nakamura, a COLLECTION Japanese bonsai master and longstanding friend of the Chicago Botanic Garden, donated 19 of his finest bonsai to the collection. This A remarkable collection gift enabled the collection to advance to of majestic trees world-class status. in miniature Caring for the Collection When not on display, the bonsai in the Chicago Botanic Garden’s collection are housed in a secured greenhouse that has both outdoor and indoor facilities. There the bonsai are watered, fertilized, wired, trimmed and repotted by staff and volunteers. Several times a year, bonsai master Susumu Nakamura travels from his home in Japan to provide guidance for the care and training of this important collection. What Is a Bonsai? Japanese and Chinese languages use the same characters to represent bonsai (pronounced “bone-sigh”). -
Advanced Master Gardener Landscape Gardening For
ADVANCED MASTER GARDENER LANDSCAPE GARDENING FOR GARDENERS 2002 The Quest Continues 11 ADVANCED MASTER GARDENER 2002 LARRY A. SAGERS PROFFESOR UTAH STATE UNIVERSITY 21 ADVANCED MASTER GARDENER 2002 GRETCHEN CAMPBELL • MASTER GARDENER COORDINATOR AT THANKSGIVING POINT INSTITUE 31 ADVANCED MASTER GARDENER 2002 41 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Life according to the Bible began in a garden. • Wherever that garden was located that was planted eastward in Eden, there were many plants that Adam and Eve were to tend. • The Garden provided”every tree that is pleasant to the sight and good for food” 51 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Other cultures have similar stories. • Stories come from Native Americans African tribes, Polynesians and Aborigines and many other groups of gardens as a place of life 61 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Teachings and legends influence art, religion, education and gardens. • The how and why of the different geographical and cultural influences on Landscape Gardening is the theme of the 2002 Advanced Master Gardening course at Thanksgiving Point Institute. 71 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Earliest known indications of Agriculture only go back about 10,000 years • Bouquets of flowers have been found in tombs some 60,000 years old • These may have had aesthetic or ritual roles 81 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Evidence of gardens in the fertile crescent between the Tigris and Euphrates -
Samurai Life in Medieval Japan
http://www.colorado.edu/ptea-curriculum/imaging-japanese-history Handout M2 (Print Version) Page 1 of 8 Samurai Life in Medieval Japan The Heian period (794-1185) was followed by 700 years of warrior governments—the Kamakura, Muromachi, and Tokugawa. The civil government at the imperial court continued, but the real rulers of the country were the military daimy class. You will be using art as a primary source to learn about samurai and daimy life in medieval Japan (1185-1603). Kamakura Period (1185-1333) The Kamakura period was the beginning of warrior class rule. The imperial court still handled civil affairs, but with the defeat of the Taira family, the Minamoto under Yoritomo established its capital in the small eastern city of Kamakura. Yoritomo received the title shogun or “barbarian-quelling generalissimo.” Different clans competed with one another as in the Hgen Disturbance of 1156 and the Heiji Disturbance of 1159. The Heiji Monogatari Emaki is a hand scroll showing the armor and battle strategies of the early medieval period. The conflict at the Sanj Palace was between Fujiwara Nobuyori and Minamoto Yoshitomo. As you look at the scroll, notice what people are wearing, the different roles of samurai and foot soldiers, and the different weapons. What can you learn about what is involved in this disturbance? What can you learn about the samurai and the early medieval period from viewing this scroll? What information is helpful in developing an accurate view of samurai? What preparations would be necessary to fight these kinds of battles? (Think about the organization of people, equipment, and weapons; the use of bows, arrows, and horses; use of protective armor for some but not all; and the different ways of fighting.) During the Genpei Civil War of 1180-1185, Yoritomo fought against and defeated the Taira, beginning the Kamakura Period. -
Pioneers of the Women's Movement in Japan: Hiratsuka Raichô and Fukuda Hideko Seen Through Their Journals, Seitô Andsekai Fujn
PIONEERS OF THE WOMEN'S MOVEMENT IN JAPAN: HIRATSUKA RAICHÔ AND FUKUDA HIDEKO SEEN THROUGH THEIR JOURNALS, SEITÔ ANDSEKAI FUJN by Fumiko Horimoto A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of East Asian Studies University of Toronto O Copyright by Fumiko Horimoto 1999 National Library Bibliothèque nationale I*I of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the excIusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fïh, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Master of Arts, 1999 Fumiko Horimoto Department of East Asian Studies Hiratsuka Raichô's (1886-1971) statement, "In the beginning woman was the Sun," in the opening editorial of Seitô is generally regarded as the first Japanese "women's rights declaration." However, in January 1907, more than four years before the publication of Seitô, Fukuda (Kageyama) Hideko (1865-1927), one of the most remarkable activists in Japan's early phase of feminism, also published a magazine, Sekai fujïn (Women of the World), aiming at the emancipation of women. -
Botanical Encounters Level 3 an INTERACTIVE & VIRTUAL TOUR
Botanical Encounters Level 3 AN INTERACTIVE & VIRTUAL TOUR Huntington Education Welcome to the Botanical Encounters Level 3 virtual tour! Each slide features a plant, tree, or flower with questions, activities, and links to additional information. Henry and Arabella Huntington loved to collect art, books, and plants. What do you like to collect? Video games? Posters? Sports memorabilia? In this interactive journey you’ll dive further into the Botanical collections. Let’s go exploring! Botanical Vocabulary Click on a vocabulary word to start your tour! Each word relates to something at The Huntington. Cryobiotechnology Ginger Orchid Passion Fruit Penjing Puya Once you have explored all six cards, click here! Pick Orchid Another The Rose Hills Foundation Conservatory for Botanical Science ● Orchids have been popular at The Huntington since Arabella Huntington’s day. She loved orchids and had quite a collection. Do you like orchids? ● In the wild, there are three ways orchids grow: on trees (epiphytes), on rocks (lithophytes), and on the ground (terrestrials). ● There are more than 25,000 species of orchids, making them the largest family in the plant kingdom. ● While all those orchid species might look different, there are two distinct characteristics they all share: they all have 3 petals and 3 sepals, and they have both male (stamen) and female (pistil) parts in one column. Activity Explore the online tour Orchids: Around the World on Six Continents. Find an orchid that catches your eye. Which orchid did you choose? Why did you pick that particular orchid? Where does it grow? Does it have any cultural or culinary significance? Click on these links to explore more Orchid Collection King of Orchids (From top): Masdevallia infracta ‘Huntington’s Angel’; Paphiopedilum Orchids Forever tigrinum ‘Huntington’s Crouching Tiger’; Trichopilia suavis. -
Catalogue 229 Japanese and Chinese Books, Manuscripts, and Scrolls Jonathan A. Hill, Bookseller New York City
JonathanCatalogue 229 A. Hill, Bookseller JapaneseJAPANESE & AND Chinese CHINESE Books, BOOKS, Manuscripts,MANUSCRIPTS, and AND ScrollsSCROLLS Jonathan A. Hill, Bookseller Catalogue 229 item 29 Catalogue 229 Japanese and Chinese Books, Manuscripts, and Scrolls Jonathan A. Hill, Bookseller New York City · 2019 JONATHAN A. HILL, BOOKSELLER 325 West End Avenue, Apt. 10 b New York, New York 10023-8143 telephone: 646-827-0724 home page: www.jonathanahill.com jonathan a. hill mobile: 917-294-2678 e-mail: [email protected] megumi k. hill mobile: 917-860-4862 e-mail: [email protected] yoshi hill mobile: 646-420-4652 e-mail: [email protected] member: International League of Antiquarian Booksellers, Antiquarian Booksellers’ Association of America & Verband Deutscher Antiquare terms are as usual: Any book returnable within five days of receipt, payment due within thirty days of receipt. Persons ordering for the first time are requested to remit with order, or supply suitable trade references. Residents of New York State should include appropriate sales tax. printed in china item 24 item 1 The Hot Springs of Atami 1. ATAMI HOT SPRINGS. Manuscript on paper, manuscript labels on upper covers entitled “Atami Onsen zuko” [“The Hot Springs of Atami, explained with illustrations”]. Written by Tsuki Shirai. 17 painted scenes, using brush and colors, on 63 pages. 34; 25; 22 folding leaves. Three vols. 8vo (270 x 187 mm.), orig. wrappers, modern stitch- ing. [ Japan]: late Edo. $12,500.00 This handsomely illustrated manuscript, written by Tsuki Shirai, describes and illustrates the famous hot springs of Atami (“hot ocean”), which have been known and appreciated since the 8th century. -
An Ethnographic Study of Parents' Attitudes Toward Language
University of New Orleans ScholarWorks@UNO Senior Honors Theses Undergraduate Showcase 5-2018 Crafting Japanese-ness: An Ethnographic Study of Parents’ Attitudes toward Language Maintenance in a Japanese Community in the United States Lorvelis Amelia Madueño University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/honors_theses Part of the Anthropology Commons Recommended Citation Madueño, Lorvelis Amelia, "Crafting Japanese-ness: An Ethnographic Study of Parents’ Attitudes toward Language Maintenance in a Japanese Community in the United States" (2018). Senior Honors Theses. 111. https://scholarworks.uno.edu/honors_theses/111 This Honors Thesis-Unrestricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Honors Thesis-Unrestricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Honors Thesis-Unrestricted has been accepted for inclusion in Senior Honors Theses by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Crafting Japanese-ness: An Ethnographic Study of Parents’ Attitudes toward Language Maintenance in a Japanese Community in the United States An Honors Thesis Presented to the Department of Anthropology of the University of New Orleans In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts, with University High Honors and Honors in Anthropology by Lorvelis Amelia Madueño May 2018 Acknowledgements I would like to gratefully thank everyone at the Japanese Weekend School of New Orleans for their support and collaboration throughout this thesis. -
ENJOYING BONSAI and HORTICULTURE PAGE 1 / 4
ENJOYING BONSAI and HORTICULTURE PAGE 1 / 4 Practical Travel Guide - 812 ENJOYING BONSAI and HORTICULTURE What is BONSAI ? Bonsai is one of Japan’s most traditional cultural arts originating in the Kamakura Period (12th century). With trees, flowers, grass and stones in a small pot or tray, it expresses the beauty and spaciousness of a natural land- scape. Its object is to create these landscapes as beautifully as nature, and sometimes using wire or by cutting branches so that any kind of plant can grow healthy in pots. Accordingly, Bonsai is said to be a “Never-completed Art” enabling one to pursue the pleasure of everlasting nurturing. BONSAI IN TOKYO & VICINITY Throughout year: Omiya Bonsai Village Omiya Bonsai Village(大宮盆栽村) , 5-min. walk from Omiya-Koen Sta. on Tobu Noda Line (50 min. from Tokyo Toro Sta. 土呂土呂駅駅 Sta. change at Omiya Sta.), is a small area consisting of a dozen Bonsai gardens with hundreds of thousands of pots including more than 500-year-old trees. Most of them are ) 35 closed on Thursdays. There is a free rest house “Shiki no I e” (Four Seasons House). Open: 9:00–17:00. Closed: Thu. JR宇都宮線 JR東北本線JR東北本線) & New Year’s holidays. Tel: 048-664-1636. The annual ‘Bonsai Festival’ is held there from May 3–5. * Fuyo-en(芙蓉園) : Tel. 048-666-2400, in particular houses “Zoki Bonsai”(雑木盆栽) (Bonsai using decidu- Omiya Bonsai Art Museum JR UtsuomiyaJR Tohoku Line Line 大宮盆栽美術館 ous trees). Shoto-en(松涛園) : Tel. 048-652-1033, focus- ( es on pots & other tools for culturing bonsai. Kyuka-en (九霞園): Tel.