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Shinto: Discovery of the Divine in Japanese Art

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SHINTO: DISCOVERY OF THE DIVINE IN JAPANESE ART CASE ON VIEW ON VIEW IMAGE TITLE DATE MEDIUM OWNER DESIGNATION No. 4/9–5/19 5/23–6/30 catalogue no. catalogue no. ENTERTAINING THE GODS 1 6 Mounted Archery at Nikkō Tōshōgū Shrine Edo period, 18th century Handscroll; ink, color, and gold on silk LACMA Sliding-door panels remounted as a pair of 2 4 Horse Races at Kamo Edo period, c. 1634-44 six-panel folding screens; ink, color and CMA gold on gilded paper Heian period, 12th Shiga 1 Sumo Wrestlers and Referee Hinoki cypress with traces of ink and color Mikami Jinja century Prefecture ICP 3 Kamakura period, 12th- 5 Mounted Archer Wood with color Kasuga Taisha IAO 13th century Ritual of the Third Month: Sumo, Bugaku, 3 and Lion Dance Edo period, 17th Pair of six-panel folding screens; ink, color 4 Izumo Ōyashiro century and gold on gilded paper Ritual of the Third Month: Mounted 2 Archery Nō Costume with Design of Snow-Covered 17 ICP Willows and Swallowtail Butterflies Momoyama period, late Embroidery and gold and silver leaf on 5 Kasuga Jinja, Seki 16th century plain-weave silk Nō Costume with Design of Pine, Wisteria, 18 ICP and Swallowtail Butterflies Muromachi period, 16th Wood with color, metal fittings, and traces 24 Swollen-Nosed Elder (Hanakobu Akujō) ICP century of hair Kasuga Jinja, Seki 6 22 Zen Acolyte (Kasshiki) Mask Momoyama period Wood with color ICP 19 Evil-Expelling (Tsuina) Mask Edo period Wood with color Kasuga Jinja, Seki ICP Nanbokuchō period, 6 21 Young Woman (Wakai Onna) Mask Wood with color Kasuga Jinja, Seki ICP 14th century CASE ON VIEW ON VIEW IMAGE TITLE DATE MEDIUM OWNER DESIGNATION No. 4/9–5/19 5/23–6/30 catalogue no. catalogue no. 23 Vengeful Spirit of a Man (Ryō no Otoko) Muromachi period Wood with color ICP 6 Kasuga Jinja, Seki 20 Clench-Mouthed Demon (Beshimi) Mask Kamakura period Wood with color ICP Gifu 7 108 Sword Blade 1596 Steel Prefecture ICP Kasuga Jinja, Seki Gifu 8 109 Sword Blade 1600 Steel Prefecture ICP Front: patterned silk guaze with design of nyoi (monk's staff), scroll pattern, and Edo period, 16th-17th linked clouds on yellow-green ground; 16 Bugaku Costume Top: Ringa century border; gold brocade with design of paulownia and bamboo on red satin ground, embroidery Kasuga Taisha, 9 Front: dark blue plain-weave silk; sleeve Nara openings: gold brocade with design of paulownia, bamboo, and arabesques on 9 Costume Top: Korobase Edo period, 17th century satin ground; net; hemp thread; lining: light blue plain-weave silk with embroidery Heian period, 12th Wood with color and gold leaf over 12 Bugaku Mask: Nasori ICP century lacquer Kasuga Taisha, 10 15 Bugaku Mask: Kotoraku, Kodō (Guest) Edo period Wood with red and black lacquer Nara 14 Bugaku mask: Saisōrō Edo period Wood with color Wood with color over white ground over black lacquer and black lacquer over red lacquer; bronze bell suspended by cord; 10 Bugaku Mask: Korobase Muromachi period eyeholes fitted with bronze inserts and red lacquer surrounds; eyebrows in applied hide Kasuga Taisha, 10 Nara Wood with color and gold leaf over 11 Bugaku Mask: Ryōō Edo period, 17th century lacquer Kasuga Taisha, 10 13 Bugaku Mask: Sanju Edo period, 17th century Wood with vermillion lacquer Nara Pair of six-panel folding screens; ink, color 11 7 Bugaku Screens Edo period, 17th century Private Collection and gold on gilded paper CASE ON VIEW ON VIEW IMAGE TITLE DATE MEDIUM OWNER DESIGNATION No. 4/9–5/19 5/23–6/30 catalogue no. catalogue no. Pair of six-panel folding screens; ink, color Shimane 11 8 Bugaku Screens Edo period, 1660s Izumo Ōyashiro and gold on gilded paper Prefecture ICP GODS AND GREAT HOUSES Muromachi period, 16th 31 CMA century 12 Kasuga Sacred Deer Mandala Hanging scroll; ink, color, and gold on silk Muromachi period; first 32 MIA half of the 15th century Kamakura period to Minature shrine: lacquered wood; Sacred 13 33 Kasuga Sacred Deer Reliquary Nanbokuchō period, NNM deer: gilt bronze, crystal 14th century Nanbokuchō period, Bronze with molded and incised elements 14 30 Mirror with Departure from Kashima 14th century and modern cord CMA Nanbokuchō period, 28 14th century 15 Departure from Kashima Hanging scroll; ink, color, and gold on silk Nanbokuchō period to 29 Muromachi period, 14th AASF to 15th century Five Buddhist Avatars Descending over the Muromachi period, 15th 39 AASF Kasuga Shrine century 16 Hanging scroll; ink, color, and gold on silk Nanbokuchō period, 38 Kasuga Shrine Mandala Honolulu 14th century Kamakura period, 13th- 17 27 Portrait of Fujiwara no Muchimaro Hanging scroll; ink and colors on silk CMA 14th century 36 CMA Kamakura period, 14th 18 Kasuga Shrine Mandala Hanging scroll; ink and colors on silk century 37 PUAM CASE ON VIEW ON VIEW IMAGE TITLE DATE MEDIUM OWNER DESIGNATION No. 4/9–5/19 5/23–6/30 catalogue no. catalogue no. Momoyama period, 25 16th century 19 Portrait of Fujiwara no Kamatari 26 1515 Kamakura period, 13th 34 Kasuga Shrine Mandala Hanging scroll; ink and colors on silk NNM century 20 Kamakura period, 14th 35 Kasuga Shrine and Kōfukiji Mandala century Kamakura period, 14th 41 century Mandala of the Sacred Name of the 21 Kasuga Deity Muromachi period, 15th 40 Hanging scroll; ink , color, and gold on silk YUAG century Invocation, Momoyama Sacred Name of Tenjin "Namu Tenman Invocation: ink on paper with gold period, 17th century; Dazaifu 44 Daijizai Tenjin" Invocation and Seated Painting: hanging scroll; ink, color, and Painting; Edo period, Tenmangū Tenjin in Formal Attire gold on silk 1619 22 Sacred Name of Tenjin "Namu Tenman Muromachi period, 16th 45 Hanging scroll; ink on paper CMA Daijizai Tenjin" Invocation century 51 Festival at Yoki Tenman Jinja Edo period, 18th centuy Hanging scroll; ink and colors on silk Hasedera 23 From a set of five hanging scrolls; ink, 50 Legend of Tenjin Edo period, 19th century Osaka Tenmangū color, and gold on paper Record of One Thousand-Linked Verse Session Held by Imagawa Ryōshun, "Fu 53 1382 Book; ink and color on paper nanihito renga" (Linked Verses Devoted to "Person") Dazaifu 24 Tenmangū Record of One Hundred-Linked Verse 54 Session held by Yamanaka Nagatorshi, 1598 Book; ink, gold, and silver on paper "Musō no renga" (Dream Linked Verses) Momoyama period, 25 43 Standing Tenjin in Formal Court Attire Hanging scroll; ink, color, and gold on silk Osaka Tenmangū 17th century CASE ON VIEW ON VIEW IMAGE TITLE DATE MEDIUM OWNER DESIGNATION No. 4/9–5/19 5/23–6/30 catalogue no. catalogue no. Muromachi period, 16th 25 42 Seated Tenjin in Formal Court Attire Hanging scroll; ink, color, and gold on silk Osaka Tenmangū century Devotional Shrine with Image of Tenjin Lacquered wood with maki-e and applique 46 Edo period, 17th century Sata Tenjingū Visiting China figure (oshi-e) 26 Writing Desk and Inkstone Box with Pine Muromachi period, 16th Wood with lacquer and sprinkled gold 52 ICP and Wisteria Design century powder (maki-e) Hōfu Tenmangū Illustrated Scrolls of the Miraculous Set of six handscrolls; ink, color, and gold 47 Origins of Matsuzaki Tenjin Shrine, scroll 2 1311 ICP on silk of 6 27 Illustrated Scrolls of the Miraculous Set of six handscrolls; ink, color, and gold 47 Origins of Matsuzaki Tenjin Shrine, scroll 6 1311 Hōfu Tenmangū ICP on silk of 6 49 The Tenjin Shrine Scrolls, scroll 1 of 2 Set of two handscrolls; ink and color on 28 Edo period, 17th century MIA paper 49 The Tenjin Shrine Scrolls, scroll 2 of 2 Illustrated Legends of the Kitano Tenjin Kamakura period, 13th One of a set of five handscrolls; ink, color, 29 48 MMA Shrine, scroll 2 of 5 century and gold on paper Illustrated Legends of the Kitano Tenjin Kamakura period, 13th One of a set of five handscrolls; ink, color, 29 48 MMA Shrine, scroll 4 of 5 century and gold on paper GODS EMBODIED 30 55 Lion Kamakura period, 14th Wood with traces of color CMA century 31 55 Koma-inu (Korean Dog) 32 56 Seated Male Attendant Deity Heian period Wood Private Collection CASE ON VIEW ON VIEW IMAGE TITLE DATE MEDIUM OWNER DESIGNATION No. 4/9–5/19 5/23–6/30 catalogue no. catalogue no. Heian period, 12th 33 70 Daishogun Wood with pigments NNM century 65 Seated Tenjin 1259 Wood with color Yoki Tenman Jinja ICP 34 66 Seated Tenjin 1261 Wood with color Egara Tenjinsha ICP Heian period, 12th 35 69 Wakamiya Wood with traces of color PUAM century 86 Votive Plaque of the Ten Sannō Shrines 1218 Gilt bronze ICP 36 NNM Votive Plaque of the Original Buddhist Kamakura period, 14th 91 Gilt bronze ICP Forms of the Twelve Kumano Avatars century Heian period to 37 64 Male and Female Kami Kamakura period, 12th- Pair of sculptures; wood with color MIA 13th century Heian period, 10th The Museum 38 59 Female Kami Japanese cypress with traces of color IAO century Yamato Bunkakan 39 62 Male Kami CMA 57 Female Kami CMA Heian period, 10th 58 Male Kami Japanese cypress with traces of color century 39 MMA 61 Female Kami 60 Hachiman in the Guise of a Buddhist Monk AIC CASE ON VIEW ON VIEW IMAGE TITLE DATE MEDIUM OWNER DESIGNATION No. 4/9–5/19 5/23–6/30 catalogue no. catalogue no. Heian period, 12th 40 63 Male and Female Kami Pair of sculptures; wood with color NNM century MOVING WITH THE GODS En: Kamakura period, 13th century; Zenki and 41 73 En no Gyoja with Zenki and Koki Wood with color CMA Koki: Muromachi period, 15th century Nachi Pilgrimage Mandala (Nachi Sankei Edo period, 16th-early Hanging scroll; ink, color, and gold leaf on 42 72 Vassar College Mandara) 17th century paper Heian period, 12th Gilt bronze with repoussé and incised 43 75 Zaō Gongen century details CMA Kamakura period, 13th 44 74 Zaō Gongen Wood with color century Muromachi period, first 76 Yoshino Mandala Hanging scroll; ink and color on paper Nyoirinji half of the 16th century 45 Ise Mandala of Both Shrines (Ise Ryōkū Momoyama period, late Mie Prefecture 83 Hanging scroll; ink and color on paper Jingu Chokokan Mandara) 16th century ICP Pair of Six-panel folding screens; ink, color 82 Hie-Sannō Festival Screens Edo period, 17th century MFA, Houston and gold on gilded paper 46 Pair of six-panel folding screens; ink, color, 81 Hie-Sannō Festival Screens Edo period, c.
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  • Pioneers of the Women's Movement in Japan: Hiratsuka Raichô and Fukuda Hideko Seen Through Their Journals, Seitô Andsekai Fujn

    Pioneers of the Women's Movement in Japan: Hiratsuka Raichô and Fukuda Hideko Seen Through Their Journals, Seitô Andsekai Fujn

    PIONEERS OF THE WOMEN'S MOVEMENT IN JAPAN: HIRATSUKA RAICHÔ AND FUKUDA HIDEKO SEEN THROUGH THEIR JOURNALS, SEITÔ ANDSEKAI FUJN by Fumiko Horimoto A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of East Asian Studies University of Toronto O Copyright by Fumiko Horimoto 1999 National Library Bibliothèque nationale I*I of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the excIusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fïh, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Master of Arts, 1999 Fumiko Horimoto Department of East Asian Studies Hiratsuka Raichô's (1886-1971) statement, "In the beginning woman was the Sun," in the opening editorial of Seitô is generally regarded as the first Japanese "women's rights declaration." However, in January 1907, more than four years before the publication of Seitô, Fukuda (Kageyama) Hideko (1865-1927), one of the most remarkable activists in Japan's early phase of feminism, also published a magazine, Sekai fujïn (Women of the World), aiming at the emancipation of women.