Electronic Press Kit

Total Page:16

File Type:pdf, Size:1020Kb

Electronic Press Kit Electronic Press Kit https://spectheatre.wordpress.com/ Table of Contents THE ULTIMATE HIPSTER ......................................................................................................... 3 CHARACTERS: ........................................................................................................................ 3 SHOW TIMES: ........................................................................................................................ 4 VENUE INFORMATION: .......................................................................................................... 4 TICKETING & SHOW INFORMATION: ...................................................................................... 4 WRITER’S STATEMENT ........................................................................................................... 5 CAST AND CREW BIOGRAPHIES .............................................................................................. 6 Joanna Rannelli: ......................................................................................................................................................................... 6 Beau Han Bridge: ....................................................................................................................................................................... 7 Ira Cooper: ................................................................................................................................................................................... 8 Muhammad Dewji: .................................................................................................................................................................... 9 Ruby Arnold: ............................................................................................................................................................................ 10 TESTIMONIALS .................................................................................................................... 11 Spec Theatre’s Previous Work: ......................................................................................................................................... 11 Previous Cast Reviews: ......................................................................................................................................................... 11 Spec Theatre Presents: The Ultimate Hipster Written by Ira Cooper Performed by Joanna Rannelli & Beau Han Bridge Did you know without goats, the coffee bean may have never been discovered? Can you tell the difference between the three types of beer from a smell test? Are you able to recognize if the vinyl you hear coming from your neighbor’s apartment is a 78, 45 or 33? Do you use a spy glass instead of binoculars when you travel? Do you type your university essay on a typewriter? Did you build your bicycle from scratch? Barry knows. Barry can. Barry does. Barry did. Artisanal Intelligence Inc. is proud to introduce the next wave in A.I. customer service. The Ultimate Hipster, perfect fit for all your too-cool for school business needs! Characters: Jane (Joanna Rannelli): An entrepreneur who runs Artisanal Intelligence Inc., who has developed the Ultimate Hipster. Jane believes that the Artificial Intelligence Robot named Barry is the Ultimate Hipster and she is eager to prove it. Barry (Beau Han Bridge): The quick learning and very responsive Artificial Intelligence Robot, Barry is so real that you would never know he was Artificial Intelligence. He is sure to be a hit; with his musical, bicycle, coffee and beer talents. Show Times: Date Show Times Friday, August 3rd, 2018 6:15 PM & 8:15 PM Saturday, August 4th, 2018 6:15 PM & 8:15 PM Sunday, August 5th, 2018 6:15 PM & 8:15 PM Monday, August 6th, 2018 6:15 PM & 8:15 PM Tuesday, August 7th, 2018 6:15 PM & 8:15 PM Wednesday, August 8th, 2018 6:15 PM & 8:15 PM Thursday, August 9th, 2018 6:15 PM & 8:15 PM Saturday, August 11th, 2018 6:15 PM & 8:15 PM Venue Information: Gravity Expresso and Wine Bar (Bring Your Own Venue – Calgary Fringe Festival) Inglewood Art Block 909 10 Street SE Calgary, Alberta T2G 0S7 T: 403.457.0697 Ticketing & Show Information: Running time: 45 minutes Genre: Comedy/Drama / Variety / Musical Theatre Rating: Mature Content (Age 14+, Audience Participation - talks directly to audience! Adult Language) Tickets Pricing: $13.00 (General Admission) Advance Ticket Sales: https://www.showclix.com/event/the-ultimate-hipster Writer’s Statement While normally an artist statement would point out what the show is about or what their intention is for the show, the way we work at Spec Theatre, where the show is constantly being nurtured, reassembled, hodgepodged and tinkered with I can only share with you what the show is now at 9:36pm, China time, a day before the first draft is due. The Ultimate Hipster is a story using the stereotype of the “hipster” to, first and foremost, make you laugh at recognizable and somewhat debateably true cliché character traits. I am an avid supporter and lover of a lot of hipsterisms and in writing this play, I produce my most self-deprecating piece to date. I love being able to laugh at myself, accepting the associations, the societal regiments I follow, down to subtlest nuances I choose to include in my own identity. Hopefully this play gives others the permission to do so as well and while identity is serious and there are pieces about that, parts of it are also pretty ridiculous, hilariously calculated and fabulously showy. There are a lot of other discussions in this piece as well, about technology, independence, bubble-wrapping our youth, yada, yada, yada, but honestly, my intention is acceptance of anything. Find what you like in it. Find yourself in it. Enjoy it. Abhor it. It’s me. It’s you. It’s us. It’s who we are. If they don’t like it….BLEEP ‘EM. Cast and Crew Biographies Joanna Rannelli: (Jane) & Co-Founder Spec Theatre Joanna is a Vancouver based actor and a co-founder of Spec Theatre. After completing the BFA Acting Program at UBC she has worked with various companies including Untamable Shrews, UBC Theatre, Seven Tyrants, BC Buds Festival, Enlightenment Theatre and Ashwood Theatre Society. Most recently, Joanna performed in Dalliance Theatre’s production of Boy. Joanna has previously performed in Spec Theatre’s one woman show Sid: The Handsome Bum and Hipstory. Joanna is very excited to be performing in Spec Theatre’s newest work, The Ultimate Hipster at the Calgary Fringe Festival. You can next see Joanna in Midtwenties Theatre production of The Bitter Tears of Petra von Kant, at the Vancouver Fringe Festival 2018. Joanna is an avid believer in art that suggests conversation, movement, self-reflection and change within the community. She is continually working on her craft and she really hopes you enjoy The Ultimate Hipster. “Art is written on the wind”- Peter Brook. Beau Han Bridge: (Barry) Beau Han Bridge is a Chinese-Canadian director, writer, and actor that resides in Vancouver, British Columbia. In 2017, he created Midtwenties Theatre Society, a non-profit theatre company, to produce original plays that focus on contemporary-millennial stories and coming-of-age themes. He directed MTS’s debut production of This Is Our Youth, the company’s first two original productions of Above The Hospital and Molly Misbegotten (both penned by him) to critical acclaim, and his work has received regular press coverage from several national media outlets and newspapers, including CBC, The Vancouver Sun, The Georgia Straight, and Delta Optimist. He has also produced several micro-budget short films and one micro-budget feature-film that have been exhibited in local theatres and film festivals, including the Vancouver Asian Film Festival Mighty-Movie Marathon (2017) and Canada International Film Festival (2016). He is a regular actor and has had small-role appearances in Netflix's adaptation of Death Note (2017), Story of A Girl (2017), Imaginary Mary (2017) and The Romeo Section (2016) Ira Cooper: Writer & Co-Founder Spec Theatre Ira is a Vancouver artist, who primarily writes plays and sometimes acts in them. After graduating from UBC, Ira created and performed both theatre and film around the world including the Czech Republic (Diary of a Madman, Setkani Festival), Nelson, BC (Chaplin, Nelson Historical Theatre Society) and Beijing, China (Confessions, Beijing White Nights Festival). Ira was (and still is!) grateful to have met Joanna and start Spec Theatre, which gave him an opportunity to experiment and produce his own work, include Sid: The Handsome Bum (Performed at Little Mountain Studios and Victoria Fringe Festival) and Hipstory (2016). Ira is thrilled that you could make it out to see the third new work from Spec Theatre, The Ultimate Hipster! Muhammad Dewji: Stage Manager Muhammad is delighted to be stage managing The Ultimate Hipster. Muhammad graduated in 2009 from BCIT with a diploma in Information Technology. He currently runs his own consulting company and is delighted to step into his first experience in theatre and is thrilled to share this production with you. Ruby Arnold: Visual Design Ruby is a multidisciplinary artist and maker of things living on the West Coast of Canada. Her interest in technology brings a variety of new media elements together in her work including computer programming, lighting, digital illustration and image manipulation. Nothing is out of bounds, the art that Ruby makes is a result of an untiring interest in the world around us. See
Recommended publications
  • Crew! Welcome to the Frin,Ge
    CALGARY INTERNATIONAL FRINGE FESTIVAL SOCIETY Welcome to the Frin,ge Crew! The Volunteers' Guide to the Fringe IMPORTANT INFORMATION AT A GLANCE Cell phones are available at each venue. If you require the use of a Festival phone, ask your Venue Supervisor. Volunteer Coordinator: Name: _______________________Volunteer Coordinating Team Phone: _403.451.9726 ___________ E-Mail: [email protected] "Day of" Contact: ________________ Phone: ______________________ Festival Director/Producer: Michele Gallant Cell/Work: 403.451.9726 E-Mail: [email protected] IN an EmergencY Medical, Fire, or Police Emergencies: First, stay calm and call 9-1-1. Follow the instructions of the 911 operator. Second, notify the Festival Director (Michele Gallant at 403.451.9726) or, if you must remain on-line with 911, ask another staff member or volunteer to make the second call. Always defer to your Venue Box Office Supervisor for instructions and ensure patron safety by keeping exits clear. LOST PEOPLE Children: See page 14 for detailed instructions. Remain calm and positive, the child may be very scared. Report the lost child to the Information Booth Supervisor and, unless instructed otherwise, arrange for the child to be accompanied to these locations by two adults (volunteer or staff). Direct any “Have you seen?” inquiries to these locations. Adults: See page 15 for detailed instructions. LOST PROPERTY The Festival’s “Lost and Found” is located at the Information Booth. Deliver found items and direct enquiries to this place.
    [Show full text]
  • SHOW TICKETS at Or Our EXIT Theatre Mobile App! a Note from Our Founder First, Thank You, for Supporting the San Francisco Fringe Festival
    SHOW TICKETS AT www.sffringe.org or our EXIT Theatre mobile app! A note from our Founder First, Thank You, for supporting the San Francisco Fringe Festival. EXIT Theatre is very proud and grateful to have had the opportunity for the past 27 years to support indie artists in this unique way. As a CAFF member festival, the SF Fringe is an open access event where our performing companies are chosen by lottery. This sometimes surprises people but it works, and a tremendous amount of new and relevant work comes out of the SF Fringe as well as many Bay Area pro- ducing groups who are cornerstones in the indie performing arts culture. We are also proud to say that we return 100% of the ticket price to the Fringe performing companies, which means that indie artists are able to earn money to continue to create their work. So please be sure to see as many shows as possible and help indie arts thrive and survive. Of course this would not be possible without the continued support of our dedicated volunteers, staff, funders, and audience. If you’ve been to an SF Fringe before you’re already familiar with our Tip The Fringe campaign. This is one of the ways we are able to continue to keep the festival going each year, so please be generous and donate what you can. And remember the SF Fringe is just one of the many different events that are on the EXIT stages year round. Come back and be a part of this vibrant, creative and important community, and check us out through- out the year at www.theexit.org Live performance is all about the human connection, realizing we are one together.
    [Show full text]
  • CADAC ACCOUNTING TEMPLATE -User Guide
    CADAC ACCOUNTING TEMPLATE -User Guide - Summary 1. Important Note about Financial Statements Page 1 2. Using the CADAC Accounting Template Page 1 a. Continuing to use an existing Chart of Accounts b. Adapting or creating a Chart of Accounts to this template c. Using Excel to record financial transactions 3. What You See in the CADAC Accounting Template Page 3 Tab 1 – Balance Sheet Accounts Tab 2 – Revenue Accounts Tab 3 – Expense Accounts Tab 4 – Project Accounting Tab 5 – FS: Financial Position Tab 6 – FS: Operations Tab 7 – FS: Revenue Schedule Tab 8 – FS: Expense Schedule Tab 9 – Excel Records 4. Detailed Instructions for Using the CADAC Accounting Template Page 4 Tabs 1, 2 and 3: Chart of Accounts Tab 1 – Balance Sheet Accounts Tab 2 – Revenue Accounts Tab 3 – Expense Accounts Tab 4 – Project Accounting Tab 9 – Excel Records November 2010 1 GUIDE TO USING THE CADAC ACCOUNTING TEMPLATE The CADAC Accounting Template serves three purposes: 1. To expand upon the definitions of revenues and expenses in the CADAC Financial Form by providing a list of items that should be included on specific lines of the form. 2. To provide a tool to adapt or set up a Charts of Accounts to align it with the CADAC Financial Form to ease the process of transferring budgets and financial results to the form. For smaller organizations, the CADAC Accounting Template provides an Excel template for recording financial transactions. 3. To provide a template to help prepare Financial Statements that, if followed, will allow organizations and CADAC to more easily reconcile the data on the CADAC Financial Form with the statements and lead to less follow-up by CADAC staff.
    [Show full text]
  • Gaycalgary and Edmonton Magazine
    AUGUST 2011 ISSUE 94 • FREE magazine The Voice of Alberta’s LGBT Community BEYONCÉ Exclusive Interview PURE Pride With special guest Brent Everett PLUS Interviews with: Justin Timberlake Ellie Goulding and more! Scan to Read on Guys In Disguise Mobile Devices http://gettag.mobi At the Edmonton Fringe Business Directory Community Maps Events Calendar Tourist Information STARTING ON PAGE 17 Calgary • Edmonton • Alberta www.gaycalgary.com 2 GayCalgary & Edmonton Magazine #94, August 2011 www.gaycalgary.com Table of Contents AUGUST 2011 Publisher: Steve Polyak 5 Battlefield You Editor: Rob Diaz-Marino Publisher’s Column Sales: Steve Polyak Design & Layout: Rob Diaz-Marino, Steve Polyak 8 Justin & Mila: Our Friends… Writers and Contributors Chris Azzopardi, Dave Brousseau, Jason Clevett, With Benefits Andrew Collins, Rob Diaz-Marino, Janine Eva Trotta, Jack Fertig, Glen Hanson, Joan Hilty, Evan Timberlake and Kunis talk being allies, getting naked and breaking Kayne, Stephen Lock, Chantal Macleod, Allan gay stereotypes Neuwirth, Steve Polyak, Carey Rutherford, Romeo San Vicente, Ed Sikov, Davey Wavey, Nick Vivian 8 PAGE and the LGBT Community of Calgary, Edmonton, and Alberta. 10 PURE Pride Photography Warm and Fuzzy with the Hot and Sweaty Steve Polyak, Rob Diaz-Marino, B&J, Jackson Photography Videography 12 Guns and Gays Steve Polyak, Rob Diaz-Marino Singer-songwriter on her royal couple connection, next album and Printers lesbian love Transcontinental Printing Distribution Calgary: Gallant Distribution 14 Ready to Fringe GayCalgary Staff
    [Show full text]
  • 2020 CAFF Touring App Festival Info DB
    2020 CAFF Touring Lottery Festival Information Max. Festival Dates 2020 Play App CAFF Fringe Festival Festival Website Slot Festival Dates Run Fee Time ($ Cdn) 1* FRIGID New York Feb 19 - Mar 8 60 mins $1,000 ($785 US) www.FRIGID.NYC 2 Tampa Fringe Festival (Florida) Apr 30 - May 10 60 mins $390 ($300 US) www.tampafringe.org 3 * Orlando Fringe Festival (Florida) May 12 - 25 90 mins $835 ($650 US) www.orlandofringe.org 4 * ^ London Fringe Festival (ON) May 26 - June 6 90 mins $750 www.londonfringe.ca 4 ^ San Diego Fringe Festival (California) June 4 - 14 60 mins $550 ($425 US) www.sdfringe.org 5 * ^ Montreal Fringe Festival (QC) June 11 - 21 90 mins $685 www.montrealfringe.ca 5 PortFringe (Maine) June 11 - 20 60 mins $258 ($200 US) www.portfringe.com 6 * ^ Ottawa Fringe Festival (ON) June 18 - 28 90 mins $685 www.ottawafringe.com 7 Toronto Fringe Festival (ON) July 1 - 12 90 mins $760 fringetoronto.com 7 Regina Fringe Festival (SK) July 8 - 12 90 mins $600 www.reginafringe.com 8 Winnipeg Fringe Festival (MB) July 15 - 26 90 mins $775 www.winnipegfringe.com 8 * Hamilton Fringe (ON) Juy 16 - 26 60 mins $675 www.hamiltonfringe.ca 8 Storefront Fringe (Kingston, ON) July 17 - 26 60 mins $398 www.theatrekingston.com 9 Island Fringe Festival (PEI) July 29 - Aug 2 60 mins $250 www.islandfringe.com 9 Saskatoon Fringe Festival (SK) July 30 - Aug 8 70 mins $760 www.yxefringe.org 9 * Calgary Fringe Festival (AB) July 31 - Aug 8 70 mins $700 www.calgaryfringe.ca 10 * Fringe North (Sault Ste.
    [Show full text]
  • On the Fringe: a Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon
    ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON By Chelsea Colette Bushnell A Master’s Project Presented to the Arts and Administration program of the University of Oregon in partial fulfillment of the requirements for the degree of Master’s of Science in Arts and Administration November 2004 1 ON THE FRINGE: A Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon Approved: _______________________________ Dr. Gaylene Carpenter Arts and Administration University of Oregon Date: ___________________ 2 © Chelsea Bushnell, 2004 Cover Image: Edinburgh Festival website, http://www.edfringe.com, November 12, 2004 3 Title: ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON Abstract The purpose of this study was to develop materials to facilitate the implementation of a seven- to-ten day Fringe Festival in Portland, Oregon or any similar metro area. By definition, a Fringe Festival is a non-profit organization of performers, producers, and managers dedicated to providing local, national, and international emerging artists a non-juried opportunity to present new works to arts-friendly audiences. All Fringe Festivals are committed to a common philosophy that promotes accessible, inexpensive, and fun performing arts attendance. For the purposes of this study, qualitative research methods, supported by action research and combined with fieldwork and participant observations, will be used to investigate, describe, and document what Fringe Festivals are all about. This study produced a structural model that defines the steps necessary to achieve the goals inherent in a Fringe Festival, to motivate the individuals involved in the process, and suggests ways to sustain this motivation for continued goal achievement.
    [Show full text]
  • Gaycalgary and Edmonton Magazine August 2007
    August 2007 Issue 46 FREE of charge CCalgaryalgary andand EdmontonEdmonton FFringeringe FestivalsFestivals EEdmonton’sdmonton’s BBelovedeloved MMichaelichael PPhairhair >> STARTING ON PAGE 16 GLBT RESOURCE • CALGARY & EDMONTON 2 gaycalgary and edmonton magazine #46, August 2007 gaycalgary and edmonton magazine #46, August 2007 3 4 gaycalgary and edmonton magazine #46, August 2007 Established originally in January 1992 as Men For Men BBS by MFM 52 Communications. Named changed to GayCalgary.com in 1998. Stand alone company as of January 2004. First Issue of GayCalgary.com Magazine, November 2003. Name adjusted in November 2006 to GayCalgary and Edmonton Magazine. Publisher Steve Polyak & Rob Diaz-Marino, [email protected] Table of Contents Editor Rob Diaz Marino, editor@gaycalgary. com 7 Life as a Computer 12 Original Graphic Design Deviant Designs Letter from the Publisher Advertising Steve Polyak [email protected] 12 Michael Phair Contributors Steve Polyak, Rob Diaz-Marino, Jason Clevett, Jerome Voltero, Kevin Alderson, Stephen Lock, 16 Map & Event Listings Allison Brodowski , Mercedes Allen, Shone Find out what’s happening 16 Abet , Christopher Garvey and the Gay and Lesbian Community of Calgary and Edmonton 23 Steamworks Photographer Steve Polyak and Rob Diaz-Marino 25 Q Scopes Videographer “Take a hike, Sagittarius!” Steve Polyak and Rob Diaz-Marino 26 Adult Film Review Please forward all inquiries to: GayCalgary and Edmonton Magazine Erotikus, Dangerous Island, Men at Work and Stars Suite 100, 215 14th Avenue S.W. Calgary,
    [Show full text]
  • Show Tickets at Exit
    Art by sophia alonzo SHOW TICKETS AT www.theexit.org/fringE EXIT THEATRE, 156 EDDY, sf, ca 415-673-3847 #SFFRinge #EXITTheatre A note from our Founder Welcome and Greetings to the 2019 San Francisco Fringe Festival Community, as we celebrate our 28th Year! Since late May when I took my show, Denial Is A Wonderful Thing, on the road, I have been touring the CAFF Fringe circuit. So far I’ve been to the London, Ontario Fringe Festival, the PortFringe in Portland, Maine and as I write this letter I’m getting ready to head out to the two largest Fringe Festivals in North America: the Winnipeg Fringe and the Edmonton Fringe. 2019 marks the 25th Anniversary of CAFF (The Canadian Association of Fringe Festivals) of which the SF Fringe is a proud member. All CAFF Fringe Festivals are committed to being open access and to returning 100% of the artist ticket price to the performers and companies. It’s a rare tradition in support of artists that’s precious and unique and it allows a wide open door to a wonderful world of, wild, weird, wacky, sometimes bizarre, sometimes world-class, non-curated creativity. The community of artists, audience, staff and volunteers are the core of a Fringe. So welcome and know that you are a vital part of all that happens each year both on stage and off at the San Francisco Fringe Festival. Please see as many shows as you can and remember to Tip the Fringe so we can keep supporting and exploring this amazing world of Fringe together.
    [Show full text]
  • Curriculum Vitæ
    Sutley — Curriculum Vitae Curriculum Vitae !1 of !51 Sutley — Curriculum Vitae Curriculum Vitae Kevin K. Sutley 11626-71 Avenue Edmonton, AB T6G 0A8 Home: (780) 435-7707 Office: (780) 679-1614 [email protected] Citizenship: Canadian Postsecondary Education 1997 - 1999 M.F.A. - (Directing), University of Alberta Thesis Title: Steinbeck on Stage: Directing The Grapes of Wrath. 14/10/98 Supervisor: Prof. Kim McCaw 1989 - 1992 B.F.A. - Acting, University of Alberta (04/92) 1987 - 1989 Theatre Studies Diploma, Red Deer College (06/89) *2016 - 2018 *Obtained Certificate in “Building Capacity for Reconciliation” — Augustana Campus, University of Alberta Relevant Employment 2016 to Present: Professor of Theatre University of Alberta – Augustana Campus. 2008 to Present: Associate Professor of Theatre University of Alberta – Augustana Campus. 2004 to 2008: Assistant Professor of Theatre University of Alberta – Augustana Campus. 2002 - 2004: Assistant Professor of Theatre – Augustana University College. !2 of !51 Sutley — Curriculum Vitae 1997 - 2002: Sessional Instructor in Drama – University of Alberta Drama Department. 1999 - 2002: Instructor – Citadel Theatre School, Edmonton, Alberta. 2001 - 2002: Sessional Instructor in Drama – Faculty of Extension, University of Alberta. 01-04/ 2002: Sessional Instructor in Drama – Augustana University College. 2001: Instructor – Artstrek/Theatre Alberta. 2000: Instructor: Camp Shakespeare – Free Will Players, Edmonton, Alberta. 2000: Instructor: New Play Development – Walterdale Theatre, Edmonton, Alberta. 1998: Instructor: Summer Youth University – Drama - University of Alberta. 1997: Instructor: Acting – Walterdale Theatre, Edmonton, Alberta. 1994: Instructor: Imagination Through Drama – Festival Place, Sherwood Park Alberta. 1992 - 2002: Freelance Theatre Artist. Teaching Experience Undergraduate Courses in Drama at Augustana: (As Augustana University College until 2004 and Augustana Campus/University of Alberta since) AUDRA 101 Play Analysis: Survey and critical analysis of dramatic literature from ancient Greek to contemporary.
    [Show full text]
  • All Stages Magazine Audience Theatre in Alberta | Fall 2014 Engagement Cultivating Lasting Connections
    THIS ISSUE: ALL STAGES MAGAZINE AUDIENCE THEATRE IN ALBERTA | FALL 2014 ENGAGEMENT CULTIVATING LASTING CONNECTIONS Fred Zbryski, Lora Brovold, and Liana Shannon in Dear Mr. Keith by Rob Maclean and Melissa Mullen, commissioned by the Playwrights Atlantic Resource Centre, part of Theatre Yes's The National Elevator Project, Edmonton 2014. www.theatrealberta.com Photo Credit: Dave DeGagné. contents [4] [9] [14] PRODUCE TO IN PRAISE OF THEATRE TO THINE OWN PROMOTE IN SMALL ROOMS SELFIE BE TRUE The ongoing dialogue between Verb Heather Inglis on the recent national The Shakespeare Company's approach to Theatre and its 'subscribers.' elevation of Theatre Yes. 'lean and mean' classical theatre. [1] Check in [3] Community Profile [4] Produce to Promote [7] Love's Labour's Lost? [8] Sides [10] Early Stages [12] Foils [14] To Thine Own Selfie Be True [15] Q2Q [16] Opinion Want to subscribe to All Stages? Become a member of Theatre Alberta at theatrealberta.com/membership and receive all three issues of our publication, plus access to our library, professional development programs, and production resources! Publications Mail Agreement Number 40051164 Return undeliverable Canadian addresses to: Theatre Alberta Centre Page Percy 3rd Floor, 11759 Groat Road Edmonton, AB T5M 3K6 Theatre Alberta is a Provincial Arts Service Organization and registered Canadian charity committed to encouraging the growth of theatre in Alberta. All Stages Magazine is a publication of Theatre Alberta issued three times a year. The opinions and Checkin views expressed in All Stages Magazine are those of the writers and do not necessarily reflect those of Theatre Alberta. Subscribe to All Stages Magazine by becoming a member of With fall and the return of the theatre season Theatre Alberta at theatrealberta.com/membership.
    [Show full text]
  • It's Theatrically Delicious!
    It’s Theatrically Delicious! September 5 - 15, 2019 On and around Granville Island & East Vancouver VancouverFringe.com Information 2 Vancouver Fringe Festival Vancouver Table of Contents Information Information Master Schedule 4 Welcome to the Fringe 32 Master Schedule 5 Fringe-O-Matic 7 Fringe Festival Team Shows by Venue 8 Ticket Information 9 Accessibility 38 Studio 16 9 PAL Shows 40 Waterfront Theatre 11 Getting to the Fringe 42 The Nest 12 Maps 44 False Creek Gym 15 Opening Night featuring 46 Performance Works the Georgia Straight Fringe-For-All 48 Revue Stage 17 The 2019 Fringe Raffle! 50 The Cultch Historic Theatre 19 Phillips Fringe Bar 52 Dramatic Works Series 25 Food Trucks & Where to Eat 53 Advance Theatre 26 Friend, Follow, and Fave Us 54 Bring Your Own Venue (BYOVs) 26 Theme Days 27 The Fringe Needs You! (How to Donate) Appendix 28 Fringe Merch 29 Fringe Workshops 59 Thanks to our Donors 30 Theatre Wire 60 Thanks to our Partners 58 Canadian Association of Fringe Festivals 60 Thanks to our Volunteers 61 The Public Market Pick of the Fringe & Pick Plus 62 Show Index 62 Fringe Awards Night How to Fringe Did you know the Fringe is unjuried and uncensored? How to Read Carousel Theatre Venue Flag (BYOVs Only): The Fringe is a time to gorge on Bring Your Own Venue (BYOV) theatre, but selecting shows can a Show Listing: shows are all over town and their be daunting. There are many venues are listed in this flag. ways to choose your shows: Mainstage venues are shown in the top left corner of their page Be Meticulous: Read every single or section.
    [Show full text]
  • Artist's Resource Directory
    The Artists Resource Directory Bridget Spence and Gillian Greer Updated by Julia McRae August 2008 A multidisciplinary resource for amateur, professional artists and arts enthusiasts in Fredericton 2 Disclaimer: It was our aim to cover as many resources useful to Fredericton artists as possible. However, as resources are so diverse and ever-changing, it was not possible to cover everything. If you notice an omission please send your suggestion to [email protected]. 2 3 Table of Contents Table of Contents ................................................................................................................. 3 Arts Education and Courses in Canada ............................................................................... 6 Newfoundland and Labrador ........................................................................................... 6 Visual Arts .................................................................................................................... 6 Theatre ......................................................................................................................... 6 Music ............................................................................................................................ 7 Dance ........................................................................................................................... 7 Nova Scotia .............................................................................................. 8 Visual Art .....................................................................................................................
    [Show full text]