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SHOW TICKETS at Or Our EXIT Theatre Mobile App! a Note from Our Founder First, Thank You, for Supporting the San Francisco Fringe Festival
SHOW TICKETS AT www.sffringe.org or our EXIT Theatre mobile app! A note from our Founder First, Thank You, for supporting the San Francisco Fringe Festival. EXIT Theatre is very proud and grateful to have had the opportunity for the past 27 years to support indie artists in this unique way. As a CAFF member festival, the SF Fringe is an open access event where our performing companies are chosen by lottery. This sometimes surprises people but it works, and a tremendous amount of new and relevant work comes out of the SF Fringe as well as many Bay Area pro- ducing groups who are cornerstones in the indie performing arts culture. We are also proud to say that we return 100% of the ticket price to the Fringe performing companies, which means that indie artists are able to earn money to continue to create their work. So please be sure to see as many shows as possible and help indie arts thrive and survive. Of course this would not be possible without the continued support of our dedicated volunteers, staff, funders, and audience. If you’ve been to an SF Fringe before you’re already familiar with our Tip The Fringe campaign. This is one of the ways we are able to continue to keep the festival going each year, so please be generous and donate what you can. And remember the SF Fringe is just one of the many different events that are on the EXIT stages year round. Come back and be a part of this vibrant, creative and important community, and check us out through- out the year at www.theexit.org Live performance is all about the human connection, realizing we are one together. -
Transformation Or Revival: St. Louis Culture Before and After the Great Fire of 1849
University of Missouri, St. Louis IRL @ UMSL Theses UMSL Graduate Works 7-10-2014 Transformation or Revival: St. Louis Culture Before and After the Great Fire of 1849 Daron Patrick Dierkes University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/thesis Recommended Citation Dierkes, Daron Patrick, "Transformation or Revival: St. Louis Culture Before and After the Great Fire of 1849" (2014). Theses. 180. https://irl.umsl.edu/thesis/180 This Thesis is brought to you for free and open access by the UMSL Graduate Works at IRL @ UMSL. It has been accepted for inclusion in Theses by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Transformation or Revival: St. Louis Culture Before and After the Great Fire of 1849 Daron Dierkes B.A., History, University of Missouri—St. Louis, 2006 A Thesis Submitted to the Graduate School at the University of Missouri—St. Louis in partial fulfillment of the requirements for the degree Master of Arts in History April, 2014 Advisory Committee Minsoo Kang, Ph.D. Chairperson Louis S. Gerteis, Ph.D. Steven W. Rowan, Ph.D. Copyright, Daron Dierkes, 2014 Abstract It is commonly accepted that Antebellum St. Louis was reborn in the wake of fire and disease. A boom in cultural activities during the 1850s has allowed the Great Fire of 1849 to serve as a historical landmark separating an older fur trading town from a new cosmopolitan city. This study examines that transformation hypothesis from a broader frame of reference and concludes that the Great Fire merely coincided with the end of a temporary lull in cultural activities that had begun much earlier in the 1830s. -
2019 CAFF Touring App Festival Info DB
2019 CAFF Touring Lottery Festival Information Maximum Festival App 2019 Play Dates CAFF Fringe Festival Fee Festival Website Festival Dates Running Slot ($ Cdn) Time 1 *FRIGID New York (NY, NY) Feb 20 - Mar 10 60 mins $1100 (835 US) www.FRIGIDnewyork.info 2 *Orlando Fringe Festival (Florida) May 14 - 27 90 mins $800 (600 US) www.orlandofringe.org 3 Windsor-Walkerville Fringe Festival (ON) May 22 - 26 90 mins $450 www.windsorwalkervillefringefest.com 4 ^London Fringe Festival (ON) May 28 - June 8 90 mins $750 www.londonfringe.ca 5 *^Montreal Fringe Festival (QC) June 6 - 16 90 mins $630 www.montrealfringe.ca 5 *San Diego Fringe Festival (California) June 6 - 16 60 mins $550 ($425 US) www.sdfringe.org 6 *^Ottawa Fringe Festival (ON) June 13 - 23 90 mins $685 www.ottawafringe.com 6 PortFringe (Maine) June 15 - 22 60 mins 230 ($175 US) www.portfringe.com 7 Toronto Fringe Festival (ON) July 3 - 14 90 mins $779 www.fringetoronto.com 7 Regina Fringe Festival (SK) July 10 - 14 90 mins $600 www.reginafringe.com 8 Winnipeg Fringe Festival (MB) July 17 - 28 no limit $775 www.winnipegfringe.com 8 *Hamilton Fringe Festival (ON) July 18 - 28 90 mins $650 www.hamiltonfringe.ca 8 Storefront Fringe Festival (Kingston, ON) July 17 - 27 60 mins $422.75 www.theatrekingston.com 9 Saskatoon Fringe Festival (SK) August 1 - 10 75 mins $755 www.yxefringe.org 9 Calgary Fringe Festival (AB) August 2 - 10 75 mins $700 www.calgaryfringe.ca 9 Island Fringe Festival (PEI) August 1 - 4 60 mins $250 www.islandfringe.com 10 Nanaimo Fringe Festival (BC) August 9 - 18 70 mins $200 www.nanaimofringe.com 10 *Fringe North Festival (Sault Ste. -
Manovich Umn 0130E 17039.Pdf
“Is This a Real Neighborhood?”: Universities, Urban Development, and Neighborhood Change in the Twentieth Century United States A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Ellen L. Manovich IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Donna Gabaccia, Steven Ruggles May 2016 © Ellen Manovich 2016 Acknowledgements The first place I truly felt at home in Minnesota was on the waters of the Mississippi River, where the University of Minnesota Women’s rowing team welcomed me as a graduate student athlete. Even though the NCAA eventually blocked my participation in competition, I owe my thanks to those students and coaches for giving me a training and competitive home, for helping me pursue my athletic as well as my academic goals, for orienting me to campus, and for telling me kindly about the apparel needed to row in Minnesota (“My hands and feet are so cold!” “Welcome to Minnesota. You need woolen socks and pogies.”) I spent much of my first years at Minnesota as an itinerant, scrambling up the banks of the Mississippi, dragging my bike up the hill and across the river to the west side of campus, striding across the skyways and through the tunnels between the History department and the Minnesota Population Center. In other words, I am fortunate to have had many homes, personal and academic, on- and off- campus. For funding and office space throughout my time in graduate school, I thank the Minnesota Population Center, where I served as grad RA and doctoral fellow, and the History department, where I worked as a TA and an instructor. -
2019 Festival Guide
Nas Klayme Craig Snow 902-877-2122 902-499-7886 [email protected] [email protected] 2 halifax Fringe festival 2019 | august 29th - september 8th Fringe Mandate In 1994, the Canadian Association of Fringe Festivals was officially registered as a non-profit organization with the following mandate: • To safeguard the integrity of Fringe Festivals as outlined in the four minimum criteria. • To recognize that the health of all member Festivals is important to the Circuit and therefore the artists’ health as a whole. • To encourage communication and cooperation between member Festivals thereby fostering the continuity of our What is Caff guiding principles. CAFF’s member festivals have worked together for Fringe and Fringe Festival are registered trademarks more than thirty years to pioneer a made-in-Can- of the Canadian Association of Fringe Festivals ada model unique in the Fringe world. Our festivals (CAFF) and cannot be used without expressed are designed to put artists and audiences in direct written permission from the Association. This trade- contact, fostering experimentation and discovery on mark allows CAFF to ensure that any theatre festival both sides of the fourth wall. in Canada that wishes to call itself “Fringe” must abide by the CAFF mandate and the four guiding A Long History principles. The first Canadian Fringe was the Edmonton Fringe Festival, established in 1982. Inspired by the Edinburgh Festival Fringe, which began in 1947, the success and growth of Edmonton’s adapted formula soon led to the creation of Fringe Festivals across Canada and the United States. Each festival evolved its own flavour to match the distinct personality of its home city, yet each remained dedicated to the Fringe philosophy of accessible, inexpensive and fun theatre-going. -
2020 CAFF Touring App Festival Info DB
2020 CAFF Touring Lottery Festival Information Max. Festival Dates 2020 Play App CAFF Fringe Festival Festival Website Slot Festival Dates Run Fee Time ($ Cdn) 1* FRIGID New York Feb 19 - Mar 8 60 mins $1,000 ($785 US) www.FRIGID.NYC 2 Tampa Fringe Festival (Florida) Apr 30 - May 10 60 mins $390 ($300 US) www.tampafringe.org 3 * Orlando Fringe Festival (Florida) May 12 - 25 90 mins $835 ($650 US) www.orlandofringe.org 4 * ^ London Fringe Festival (ON) May 26 - June 6 90 mins $750 www.londonfringe.ca 4 ^ San Diego Fringe Festival (California) June 4 - 14 60 mins $550 ($425 US) www.sdfringe.org 5 * ^ Montreal Fringe Festival (QC) June 11 - 21 90 mins $685 www.montrealfringe.ca 5 PortFringe (Maine) June 11 - 20 60 mins $258 ($200 US) www.portfringe.com 6 * ^ Ottawa Fringe Festival (ON) June 18 - 28 90 mins $685 www.ottawafringe.com 7 Toronto Fringe Festival (ON) July 1 - 12 90 mins $760 fringetoronto.com 7 Regina Fringe Festival (SK) July 8 - 12 90 mins $600 www.reginafringe.com 8 Winnipeg Fringe Festival (MB) July 15 - 26 90 mins $775 www.winnipegfringe.com 8 * Hamilton Fringe (ON) Juy 16 - 26 60 mins $675 www.hamiltonfringe.ca 8 Storefront Fringe (Kingston, ON) July 17 - 26 60 mins $398 www.theatrekingston.com 9 Island Fringe Festival (PEI) July 29 - Aug 2 60 mins $250 www.islandfringe.com 9 Saskatoon Fringe Festival (SK) July 30 - Aug 8 70 mins $760 www.yxefringe.org 9 * Calgary Fringe Festival (AB) July 31 - Aug 8 70 mins $700 www.calgaryfringe.ca 10 * Fringe North (Sault Ste. -
TABLE of CONTENTS – Town of Elon Land Development Ordinance
TOWN OF ELON AND EVELOPMENT L D ORDINANCE December 2004 (Amended 6/15/2021) ______________________________________________________________________ Board of Aldermen LDO Advisory Committee Beth Schmidt – Mayor Tom Blume – Planning & Zoning Board Richard C. Keziah, Jr. – Mayor Pro Tem Zandrell Bradsher - Planning & Zoning Board Phoebe Harrison – Alderman Darrell Gauthier – Citizen Ronald A. Klepcyk – Alderman Diane Gill – Planning & Zoning Board Lawrence Slade – Alderman Robert Harris – Planning & Zoning Board Ed Swing – Alderman & PB Liaison Richard C. Keziah, Jr. – Mayor Pro Tem Ed Swing – Board of Aldermen Planning and Zoning Board Jim Beasley – Chair Town Staff Tom Blume Michael Dula – Manager Zandrell Bradsher Sabrina M. Oliver – Clerk Clarence Carter Frank Chandler PTCOG Consulting Staff Mike Geary Paul M. Kron – Regional Planning Director Diane Gill Johanna Isakson Cockburn – Senior Planner Robert Harris Elizabeth Garnett – GIS Planner ______________________________________________________________________ December 2004 Piedmont Triad Council of Governments Town of Elon Land Development Ordinance The Town of Elon Land Development Ordinance was developed with the cooperation of the citizens of Elon, the Board of Aldermen, the Town Planning and Zoning Board, and Town staff. This ordinance serves as a guide for the community in making land development decisions and to help provide for the orderly growth and development of the Town. The ordinance will be reviewed and revised periodically by the Board of Aldermen, as conditions within the Town’s planning jurisdiction change over time. Elon adopted the Town of Elon Land Development Plan in 2002. The plan provides a vision for future development that accommodates physical and economic expansion, while protecting the community’s valuable natural, cultural, and historic assets. -
Public Public of Variety a Includes Brochure *This % Friday
CL HQ DU Michael T. Hensley, Outside In Mural In Outside Hensley, T. Michael Esplanade Eastbank Katz Vera the along RIGGA, , Gate Echo , at Central Library Central at , Stair Garden Kirkland, Larry CN ! GL , at the Portland Center for the Performing Arts Performing the for Center Portland the at , Bollards Folly Otani, Valerie Park Waterfront McCall Tom , Shift River Gregoire, Mathieu in the North Park Blocks Park North the in Bao Bao Xi'an & Tung Da as well. as artworks commissioned by other agencies agencies other by commissioned artworks *This brochure includes a variety of public public of variety a includes brochure *This % Friday. through Monday 8:00-6:00, are IL GQ CN Manuel Izquierdo, Izquierdo, Manuel Ilan Averbuch, Ilan Averbuch, Dana LynnLouis, James Carpenter, Portland Building at 1120 SW 5th. Hours 5th. SW 1120 at Building Portland Art Gallery on the second floor of the of floor second the on Gallery Art www.racc.org/publicart or visit the Public the visit or www.racc.org/publicart Terra Incognita to go collection, the about more out Spectral Dome Light Metabolic Shift Metabolic Dreamer leading Percent-for-Art programs.* To find To programs.* Percent-for-Art leading County, and manages one of the country’s the of one manages and County, , Pettygrove Park , Pettygrove , Rose Quarter , Rose Multnomah and Portland of City the for art , Pearl District commissions and maintains public maintains and commissions (RACC) , PCPA Regional Arts & Culture Council Culture & Arts Regional The P ORTLAND C ULTURAL T OURS EN J. Seward Johnson, Allow Me, in Pioneer Courthouse Square. -
Theatre Reference Collection (MS-3-Ref)
Dalhousie University Archives Finding Aid - Theatre Reference Collection (MS-3-Ref) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/theatre-reference-collection Theatre Reference Collection Table of contents Summary information ...................................................................................................................................... 4 Access points ................................................................................................................................................... 4 Collection holdings .......................................................................................................................................... 4 Acadia University ......................................................................................................................................... 4 Academy of Music ..................................................................................................................................... 13 Art Gallery of Nova Scotia ........................................................................................................................ 17 CBC ............................................................................................................................................................ -
2018-19 Guilford College Catalog 2018-19 Page 233 of 233
Guilford College Catalog 2018-19 Notice of Non-Discrimination: Guilford College does not discriminate on the basis of sex/gender, age, race, color, creed, religion, national origin, sexual orientation, gender identity, disability, genetic information, military status, veteran status, or any other protected category under applicable local, state or federal law, ordinance or regulation. Read the full notice at www.guilford.edu/nondiscrimination. Guilford College Catalog 2018-19 page 1 of 233 MESSAGE FROM THE PRESIDENT Dear Students: On assuming the presidency of Guilford College, I was thrilled to become part of a campus community of authentic, brilliant, dedicated and enthusiastic people. I invite you to join us. As our Strategic Plan lays out, we work together to afford “a transformative, practical and excellent liberal arts education that produces critical thinkers in an inclusive, diverse environment.” We are guided in this mission “by Quaker testimonies of community, equality, integrity, peace and simplicity.” Finally, a Guilford education emphasizes “the creative problem-solving skills, experience, enthusiasm and international perspectives necessary to promote positive change in the world.” Our Quaker heritage and longstanding commitments to undergraduate teaching, social justice and seven Core Values set Guilford apart from other small liberal arts colleges. These Core Values—community, diversity, equality, excellence, integrity, justice and stewardship—infuse every aspect of life and work on campus, how we interact with each other and how we relate to the surrounding community and environment. Guilford is a “making a difference” college and one that has been “changing lives” for over 175 years. Students come here to get equipped to make a positive difference in the world. -
Portland Public
Norman Taylor Michihiro Kosuge Patti Warashina Kvinneakt John Buck Continuation City Reflections 1975 bronze Lodge Grass Lee Kelly Fernanda D’Agostino (5 artworks) 2009 bronze 2000 bronze Untitled fountain TRANSIT MALL Murals, fountains, abstract Urban Hydrology 2009 granite 1977 and representational works — many created by local artists A GUIDE TO (12 artworks) stainless steel 2009 carved granite — grace downtown Portland’s Transit Mall (Southwest Fifth and Sixth avenues). Many pieces from the original collection, Tom Hardy Bruce West installed in the 1970s, were resited in 2009 along the new MAX Running Horses Untitled PORTLAND 1986 bronze 1977 light rail and car lanes. At that time, 14 new works were added. SW 6th Ave stainless steel SW Broadway PUBLIC MAX light Artwork Artworks with 20 rail stop multiple pieces N SW College St 18 SW Hall St SW 5th Ave Melvin Schuler ART 19 Thor SW Harrison St 1977 copper on redwood Daniel Duford The Legend of SW Montgomery St Mel Katz the Green Man SW Mill St Daddy Long of Portland Legs James Lee (10 artworks along Malia Jensen 2006 painted Hansen Robert Hanson 5th and 6th) 2009 SW Market St 21 Pile aluminum Talos No. 2 Untitled bronze, cast concrete, SW Clay St 2009 bronze 1977 bronze Bruce Conkle (7 artworks) porcelain enamel Burls Will Be Burls 2009 etched on steel 26 (3 artworks) bronze 2009 bronze, SW Columbia St 22 cast concrete SW Jefferson St 25 SW Madison St 27 23 SW Main St Anne Storrs and 28 almon St Kim Stafford 24 SW S 32 Begin Again Corner 2009 etched granite SW Taylor St 29 33 30 SW -
ADJUDICATOR Barbara Long, Junior Piano
ADJUDICATOR Barbara Long, Junior Piano Barbara was born and raised in Toronto, Ontario where she studied piano. She returned to musical studies as a young mom studying in Fredericton, New Brunswick, earning her ARCT Teachers Degree. Barbara and her husband live on the family farm near Hartland, New Brunswick where she has operated a private piano studio for over 30 years. Barbara is Past President of the NB Registered Music Teachers’ Association and a member the Canadian Music Festival Adjudicators’ Association. She has been the Provincial Administrator of the New Brunswick Federation of Music Festivals since 2002 and the Executive Director of the Federation of Canadian Music Festivals since 2016. Barbara's students have been consistent winners of prizes at the Carleton County Music Festival. Several have earned scholarships to study music at universities. Many others are involved in the musical life of their churches and communities. Barbara continues to mentor other teachers and enjoys adjudicating at festivals. In 2009, the Canadian Music Teachers’ Association honored her with the Hugheen Ferguson Distinguished Teacher Award in recognition of outstanding contribution to music education in Canada. Festival Program 2021 ADJUDICATOR Dr. Heather Price, Intermediate Piano Dr. Heather Price has been actively involved in Nova Scotia’s music scene as teacher, adjudicator, accompanist and music therapist for over twenty- five years. Completing graduate degrees in music performance at the University of Toronto, the Hochshűle fur Műsik in Vienna, and the University of Iowa, Heather pursued a teaching career at the University of Eastern Oregon in the 1980’s and early 90’s, during which time she performed regionally as a recitalist, chamber musician, accompanist, and orchestral soloist.