SHOW TICKETS at Or Our EXIT Theatre Mobile App! a Note from Our Founder First, Thank You, for Supporting the San Francisco Fringe Festival
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The Commercial & Artistic Viability of the Fringe Movement
Rowan University Rowan Digital Works Theses and Dissertations 1-13-2013 The commercial & artistic viability of the fringe movement Charles Garrison Follow this and additional works at: https://rdw.rowan.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Garrison, Charles, "The commercial & artistic viability of the fringe movement" (2013). Theses and Dissertations. 490. https://rdw.rowan.edu/etd/490 This Thesis is brought to you for free and open access by Rowan Digital Works. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Rowan Digital Works. For more information, please contact [email protected]. THE COMMERCIAL & ARTISTIC VIABLILITY OF THE FRINGE MOVEMENT By Charles J. Garrison A Thesis Submitted to the Department of Theatre & Dance College of Performing Arts In partial fulfillment of the requirement For the degree of Master of Arts At Rowan University December 13, 2012 Thesis Chair: Dr. Elisabeth Hostetter © 2012 Charles J. Garrison Dedication I would like to dedicate this to my drama students at Absegami High School, to my mother, Rosemary who’s wish it was that I finish this work, and to my wife, Lois and daughter, Colleen for pushing me, loving me, putting up with me through it all. Acknowledgements I would like to express my appreciation to Jason Bruffy and John Clancy for the inspiration as artists and theatrical visionaries, to the staff of the American High School Theatre Festival for opening the door to the Fringe experience for me in Edinburgh, and to Dr. Elisabeth Hostetter, without whose patience and guidance this thesis would ever have been written. -
Crew! Welcome to the Frin,Ge
CALGARY INTERNATIONAL FRINGE FESTIVAL SOCIETY Welcome to the Frin,ge Crew! The Volunteers' Guide to the Fringe IMPORTANT INFORMATION AT A GLANCE Cell phones are available at each venue. If you require the use of a Festival phone, ask your Venue Supervisor. Volunteer Coordinator: Name: _______________________Volunteer Coordinating Team Phone: _403.451.9726 ___________ E-Mail: [email protected] "Day of" Contact: ________________ Phone: ______________________ Festival Director/Producer: Michele Gallant Cell/Work: 403.451.9726 E-Mail: [email protected] IN an EmergencY Medical, Fire, or Police Emergencies: First, stay calm and call 9-1-1. Follow the instructions of the 911 operator. Second, notify the Festival Director (Michele Gallant at 403.451.9726) or, if you must remain on-line with 911, ask another staff member or volunteer to make the second call. Always defer to your Venue Box Office Supervisor for instructions and ensure patron safety by keeping exits clear. LOST PEOPLE Children: See page 14 for detailed instructions. Remain calm and positive, the child may be very scared. Report the lost child to the Information Booth Supervisor and, unless instructed otherwise, arrange for the child to be accompanied to these locations by two adults (volunteer or staff). Direct any “Have you seen?” inquiries to these locations. Adults: See page 15 for detailed instructions. LOST PROPERTY The Festival’s “Lost and Found” is located at the Information Booth. Deliver found items and direct enquiries to this place. -
On the Fringe: a Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON By Chelsea Colette Bushnell A Master’s Project Presented to the Arts and Administration program of the University of Oregon in partial fulfillment of the requirements for the degree of Master’s of Science in Arts and Administration November 2004 1 ON THE FRINGE: A Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon Approved: _______________________________ Dr. Gaylene Carpenter Arts and Administration University of Oregon Date: ___________________ 2 © Chelsea Bushnell, 2004 Cover Image: Edinburgh Festival website, http://www.edfringe.com, November 12, 2004 3 Title: ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON Abstract The purpose of this study was to develop materials to facilitate the implementation of a seven- to-ten day Fringe Festival in Portland, Oregon or any similar metro area. By definition, a Fringe Festival is a non-profit organization of performers, producers, and managers dedicated to providing local, national, and international emerging artists a non-juried opportunity to present new works to arts-friendly audiences. All Fringe Festivals are committed to a common philosophy that promotes accessible, inexpensive, and fun performing arts attendance. For the purposes of this study, qualitative research methods, supported by action research and combined with fieldwork and participant observations, will be used to investigate, describe, and document what Fringe Festivals are all about. -
Paterson Erika Phd 1997.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road. Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Ordering Chaos: The Canadian Fringe Theatre Phenomenon by Erika Paterson BJ.A., University of Victoria, 1989 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of Theatre We accept this dissertation as conforming to the required standard Dr. -
Shane Adamczak
SHANE ADAMCZAK www.zackadams.org YOB: 1983 Height: 180cm Chest: 80cm Waist: 77cm Hips: 85cm Shirt collar: 38cm Shoe size: 9 Hat size: 55cm Hair: Strawberry Blonde Eyes: Green TRAINING YEAR COURSE TEACHER 2011 Cirque Du Soleil – (1 Day Intensive, Montreal) Cirque Du Soleil 2007 Puppetry Skills Development Workshop Michael Barlow/ (Spare Parts Puppet Theatre) Philip Mitchell and Jirka Zmitko 2005 Total Theatre – Physical Theatre Annie Stainer/Various 2001-03 WAAPA - BA (Theatre Arts) Various 2001 HIAT (High Impact Actor Training) Bill McCluskey/Various THEATRE (L=Lead Role, E=Ensemble, SS=Solo Show) YEAR PLAY DIRECTOR VENUE/PRODUCER 2013 Trampoline (In Development) (L) Damon Lockwood The Blue Room Theatre/ Weeping Spoon Productions 2013 ZACK TO THE FUTURE (SS) Weeping Spoon Productions/ Montreal Fringe/Edmonton Fringe 2013 Let’s Start A Country! (L) Lucy Segal ZooFest/That’s Enough Drama/Just For Laughs 2013 Vicious Circles (L) Stefan Decilot Mainline Theatre/ 2013 Let’s Start A Country! (L) Lucy Segal Mainline Theatre/That’s Enough Drama 2013 Captain Spaceship (L) Shane Adamczak Mainline Theatre/ Weeping Spoon Productions 2012 THE ROCKY HORROR SHOW (L) Philippe Gobeille Mainline Theatre/Shayne Gryn 2012 Captain Spaceship (L) Shane Adamczak Mainline Theatre/ Weeping Spoon Productions 2012/13 Taming Of The (Disco) Shrew (L) Aaron George Montreal Shakespeare Theatre Company 2012 Improv All Stars Montreal Imrpov 2012 ZACK ADAMS: A Complete Montreal, Winnipeg. Toronto, History Of Zack Adams (SS) Edmonton Fringe Festivals (Canada) 2012 National -
CADAC ACCOUNTING TEMPLATE -User Guide
CADAC ACCOUNTING TEMPLATE -User Guide - Summary 1. Important Note about Financial Statements Page 1 2. Using the CADAC Accounting Template Page 1 a. Continuing to use an existing Chart of Accounts b. Adapting or creating a Chart of Accounts to this template c. Using Excel to record financial transactions 3. What You See in the CADAC Accounting Template Page 3 Tab 1 – Balance Sheet Accounts Tab 2 – Revenue Accounts Tab 3 – Expense Accounts Tab 4 – Project Accounting Tab 5 – FS: Financial Position Tab 6 – FS: Operations Tab 7 – FS: Revenue Schedule Tab 8 – FS: Expense Schedule Tab 9 – Excel Records 4. Detailed Instructions for Using the CADAC Accounting Template Page 4 Tabs 1, 2 and 3: Chart of Accounts Tab 1 – Balance Sheet Accounts Tab 2 – Revenue Accounts Tab 3 – Expense Accounts Tab 4 – Project Accounting Tab 9 – Excel Records November 2010 1 GUIDE TO USING THE CADAC ACCOUNTING TEMPLATE The CADAC Accounting Template serves three purposes: 1. To expand upon the definitions of revenues and expenses in the CADAC Financial Form by providing a list of items that should be included on specific lines of the form. 2. To provide a tool to adapt or set up a Charts of Accounts to align it with the CADAC Financial Form to ease the process of transferring budgets and financial results to the form. For smaller organizations, the CADAC Accounting Template provides an Excel template for recording financial transactions. 3. To provide a template to help prepare Financial Statements that, if followed, will allow organizations and CADAC to more easily reconcile the data on the CADAC Financial Form with the statements and lead to less follow-up by CADAC staff. -
Know Announces the 2016 Cincinnati Fringe Festival Lineup Lady Luck Shines Upon the 13Th Annual Cincy Fringe!
Know announces the 2016 Cincinnati Fringe Festival Lineup Lady Luck shines upon the 13th Annual Cincy Fringe! Know Theatre of Cincinnati wants you take a chance by picking a show, any show, at the 13th Annual Cincinnati Fringe Festival, running May 31June 11, 2016. We’re once again set to welcome over 8,000 visitors to Downtown and OvertheRhine as we transform over a dozen locations into temporary performance spaces and present the region’s largest theatre and arts festival that’s Kinda Weird. Like You. With 12 days full of of opportunities to catch 50 live productions, Visual Fringe art projects, musical guests, and the nightly Fringe Bar Series at Know Theatre (Fringe Headquarters), you’ll find yourself lucky to have more to experience at Fringe this year than EVER BEFORE! This year saw a recordshattering 105 applications, which made the task of selecting a final lineup of productions extremely difficult. Chris Wesselman, Associate Producer of Cincy Fringe, says, “It’s a blissful marathon, pouring through so many wonderful, thoughtprovoking and laughinducing applications; final choices are always tough because you want to see them all brought to life. Every year the passion and ingenuity brought to us by these artists further cements the fact that Fringe is the place to find modern theatre’s true pioneers.” This year the Cincy Fringe Selection Jury, which adjudicates all submissions for the Primary Lineup (including FringeNext), was increased to a whopping thirty jurors in order to further expand feedback and ensure a lineup that is as diverse and varied in themes and disciplines as possible. -
2019 CAFF Touring App Festival Info DB
2019 CAFF Touring Lottery Festival Information Maximum Festival App 2019 Play Dates CAFF Fringe Festival Fee Festival Website Festival Dates Running Slot ($ Cdn) Time 1 *FRIGID New York (NY, NY) Feb 20 - Mar 10 60 mins $1100 (835 US) www.FRIGIDnewyork.info 2 *Orlando Fringe Festival (Florida) May 14 - 27 90 mins $800 (600 US) www.orlandofringe.org 3 Windsor-Walkerville Fringe Festival (ON) May 22 - 26 90 mins $450 www.windsorwalkervillefringefest.com 4 ^London Fringe Festival (ON) May 28 - June 8 90 mins $750 www.londonfringe.ca 5 *^Montreal Fringe Festival (QC) June 6 - 16 90 mins $630 www.montrealfringe.ca 5 *San Diego Fringe Festival (California) June 6 - 16 60 mins $550 ($425 US) www.sdfringe.org 6 *^Ottawa Fringe Festival (ON) June 13 - 23 90 mins $685 www.ottawafringe.com 6 PortFringe (Maine) June 15 - 22 60 mins 230 ($175 US) www.portfringe.com 7 Toronto Fringe Festival (ON) July 3 - 14 90 mins $779 www.fringetoronto.com 7 Regina Fringe Festival (SK) July 10 - 14 90 mins $600 www.reginafringe.com 8 Winnipeg Fringe Festival (MB) July 17 - 28 no limit $775 www.winnipegfringe.com 8 *Hamilton Fringe Festival (ON) July 18 - 28 90 mins $650 www.hamiltonfringe.ca 8 Storefront Fringe Festival (Kingston, ON) July 17 - 27 60 mins $422.75 www.theatrekingston.com 9 Saskatoon Fringe Festival (SK) August 1 - 10 75 mins $755 www.yxefringe.org 9 Calgary Fringe Festival (AB) August 2 - 10 75 mins $700 www.calgaryfringe.ca 9 Island Fringe Festival (PEI) August 1 - 4 60 mins $250 www.islandfringe.com 10 Nanaimo Fringe Festival (BC) August 9 - 18 70 mins $200 www.nanaimofringe.com 10 *Fringe North Festival (Sault Ste. -
Theater Artist
K. Brian Neel REVIEWS king (at) kbrianneel (dot) com "K BRIAN NEEL brings a dextrous, knowing innocence to his roles, something between vaudeville and Beckett." – The Stranger (Seattle) ACTING "I was rivited. Neel rocked." – National Public Radio Waiting for Godot Estragon One World Theatre Tom Miller, Jená Cane Zirkus Fantasmo Signore Zupa Teatro Zinzanni Liz Bunior "Memorable, pure, live theatre." – The Advertiser (Adelaide, Australia) 14/48 Festivals Many Roles One World/Three Card Monty Misc. 99 Layoffs Orson ACT Theatre David Gassner "A one-man panorama. Virtuoso performing." – Seattle Post-Intellingencer A Mouse Who Knows Me Romeo, Roland Annex Theatre Kristina Sutherland "Neel rules the stage. dynamic, engrossing, funny, heartbreaking, poignant, unique – all those things The Milosevics Dragoslav Ognjanovic Paradise Theatre Pattie Miles that make a night at the theater the thrillingly consuming experience that only a couple shows in a The Happy Ones Walter Wells Seattle Public Theatre David Gassner The River Why Titus, Rodney Book-It Repertory Theatre Myra Platt hundred can create." – Charleston City Paper My Body Lies Over... Person On The Boards Mike Pham "You gotta love the sweat on K. Brian Neel's face. Neel's onto something." – Washington Post True North Ensemble Ontological-Hysteric Theater R. Hynes, M. Pham Trickster Tales Coyote Book-It Repertory Theatre Annie Lareau "The star of the show is K. Brian Neel... In a production with a number of strong performances, I Feel Fine Nikola Tesla Helsinki Syndrome R. Hynes, M. Pham his stole the show and was delightful to watch. He is one of the most expressive comedic Three Sisters Rodey INTIMAN Theatre Bartlett Sher actors around with excellent comic timing and facial expressions which kept the audience Vera Wilde Oscar Wilde Bedlam Theatre, Edinburgh Kibby MacKinnon completely entertained." Noises Off Tim Algood Village Theatre M. -
Gaycalgary and Edmonton Magazine
AUGUST 2011 ISSUE 94 • FREE magazine The Voice of Alberta’s LGBT Community BEYONCÉ Exclusive Interview PURE Pride With special guest Brent Everett PLUS Interviews with: Justin Timberlake Ellie Goulding and more! Scan to Read on Guys In Disguise Mobile Devices http://gettag.mobi At the Edmonton Fringe Business Directory Community Maps Events Calendar Tourist Information STARTING ON PAGE 17 Calgary • Edmonton • Alberta www.gaycalgary.com 2 GayCalgary & Edmonton Magazine #94, August 2011 www.gaycalgary.com Table of Contents AUGUST 2011 Publisher: Steve Polyak 5 Battlefield You Editor: Rob Diaz-Marino Publisher’s Column Sales: Steve Polyak Design & Layout: Rob Diaz-Marino, Steve Polyak 8 Justin & Mila: Our Friends… Writers and Contributors Chris Azzopardi, Dave Brousseau, Jason Clevett, With Benefits Andrew Collins, Rob Diaz-Marino, Janine Eva Trotta, Jack Fertig, Glen Hanson, Joan Hilty, Evan Timberlake and Kunis talk being allies, getting naked and breaking Kayne, Stephen Lock, Chantal Macleod, Allan gay stereotypes Neuwirth, Steve Polyak, Carey Rutherford, Romeo San Vicente, Ed Sikov, Davey Wavey, Nick Vivian 8 PAGE and the LGBT Community of Calgary, Edmonton, and Alberta. 10 PURE Pride Photography Warm and Fuzzy with the Hot and Sweaty Steve Polyak, Rob Diaz-Marino, B&J, Jackson Photography Videography 12 Guns and Gays Steve Polyak, Rob Diaz-Marino Singer-songwriter on her royal couple connection, next album and Printers lesbian love Transcontinental Printing Distribution Calgary: Gallant Distribution 14 Ready to Fringe GayCalgary Staff -
Electronic Press Kit
Electronic Press Kit https://spectheatre.wordpress.com/ Table of Contents THE ULTIMATE HIPSTER ......................................................................................................... 3 CHARACTERS: ........................................................................................................................ 3 SHOW TIMES: ........................................................................................................................ 4 VENUE INFORMATION: .......................................................................................................... 4 TICKETING & SHOW INFORMATION: ...................................................................................... 4 WRITER’S STATEMENT ........................................................................................................... 5 CAST AND CREW BIOGRAPHIES .............................................................................................. 6 Joanna Rannelli: ......................................................................................................................................................................... 6 Beau Han Bridge: ....................................................................................................................................................................... 7 Ira Cooper: ................................................................................................................................................................................... 8 Muhammad Dewji: ................................................................................................................................................................... -
2019 Festival Guide
Nas Klayme Craig Snow 902-877-2122 902-499-7886 [email protected] [email protected] 2 halifax Fringe festival 2019 | august 29th - september 8th Fringe Mandate In 1994, the Canadian Association of Fringe Festivals was officially registered as a non-profit organization with the following mandate: • To safeguard the integrity of Fringe Festivals as outlined in the four minimum criteria. • To recognize that the health of all member Festivals is important to the Circuit and therefore the artists’ health as a whole. • To encourage communication and cooperation between member Festivals thereby fostering the continuity of our What is Caff guiding principles. CAFF’s member festivals have worked together for Fringe and Fringe Festival are registered trademarks more than thirty years to pioneer a made-in-Can- of the Canadian Association of Fringe Festivals ada model unique in the Fringe world. Our festivals (CAFF) and cannot be used without expressed are designed to put artists and audiences in direct written permission from the Association. This trade- contact, fostering experimentation and discovery on mark allows CAFF to ensure that any theatre festival both sides of the fourth wall. in Canada that wishes to call itself “Fringe” must abide by the CAFF mandate and the four guiding A Long History principles. The first Canadian Fringe was the Edmonton Fringe Festival, established in 1982. Inspired by the Edinburgh Festival Fringe, which began in 1947, the success and growth of Edmonton’s adapted formula soon led to the creation of Fringe Festivals across Canada and the United States. Each festival evolved its own flavour to match the distinct personality of its home city, yet each remained dedicated to the Fringe philosophy of accessible, inexpensive and fun theatre-going.